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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 19 of 19 (0.049 seconds)Spelling suggestions: "subject:"12graphic narrative"" "subject:"3dgraphic narrative""
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[en] THE INVISIBLE VISUALITY OF NEWSPAPER PAGES: THE BRAZILIAN TEAM IN THE FIFA WORLD CUP 2006: THE STORY OF A FAILURE / [pt] A VISUALIDADE INVISÍVEL NAS PÁGINAS DOS JORNAIS IMPRESSOS: A SELEÇÃO BRASILEIRA NA COPA DO MUNDO 2006: A HISTÓRIA DE UMA DERROTABARBARA CASTELLO BRANCO RAMOS DE ASSUMPCAO 20 September 2007 (has links)
[pt] O presente trabalho é uma reflexão, a partir da noção de
Ricoeur (1997) de
que narrar é imprimir sentido, sobre a visualidade dos
jornais impressos e a
possível criação de uma narrativa gráfica diferenciada em
relação à textual. O
corpus utilizado é composto de páginas publicadas pelos
Jornais O Globo, O Dia
e Jornal do Brasil no período da Copa do Mundo da Alemanha
(entre 9 de junho e
10 de julho de 2006), privilegiando as capas dos cadernos
de esportes dos dias e
dos dias seguintes aos cinco jogos da Seleção Brasileira
na competição. / [en] Base don the ideas of Ricoeur (1997), who stated that
narrating is a process
of conveying meaning, this dissertation studies newspaper
visuality in order to
investigate the possible existence of a graphic narrative
on newspaper pages
distinct from the textual narrative. Pages published by
Rio de Janeiro newspapers
O Globo, O Dia and Jornal do Brasil during the Fifa World
Cup 2006 (from June
6 to July 10), especially the first pages of the Sports
sections, were collect to
compose a corpus; analysis was centered on the ones
published when the
Brazilian team was playing - the day of the game and the
day after.
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Cyborgs, Maturation, and Posthumanism in Young Adult Speculative Fiction and ComicsWilliams, Gregory Alaric 07 September 2022 (has links)
No description available.
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ZoraTyrrell, Genevieve 01 January 2013 (has links)
This mixed-media memoir uses a variety of forms from short epigrammatic essays to straightforward stories and graphic narratives to explore the author’s coming-of-age experiences augmented by chronic illness. Trying to succeed in the film industry, romance, and family situations, the young female narrator navigates the often unexpected or disappointing consequences of having an autonomic nervous system disorder. Relationships between conflicting identities emerge—between healthy versus sick self, projected/envisioned versus actual self, and tough versus vulnerable self—as the narrator journeys toward a more complete and accepting self-understanding.
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ComicSina, Véronique 10 December 2020 (has links)
Mit dem Begriff Comic wird eine kontingente und veränderbare künstlerisch-mediale Form bezeichnet, in der u. a. die Kombination von Bild und Text sowie eine sequentielle Bildfolge als zentrale formal-ästhetische Charakteristika gelten können. Die Kategorie Gender besitzt in Comics eine grundlegende strukturierende Funktion, die sich sowohl in der Produktion und Rezeption als auch in den Inhalten von und der wissenschaftlichen Auseinandersetzung mit Comics niederschlägt.
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GendercomicBuckwalter, Anne H. January 2015 (has links)
No description available.
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Chris Ware's Jimmy Corrigan: Honing the Hybridity of the Graphic NovelDycus, Dallas 28 May 2009 (has links)
The genre of comics has had a tumultuous career throughout the twentieth century: it has careened from wildly popular to being perceived as the source of society’s ills. Despite having been relegated to the lowest rung of the artistic ladder for the better part of the twentieth century, comics has been gaining in quality and respectability over the last couple of decades. My introductory chapter provides a broad, basic introduction to the genre of comics––its historical development, its different forms, and a survey of comics criticism over the last thirty years. In chapter two I clarify the nature of comics by comparing it to literature, film, and pictorial art, thereby highlighting its hybrid nature. It has elements in common with all of these, and yet it is a distinct genre. My primary focus is on Chris Ware, whom I introduce in chapter three, a brilliant creator who has garnered widespread recognition and respect. His magnum opus is Jimmy Corrigan: The Smartest Kid on Earth, the story of four generations of Corrigan men, most of whom have been negligent in raising their children. Jimmy Corrigan, as a result, is an introverted, insecure thirty–something–year–old man. Among comics creators Ware is unusual in that his story does not address socio–political issues, like most of his peers, which I discuss in chapter four. Jimmy Corrigan is an isolated tale with a very specific focus. Ware’s narrative is somewhat like those of William Faulkner, whose stories have a narrow focus, revolving around the lives of the inhabitants of Yoknapatawpha county, rather than encompassing the vast landscape of national socio–political concerns. Also, in chapter five I explore the intriguing combination of realist and Gothic elements––normally at opposite ends of the generic continuum––that Ware merges in Jimmy Corrigan. This feature is especially interesting because it is another way that his work explores aspects of hybridity. Finally, in my conclusion I examine the current state of comics in American culture and its future prospects for development and success, as well as the potential for future comics criticism.
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Beasts of the Interior: Visual EssaysMinor, Sarah M. 11 June 2019 (has links)
No description available.
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Cartoon Conceptualism: Periodical Comics and Modernism in the United StatesOwen, Benedict Novotny 25 September 2017 (has links)
No description available.
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Mirrors And VanitiesSalas, Leslie 01 January 2013 (has links)
Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife’s miscarriage. A girl visits her fiancé in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother’s wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling. Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative.
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