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The Global ETD Search service is a free service for researchers
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Showing 101 to 109 of 109 (0.297 seconds)Spelling suggestions: "subject:"[een] FRIEDRICH NIETZSCHE"" "subject:"[enn] FRIEDRICH NIETZSCHE""
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Exploring 'optimal' states of consciousness in Michael Chekhov's psychological gesture : towards a new phenomenological paradigmMastrokalou, Effrosyni Efrosini January 2017 (has links)
This thesis examines key concepts from philosophers Nishida Kitaro, Maurice Merleau-Ponty and Fredriche Nietzsche and applies them to elements of Michael Chekhov’s practice of acting. The three philosophers, in different ways, suggest an ‘optimal’ state, beyond a dualistic separation of the fictive from the real and the visible from the invisible, that challenges seemingly unbridgeable dualisms between inner and outer, subject and object, being and becoming and experiencer and experienced. The purpose of this thesis is to analyze and understand these selected ‘optimal’ modes of consciousness in performance and, therefore, open up new ways of thinking about Michael Chekhov’s acting processes; in particular the ‘Psychological Gesture’. The thesis asks the following questions: 1. How can the application of selected philosophical paradigms to the Psychological Gesture through theory and practice further our understanding of Michael Chekhov’s work? 2. How do selected aspects of the fields of phenomenology, post-phenomenology, cognitive sciences, consciousness studies and philosophy of mind, aid in developing an articulation and understanding of an ‘optimal’ state of consciousness as a necessary aspect of the actor’s performance in Michael Chekhov’s work and theatre practice? 3. How can this project develop the way we are able to talk about Michael Chekhov’s work and wider acting processes?
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The Decline of certainty: on Gianni Vattimo's weak beliefZielke, Dustin 07 September 2010 (has links)
This thesis argues that in order to demonstrate the possibility and sensibility of Italian philosopher Gianni Vattimo's 'weak religious belief', it should be understood as the becoming uncertain of traditional, metaphysical (strong) belief. The difference between weak belief and strong belief can thereby be understood not as two distinct modes of belief, but as an event of weakening in the history of belief that has yet to be realized by those who believe with the support of metaphysical certainty. Since Vattimo aligns metaphysics with violence, and since he aligns traditional belief with metaphysics, to demonstrate and defend the possibility of Vattimo’s weak belief amounts to the reduction of violence in the world. However, the possibility and validity of weak belief has been called into question by thinkers such as Richard Rorty. In light of a review of the arguments and counter-arguments between Rorty and Vattimo, I argue that it is possible to distinguish weak belief from strong belief as long as this remains a weak distinction.
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Human, not too human: a critical semiotic of drones and drone warfareVasko, Timothy 14 January 2013 (has links)
Taking as its starting point Nietzsche’s and Foucault’s theses on liberalism and war, and Dillon and Reid’s extensive engagement thereof, this thesis offers a critical conceptualization of drones and drone warfare. I argue that deployment of drones specifically over and against bodies and communities in conflict zones in and between Afghanistan, Pakistan, Iraq, Yemen, Somalia, and until recently, Libya, is the material practice of a legal and political doctrine and precedent that has been established and policed most prominently by the United States and its military and intelligence apparatuses since the end of the Cold War. This novel precedent, however - due to its necessarily mutually constitutive relationship with a perceived danger said to be emerging from specific spaces, bodies, and communities in the decolonized and still-colonized worlds - locates its ontological and thus political genealogy in the anthropological knowledge that legally justified the (in)humanity of peoples and communities in these spaces during the era of high imperialism that lasted roughly from the nineteenth to mid-twentieth centuries. I theorize this as a mode of political, tragic nihilism through a reading of some key theories of Deleuze and Guattari, Foucault, and Nietzsche and specifically, their import to the field of critical security and international relations theory. I demonstrate that the semiotic image of the drone is a highly pertinent point of departure through which we can understand these political stakes of strategic discourses enunciating the imperatives of both the Revolution in Military Affairs as well as recent global counterinsurgency/counterterrorism operations, specifically as they relate to claims about what it is drones are said to productively offer such militaristic projects. Ultimately, I argue that it is through the semiotic image of the drone as a clean, precise tactic that furthers the strategic goals of counterterrorism to target specific bodies that we can begin to politically theorize a particularly malignant political nihilism symptomatic of contemporary liberal societies. However, I also suggest that it is through Nietzsche’s politics of nihilism that we can begin to think about radical critical interventions that resist such a dangerous mode of politics. / Graduate
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Reconstructing truth in modern society: John Paul II and the fallibility of NietzscheWelter, Brian 30 November 2007 (has links)
This thesis examines the intellectual environment in which Pope John Paul II's thought
operates, especially as it pertains to his writings on the truth. The pontiff's thinking faces open
hostility toward Christianity, as exemplified by Friedrich Nietzsche and Michel Foucault. The
pope's theology pays attention and builds links to modern thought through its positive
engagement with phenomenology and personalism, as well as through its opposition to
materialism. Despite these connections, this theology fails to fit well with (post)modern
thinking, as it takes a wider view of things in two ways: (1) By offering a spiritual sense of
things, it goes beyond thought and takes into account supernatural sources of knowledge,
sources which are both a one-time event (the Resurrection of Jesus Christ) and part of the
ongoing journey of the Christian community; (2) By boldly referring to traditional, outmoded
language, as with the words obedience and humility, with the same level of reverence and
fullness of their sense as they were used before the secular-feminist era condemned these
virtues. The strange and unique qualities of John Paul II's thinking issues from these two
practices. It also arises from his bold ability to engage with modern thought without becoming
defensive and without hiding behind the Bible or Catholic piety, though he uses both of these
generously.
John Paul II offers a clear alternative to the chaos and confusion of post-Enlightenment
thought, in both his thought's style and substance. The Holy Father's words cause us to reflect
more deeply than those of modern or postmodern thinkers, and call us away from the
relativism of Richard Rorty, Foucault, and so many others. The pope's thought succeeds in
part because he takes a much wider vista of things, in that he digs more deeply into Western
and Christian thought and that he enters this heritage as an inheritor rather than as a skeptical
scientist-researcher as in Foucault's case. The pope's thought also succeeds because he assigns
spiritual meaning to this journey of Christian and world people. In this sense, his thought is
also radically inclusive. / Philosophy, Practical and Systematic Theology / D. Th. (Systematic Theology)
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La foi en l’obscur : le sacré sale et le mysticisme du jeu chez Georges BatailleLavoie, Vincent 11 1900 (has links)
C’est durant la première moitié du vingtième siècle, c’est en étant contemporain des deux guerres mondiales, dans une France qui se sécularise, que Georges Bataille (1897 – 1962) construit une pensée – profondément nietzschéenne – scandaleuse. Conceptuellement, le corps n’est pas seulement au centre des préoccupations de Bataille, il se pense maintenant dans sa réalité outrancière : l’érotisme, l’ivresse et la souillure. On assiste à une sacralisation des débauches de toutes sortes. Et c’est ainsi que s’opère la singularité philosophique de Bataille puisque ce qui est sacré ne loge plus, selon lui, dans un sublime céleste, dans une divinité ou, en d’autres mots, dans les hauteurs, mais bien dans son exact contraire, c’est-à-dire dans le bas, dans l’excès, dans l’érotisme et dans le sale. Devant cette inversion de l’ordre du monde, ce qui est sacré, c’est la profanation même. C’est pourquoi, à partir de Mary Douglas, j’ai pu relier deux idées qui paraissent contraires : la souillure et le sacré. Ainsi, étant donné que Bataille est aussi écrivain (Sade fut l’une de ses influences majeures), j’ai pu inclure des récits de l’auteur qui illustrent parfaitement ces deux antinomies. C’est d’ailleurs l’un des traits les plus fondamentaux de son œuvre que j’ai aussi soulevé : toute l’œuvre de Bataille est paradoxale et antinomique.
C’est justement à partir de ce même constat que j’aborde la question du mysticisme chez Bataille. Mais comme avec la question du sacré, la conception du mysticisme implique une critique implicite du christianisme (opposition du ciel contre la terre, par exemple). Nécessairement, c’est l’instant et son hasard – l’absence de but – qui ouvrent la voie à l’expérience, alors que l’écriture communique son essence tout en la rendant davantage intelligible. De là provient justement, par le caractère arbitraire de l’expérience, l’idée de chance que Bataille établit en diapason avec Nietzsche. À ce sujet, Nietzsche devient très présent dans le mysticisme bataillien, pensons à la figure du surhumain qu’on peut associer à celle de l’homme souverain ou encore à la volonté de puissance qu’on peut relier à celle de la volonté de chance. Dès lors, Bataille met de l’avant une mystique du jeu, celle-ci étant une mise en jeu radicale de soi-même d’où émerge la chance que Bataille évoque et qui n’est rien d’autre que la possibilité de l’expérience même. Somme toute, force est de constater que la fragilisation mentale et physique du mysticisme bataillien cache également un sacrifice de soi au nom de la jouissance, certes, mais aussi au nom du texte. / It was in the first half of contemporary 20th century when France was well secularized that Georges Bataille (1897 - 1962) constructed a scandalous - deeply Nietzschean - thought. The body is then conceptually not only at the center of Bataille's preoccupations, it now thinks of itself through its scandalous reality: eroticism, exhilarating and dirty. We are witnessing a sacralization of debauchery of all kinds and this is how Bataille's philosophical singularity operates. Indeed, a sacred thing does not exist in the sublime sky, in any deity or, in other words, in the heights, but in its exact opposite wich his the low, the excess, the eroticism and the dirty. This inversion in the order of the world is the desecration itself. This is why, with Mary Douglas, I was able to link two ideas that seemed contradictory to me: the dirty and the sacred. Knowing that Bataille is also a writer (Sade is a major influence), I can include a few stories to perfectly illustrate these two opposites. This is one of the most fundamental characteristics of the work I have mentioned: all of Bataille's works are paradoxical and antinomic.
It is precisely from this same observation that I approach the question of mysticism in Bataille works. With the question of the sacred, the conception of mysticism involves an implicit critique of Christianity (opposition of sky and earth, for example). It is the instant and its hazard - the absence of purpose - that opens necessarily the way to experience as writing communicates its essence while making it more intelligible. From there precisely, Bataille developed the idea of chance in agreement with Nietzsche. Nietzsche becomes at the same time very present in the conception of the mysticism of Bataille. We can just think about the figure of the superhuman that we can associate with the sovereign man or even the will of power that we can compare to the will of chance. From then on, Bataille puts forward a mystic game, by placing himself in this radical game, from which the luck evoked by Bataille can emerge and which is nothing else than the possibility of experience itself. Finally, it is clear that the mental and physical fragility that are triggered in Bataille mystical experience also hide a form of self-sacrifice in the name of enjoyment but also in the name of the text.
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Myths on the Move: A Critical Pluralist Approach to the Study of Classical Mythology in Post-Classical WorksDelbar, David Carter 01 June 2019 (has links)
The Classical Tradition, now more commonly known as Classical Reception, is a growing sub-discipline in Classics which seeks to trace the influence of Greco-Roman culture in post-classical works. While scholars have already done much to analyze specific texts, and many of these analyses are theoretically complex, there has yet to be a review of the theories these scholars employ. The purpose of this study is to provide researchers with a theoretical tool kit which allows them greater scope and nuance when analyzing usages of classical mythology. It examines five different approaches scholars have used: adaptation, allusion, intertextuality, reception, and typology. Each theory is followed by an example from Spanish literature or film: Apollo and Daphne in Calderón's El laurel de Apolo, Orpheus in Unamuno's Niebla, Dionysus in Unamuno's San Manuel Bueno, mártir, Persephone in del Torro's El laberinto del fauno, and the werewolf in Naschy's Waldemar Daninsky films. This thesis argues that a critical pluralist approach best captures the nuance and variety of usages of classical mythology. This allows for both objective and subjective readings of texts as well as explicit and implicit connections to classical mythology.
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Zrcadlo reality v obrazech snů 19. a 20.století. Tvůrčí individualita versus chaos doby / The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries. Creative Individuality versus the Chaos of the TimeŠmejkalová, Adriana January 2018 (has links)
ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries - Creative Individuality versus the Chaos of the Time is based on the assumption that dreams are inseparably linked to the concept of existence in human life (Michel Foucault). The study touches on the ways in which dreams are depicted in visual culture that does not coincide with chronologically organized historical events, but is an expression of a free alliance between artists in the European space and centuries of common experience. These works are generally socially critical, exposed to unimaginable pressure from public censorship. The artist must pretend it is only an innocent game, a crazy idea, a whim. At the same time, these paintings are not an expression of boundless imagination, but they are subject to the firm rules of spatial construction of the painting. This is due to the traditional delimitation of dark depths - the underworld of Virgil's Saturn myth of pre-Roman culture, alternating with the vertically felt open heavens as variants of the original Plato's The Myth of Er, which in the 20th century paintings is replaced by the idea of an open landscape with illumination on the low horizon. The work deals with the work of Albrecht Dürer, his copperplate Melancholia I (1514) and his so-called...
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"Minds will grow perplexed": The Labyrinthine Short Fiction of Steven MillhauserAndrews, Chad Michael 25 February 2014 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / Steven Millhauser has been recognized for his abilities as both a novelist and a writer of short fiction. Yet, he has evaded definitive categorization because his fiction does not fit into any one category. Millhauser’s fiction has defied clean categorization specifically because of his regular oscillation between the modes of realism and fantasy. Much of Millhauser’s short fiction contains images of labyrinths: wandering narratives that appear to split off or come to a dead end, massive structures of branching, winding paths and complex mysteries that are as deep and impenetrable as the labyrinth itself. This project aims to specifically explore the presence of labyrinthine elements throughout Steven Millhauser’s short fiction.
Millhauser’s labyrinths are either described spatially and/or suggested in his narrative form; they are, in other words, spatial and/or discursive. Millhauser’s spatial labyrinths (which I refer to as ‘architecture’ stories) involve the lengthy description of some immense or underground structure. The structures are fantastic in their size and often seem infinite in scale. These labyrinths are quite literal. Millhauser’s discursive labyrinths demonstrate the labyrinthine primarily through a forking, branching and repetitive narrative form.
Millhauser’s use of the labyrinth is at once the same and different than preceding generations of short fiction. Postmodern short fiction in the 1960’s and 70’s used labyrinthine elements to draw the reader’s attention to the story’s textuality. Millhauser, too, writes in the experimental/fantastic mode, but to different ends. The devices of metafiction and realism are employed in his short fiction as agents of investigating and expressing two competing visions of reality. Using the ‘tricks’ and techniques of postmodern metafiction in tandem with realistic detail, Steven Millhauser’s labyrinthine fiction adjusts and reapplies the experimental short story to new ends: real-world applications and thematic expression.
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Technik und Bildung in der verwissenschaftlichten LebensweltLumila, Minna 02 June 2023 (has links)
Die Studie versucht, Husserls Modell einer nicht-wissenschaftlichen Lebenswelt für pädagogische Untersuchungen zum Verhältnis von Technik und Bildung in der verwissenschaftlichen Welt zu öffnen. Sie diskutiert Entwicklungsprobleme der Spätmoderne unter pluralen Fragestellungen und führt Ansätze und Traditionen zusammen, die unterschiedliche Wege zur Weiterentwicklung der modernen Bildungstheorie beschritten haben. Im Zentrum steht die Frage, wie moderne Technik einerseits als lebensweltliche Entfremdung des Menschen problematisiert und andererseits als Produkt menschlicher Freiheit und Weltgestaltung gewürdigt werden kann. In vier Kapiteln werden die methodischen Ansätze und Antworten vorgestellt, die der Philosoph und Pädagoge Eugen Fink (1905–1975), der Philosoph Martin Heidegger (1889–1976), der Philosoph und Erziehungswissenschaftler Theodor Litt (1880–1962) und der Soziologe Helmut Schelsky (1912–1984) auf die Frage nach dem Verhältnis von Bildung und Technik gegeben haben. Im Durchgang durch ihre Positionen wird ein Konzert erarbeitet, dessen Originalität darin liegt, Abstimmungsprobleme von Bildung, Technik und Lebenswelt aus postdualistischer, praxistheoretischer sowie posthumanistischer Perspektive zu thematisieren. / The study attempts to open Husserl's model of a non-scientific lifeworld for pedagogical investigations of the relationship between technology and “Bildung” in the scientific world. It discusses developmental problems of late modernity under plural questions and brings together approaches and traditions that have taken different paths to the further development of modern “Bildungs”-theory. The central question is how modern technology can be problematized on the one hand as the alienation of human beings from the world of life and on the other hand be appreciated as a product of human freedom and the shaping of the world. Four chapters present the methodological approaches and answers that philosopher and educator Eugen Fink (1905–1975), philosopher Martin Heidegger (1889–1976), philosopher and educationalist Theodor Litt (1880–1962), and sociologist Helmut Schelsky (1912–1984) have given to the question of the relationship between education and technology. In the course of their positions, a concert will be developed whose originality lies in addressing the coordination problems of “Bildung” (education), “Technik” (technology) and “Lebenswelt” (lifeworld) from a post-dualist, praxis-theoretical as well as post-humanist perspective.
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