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91	Mellan ideal och vetenskap: bild-textdissonanser i framställningar av djur i Svenska Familj-Journalen 1877–1882 Andrén, Sara January 2023 (has links) This thesis examines the Swedish 19th century family magazine, Svenska Familj-Journalen, and the interaction between bourgeois attitudes, science, and depictions of animals. My main purpose is to demonstrate how image-text divergences can discover ruptures between 19th century bourgeoise ideology and science. The study consists of a selection of illustrations and texts, the majority being popular zoology depictions that were published in the magazine between 1877–1882. By using nature-culture oppositions as well as art historian Sonya Petersson’s concept of the counteractive illustration, I am able to elucidate differences between texts and images. The texts and images are subsequently analyzed by relating them to contemporary scientific discourses, as well as to the early Swedish animal welfare and nature conservation movements. The results of this study are that image-text divergences reveal 1) that images of animals could depict the animal as such, rather than as a symbol of bourgeois ideals, 2) an insecurity in the magazine’s attitudes toward Darwin’s theory of sexual selection, illustrating circumstances where the magazine chose to adhere to its ideological dispositions rather than accept Darwinian consensus, 3) that the magazine, in publishing texts that were critical of wild life exploitation, diverged from its progress oriented narrative, and that its use of images counteracted these messages. Animals animal welfare movement Darwin illustrated newspapers illustrations image-text divergences imagetext nature conservation movement nature-culture scientific discourses zoology 19th century Djur djurskyddsrörelsen Darwin illustrerade tidskrifter illustrationer bild-textdissonanser imagetext naturskyddsrörelsen natur-kultur vetenskapliga diskurser zoologi 1800-tal Art History Konstvetenskap
92	Utomäktenskapliga födslar i Karlskrona Kommun : En kvantitativ studie av fyra socknar/församlingar från 1875 till 1925 / The birth of children out of wedlock in Karlskrona Municipality : A quantitative study of four parishes from 1875 to 1925 Adolfsson, Daniel January 2022 (has links) The study examines the occurrence of children born out of wedlock in four parishes belonging to the current Karlskrona municipality during the period 1875–1925. The parishes surveyed are Fridlevstad, Rödeby, Tving and Karlskrona city-parish. The period is divided into two parts where the first includes the years 1875–1890 and the second part includes the years 1910–1925. The proportion of children with unknown/known fathers, the mothers' occupations, the fathers' occupations, and the mothers' age are also used as survey variables. The proportion of known fathers increases significantly between the study periods, which could be explained by a reduced internal social control, while the study shows that the introduction of a child welfare officer in 1918 resulted in an increased proportion of known fathers. The mothers' occupational designations change between the periods, for example, the proportion of maids decreases while other occupations are added. In the city-parish, professions such as washerwoman and waitress are added during the second period. The proportion of women working in the industry also increases between the survey periods. The increased proportion of professions, especially in the city-parish, could be linked to the demographic transition. As more people settle in a city, new needs emerge and thus also new occupational categories. The age of the mothers decreases between the study periods. When it comes to class affiliation, it can be noted that most of the fathers and mothers belonged to the working class. However, the proportion of fathers belonging to the middle class was higher than the proportion of mothers belonging to the middle class. Illegitimate children unmarried mothers unmarried mother children born out of wedlock unknown fathers stillbirth Rödeby Tving Fridlevstad Karlskrona Blekinge 19th century 20th century peasant society agrarian society industrialization Oäkta barn ogifta mödrar ogift moder barn födda utom äktenskap utomäktenskapliga barn okända fäder dödföddhet Rödeby Tving Fridlevstad Karlskrona Blekinge 1800-tal 1900-tal bondesamhälle agrarsamhälle industrialisering History Historia
93	Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904 / The woman artist: : representations in the journal Palettskrap 1877 – 1904I Österberg, Susanna January 2016 (has links) Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analyserat bildernas uttryck och bildbudskap utifrån Roland Barthes semiotiska metod. För en genusmedveten och kritisk blick på det konsthistoriska sammanhanget, har jag har tillämpat ett feministiskt perspektiv som varit verktyg för att dekonstruera den maskulina myten om modernismen och konstnären. Min undersökning visar att det finns två etablerade stereotyper/kategorier av den kvinnliga konstnären: den ”okvinnliga” konstnären och ”amatören”. Dessa två stereotyper återspeglar den borgerliga synen på kvinnlighet/femininitet som oförenlig med konstnärsrollen. / I have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist. student journal Palettskrap Royal Swedish Academy of Arts late 1800's amateur unwomanly womanhood femininity role of the artist bourgeois Sweden feminist theory myth masculine feminine modernism palettskrap palett-skrap konstakademien feministisk teori borgerlighet borgerlig maskulin myt kungliga konstakademien konstakademin flanör voyeur sedlighet konstnärsgeniet bohemen tradition qvinna kvinnliga avdelningen manliga blicken manligt nätverk manliga nätverk maskuliniserad kvinnlig konstnär kvinnlighet ärad samtida häxa silhuett ernst ljungh konstnärsrollen kvinnliga konstnärer amatör amatören dilettant dilettantism okvinnliga stereotyp karikatyr sekelskiftet 1880-talet nya kvinnan tradition modernitet modernism offentliga privata rum sent 1800-tal Humanities Humaniora

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