Os processos de metropolização e suas extensões na constituição das cidadesregiões globais são vivenciados nas grandes aglomerações urbano-industriais do capitalismo flexível e globalizado da atualidade. Estes processos atuam espacialmente em pelo menos dois sentidos: o primeiro, de ampliação das formas urbano-industriais das metrópoles, muitas vezes extrapolando suas delimitações formais; o segundo, de intensificação das transformações internas das mesmas, e da ressignificação de suas formas e conteúdos. Neste último, as antigas formas da cidade industrial presentes na metrópole consolidada despontam como cemitérios industriais. O estudo dos cemitérios industriais da metrópole de Porto Alegre, apresentado nesta tese, procura analisar a inclusão destas formas espaciais na sua complexidade atual. Partimos do resgate histórico da sua constituição como cidade industrial e seu posterior processo de metropolização, desconcentração e reconcentração que a caracterizam atualmente como uma metrópole de serviços. A seguir, trabalhamos as diferentes abordagens teóricas nos estudos dos cemitérios industriais. A antiga área industrial do Quarto Distrito de Porto Alegre é o estudo de caso apresentado, sendo que sua análise se dá a partir da inserção dos espaços industriais em três lógicas: lógica global, lógica regional e lógica local. Concluímos que os cemitérios industriais, espaços residuais da cidade industrial na metrópole, inserem-se de modo desigual nos diferentes circuitos da acumulação urbana. / The processes of metropolization and its extensions in the formation of global cityregions are experienced in large urban-industrial agglomerations of flexible and globalized capitalism of today. These processes act spatially in at least two directions: first, the expansion of urban-industrial forms of cities, often surpassing their formal boundaries; second, the intensification of internal transformations of the metropolis, and the redefinition of its forms and contents. In this last process, the old forms of the industrial city present in the current consolidated industrial metropolis emerge as "industrial cemeteries" (brownfields). The study of Porto Alegre metropolitan area’s industrial cemeteries, presented in this thesis, analyzes the inclusion of spatial forms in its current complexity. We start from the historic rescue of its formation as a industrial city and its subsequent metropolization, concentration and reconcentration processes, that currently characterizes it as a metropolis of services. Then, we work the different theoretical approaches in studies of industrial cemeteries. The old industrial area of Porto Alegre - Quarto Distrito neighborhood - is the case study on which we concentrate, and the analysis is performed through the integration of industrial space in three logics: global, regional and local logic. We conclude that industrial cemeteries, residual spaces of the industrial city in the metropolis, are unevenly inserted in the different circuits of urban accumulation. / Los procesos de metropolización y sus extensiones en la constitución de las ciudades-regiones globales están presentes en las grandes aglomeraciones urbanoindustriales del capitalismo flexible y globalizado de la actualidad. Estos procesos actúan espacialmente en por lo menos dos direcciones: primero, de ampliación de las formas urbano-industriales de las metrópolis, muchas veces sobrepasando sus limitaciones formales; el segundo, de intensificación de las transformaciones internas de las mismas, y de resignificación de sus formas y contenidos. En este último, las antiguas formas de la ciudad industrial presentes en la metrópolis consolidada progresan como "cementerios industriales". El estudio de los cementerios industriales de la metrópolis Porto Alegre, presentado en la tesis, busca analizar la inclusión de estas formas espaciales en su complexidad actual. Partimos del rescate histórico de su constitución como ciudad industrial y su posterior proceso de metropolización, desconcentración y reconcentración que caracterizan la metrópolis de servicios de hoy día. A continuación, trabajamos los distintos abordajes teóricos en los estudios de los cementerios industriales. El antiguo área industrial del Quarto Distrito de Porto Alegre es el estudio de caso sobre el cual nos desplegamos, siendo que el análisis parte de la inserción de los espacios industriales en tres lógicas: global, regional e local. Concluimos que los cementerios industriales, los espacios residuales de la ciudad industrial en la metrópolis, se insertan de modo desigual en los distintos circuitos de la acumulación urbana.

Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-07-26T18:33:53Z No. of bitstreams: 2 Tese - Maristela Carneiro - 2016.pdf: 16401247 bytes, checksum: cf5205ad11c1b846300726287b386db8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-07-27T15:20:12Z (GMT) No. of bitstreams: 2 Tese - Maristela Carneiro - 2016.pdf: 16401247 bytes, checksum: cf5205ad11c1b846300726287b386db8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-07-27T15:20:12Z (GMT). No. of bitstreams: 2 Tese - Maristela Carneiro - 2016.pdf: 16401247 bytes, checksum: cf5205ad11c1b846300726287b386db8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-06-23 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis investigates the use of nudity and seminudity and the multiple representations of masculinity in the modern funerary art at the city of São Paulo, looking at the collection of sculptures of the Consolação, Araçá and São Paulo cemeteries, situated in São Paulo State Capital, between 1920 and 1950. This work is a result of the doctorate research done for in the post-graduation program in History, at Universidade Federal de Goiás PPGH/UFG, supervised by Professor Dr. Maria Elizia Borges, furthermore by other resources obtained during the Sandwich Doctorate at Facoltà di Architettura dell'Università degli Studi di Napoli “Federico II”, under supervision of Professor Dr. Fábio Mangone. It is questioned which social and cultural aspects symbolize such male images, paying attention to the proper functions of the space of the cemetery, as an architectural object by definition. These are seen through the prism of Art History, allowing the terms – Art and History – to criticize and transform each other, opening disciplinary borders, as well as conceptual and linguistic ones, enabling for the domain of the historian to be modified by interventions of Art. Through the tabulation of male image occurrences, partially or completely naked, is observed that Italian aesthetic premises, especially those of the Novecento, have significant influence over the elaboration of São Paulo funerary art. This sculptures utilize often depictions that highlight sensibility in face of death, as well as the virility associated with work, on the other hand – in other words, there is no single, unchanging discourse on masculinity in the time period investigated. The analysis of the composition of the sculptures allow reconstructing partially the musings of the sculptors and their aesthetic expressivity as well as the meanings of their use of nudity and seminudity in the funerary art of the period. Furthermore, it is poited out that open air cemeteries allow for the exhibition of depictions of a masculinity sensitive and/or virile with greater expressive liberty. In short, these sculptures, as images, are historically localized and at the same time, bearers of a variety of temporalities and spatialities in the foundations, ever permeated by a continuous process of reconfiguration, from both, Past and Present. “Baring” them allows to find vestiges of Italian expression in the Tropical lands. / A presente tese investiga o uso da nudez e da seminudez e as múltiplas representações de masculinidade na arte funerária modernista da cidade de São Paulo, a partir do acervo escultórico dos Cemitérios da Consolação, Araçá e São Paulo, instalados na capital paulista, no período de 1920 a 1950. Resulta do doutoramento junto ao Programa de Pós-Graduação em História, da Universidade Federal de Goiás (PPGH/UFG), sob a orientação da Profª Dra. Maria Elizia Borges, outrossim dos subsídios obtidos quando da realização de período sanduíche na Facoltà di Architettura dell'Università degli Studi di Napoli “Federico II”, sob a tutela do Profº Dr. Fábio Mangone. Questiona-se que aspectos sociais e culturais tais imagens masculinas simbolizam, atentando para as funções próprias do espaço cemiterial, enquanto objeto arquitetônico por definição. As mesmas são tomadas a partir do prisma da história da arte, que permite que os vocábulos em questão – arte e história – possam se criticar e transformar reciprocamente, abrindo as fronteiras disciplinares, conceituais e linguísticas, bem como possibilitando que os domínios do historiador sejam modificados pelas clivagens da arte. A partir do inventário das ocorrências de imagens masculinas, parcial ou completamente despidas, observou-se que os pressupostos estéticos italianos, sobretudo do Novecento, influenciam de modo singular a tessitura da arte funerária paulistana. As esculturas em questão se utilizam de representações que ora destacam a sensibilidade perante a morte, ora deixam em relevo a virilidade em associação ao mundo do trabalho – em outras palavras, não constituem um discurso único e imutável sobre o ser masculino no período investigado. A análise da composição das esculturas permite recuperar parte dos devaneios dos escultores e sua expressividade estética e os significados do uso da nudez e da seminudez corporal na arte funerária. Ademais, evidencia-se que os cemitérios a céu aberto permitem a exposição de representações de uma masculinidade sensível e/ou viril com maior liberdade expressiva. Em síntese, as esculturas em questão, enquanto imagens, são historicamente localizadas e ao mesmo tempo, portadoras de diferentes temporalidades e espacialidades em seus fundamentos, sempre permeadas por um processo contínuo de reconfiguração, tanto do passado quanto do presente. “Desnudálas” permite que se encontrem vestígios da expressão italiana nas terras tropicais.

Este trabajo de investigación se ha centrado en el análisis del tratamiento que se le dio, en algunos programas, a la festividad del día de los muertos, en el cementerio Nueva Esperanza, durante el 2018. Para llevar a cabo este proyecto se seleccionaron cuatro reportajes que fueron presentados en los siguientes programas: Día 6, Domingo al día, Al sexto día y 24 horas edición central. En ellos se analizaron la forma en que han abordado la creación de la identidad de los personajes, los elementos que se han usado para elaborarlos, las acciones que son plasmadas y la relación que existen entre los vivos y los muertos durante esta fecha. Al profundizar el tema se hallaron patrones que han sido analizados en conjunto con el marco teórico, focus group y entrevistas que fueron hechas para complementar esta investigación. / This research work has focused on the analysis of the treatment that was given, in some programs, to the feast of the day of the dead, in the Nueva Esperanza cemetery, during 2018. To carry out this project, four reports were selected which were presented in the following programs: Day 6, Sunday a day, On the sixth day and 24 hours central edition. They analyzed the way in which they have approached the creation of the identity of the characters, the elements that have been used to elaborate them, the actions that are embodied and the relationship between the living and the dead during this date. In deepening the subject, patterns were found that have been analyzed in conjunction with the theoretical framework, focus group and interviews that were made to complement this research. / Trabajo de investigación

No description available.

Introduction This thesis deals with the potential similarities between cemeteries and archives and the potential similarities between gravestones and documents. To give context, a background on the evolution of Swedish cemeteries is provided. The potential similarities are then explored from a practical and an operational perspective, respectively, based on, e.g., the historical development of archives as discussed in Terry Cook’s four paradigms. In addition, abstract and metaphorical perspectives are explored with respect to Michel Foucault’s and Jacques Derrida’s theories of the archive. Method The method consists of qualitative observations from selected cemeteries in Stockholm combined with image analyses of photographs of gravestones taken during the observations. The observations and image analyses are based on the search for possible denotations and connotations. The method section assumes a hermeneutic approach.  Analysis Four observations made at Katarina kyrkogård, Maria Magdalena kyrkogård, Skogskyrkogården and Norra begravningsplatsen are presented. Fourteen image analyses of photographs of gravestones taken at these cemeteries are reported. Results  The results show similarities between cemeteries and archives as well as similarities between gravestones and documents. Conclusion Several similarities can be established by applying different archive-theoretical perspectives to cemeteries and gravestones. On an operational plane, the evolution of cemeteries follows the historical development of archives in several aspects. Abstract and metaphorical similarities are presented, mainly from a power perspective. A discussion on how these similarities provide the possibility of using an archival approach, partly in future research and partly in the preserving work of cemeteries, gravestones and the ecclesiastical activities is provided. This is a two years master's thesis in Archival science.

Grave markers reflect a wealth of information and collectively epitomize society's historic, social, and economic patterns over time. Despite an abundance of cemetery research in other parts of the country, little research has been undertaken to evaluate grave marker attributes in Florida. The purpose of this research was to determine how grave marker attributes have changed over time in north-central, central, and southeast Florida. Data were collected from ten cemeteries in five counties in Florida, representing the grave markers of over 1,100 individuals. Data collection involved visiting each cemetery, photographing markers, and cataloging grave marker attributes. Attributes analyzed included marker type, marker material, epitaphs, iconographic images, memorial photographs, footstones, and kerbs. A number of important trends were noted. Marker material exhibited the clearest example of a temporal trend, shifting over time from 73% marble to 73% granite. Marker type varied greatly from upright and flat ground markers to a variety of customized markers and vaults. Cultural differences were also noted with in-ground vaults dominating traditionally black cemeteries. There were clear differences in marker style between affluent and less affluent cemeteries, with numerous hand-cast cement markers observed in less prosperous areas. Furthermore, beginning in the early 1980's there is an increase in customized laser engraved markers. Overall, Florida's cemeteries offer a rich history of the state's mortuary practices and further research should be conducted to preserve this history.

The purpose of this thesis is to analyse the relationship between grave goods and the identity of buried individuals. The interpretation of sex and gender, as well as gendered grave goods in Late Iron Age Scandinavia, is of a particular focus. A comparative analysis of 163 graves was carried out using an intersectional theoretic perspective, statistical analysis, and a database, with the Lovö cemeteries serving as the case study. The results of this analysis revealed certain patterns and variances that demonstrate a relationship between the grave goods assemblages that were chosen and aspects of an individual’s identity, including gender for some grave goods, but a lack of a correlation for other grave goods. Thus, it concluded that “normal” burials are influenced by factors such as facets of one’s identity, community standing and social status, familial ties and kinship, and lived experiences, with each grave tailored to suit the individual, and that gender as a whole has little influence on how a burial is constructed. / Syftet med detta examensarbete är att analysera sambandet mellan gravgods och begravda individers identitet. Tolkningen av kön och genus, samt könsbestämda gravgods i yngre järnålders Skandinavien, av särskilt fokus. En jämförande analys av 163 gravar genomfördes med ett intersektionellt teoretiskt perspektiv, statistisk analys och en databas, med Lovö kyrkogårdar som fallstudie. Resultaten av denna analys avslöjade vissa mönster och varianser som visar ett samband mellan de gravgodssammansättningar som valts ut och aspekter av en individs identitet, inklusive kön för vissa gravgods, men en brist på en korrelation för andra gravgods. Således drog den slutsatsen att "normala" begravningar påverkas av faktorer som aspekter av ens identitet, samhällsställning och social status, välbekanta band och släktskap och levda upplevelser, med varje grav skräddarsydd för att passa individen, och att kön som helhet har liten påverkan på hur en begravning är uppbyggd.

While it is true that historic cemeteries are places that contain a wealth of knowledge about the history of a community they are sometimes not well maintained. The information within can be lost as grave-markers are damaged either by natural causes or human interaction. In larger cemeteries preserving these significant places can sometimes be difficult due to a number of different factors. Therefore focusing preservation efforts on specific locations where damage is more likely to occur is crucial to ensure that the monuments that are the most at risk are preserved. One possible way of accomplishing this is through the utilization of a geographic information system (GIS) to determine the shortest distance path an individual may take to reach a specific grave-marker. This can be accomplished by conducting a near analysis between an origin point and every grave-marker. These paths would also show each grave-marker that an individual passes indicating the potential for purposeful or accidental interaction. With this information efforts such as photogrammetry can be applied effectively for digital heritage preservation. Such methods would permit individuals to manipulate three-dimensional representations of grave-markers in order to preserve a large portion of the information it contains.

The population ages, the immigration to Sweden and mobility increases, therefore the need for cemeteries gets affected. Land for cemeteries must be secured because death is inescapable and there must be enough place for individuals to have their final rest. The Swedish funeral service is unique. We have distinct laws according to cemeteries and two organizations are responsible for the cemeteries in Sweden. However, planning for the dead has been neglected, even if it is an important place in a vibrant community. Because of the fact there are geographical, functional and emotional connections to the cemeteries. Why should we plan for the dead when the dead are dead? This thesis aims to carry out an estimation of the need of land for cemeteries on a national level in Sweden and additionally visualize the planning for the dead and its relevance. The method to achieve the aim of the study was to process the empirical material in the software ArcGIS Pro. Therefore, the method is based on a few variables that have been considered to influence the need of land for cemeteries. The result shows that there is possibly a lack of space at several cemeteries in the future, mainly in the three biggest cities (Stockholm, Gothenburg and Malmö) but also in other larger cities. However, the result says nothing about the amount of surface available for burying the deceased, which is left to further research.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-12T10:58:34Z No. of bitstreams: 1 Thais Cristina Pereira.pdf: 5018109 bytes, checksum: 565da3bd0aa30a2afe0b6663d1654270 (MD5) / Made available in DSpace on 2018-11-12T10:58:34Z (GMT). No. of bitstreams: 1 Thais Cristina Pereira.pdf: 5018109 bytes, checksum: 565da3bd0aa30a2afe0b6663d1654270 (MD5) Previous issue date: 2018-09-10 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation deals with changes in funerary customs in the city of São Paulo between 1858 and 1890. After much discussions, in 1858 was inaugurated the first public cemetery of the capital of São Paulo: the Consolation. This edification made possible the construction of other necropolises in the city. The existence of these new public spaces has brought the development of services and funerals companies, commercial activity that was source of much controversy, because for many people, it was an immoral trade. The funeral customs of traditional Catholicism, linked to the sacred, had to adapt to hygienist discourses and specific legislation to advance in the project of desacralization of the rites and spaces of death / Esta dissertação trata das alterações dos costumes funerários na cidade de São Paulo entre 1858 e 1890. Após muitos debates, em 1858 foi inaugurado o primeiro cemitério publico da capital paulista: o da Consolação. Essa edificação viabilizou a construção de outras necrópoles pela cidade. A existência desses novos espaços públicos trouxe o desenvolvimento dos serviços e das empresas funérias, atividade comercial que era fonte de muita polêmica, pois, para muitas pessoas, tratava-se de um comércio imoral. Os costumes fúnebres do catolicismo tradicional, ligados ao sagrado, tiveram de se adaptar aos discursos higienistas e a uma legislação específica para avançar no projeto de dessacralização dos ritos e espaços da morte