O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

O ‘Parsley Massacre’ – o assassinato de haitianos que viviam na República Dominicana em 1937 – é o tema de The farming of bones (1998), escrito por Edwidge Danticat, que oferece ao leitor o testemunho ficcional de uma sobrevivente da violência do genocídio. De forma similar, em Solar storms (1995), Linda Hogan faz a descendente de um povo que foi massacrado a protagonista de uma busca pelo passado e pela história de seu povo. Ambos os romances empregam estratégias narrativas em busca da representação ficcional do trauma como experiência pessoal e coletiva, implicando o leitor na produção de sentido (CARUTH 1996; FREUD; 1920). É através do recordar e reviver o passado que os sujeitos traumatizados podem tentar compreender sua situação presente e reivindicar uma identidade para si mesmos (HALL, 2006). A revisão do passado, e precisamente de um passado silenciado, proporciona que as vozes de uma comunidade possam ser ouvidas e suas histórias trazidas à luz. Nesse estudo, eu busco investigar de que forma tais histórias são construídas, quais seus efeitos na superfície textual e suas implicações no empoderamento dos sujeitos. Além disso, investigo as conexões entre o corpo traumatizado e a mente, compreendendo o corpo como uma superfície histórica que recebe a inscrição da experiência humana (GROSZ, 1994). / The Parsley Massacre – the killing of Haitians living in the Dominican Republic in 1937 – is the theme of The farming of bones (1998), written by Edwidge Danticat, who offers the reader a fictional testimony of a survivor of the violence of genocide. Similarly, in Solar storms (1995), Linda Hogan makes the descendant of a massacred people the protagonist of a search for the past and her people’s history. Both novels employ narrative strategies for a fictional representation of trauma, as personal and collective experiences, implicating the reader in the production of meaning (CARUTH 1996; FREUD; 1920). It is by reliving and re-experiencing the past that traumatized subjects can make sense of their present condition and claim an identity for themselves (HALL, 2006). It is by revising the past, a historically silenced past, that the voices of a community can be heard and their stories brought out to light. In this study, I am also interested in how these stories are constructed, in what are their effects on the surface of the text and their implications in the empowering of subjects. Moreover, I investigate the connections between the traumatized body and the mind, understanding the body as an historical surface for the inscription of human experience (GROSZ, 1994).

The purpose of this project was to find out whether or not there were specific factors that made homeless people depressed. Finding depression factors will help to establish strategies and programs that would prevent homeless people from being depressed. The current study tested the hypothesis that basic needs and education are needed to help in factoring depression.

The purpose of this project is to improve the existing version of the Sequential Alignment and Position Verification System (SAPVS) for functional proton radiosurgery and to evaluate its performance after improvement .

Ignatius av Loyolas konkreta pedagogiska övningar attraherar samtidens kristna från olika samfund och i Svenska kyrkan växer intresset för den ignatianska spiritualiteten. Syftet med denna studie är att genom intervjuer, enkät och teori undersöka den ignatianska spiritualitetens framgång inom Svenska kyrkan i dag. Totalt 29 informanter har genom djupintervjuer och enkäter beskrivit sin ignatianska praktik. Informanterna i studien beskriver att den ignatianska spiritualiteten tar deras individuella erfarenheter i bruk. Detta samtidigt som syftet är att de ska förstå vad som är Guds vilja med livet. Informanterna upplever att den ignatianska spiritualiteten har gett dem möjlighet till en personlig gudsrelation samt gett dem nya pedagogiska metoder för att fördjupa sin tro och kunna se Gud i vardagen. Informanterna menar sig ha sökt en fördjupning av sin tro och att de funnit denna fördjupning genom den ignatianska spiritualiteten. Studiens teoretiska perspektiv utgörs av religionsfilosofen Charles Taylors teori om ”den subjektiva vändningen”, Linda Woodhead och Paul Heelas ”subjektiveringsteori” samt Karin Johannesons pastoralteologiska reflektion om andlig träning i en luthersk kontext. Taylor menar att kulturen i väst genomgått ett stort skifte som innebär att yttre auktoriteter förlorar i betydelse och den enskildes inre istället blir den främsta auktoritetskällan. Woodhead och Heelas subjektiveringsteori menar att människors immanenta gudstro växer i väst medan den transcendenta gudstron avtar och Johannesson presenterar tre viktiga kännetecken för andlig träning i en luthersk kontext. Hon menar att en sådan bör vara anti-individualistisk, ta sig uttryck i vardagen och sätta den fördjupade gudsrelationen i centrum I min studie blir Charles Taylors teori om den subjektiva vändningen synlig. Den ignatianska spiritualiteten talar till det personliga subjektet men förankrar praktiken i den kristna traditionen. Woodhead och Heelas subjektiveringsteori har jag funnit visst stöd för, men något som skiljer sig från teorin är att Gud som auktoritet inte förkastas. Ett intressant resultat som empirin visar är att informanterna uppskattar de auktoritära drag som spiritualiteten bär på. Studiens samlade bild av den ignatianska spiritualitetens funktion är i linje med Johannessons beskrivning av en anti-individualistisk andlighet, som tar sig uttryck i vardagen och som sätter den fördjupade gudsrelationen i centrum. Informanterna upplever att Ignatius pedagogiska metoder kan vara ett sätt att ge svenskkyrkliga handfast ledning i konsten att fördjupa sin tro på ett sätt som är i linje med luthersk teologi. Studien visar att metoderna fungerar väl i senmodernitetens subjektiva vändning utan att Gud som auktoritet överges.

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The present essay explores artworks of Karin Larsson through the feminist theoretical field of studies. The following three textile works were in the centre of the study, Kärlekens ros, Duk med tecken and Sashiko-gardin. The connection between japonisme, Japanese inspired art, and Karin Larssons art works were studied. Through feminist theories by art historians such as Linda Nochlin and Griselda Pollock the experience of being a woman in the 1800s affected the works of Karin Larsson were discussed. It was found that Karin Larssons upbringing and education as a woman differs from the usual male art student, which affected her art works. The subjects of her art works were also often the result of personal experiences. Furthermore, a correlation between the art works and Japanese woodblocks and Japanese embroidery techniques were identified.

Uppsatsen analyserar och komparerar H.C. Andersens verk Den lilla flickan med svavelstickorna och dess animerade adaption av Walt Disney Animation Studios The Little Matchgirl. Syftet med analysen är att undersöka hur tematik från Den lilla flickan med svavelstickorna förmedlas i en animerad adaption och utifrån vilka medel. Uppsatsen utgår från Linda Hutcheons adaptionsteori samt semiotik baserat på Gunter Kress och Theo Van Leeuwens visuella grammatik. Analysen visar på att adaptionens tematik överlag överensstämmer med originalets och de förändringar som gjorts har varit för sentimentala skäl eller på grund av de begränsningar eller möjligheter som det visuella mediet har som framställningsform. Analysen visar på att adaptionen använder både ljus- och färgmodalitetstecken för att effektivt kunna representera Andersens originella sentimentalitet i en ny medial framställning.

More research is needed to be able to fully understand the role that social media plays in elections, specifically in local elections. Candidates need to understand how it works and how they can effectively use this new communication medium. By exploring Diffusion of Innovation Theory, Social Information Processing Theory, and the Two-Way Symmetrical Model of communications this study sought to answer one overarching question: how should a candidate employ social media in a local election? This qualitative, single case study explores the 2014 recall and general election in Yorba Linda, California. Councilman Tom Lindsey and candidate Matt Palmer are the primary subjects of study. Observations were made through analysis of documentation, interviews, and participant and direct observation. The researcher was employed as the campaign manager for both Lindsey's and Palmer's campaigns. The findings support the use of social media in local campaigns on a case by case basis. Determining use depends on the demographics of the voters and the abilities of the candidate. The data suggests that social media needs to be part of comprehensive strategy that includes traditional communication tools. Observations from the case study illustrate the need for candidates to engage in two-way communication that is monitored and regulated. This study begins to establish social media as a tool that candidates can use to inexpensively reach voters in a way that showcases the candidate's personality and allows them to connect on a personal level with constituents. Social media will play a role in politics at all levels.