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Holographic memoirs of a dream : the invention of tram hoppingNortje, Johannes Andries 01 1900 (has links)
The medium is the message in the first place: the medium as presence, as the author. His
contribution to the academic world is his academic Holographic Memoirs. His story, the
author's memoirs, is a fictive-narrative discourse with an organic ubuntu open-endedness.
The Hologram is both an autobiography, but also all the information at all places
simultaneously – nonlocal in quantum physical terms - within an intense hallucinating
dream: no illusion, but rather a HyperReality with all its Virtual Identities. The invention of
tram hopping is the plot of the story. The plot is like an hourglass where the first part of the
story is the emptying of the sand, the deconstruction of modernism, but while the top
chamber runs empty and the bottom chamber fills up, so the deconstruction is
simultaneously a dependent arising/(social) construction/ubuntuing to revival – the
synagogal Shekinah presence of YAHWEH. The top chamber is the unreasonable
Newtonian physics and the bottom chamber reasonable quantum physics. The
metaphysics (before the physics) of the top chamber is poststructuralism and
deconstruction, while the bottom chamber is the virtual Hebraic worldview that delutively
merges ubuntu and Buddhism. The long narrow neck in the middle is the moonily narrative
that lives us with psychology (Psycho-logic) lost in sociology (Social-physics).
Hermeneutics is set forth in the same contrasting hourglass of the top chamber, the
inherited tradition, emptying to what it should accomplish – (virtual) presence. / Philosophy and Systematic Theology / D. Th. (Systematic Theology)
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<p> Formal Affective Strategies in Contemporary African Diasporic Feminist Texts </p>Koziatek, Zuzanna Ewelina 02 June 2021 (has links)
No description available.
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"Zavřeny slunci otvírají se slavnému mlčení hvězd": Pokus o analysu motivu uzavřenosti, jím generovaných témat a jejich konsekvencí v literatuře a "literaturách" přelomu století / "Closed to the sun, open them selves to the glorious silence of the stars": An Attempt to Analysis of a Withdrawnnes-motif; topics generated by it and their consequences in the literature and "literatures" at the turn of the centuryDostál, Mojmír January 2019 (has links)
The main aspiration of this thesis is to illustrate on several selected examples (or almost "cases" of clinical kind) from French, Russian, Polish, Italian (and in the second plan also German or English) writtings of the 19th and early 20th century the methods of application and presentation of the Withdrawnnes-motif in literature. And on the basis of them (after attempting to mapping out the network of their possible mutual influences, consequences, concurrency or filiations, in the interpretative part of the thesis, so on the II. to VI. chapter) try to define its final characteristics, periodisation, classification and his general definition. … and, moreover, or on the way to this purpose, perhaps to provide the reader a few other - perhaps more useful, or more interesting - information. Keywords: Autostylisation, Confusion of the dream and the reality, Decadence, Dreaming, Extreme mental states of mind, fin de siècle, Individualism, Literary motives, Modernism, Psychologism, Psychic naturalism, Solipsism, Transposition of identity, Withdrawnnes
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The American Eve: Gender, Tragedy, and the American DreamLong, Kim Martin 05 1900 (has links)
America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter, Moby-Dick, Adventures of Huckleberry Finn, The Great Gatsby, and The Sound and the Fury. To recreate the Garden myth, Americans have had to reimagine Eve as the idealized virgin, earth mother and life-giver, or as Adam's loyal helpmeet, the silent figurehead. But Eve resists her new roles: Hester Prynne embellishes her scarlet letter and does not leave Boston; the feminine forces in Moby-Dick defeat the monomaniacal masculinity of Ahab; Miss Watson, the Widow Douglas, and Aunt Sally's threat of civilization chase Huck off to the territory despite the beckoning of the feminine river; Daisy retreats unscathed into her "white palace" after Gatsby's death; and Caddy tours Europe on the arm of a Nazi officer long after Quentin's suicide, Benjy's betrayal, and Jason's condemnation. Each of these male writers--Hawthorne, Melville, Twain, Fitzgerald, and Faulkner--deals with the American dream differently; however, in each case the dream fails because Eve will not go away, refusing to be the Other, the scapegoat, or the muse to man's dreams. These works all deal in some way with the notion of the masculine American dream of perfection in the Garden at the expense of a fully realized feminine presence. This failure of the American dream accounts for the decidedly tragic tone of these culturally significant American novels.
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Filosofie jako zaujetí (Hra - hraní, sen - snění, báseň - básnění - tělo, mocné i nemocné) / Philosophy as Passionate InterestStrobachová, Ingrid January 2013 (has links)
The purpose of my dissertation is to analyze and further elaborate upon its main topic: the questions that are of a mutual deep interest to both medicine and philosophy. The dissertation has three parts. In the first part, I will introduce some of the key terms that will be used throughout the text. The second part, central to my work, is concerned with three possibilities that are offered to us - play and playing, dream and dreaming, poetic being - all become the places where comprehending, listening (to both the speech and the silence) and responding materialize. Playing, dreaming, poetic being - each offers our daily reality the beauty of transcending its borders without destroying them; in fact, they become a free spirited, passionate interest that enhances and makes valuable the ordinariness and finiteness of our daily lives. Freedom and Responsibility; I and the Other Person; Illness and Hope - each having its physical aspect and each being considered through the dimensions of seriousness and unseriousness, reason and unreason - will be rethought through playing, dreaming and poetic being, providing new insights of an engaged, passionate practice of philosophy and medicine. The third part, concerned with application on the two areas - I, the Child, and the Parenthood; and the Therapist and...
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Filosofie jako zaujetí (Hra - hraní, sen - snění, báseň - básnění - tělo, mocné i nemocné) / Philosophy as Passionate InterestStrobachová, Ingrid January 2013 (has links)
The purpose of my dissertation is to analyze and further elaborate upon its main topic: the questions that are of a mutual deep interest to both medicine and philosophy. The dissertation has three parts. In the first part, I will introduce some of the key terms that will be used throughout the text. The second part, central to my work, is concerned with three possibilities that are offered to us - play and playing, dream and dreaming, poetic being - all become the places where comprehending, listening (to both the speech and the silence) and responding materialize. Playing, dreaming, poetic being - each offers our daily reality the beauty of transcending its borders without destroying them; in fact, they become a free spirited, passionate interest that enhances and makes valuable the ordinariness and finiteness of our daily lives. Freedom and Responsibility; I and the Other Person; Illness and Hope - each having its physical aspect and each being considered through the dimensions of seriousness and unseriousness, reason and unreason - will be rethought through playing, dreaming and poetic being, providing new insights of an engaged, passionate practice of philosophy and medicine. The third part, concerned with application on the two areas - I, the Child, and the Parenthood; and the Therapist and...
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All Of Chinese Literature Condensed: A Sourcebook From The Playwright, Director, And Biggest FanEmerson, Whitney 01 January 2013 (has links)
Aristotle stated in his Poetics that theatre’s dual purpose was to educate and entertain. Centuries later the Roman Horace and Indian Bharata echoed his same sentiments. I intend to realize all three theorist’s ideas on the theatre by creating an original educational and entertaining work and bringing it to performance. The audience will retain information without being aware of learning if it is presented in a pleasurable way. The most important geopolitical relationship of this century will be between China and America. In order to educate the American public about the culture of The Middle Kingdom, I propose to write and direct my own play, condensing all three thousand years of Chinese literature into a one hundred and ten minute performance. I will benefit from the personal nature of this thesis by experiencing every stage of a play’s production: from idea to page to performance. My thesis will be made of three major parts: conceiving and writing the play, a journal of directing the debut production, and a third section made of choices, influences, and reflection on the entire experience. In this manner, the ideas swirling in my head may be made clear to others reading this thesis. The play itself will be a comical distillation of ten selected works of Chinese literature. Four non-gender specific American actors will seem to make up the show as it performs in a tongue-in-cheek way. Taking my stated goal of entertaining and educating the audience to heart, the overarching plot of the play will center on the four actors teaching the audience about the literature and culture of China by acting out scenes and telling stories. The information in the scenes will be targeted to a normal American citizen’s educational level with liberal doses of humor added. The four actors will be playing fictionalized versions of themselves and at times iv breaking character by explaining and setting up the theatricality of the piece to the audience. Part of the fun of the show will be seeing how these actors explain a subject as obtuse as Chinese literature to Americans. Perhaps a cooking metaphor is the best way to think of the play: I will chop up raw Chinese literature, the actors will boil it onstage, the theatregoer will consume the mix, and exit the theatre full of entertaining intellectual nourishment. My experiences directing and producing the finished play will be recorded in a journal as a resource for future directors. I imagine directing the play will be the most challenging aspect of this thesis. How is the play changed when other people interact with it? How will the audience receive it? In addition, Committee Chair Mark Routhier and my thesis Committee Members, Mark Brotherton and Tan Huaixiang, will also give written responses to the play’s performances. The play will be performed October 10-13, 2013 in the University of Central Florida’s Performing Arts Complex Studio 2 classroom. In the final section I will write a reflection on the entire process. This will serve the dual purpose of giving me a place to collect my thoughts and giving others a special insight to the growth they might experience when producing this play. Foremost among my influences in writing a play with this subject matter are the style and tone of The Reduced Shakespeare Company
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Drawing Outside the Bounds: Tradition and Innovation in Depictions of the House in Children's PicturebooksReilly-Sanders, Erin F. 23 September 2014 (has links)
No description available.
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DACA, Immigrant Youth, and Education: An Analysis of Elite Narratives on Nationhood, Citizenship, and Belonging in the U.S.Barbero, Maria Victoria 14 October 2014 (has links)
No description available.
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Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular CultureThomas, Quincy D. 19 April 2018 (has links)
No description available.
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