O legado das construções clássicas e históricas no Brasil tem sido alvo de demolição, abandono e imperícia. A cidade de Curitiba não foge do contexto, com o intuito de entender a realidade, esta pesquisa tem como objetivo apresentar os principais conceitos e práticas sustentáveis da atualidade, identificando de que maneira e em quais áreas da restauração e conservação da herança cultural podem ser aplicados além de mostrar casos na cidade. Para atender tal objetivo, foram delineados objetivos específicos, como: a sistematização dos conceitos de sustentabilidade e de restauração no contexto atual; analisar diferentes formas de aplicação da tecnologia sustentável na prática de revitalização do patrimônio histórico; entender as principais áreas de interesse nos edifícios a serem preservados; avaliar os elementos arquitetônicos fundamentais para entender a ação sustentável no patrimônio histórico e analisar os parâmetros fundamentais de sustentabilidade em três obras restauradas em Curitiba que são: as Ferragens Hauer, a Vila Sophia e o Hospital Psiquiátrico Nossa Senhora da Luz. Essa pesquisa se justifica, pela necessidade de entender como acontece a relação das políticas, técnicas e ações sustentáveis com a preservação do patrimônio, buscando compreender como isso se reflete no contexto brasileiro. A metodologia utilizada foi exploratória e descritiva. Para analisar as obras de Curitiba utilizou-se a metodologia de Cornejos (2011) que propõe diretrizes para integrar conceitos de sustentabilidade na reutilização adaptativa de edifícios históricos, preservando a dotação cultural da edificação. Os parâmetros analisados envolveram: categoria útil que analisa os aspectos materiais da obra; localização, que analisa os aspectos econômicos; a adaptação vai analisar o aspecto funcional; eficiência energética, que abrange o aspecto tecnológico; senso de lugar, que analisa o aspecto social; padrão de qualidade que se refere ao aspecto legal e o contexto que envolve o aspecto político. Conclui-se que o Brasil precisa de uma aplicação definitiva nas áreas de educação, comunicação, promoção e divulgação do contexto cultural dos seus bens patrimoniais. Para as futuras gerações é importante entender que os conceitos e o desenvolvimento das ideias sustentáveis devem passar obrigatoriamente pela ação direta na restauração do patrimônio cultural. As obras analisadas de Curitiba mostram que a cidade está dando os primeiros passos em direção à preservação e restauro de obras arquitetônicas, revelando a preocupação em deixar uma herança de respeito e valorização a essas construções para as futuras gerações. / The legacy of classical and historical constructions in Brazil has been the target of vandalism, graffiti and total destruction. The city of Curitiba does not escape the rule and, for that reason, the interest for this research appeared, which aims to present the main sustainable concepts and practices of the present, identifying in which way, in what areas of the restoration and conservation of the Cultural heritage, in order to discuss examples in Curitiba. To meet this objective, specific objectives were outlined, such as: the systematization of sustainability and restoration concepts in the current context; Analyze different forms of application of sustainable technology in the practice of revitalizing historical heritage; Understand the main areas of interest in buildings to be preserved; To evaluate the fundamental architectural elements to understand the sustainable action in the historical patrimony and to analyze the fundamental parameters of sustainability in three restored works in Curitiba: Hauer Ferragens, Vila Sophia and Nossa Senhora da Luz Psychiatric Hospital. Justifies, because nowadays, the need to understand how the relation of sustainable policies, techniques and actions with the preservation of the patrimony, seeking to understand how this is reflected in the Brazilian context, becomes clearer day by day. The methodology used was exploratory and descriptive. In order to analyze the works of Curitiba, the methodology of Cornejos (2011) was used to propose guidelines for integrating sustainability concepts into the adaptive reuse of historic buildings, preserving the cultural endowment of the building. The analyzed parameters involved: useful category that analyzes the material aspects of the work; Location, which analyzes the economic aspects; The adaptation will analyze the functional aspect; Energy efficiency, which covers the technological aspect; Sense of place, which analyzes the social aspect; Quality standard that refers to the legal aspect and the context that involves the political aspect. It is concluded that Brazil needs a definitive application in the areas of education, communication, promotion and dissemination of the cultural context of its patrimonial assets. For future generations it is important to understand that the concepts and development of sustainable ideas must pass through direct action in the restoration of cultural heritage. The analyzed works of Curitiba show that the city is taking the first steps towards the preservation and restoration of architectural works, revealing the concern to leave an inheritance of respect to these constructions for future generations.

University of Macau / Faculty of Social Sciences. / Centre for Macau Studies

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-23T12:50:26Z No. of bitstreams: 1 Talita dos Santos Molina.pdf: 2475717 bytes, checksum: 887e908e9c5d7e53a32ccdd9b6c66c14 (MD5) / Made available in DSpace on 2018-07-23T12:50:26Z (GMT). No. of bitstreams: 1 Talita dos Santos Molina.pdf: 2475717 bytes, checksum: 887e908e9c5d7e53a32ccdd9b6c66c14 (MD5) Previous issue date: 2018-05-16 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis presents a study on the process of creation and performance of the Pro-Document - National Program of Documentation of Historical Preservation developed by the extinct National Pro-Memory Foundation - IPHAN FNPM and that, between 1984 and 1988, had as central objective the preservation of private collections as important documents for the recovery of memory and national identity. Focused on the study on the recognition and preservation of private documentary heritage in the country, it analyzes the Pro-Document's proposals in the context of the discussions about new memory demands, renewal of Brazilian historiography and documentary preservation in the 1980s. the documents of the Central Archive of IPHAN - Rio de Janeiro Section, as well as various publications such as the Revista Acervo, the National Archive, the Annals of Congresses of AAB and ANPUH and the AAB Archive and Administration Magazine. The main objective of the thesis was to understand the Pro-Document more comprehensively through an examination of the proposed historical dimensions, conceptions and policies on the preservation of documentary heritage in our country. It was also interesting to inquire about reasons and paths that led to the forgetting of this IPHAN program in the specialized literature on the subject in the following years / Esta tese apresenta um estudo sobre o processo de criação e atuação do Pró-Documento - Programa Nacional de Documentação da Preservação Histórica desenvolvido pela extinta Fundação Nacional Pró-Memória – FNPM e que, entre os anos de 1984 e 1988, teve como objetivo central a preservação de acervos privados como conjuntos documentais importantes para a recuperação da memória e da identidade nacional. Focado no estudo sobre reconhecimento e preservação do patrimônio documental privado no país, analisamos as propostas do Pró-Documento no contexto das discussões sobre novas demandas memoriais, renovação da historiografia brasileira e propostas relativas ao papel das instituições arquivísticas e a preservação documental na década de 1980. A pesquisa teve como fontes centrais os documentos do Arquivo Central do IPHAN – Seção Rio de Janeiro, além de publicações diversas como a Revista Acervo, do Arquivo Nacional, a Revista Arquivo & Administração da AAB, os Anais de Congressos da AAB e da ANPUH. O objetivo central da tese foi compreender de forma mais ampla o Pró-Documento por meio de um exame das dimensões históricas propostas, das concepções e políticas sobre a questão da preservação do patrimônio documental em nosso país. Interessou também indagar sobre razões e caminhos que levaram ao esquecimento desse programa do IPHAN na literatura especializada sobre a questão nos anos seguintes

De 1914 à 1964, la conservation des monuments historiques d’Alsace est progressivement soumise à la législation et à la pratique administrative françaises. Cependant, les institutions introduites dans le Reichsland d’Alsace-Lorraine avant 1914 sont maintenues en vigueur après 1918 et certaines d’entre-elles sont même étendues aux départements « de l’Intérieur ». Après la centralisation des services d’Alsace et Lorraine en 1925, les monuments historique d’Alsace sont soumis à la même pénurie budgétaire que ceux des autres départements français. Le maintien en Alsace du régime des cultes concordataires permet toutefois aux édifices cultuels protégés au titre des monuments historiques de bénéficier de l’apport du budget des Cultes. En outre, les départements du Bas-Rhin et du Haut-Rhin prennent le relai de l’ancien Land d’Alsace-Lorraine pour subvenir à l’entretien des monuments historiques. La conservation des monuments historiques d’Alsace constitue un véritable enjeu national : le nombre d’édifices protégés ne cesse d’augmenter, les souvenirs et vestiges des deux guerres mondiales et les monuments d’architecture française sont particulièrement mis en valeur, alors que les monuments qui avaient été restaurés par des architectes allemands avant 1914 sont souvent « dérestaurés ». Le champ des protections s’élargit progressivement aux sites pittoresques, aux abords des monuments et aux centres anciens. Enfin, la connaissance du patrimoine alsacien progresse grâce à la réalisation de nouveaux inventaires. / Between 1914 and 1964, the conservation of historic monuments in Alsace was progressively made subject to French administrative practices. However, the institutions introduced in the Reichsland of Alsace-Lorraine before 1914 were kept in force after 1918 and some of these were even extended to the départements ‘de l’Intérieur’. After the centralisation of the services of Alsace and Lorraine in 1925, the historic monuments of Alsace were subject to the same budgetary limitations as the other French départements. But in Alsace, the maintenance of the system of ‘cultes concordataires’ allowed religious buildings which were protected as historical monuments to enjoy support from the ‘budget des Cultes’. Apart from this, the départements of Bas-Rhin and Haut-Rhin took up the responsibilities of the old Land of Alsace-Lorraine to support the maintenance of historic monuments. The conservation of the historic monuments of Alsace constitutes a real national expense : the number of protected monuments is constantly rising, with the memories and remains of the two world wars and French architectural monuments particulary highly valued, while the monuments which had been restored by German architects before 1914 are often ‘de-restored’. The field of protection is progressively extending to picturesque sites, to the surroundings of monuments and to old urban centres. Finally, the knowledge of Alsace’s heritage is progressing, thanks to the preparation of new inventories.

La investigación se estructura en tres bloques temáticas bien definidos. El primero incide en el momento de inicio de esta arquitectura barcelonesa de la terracota, concretando su contexto, las causas de su génesis y señalando sus protagonistas, provenientes del campo de la arquitectura, de la creación escultórica y de la producción cerámica de la ciudad. Asimismo, se establece la evolución de la utilización de la terracota ornamental en la arquitectura de Barcelona a lo largo de los siglos XIX y XX, desde 1837 a 1968. A lo largo del segundo bloque se enumeran los centros de producción de este material. Se han descrito los procedimientos netamente escultóricos en la creación de modelos y en la realización de moldes. Proceso creativo que se complementa por su manufactura seriada, que utiliza los sistemas de producción de la industria cerámica. Igualmente hemos detallado las manipulaciones necesarias para su ubicación definitiva formando parte de la arquitectura, así como su relación con los elementos constructivos del edificio en el cual se ubica y con los otros materiales ornamentales. Por último, para el reconocimiento de este tipo de material ornamental y de esta arquitectura ha sido necesaria la verificación, mediante un examen exhaustivo, de los cambios sufridos a lo largo del tiempo y su posible deterioro, estableciendo su estado de conservación. Exámenes y análisis previos a cualquier propuesta de actuación de conservación-restauración, necesaria para su protección y pervivencia futura. Propuestas de conservación-restauración que se concretan en la identificación de este patrimonio, en la determinación de los procedimientos legales de protección y de los tratamientos de conservación-restauración que se concretan en la consolidación, limpieza, reintegración volumétrica y cromática y protección.

No description available.

Public private partnership (PPP) is a favorable cooperation mode in delivery of public infrastructure and service projects. This concept is warmly discussed in economic perspective on providing a wide range of general public services. The private sector which involved in the public services work, it helps release public sector’s finance pressure on funds and reduce the risks on conducting the works. When this PPP concept applied into conservation works, government and private sector utilize resource they have and cooperate with each other to realize ultimate work. In general, PPP is applied in the conservation on government owned property and work for public interest. The scale of the project is typically large and last for a long time. The private sectors which join in the work are organizations at most. It is rarely to see government-individual cooperation in PPP mode. Such cooperation is encouraged, since a successful conservation work is not judged by project scale and length of work, even money spending, but the social continuum to the public. Therefore, the key issue addressed by this dissertation is to documentary the conservation work undertaken in a teahouse in Macao, especially focusing on the PPP work in process. The purpose is to reveal a successful conservation practice applied PPP in a small scale, private owned property, an individual as private sector participated in conservation work. The dissertation examines historical, cultural and social backgrounds of the teahouse building and approaches primary source by interviewing with stakeholders on their comments and opinions. After collecting information and analyzing results, a framework on judging the success of PPP work is generated at the end which makes this research valuable and unique. The research work could be used as a reference for future study on PPP work with project characteristics like the case discussed in this dissertation. / published_or_final_version / Conservation / Master / Master of Science in Conservation

The purpose of this thesis is to raise awareness about the contribution historic signs make to the experience of a place. Illuminated signage has played a key role in the development of the American landscape. The relationship between illuminated signage and sense of place is complex. Because of the ephemeral nature of signs and the public perception of them as advertising tools, the preservation community frequently overlooks signs. By examining three case studies, this thesis presents three different approaches to the preservation of illuminated signage. The first case study is the 2002 New Mexico Route 66 Neon Sign Restoration Project. This case uses Route 66 to examine the preservation of original material in original location. The second case study is the 2002 Amendment to the New York City Zoning Regulations, which mandates signage saturation in Times Square. This case examines the preservation of the experience of Times Square by protecting the historical use of innovative signage. The third case study is the 1996 installation of restored illuminated signs by the Neon Museum in Las Vegas at the Fremont Street Experience. This case examines the collections approach to preserving original Las Vegas illuminated signs in an outdoor museum setting as public works of art. While these three case studies evaluate iconic locations, the lessons are broadly applicable. The preservation approaches outlined here illustrate that every situation is unique and requires a full analysis of the context of the sign. Preservationists should evaluate signage within their local communities by examining the artistry and materiality of the signs. However, it is equally important to evaluate the overall community context of the signs. In order to preserve the experience of historic illuminated signage, it is imperative that preservationists and the general public understand that there are numerous approaches to safeguarding these works and that the time to take action is now. / text

A Most Endangered list is a common programmatic tool used by historic preservation advocacy groups. These lists allow the organizations to focus their support on a small, representative selection of threatened historic resources. While these programs are widely accepted and implemented, there has been no formal investigation into their use or study of the subtle differences that make each program unique. This thesis analyzes statewide Most Endangered programs with the goal of determining if there are variables that can enhance the program’s effectiveness at accomplishing the organization’s goals. Organizations that wish to examine the usability or effectiveness of their Most Endangered programs do not have easy access to the information that is needed for an objective analysis. This is the current situation at Preservation Texas, Texas’ statewide preservation advocacy organization. The staff there is currently evaluating the organization’s Most Endangered program, making this document a timely and useful tool for their use. This thesis seeks to provide a base from which Preservation Texas, or any preservation advocacy organization, can begin to examine their own program’s operations. For this project I performed research on statewide Most Endangered programs at both macro and micro levels. An initial investigation of the web-presence of these programs enabled me to make broad determinations about their operations. I then selected five of these organizations for a closer study. Through interviews and additional research, it was possible for me to begin to compare and contrast the programs while analyzing their differences from an impartial perspective. Through this careful study, I developed a list of eight criteria that are indicative of an effective Most Endangered program. In the final chapter I use these eight criteria to analyze Most Endangered programs, specifically the one operated by Preservation Texas. By applying my research and observations, I am able to reach constructive conclusions about the operations and functions of Preservation Texas’ Most Endangered program. While this thesis was written for the benefit of a specific organization, the findings are applicable to any organization that has, or is thinking about starting, a Most Endangered list. / text

The purpose of this Master’s Report was to determine an appropriate preservation strategy for a particular set of buildings and their accompanying art from the Modern Architecture Movement. The research question was: What type of strategy is best suited for the preservation of installed art created for Modern style buildings? The study analyzed preservation strategies afforded to Modern art and architecture during rehabilitation of the buildings. The case studies are Modern Movement office or bank buildings with art commissioned for the space by the architects or owners. An analysis of the main case study’s preservation strategies looks at all the actions taken and proposed to protect, not only the material fabric of the art, but the primary interior space. The main case study was the American National Bank building in Austin, Texas designed by Kuehne, Brooks and Barr Architects with a mural by Seymour Fogel. The secondary case studies were: Harry Bertoia sculpture + Manufacturers Trust Building, New York City, Pietro Belluschi mural + Equitable Building, Portland, Oregon, Richard Lippold sculpture + Inland Steel Building, Chicago, and Roger Darricarrere dalle de verre + Columbia Savings Buildings, Los Angeles. After study and analysis, the preservation strategies were categorized in four categories: in situ conservation, removal, recreation/replacement and demolition/destruction. It was concluded that there is not a general approach for these projects, and each should be analyzed through various factors (Design Intent, Intrinsic Value, Collaboration and Context) to determine the appropriate intervention. / text