En la presente investigación, analizo las construcciones ficcionales que en Poderes secretos (2009) de Miguel Gutiérrez se realizan de figuras y eventos de gran centralidad que pertenecen o tratan sobre el contexto temprano de la conquista y colonización de los Andes. Sostengo que el narrador de la trama, escritor de una novela en proceso de creación, construye una ficción de las denominadas “polémicas sobre la posesión de las Indias” a partir de la polémica en torno a la biografía del Inca Garcilaso de la Vega y la autoría de sus Comentarios reales, para demostrar la actualidad del ejercicio textual de la violencia colonial. La cuestión del mestizaje, tema central de la discusión contemporánea sobre la identidad nacional peruana, es concebida por la voz narradora como la continuación del problema del indio originado en el contexto de la colonización americana, cuyo tratamiento se caracterizó por ser polémico y textual. Mediante la construcción o, como concretamente entiendo, la novelización de este fenómeno discursivo colonial, la novela, en tanto género literario, es propuesta en la obra como el único espacio discursivo capaz de hacer resistencia a la violencia de la Historia oficial, esto es, como un discurso textual constitutivamente político.

Estudio del léxico de las obras de Gutiérrez de Toledo (1498), de Montaña de Monserrate (1551), de Juan Valverde (1556) y de Francisco Díaz (1588), elegidos por ser, unos, los primeros tratados sobre Urología y Anatomía escritos en romance y, otros, los mejores tratados del Renacimiento español.Hemos intentado demostrar cómo una gran cantidad de términos médicos utilizados, usualmente, hasta hoy día aparecen por primera vez en estas obras. En total nuestro léxico contiene 4565 entradas, de las que sólo 500 aparecen en los tres diccionarios consultados -DRAE, DCECH, DETEMA-. Concluimos demostrando que la primera datación de algunas de las voces se halla en estos autores. Su interés estriba en la falta de estudios al respecto y en lo novedoso que resulta en el momento en que los tratados científicos aún se escribían en latín, el hecho de que estos cuatro médicos se decidan a hacerlo en romance. / Research on the vocabulary of the works by Gutierrez de Toledo, by Montaña, by Valverde and by Díaz, chosen as ones are the first treatises on Urology and Anatomy written in Spanish and others because they are the best Spanish Renaissance treatises.We have tried to prove that such a big amount of medical terminology used, usually, even nowadays, appears for the first time in the above mentioned works. In total our lexicon contains up to 4,565 terms, but only 500 appear in the 3 dictionaries checked -DRAE, DCECH, DETEMA-. We conclude proving that the first time these terms appear are in the works of these authors.The interest relies on the lack of research regarding this issue and how innovative is the fact that these four doctors decided to do it in Spanish at a time these type of scientific treatises were still written in Latin.

Made available in DSpace on 2014-06-11T19:26:44Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-06-23Bitstream added on 2014-06-13T18:30:27Z : No. of bitstreams: 1 pinho_fa_me_mar.pdf: 1273435 bytes, checksum: fc8dec15bf682120a6b7076612a102ea (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Os instrumentos e os processos de representação do conhecimento refletem as visões políticas e culturais de seus idealizadores e, portanto, não são neutros. Desse modo, e considerando que a ética se estabelece como uma maneira de distanciar o poder sobre os outros, evitando ser objeto de qualquer ideologia, observa-se que, a questão da representação está intimamente ligada a uma dimensão ética, porque deve se preocupar com sua utilidade e confiabilidade para determinados grupos de usuários. Nesse sentido, propõe-se, por meio de pesquisa exploratória de natureza teórico-investigativa, estabelecer, a partir dos estudos de Antonio García Gutiérrez, Michèle Hudon e Clare Beghtol, a identificação de vertentes teóricas convergentes que subsidiem as questões sobre os aspectos éticos nas atividades de representação do conhecimento. Do cotejo e análise crítica das idéias dos referidos autores, observa-se que os mesmos possuem concepções convergentes em relação ao usuário e suas crenças, e complementares em relação à competência profissional, podendo-se concluir que os valores de transculturalidade na mediação, multilingüismo e garantia cultural são inerentes às atividades de representação do conhecimento e determinantes do fazer profissional na área. / The instruments and the processes of knowledge representation reflect the political and cultural standpoint of its creators and, therefore, they are not neutral. That way, and considering that ethics establishes itself as a way to distance power over others, preventing itself from being the object of any ideology, one can observe that, the issue of representation is linked to an ethical dimension, because it shall concern its utility and reliability for determined groups of users. In this direction, it is considered, by means of exploratory research of theoretical-investigative character, to establish, based on the studies of Antonio García Gutiérrez, Michèle Hudon and Clare Beghtol, the identification of convergent theoretical chains that subsidize the issues on ethical aspects in the activities of knowledge representation. From confrontation and critical analysis of the ideas of the authors listed above, one can observe that the same ones have convergent takes on the user and its beliefs, and complementary takes concerning the professional ability, thus concluding that the values of transcultural ethics of mediation, multilingualism and cultural warrant are inherent to the activities of knowledge representation and determinant to professional performance in the field.

[EN] The architecture of José Antonio Corrales Gutiérrez and Ramón Vázquez Molezún constitutes one of the main protagonists in the History of the Spanish Architecture of the second half of the twentieth century. This well-known fact reveals the value of a production that has been repeatedly recognised with the highest distinction. The conducted inquiry is conceived as a manifold approach to this architecture, focusing on three components: a comprehensive study, a typological analysis of their religious architecture, and above all, a predominantly specific research on the Parish Group Master Jesus, located in Valencia. The result is an architectural knowledge closely linked to thought, project, and work of these architects, characterized simultaneously by the clear link with the architectural modernity without previous affiliation to dominant formal styles, by the attention and extreme adaptation to the specific case, and by an understanding of the architectural profession and the architecture, as an integral fact that reconciles theory and practice, reason and emotion, and finally, spatial and constructive tradition and innovation. / [ES] La arquitectura de José Antonio Corrales Gutiérrez y Ramón Vázquez Molezún constituye uno de los principales protagonistas de la Historia de la Arquitectura Española de la segunda mitad del siglo XX. Este hecho, sobradamente conocido, revela el valor de una producción que ha sido reconocida con la mayor distinción en repetidas ocasiones. La indagación producida se concibe como una aproximación múltiple a dicha arquitectura, centrada en tres componentes: un estudio global, un análisis tipológico de su arquitectura religiosa, y sobre todo, una investigación preponderantemente específica del Grupo Parroquial Jesús Maestro de Valencia. De ello deriva un conocimiento arquitectónico estrechamente vinculado al pensamiento, proyecto, y obra de los arquitectos, caracterizado simultáneamente por la clara vinculación con la modernidad arquitectónica sin adscripción previa a estilos formales dominantes, por la atención y adecuación extrema al caso específico, y por un entendimiento de la profesión de arquitecto y de la misma arquitectura como un hecho integral que concilia teoría y práctica, razón y emoción, y finalmente, tradición e innovación espacial y constructiva. / [CAT] L'arquitectura de José Antonio Corrales Gutiérrez i Ramón Vázquez Molezún constitueix un dels principals protagonistes de la Història de l'Arquitectura Espanyola de la segona meitat del segle XX. Aquest fet, àmpliament conegut, revela el valor d'una producció que ha estat reconeguda amb la major distinció en repetides ocasions. La indagació produïda es concep com a una aproximació múltiple a aquesta arquitectura, centrada en tres components: un estudi global, una anàlisi tipològica de la seva arquitectura religiosa, i sobretot, una investigació preponderantment específica del Grup Parroquial Jesús Mestre de València. D'això deriva un coneixement arquitectònic estretament vinculat al pensament, projecte, i obra dels arquitectes, caracteritzat simultàniament per la clara vinculació amb la modernitat arquitectònica sense adscripció prèvia a estils formals dominants, per l'atenció i adequació extrema al cas específic, i per un enteniment de la professió d'arquitecte i de la mateixa arquitectura com a un fet integral que concilia teoria i pràctica, raó i emoció, i finalment, tradició i innovació espacial i constructiva. / Mondéjar Navarro, JM. (2016). UNA APROXIMACIÓN A LA ARQUITECTURA DE J. A. CORRALES Y R. V. MOLEZÚN. EL GRUPO PARROQUIAL JESÚS MAESTRO DE VALENCIA [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/63146 / TESIS

Syftet med denna uppsats är att genom ett möte mellan befrielseteologi, ekoteologi och ekologi bidra till ett teologiskt tänkande och en möjlig attitydförändring inför det klimathot och den förändring som mänskligheten måste genomföra för sin biologiska överlevnads skull. Uppsatsen diskuterar befrielseteologi och förvaltarskap och svarar på frågor om människans uppgift och ansvar, vem människan är i förhållande till skapelsen, vem den förtryckte är idag samt vem som har mandat att föra skapelsens talan.

Cette thèse a pour ambition d’étudier le dialogue interartiel entre la musique et la littérature dans la prose de fiction espagnole contemporaine, depuis l’émergence de la « Génération X » au début des années 1990. Dans un contexte de massification culturelle, l’éclosion de ce groupe d’auteurs porté notamment par Ray Loriga ou José Ángel Mañas, a signalé un accroissement constant et durable de la perméabilité du roman à la musique. Une telle influence est ainsi notable dans certaines œuvres d’Agustín Fernández Mallo, l’un des principaux représentants du mouvement « mutant » qui a vu le jour en 2007, et dans celle d’auteurs non affiliés à un groupe littéraire particulier, tels Aixa de la Cruz, Belén Gopegui, Guillermo Aguirre, Pablo Gutiérrez, ou Kiko Amat. La mélomanie de ces écrivains est fondatrice d’un projet interartistique où l’invention littéraire boit à la source d’un imaginaire musical foisonnant, dont la textualisation aboutit à considérer le roman comme une forme esthétisée par la musique. Les romans étudiés sont ainsi traversés par une poétique de la dissémination qui a pour effet d’étendre la musicalité aux différentes composantes du récit, et d’accroître les dispositions perceptives du texte afin de stimuler l’imaginaire auditif du lecteur. La fascination pour la musique dessine donc une constellation d’œuvres dont les constantes sonores, musicales, génériques, thématiques, diégétiques et stylistiques seront analysées en éprouvant le concept d'amplification, que nous définissons comme les voies qu’emprunte la littérature de fiction pour accroître le pouvoir de la mimésis, créer du récit, et signifier hors des frontières du roman grâce à la musique. / The aim of this thesis is to study the interartistic dialogue between music and literature in contemporary Spanish prose fiction since the emergence of “X generation” at the beginning of the 1990s. In a context of mass culture, the rise of this group of writers, namely led by Ray Loriga or José Angel Manas, has revealed a constant and lasting permeability of novels to music. Thus, such an influence is visible in some of the works of Augustin Fernández Mallo, one of the main representatives of the “mutant” movement that appeared in 2007 and in that of writers who were not connected to any particular literary group, such as Aixa de la Cruz, Belén Gopegui, Guillermo Aguirre, Pablo Gutiérrez, ou Kiko Amat. The love of music in these writers is the basis of an interartistic project where literary invention is connected to an abundant musical imaginary world, and its textualisation brings us to consider the novel as a musical aesthetic form. Thus, the novels studied are filled with a poetics of dissemination, which expands musicality to different components of the story and increases the perceptive dispositions of the text, so that the auditory imagination of the reader is stimulated. So, the fascination for music gives birth to a constellation of works whose resonant, musical, generic, thematic diegetic and stylistic aspects will be analysed through the concept of amplification that we define as the paths used by fiction to increase the power of mimesis, create a story and signify something beyond the frontiers of the novel, thanks to music.

This thesis explores the ideological underpinnings of political soteriological discourse. Through analyzing key texts in liberation theology, using critical theorists such as Theodor W. Adorno and Wendy Brown, I aim to understand to how this soteriological discourse respond to the predicaments that afflict theology in modernity – and to explore the ideological issues with these responses. I then turn to present day Swedish theological conversations concerning salvation and its political use, in order to discuss whether the issues exposed in liberation theology can be considered to continue to be a problem for the present discussion. I also discuss the ethical and theological obstacles connected to the translocation of liberation theology from the Latin America of the 60’s, 70’s and 80’s to present day Sweden, or, in other words: from an exploited continent in protest against imperialism and capitalism, to the continent guilty of so much of the suffering that Latin American liberation theology condemned. What does it mean to turn to liberation theology in this context? I find, in this discourse, a certainty and assuredness concerning the salvation of all, which I find to be at least in part ideologically grounded. Instead, I suggest another direction for political revolutionary soteriology: to unsettle and disturb the modern image of the God-like man; to reconnect with the prehistoric fear of nature through a vigilant and restless immanent critique and through the subversive act of rituals and sacrifice.

The problem of universal oppression has caused Gutierrez, Cone and Moltmann to advocate that God is orchestrating an historical programme of liberation from socio-economic, racial and political suffering. They feel that God's liberating actions can be seen in the Abrahamic promise, the exodus and the Christ-event. Moltmann, especially, has emphasized both the trinitarian identification with human pain and the influence of the freedom of the future upon the suffering of the present. According to our theologians, Jesus Christ identified with us, and died the death of a substitutionary victim. Through the resurrection, Jesus Christ overcame the problem of suffering and death, and inaugurated the New Age. The cross and resurrection were the focal point of God's liberating activity. Liberation, or freedom, from sin and suffering is now possible, at least proleptically. We are to understand the atonement as having been liberative rather than forensic or legal, although judgement is not ignored. Both the perpetrators of injustice and their victims are called upon to identify with, and struggle for, freedom, with the help of the liberating Christ. We agree with our theologians that God has historically indicated his desire for justice and freedom. The magnitude of evil and suffering still existing, however, forces us to abandon the idea that God is progressively liberating history. Nevertheless, we affirm the idea that the Trinity has absorbed human suffering into its own story through the incarnate Son. Jesus identified with suffering in a four-fold way, namely: its existence, the judgement of it, the overcoming of it, and the need to oppose it. This comprehensive identification gives Christ the right to demand the doing of justice, because the greatest injustice in history has happened to him. The atonement was forensic, rendering all people accountable to Christ; but it was also liberative, validating the struggle against oppression. Furthermore, at his second coming, Christ will be vindicated in whatever judgement he will exact upon the perpetrators of injustice or oppression. For today the resurrection still gives hope and faith to those who suffer and to those who identify with them / Philosophy, Practical & Systematic Theology / Th.D. (Systematic Theology)

The aim of this thesis is to compare the concept of sin in the theologies of Ellen G. White and Leonardo Boff. Chapter 1 examines Ellen G. White's concept of sin. White's historical and theological backgrounds coupled with her use of the "great controversy" motif provide a better grasp of her understanding of sin. White defines sin as the transgression of God's Law. She views sin to comprise at least two dimensions, namely, the individual and the social. White regards these two aspects of sin to have equal significance. White's detailed treatment of the sanctuary teaching also highlights the two dimensions of sin. In Chapter 2 Boff' s idea of sin is investigated. Boff' s historical background, which exposed him to the poor, influenced his perception of sin. Boff's theological background together with his familiarity with Karl Marx's social analysis prompted Boff to define sin as the negation of God's love in a human history bedevilled by class conflict. Boff views sin to have the individual and social dimensions. Yet, in terms of importance, Boff believes that the social dimension of sin is more consequential than the individual one. In Chapter 3 White's and Boff s views on sin are compared. From this comparison it is evident that both White and Boff recognize the bipolarity of sin. Both seem to agree that christians should take an active role in correcting social evils because love for God is manifested by how we relate to our neighbor. Boff devotes less space to the individual aspect of sin than White. Chapter 4 shows that White's theological tradition has a lot to learn from Boff and his tradition and also vice versa. An awareness of the current priestly ministry of Christ evident in White's theology could help Boff to bring some balance to his stance on the social and the individual dimension of sin. Boff' s use of Marx's social analysis should also help Seventh-day Adventists, the inheritors of White's theology, not to interpret White's theology of sin only along individualistic lines while overlooking its social dimension. / Philosophy, Practical & Systematic Theology / D.Th. (Systematic Theology)

<p>Den latinamerikanska befrielseteologin har nått ut över världen. I alla fall till en del grupper. De radikala katolska befrielseteologerna och deras medkämpar har med hjälp av Bibeln kombinerad med samhällsvetenskaplig analys ökat medvetenheten om de sociala och ekonomiska orättvisorna men de har inte lyckats lösa problemen. Konservativa krafter har motarbetat befrielseteologerna i alla år. Samtidigt som befrielseteologerna hyllas över världen för sitt arbete till förmån för de fattiga och förtryckta har de blivit hårt kritiserade. Bland annat har de kritiserats för sitt samarbete med marxister och för att de blandar politik och religion. Befrielseteologerna har också kritiserats för att de inte har tänkt tillräckligt på kvinnofrågor och ursprungsbefolkningar.</p><p>I denna uppsats söker författaren via litteraturstudier svaret på om befrielseteologin har någon förankring i den latinamerikanska kulturen. Latinamerika är stort. Därför har arbetet avgränsats till att handla om den brasilianska kulturen. Brasilien är ett motsägelsefullt land. Kontrasterna är stora mellan kulturerna, mellan fattiga och rika samt mellan utveckling och underutveckling. Miljöproblemen och de sociala problemen är komplicerade. Befrielseteologerna är många. Författaren har valt att titta närmare på peruanen Gustavo Gutiérrez som brukar anses som befrielseteologins grundare, brasilianaren Leonardo Boff som nyligen fick alternativa nobelpriset för fredsbevarande arbete och brasilianaren Helder Camara som levde ett långt liv i befrielseteologins tjänst.</p>