Noise music is created around sounds not often welcome in a musical context. Since the birth of electronic music in the 1950s a new perspective on composing has emerged. In electronic music, sounds and their timbre are as much important as melody, harmony and rhythm. This composing perspective is not often observed. Therefore I have examined a musical genre that stretches the boundaries of what we consider music, sound, noise, beautiful and terrible. The aim of this thesis is to investigate what aesthetic ideals noise musicians have when they create music. I examine the composing processes of three noise musicians, by asking the following questions: Do you compose in advance or do you improvise, how do your control of sound look like, how do you use the human voice and how do you categorize sound? The thesis is constructed around interviews I have made with the musicians and an extensive historical background concentrated on the alternative composing techniques that has led to the development of noise music. Among the results I found that these noise musicians always improvise with material, but the real essence of noise music is the character of the sounds, not their origins or material. Composing in advance for sound is a lot more difficult than traditional composing. Another result is that these noise musicians have extensive control of their instruments and can produce the sounds they wanted. They point out the importance of instruments that produce sound not directly controlled by themselves, something that create a musical quality that they aspire.

Utifrån tre exempel undersöker uppsatsen konstens plats i den konstnärliga forskningen i det svenska och skandinaviska sammanhanget. Den frågar om konstens plats i relation till konstnärlig forskning och om den ska förstås som process, produkt, spår eller en kombination av dessa. Är det exempelvis möjligt att kartlägga de konstnärliga avhandlingarnas olika lager av meningsproduktion, och vad betyder det när de påstår sig producera kunskap? Snarare än att ställa formella frågor om vad den konstnärliga forskningen är, vill denna första pilotundersökning börja fråga när det som produceras genom konstnärlig forskning ska förstås som konst och när det handlar om någonting annat. / As higher artistic education explicitly becomes prepatory for research, the next generation of artists will inevitably be affected. How this change will constitute itself and whether the effect will be a reaction against or a product of this change is impossible to know. It is however already clear that artistic research is moving from periphery to centre in the Scandinavian art scene. Thus this pilot study essay asks how one can understand the position of the artwork produced within the context of artistic research: Is it a process, a product, a trace – or a combination of these? Is it possible to map the various layers of meaning produced? What does it mean to claim that art ”produces knowledge”? The essay focuses on three recent PhD´s in artistic research from Sweden. Rather than addressing formal questions of what artistic research is, or how art and research intertwine with each other, the investigation attempts to focus on when artists are making art within the context of artistic research, when they are doing something else.

The aim of this study is to explore whether activism can counteract and prevent exclusion in Christian tradition and practice. The analysis is helped by queer theologian Marcella Althaus-Reid as a primary theoretical standpoint. The study is based on Petra Carlsson's exploration of the queer nuns and activists: The Sisters of Perpetual Indulgence, and the movement will be elucidated and interpreted through queer theology as expressed by Althaus-Reid. The method used is a textual analysis, where the study will compare Althaus-Reid’s queer theology and Carlsson’s radical material theology; with the aim to present, analyse and discuss activism.  First, Althaus-Reid’s queer theology is systematized thematically based on the studies analysis points: the body, symbols and activism. Secondly, the Sisters of Perpetual Indulgence are presented and depicted through Carlsson’s interpretation of the movement. After this the queer nuns are compared to Althaus-Reid's queer theology, followed by a comparison of Althaus-Reid’s and Carlsson’s theologies. Lastly, with the help of Erik Gyll, the study discusses the situation for LGBT people in religious environments, such as church, and possible consequences of queer activism- and theology in Christian communities.  Althaus-Reid emphasises the need to do theology from different bodies/parts, especially those that have been excluded. She wants to liberate theological concepts from a heteronormative framework, which she believes limits people’s understanding of and access to God. Multiplicity is also prominent with Carlsson. She advocates for a performative viewpoint, that through adding expressions and expanding the imagery, it is also possible to create and change reality. The analysis indicates a need for theology which can embrace real life and experiences. The research shows that for those who create and engage in alternative expressions or activism, such participation enables access to symbols and spaces from which they were previously excluded. Therefore, it is also reasonable to conclude that it is a relevant and fruitful approach as long as people are still excluded from Christian communities, and the church is not a safe place for everyone.

Syftet med denna kvalitativa litteraturanalys var att undersöka hur neuropsykiatrisk och intellektuell funktionsnedsättning skildras i fyra olika bilderböcker som är riktade till barn i förskoleåldern. Resultatet av analysen visar att tre av bilderböckerna skildrar både negativa och positiva aspekter av funktionsnedsättningen, med ett visst fokus på de positiva. I dessa tre bilderböcker kretsar även handlingen kring funktionsnedsättningen, som är det primära i berättelsen. I en av de fyra bilderböckerna skildras funktionsnedsättningen enbart på ett positivt sätt. I denna bilderbok kretsar dock handlingen kring något helt annat än själva funktionsnedsättningen, som inte är det primära i berättelsen. Analysen visar även att funktionsnedsättningen är mest tydlig i bilderböckernas text, och att bilderböckerna skiljer sig åt gällande estetisk utformning. / The purpose of this qualitative literature analysis was to examine how neuropsychiatric and intellectual disability is portrayed in four different picture-books aimed at children in pre-school age. The results of the analysis show that three of the picture-books portrays both positive and negative aspects of the disability, with a certain focus on the positive ones. In these three picture-books, the disability is also the primary in the story. One of the four picture-books only show the positive sides of the disability. However, in this picture-book the disability is not the primary in the story. The analysis also show that the disability is mostly noticeable in the text of the picture-books, and that the picture-books are different regarding their aesthetic design.

<p>My intention with writing this essay is to find out how and in what way the priests in the Allhelgona Church in Stockholm use or are influenced by the ideas of C. G. Jung. This could be in their theology, their sermons or in their private counselling with members of the church.</p><p>I have gathered a few interviews for this essay with the priests Olle Carlsson and Mary Philipsson which I have then analyzed and drawn conclusions from.</p><p>Finally I make an assessment of the information and also see what problems may arise out of incorporating Jungian themes into a Christian atmosphere.</p>

My intention with writing this essay is to find out how and in what way the priests in the Allhelgona Church in Stockholm use or are influenced by the ideas of C. G. Jung. This could be in their theology, their sermons or in their private counselling with members of the church. I have gathered a few interviews for this essay with the priests Olle Carlsson and Mary Philipsson which I have then analyzed and drawn conclusions from. Finally I make an assessment of the information and also see what problems may arise out of incorporating Jungian themes into a Christian atmosphere.

This thesis explores how hope in relation to the threats to the earth’s biosphere can be formulated theologically. The starting-point is a questioning of hope raised by the French sociologist and anthropologist Bruno Latour. In Facing Gaia. Eight Lectures on the New Climatic Regime (2015) he asks why so little has happened to reduce the emissions of CO2. Parts of his answers relate to the view that hope is preventing action. Since hope is a central part of Christian doctrine, this study lets Latours scepticism meet some eco-theological litterature, mainly representing evangelical, orthodox and radical material theology, and religious naturalism. Since critic against eschatology is important in Latours explanatory model, this theme is discussed together with the possibilities of the church practices of liturgy and eucharistic celebration, especially in relation to the concept of time and space, the latter elaborated by the radical material theologian Petra Carlsson Redell. Although putting different emphasis on an ultimate eschatological hope, all authors stress the importance of acting now. The evangelical authors Daniel Brunner et al. present a strategy “living as if”, practicing restoration of the Earth here and now. In religious naturalism the hope lies in the common biological ground for all humanity and living things, also leading to a caring ethics. In general, relationality and materiality as well as including marginalized voices are important concepts when the authors are formulating environmental ethics and eco-theology.  The concept of hope is shown to be important to define, in order to sort out especially false hope from a possibly fruitful concept: resilient hope. A resilient hope is grounded in Christian discipleship, is adaptive and able to recover. It is in a reciprocal relation to action. To develop a resilient hope I argue that it is important to allow both desperation and hope, since the free moving between the two “poles” can act liberating and enable action. A resilient hope gives space for scepticism since it is grounded in a reality always on the move. It is open for emergence and construction. Christianity has resources to house the space between hope and despair both in central biblical narratives and in bodily practices as liturgy and eucharist. Resilient hope in this thesis is earthbound, withstands being lost, and arises again and again in search for new constructive possibilities.

This thesis is about product and process development. The thesis has been done at ABB Robotics AB in Västerås under 20 weeks with half study pace, which is equivalent to 15 higher education credits (15hp). Thesis purpose was to improve an assembly station for assembling of robot IRB 360. Problems at the assembly station are that there are some non-value-creating activities and assembling methods which correspond to low safety factor for workers. The focus of thesis was to investigate opportunities and to produce solid proposals for how to eliminate these problems. After a written contract with ABB AB, the work started with the planning with the company supervisor and Gantt Schema was created to schedule all steps for this project, to ensure during the process. The project has followed the methods described in the book "Produktutveckling konstruktion och design " by Karl T Ulrich &amp; Steven D Eppinger. Product development tools like Quality function deployment (QFD), functional analysis, specification of requirement and Pugh's analysis matrix have been used in the development process. In the first phase of the project, observation and investigation has been performed to identify and analyse problems. In the later phases, ideas and concepts has created to solve the problems and achieve successful results. The result of the project is an improved material flow at assembling stations which eliminates nonvalue-creating activities and leads to better safety for workers. Another result of the project is an elimination of hand hammering at assembling station and for this purpose a new pressing tool has been developed for pressing down a seals around radial shaft in assembling process. The software Solidworks has been used to create a new 3D layout for the existing assembly station to understand and find the better solution for material flow. Solidworks is also used for doing Finite element method (FEM) analysis to validate the new developed pressing tool. / Detta examensarbete handlar om produkt och processutveckling. Arbetet utfördes hos ABB Robotics AB i Västerås och bedrivs under 20 veckor långt på halvfart vilket motsvarar 15 högskolepoäng. Uppdraget är att förbättra en monteringsstation för plockningsrobot IRB360 FlexPicker. Problem på monteringsstation är att det sker icke värdeskapande aktiviteter, och monteringsprocess som leder till arbetsmiljöproblem. Arbetet fokus var att undersöka möjligheter och ta fram konkreta förslag att hur man kan eliminera dessa problem. Efter skriftligt kontrakt med ABB AB, arbetet började med planeringen med företaget handledare och skapades Gantt Schema. Projektet har följt metoderna som beskrivs i boken ”Produktutveckling konstruktion och design” av författare Karl T Ulrich &amp; Steven D Eppinger. I utvecklingsprocessen har använt produktutvecklingsverktyg, några av dessa är QFD, funktionsanalys, kravspecifikation och Pughs analysmatris. I första fas av projekt gjorde undersökning och observation för att hitta och analysera problem. I senare faserna genererade koncepter för åtgärden och sedan vidare utvecklades utvalda koncept för nå framgångsrikt resultat. Resultatet av arbetet blev förbättrad materialflöde som eliminerar icke värdeskapande aktiviteter. Dessutom utvecklades fram ett nytt pressverktyg som eliminerar arbetsmiljöproblem. Mjukvaran Solidworks har använt för att skapa en ny layout för monteringsstation. Med hjälp av Solidworks gjordes FEM -analys (Finita elementmetoden) för att validera den nya pressverktyg