[pt] Este trabalho realiza a tradução para o português de Esta breve tragedia de la carne, obra da dramaturga, atriz e diretora de teatro espanhola Angélica Liddell (n. 1966). Ao mesmo tempo, tomando como objeto da tradução um texto de performance teatral, procura contribuir com discussões recentes no campo dos Estudos da Tradução a respeito das relações entre tradução e performance, como as que se veem, com interesses variados, em trabalhos de Guilherme Gontijo Flores, Rodrigo Tadeu Gonçalves, Álvaro Faleiros e Helena Martins, entre outros. Posicionando-se diante dessas discussões, o trabalho assume para Esta breve tragedia de la carne três paradigmas básicos de leitura. O primeiro é o de que a identidade do texto é dada pela relação que se estabelece entre o texto e o tradutor; o segundo é o de que esse texto corresponde a um certo conjunto de performances dele mesmo, e não somente ao original tomado como fato estático, e que é esse conjunto, e não o original, o objeto da tradução, enquanto por outro lado a tradução também se apresenta como mais uma performance que participa do conjunto; o terceiro é o de que a leitura de Esta breve tragedia de la carne provoca ações, ou tarefas, e de que essas ações tornam possível observar no texto um modo específico de conflito entre corpo e palavra que estrutura a sua performatividade. A dissertação, então, acontece em três movimentos. O primeiro consiste em enunciar um conjunto de performances que compõem o texto de Esta breve tragedia de la carne. Nesse conjunto incluem-se apresentações da obra e da ética de Angélica Liddell, bem como um mapeamento de sua recepção no Brasil e uma descrição da encenação da própria Liddell para Esta breve tragedia de la carne, em 2015. O segundo movimento consiste na realização de três traduções de Esta breve tragedia de la carne para o português, cada qual orientada por um distinto programa performativo, procedimento composicional concebido por Eleonora Fabião. O terceiro e último movimento é um ensaio teórico que, traçando um diálogo entre dimensões performativas da tradução e a tradição tradutória legada por Haroldo e Augusto de Campos, oferece uma análise do experimento de tradução realizado no trabalho e procura articulá-lo a práticas mais amplas de tradução no Brasil. / [en] This study offers a translation into portuguese of Esta breve tragedia de la carne, a work by Spanish writer, actress, and theatre director Angélica Liddell (b. 1966). By taking a text which was given for theatrical performance as an object of translation, it seeks at the same time to contribute to recent debates on Translation Studies regarding relations between translation and performance, such as those put forward, with diverse interests, in works by Guilherme Gontijo Flores, Rodrigo Tadeu Gonçalves, Álvaro Faleiros, and Helena Martins, amongst others. In joining these debates, this study reads Esta breve tragedia de la carne in accordance with three basic paradigms. The first one is that the text s identity is given by the relation established between text and translator; the second is that this text is taken not as a static original but as a certain number of performances of itself, the object of translation being these performances, which include its translations; the third paradigm is that the reading of Esta breve tragedia de la carne basically prompts actions, or tasks, and that these actions show a specific conflict between word and body that structures the text s performance. This study, then, is set forth in three movements. The first consists in enunciating a set of performances that make up Esta breve tragedia de la carne s text. This set includes materializations of Angélica Liddell s work and ethics, as well as a mapping of her reception in Brazil and a description of her own staging of Esta breve tragedia de la carne, in 2015. The second movement consists in the execution of three distinct translations into portuguese of Esta breve tragedia de la carne, each oriented by a different performative program, a composing procedure devised by Brazilian performer Eleonora Fabião. The third and last movement is an essay which, while reflecting on performative dimensions of translation within the Brazilian tradition of translation studies established by Haroldo and Augusto de Campos, offers an analysis of this study s particular experiment and seeks to articulate it with broader translation practices in Brazil.

[pt] Esta tese apresenta contribuições para as discussões a respeito de conceitos e práticas envolvidos na tradução de textos dramáticos, propondo uma maior integração entre dois campos de saber diretamente relacionados a ela – os Estudos da Tradução e as Artes Cênicas. Os aportes teóricos aqui utilizados são oriundos desses dois campos, com destaque especial para aqueles que se localizam nas sobreposições entre ambos. Com o intuito de ampliar o debate sobre o texto teatral e sua tradução, a presente tese sugere meios de expandir a experiência teatral para além de sua dimensão linguística por meio do uso de elementos extratextuais, propondo, ainda, uma possível aproximação entre o tradutor e a encenação. A ampliação do tema da tradução teatral aqui colocada também se volta para a cena teatral brasileira e, para isso, se apoia em abordagens e conceitos da vertente sociológica dos estudos da tradução. Como ponto de partida para as discussões aqui propostas, é parte integrante deste trabalho a tradução comentada de The Pitmen Painters (Os pintores da mina), peça escrita por Lee Hall em 2007, nunca publicada ou encenada no Brasil. Ao criar um dialeto literário para seus pitmen painters, Hall impulsiona a presente pesquisa na direção de estudos dialetais nos dois idiomas aqui contemplados – o inglês de Hall e o português brasileiro da tradução – e, consequentemente, para estudos relacionados à tradução de variantes linguísticas. / [en] This dissertation contributes to discussions about concepts and practices involved in the translation of theatrical texts, proposing greater integration between two fields of knowledge directly related to it: translation studies and dramatic arts. Theoretical sources from both fields are used, particularly ones that operate at their points of intersection. With the aim of building on the debate around texts for the stage and their translation, this dissertation suggests ways of expanding the theatre experience beyond its linguistic dimension through the use of extratextual elements, while also proposing closer involvement of the translator with the theatre production process. This expanded conception of theatre translation is enriched by an investigation of the Brazilian theatre milieu, drawing on concepts and approaches derived from sociologically oriented studies of translation. A starting point for the discussions proposed here and an integral part of the work is an annotated translation of Lee Hall s 2007 play, The Pitmen Painters, which has not been published or staged in Brazil to date. The literary dialect Hall creates for his pitmen painters leads this research toward the study of dialects in both languages involved here - Hall s English and Brazilian Portuguese – and thereby the translation of linguistic variants.

This thesis explores the importance of transcreation in the translation of marketing slogans and how experience is pivotal when translating. The overall aim is to offer an insight into how professional and non-professional translators tackle translation problems in the form of rhetorical devices common to marketing language. The thesis analyses translation strategies and text functions in translations collected from participants with varying backgrounds in translation and show that participants with more experience and/or education in translation take more creative freedom in transferring the source slogans’ messages and functions. The study furthermore conducted a questionnaire with a small test group to gauge the target audience response to the collected translations. The result indicates a preference for transcreated translations over literal translations, highlighting the importance of audience awareness when translating slogans. Overall, the thesis provides insight into transcreative translation’s relevance and highlights the complexity of translation. / Denna uppsats undersöker vikten av transkreation i översättningen av reklamslogans, samt hur erfarenhet är avgörande vid översättning. Det övergripande målet är att ge en inblick i hur professionella och icke-professionella översättare hanterar översättningsproblem i form av retoriska medel som är vanligt förekommande i marknadsföringsspråk. Uppsatsen analyserar översättningsstrategier och textfunktion i översättningar som har samlats in från deltagare med olika bakgrund inom översättning och visar att deltagarna med mer erfarenhet och/eller utbildning inom översättning tar sig större kreativ frihet när de överför källsloganernas budskap och funktioner. I studien genomfördes dessutom en enkät med en liten testgrupp för att mäta målpublikens reaktion på de insamlade översättningarna. Resultatet visar att de föredrar transkreativa översättningar framför direktöversättningar, vilket understryker vikten av att vara medveten om målgruppen när man översätter slogans. Sammantaget ger avhandlingen en inblick i den transkreativa översättningens relevans samtidigt som den belyser verksamhetens komplexitet.

Данная магистерская диссертация посвящена теме коллаборативного перевода. Рассматриваются исторический опыт коллаборативного перевода, специфика перевода текстов разных функциональных стилей, технологии коллаборативного перевода и лексическая сочетаемость слов. В рамках исследования осуществляется коллаборативный перевод статьи из интернет-энциклопедии «Википедии», описана технология применения данного вида перевода. В результате исследования полученный перевод текста был опубликован в русскоязычном разделе сайта «Википедии». / This master’s thesis studies collaborative translation. The theoretical part considers the history of collaborative translation, specific translation features of texts of different functional styles, collaborative translation technologies, and lexical collocation are considered. In the practical section, there is carried out a collaborative translation of an article from Wikipedia, the usage of this technology being described. At the final stage of the research, the resulting Russian version of the text was published in Wikipedia, the free encyclopedia.

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This thesis project is comprised of a partial Chinese translation of The Awakening, a translator’s introduction in Chinese for Chinese readers, and an accompanying critical analysis for my translation. My Chinese translation is guided by feminist translation theory. Its central ideas are that translations should expose and redress gender-based prejudices, challenge and subvert male-dominated linguistic and cultural systems, and promote gender equality in cross-cultural communications. The Awakening is a pioneering feminist novel written by the American author Kate Chopin and published in 1899. It centers on protagonist Edna Pontellier’s gradual departure from her socially conventional roles as a mother and wife and her unfolding awakening to her individuality and sexuality in the late Victorian era. My partial Chinese translation focuses on the gender and sexuality-related excerpts in the novel, which include the depictions of the female body, the Victorian patriarchy, the inner emotions of the protagonist, and the intimacy and sexuality displayed between the protagonist and the male characters in the novel. The translator’s introduction aims to introduce Chinese readers to Kate Chopin and her works and explain the translation interventions I have made in my translation. The accompanying critical analysis discusses my translation approaches and the decision-making process to foreground the feminist themes and convey them to the Chinese readership while preserving the language texture of an English novel from the 19th century in its Chinese rendition.

This thesis provides a practical translation of 101 Arabic recipes selected from three cookbooks by the distinguished Egyptian chef and author Osama El-Sayed, plus a long introduction discussing the history of Arab cuisine including cultural and linguistic factors and the translation strategies employed. The cookbooks are entitled Bil Hanna Wa Shiffa, (With Joy and Good Health) 2001; Maa Osama… Atyab, ‘With Osama, Food is more Delicious’[1], 2007; and Al-Halawiyat Al-Sharqiy, (Sweets of Arabia) 2010. I argue that food plays a defining role in shaping a culture and its identity. In general, Arabic recipes have been translated and many gaps exist in terms of adequate cooking terms and processes in English. This study attempts to reduce cross-cultural barriers by translating recipes both well-known Arabic dishes as well as lesser known dishes that also represent values, customs, and traditions important to Arabic language and culture. The study adopts terminology from Venuti’s dichotomy in translation, “foreignization” vs. “domestication” and draws upon both depending upon the circumstances and availability of adequate terms and expressions in English. After following a blended translations strategy, results show that out of 101 recipes, 35 are fully domesticated, 15 fully foriegnized, 19 partially domesticated and partially foreignized, and 32 foreignized with domesticated translations also provided. The last factor in determining the final version was a process of taste-testing. Each step of the translated recipe carefully “proofed” to ensure the edibility and overall quality of the dishes, showing that anyone who can read English can prepare any of the translated texts even with a humble knowledge of cooking. [1] This title, ‘With Osama, Food is more Delicious’ is my own English translation of the Arabic original Maa Osama…Atyab. The two other books have been published with their English on the Chef Osama El-Sayed’s main website. More details can be found in the following chapters.

Jewish literary studies holds a peculiar field position. Although the study of Jewish American literature has been a part of American literary studies at least since the famed ‘breakthrough’ of Jewish literature in the postwar years, it often continues to be treated as a self-enclosed world of its own, apart from both ethnic literary studies and the larger American literary field.

Dans la présente étude, nous avons pour objectifs d’extraire et d’analyser les néologismes des technologies langagières du point de vue de la traductologie et de ses domaines connexes, d’utiliser ces néologismes comme fenêtre sur l’évolution des connaissances relatives aux technologies langagières, et de mettre à l’épreuve la méthodologie élaborée dans le cadre de l’étude. Les technologies langagières occupent une place centrale en traductologie. Pour l’extraction et l’analyse, nous utilisons alors un corpus diachronique composé d’articles publiés en français et en anglais, de 1966 à 2019, dans les revues traductologiques Meta : journal des traducteurs et TTR : traduction, terminologie et rédaction. Nous proposons une méthodologie innovatrice en terminologie pour l’extraction et l’analyse des néologismes, qui combine l’utilisation d’un corpus d’exclusion, d’un calcul des fréquences et des plongements lexicaux diachroniques. Enfin, nous validons et analysons les néologismes sur la base de leur concordance et selon la typologie de Rondeau (1984). Nous visons plus précisément les termes d’un lexique bilingue des technologies langagières que nous avons compilé à partir d’ouvrages spécialisés. Les résultats nous permettent de faire état de la néologie, en anglais et en français, des technologies langagières utilisées en traductologie et dans ses domaines connexes. Les données recueillies évoquent une variété de domaines, d’événements et de thématiques que nous analysons et qui représentent de nouvelles avenues à explorer. De plus, elles signalent la similarité de la néologie du domaine dans les deux langues et nous permettent d’observer la popularité, la trajectoire et l’instabilité des néologismes au sein du corpus. Ainsi, nous offrons une perspective novatrice sur les technologies langagières et sa terminologie pour les spécialistes de la traductologie et de ses domaines connexes. / In this study, we aim to extract and analyze language technologies neologisms from the point of view of translation studies and its related fields, to use these neologisms as a window on the evolution of knowledge about language technologies, and to put the methodology developed as part of the study to the test. Language technologies hold an important place in translation studies. For the extraction and analysis, we then use a diachronic corpus built from articles published in French and English, from 1966 to 2019, in two translation studies journals, Meta: translators’ journal and TTR: traduction, terminologie et rédaction. We develop an innovative methodology in terminology for the extraction and analysis of neologisms combining the use of an exclusion corpus, a frequency analysis and diachronic word embeddings. Finally, we validate and analyze neologisms based on their concordance and according to Rondeau’s typology (1984). We focus on terms that are part of a bilingual glossary of language technologies that we compiled for this study from specialized works. The results enable us to describe the neology, in French and English, of language technologies used in translation studies and its related fields. Collected data relate to a variety of fields, events and themes that we analyze, and which provide leads for further analysis. Also, the data point to the similarity of the domain’s neology in both languages and enable us to observe the popularity, trajectory, and stability of neologisms within the corpus. In this way, we offer an innovative perspective on language technologies and its terminology to translation studies and related fields experts.