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1	Die Macht der Artefakte / Tanzkleidung und -schmuck auf Santa Cruz, Salomonen / The Power of the Artefacts / Dancewear and Adornment on Santa Cruz, Solomon Islands Lueb, Oliver 21 October 2016 (has links) No description available. 390 Santa Cruz Salomonen Feldforschung Artefakte Akteur-Netzwerk-Theorie Handlungs- und Wirkmacht kastom Tradition Revitalisierung Museum Material Turn Santa Cruz Solomon Islands Fieldwork Artefacts Actor-Network Theory Agency kastom Tradition Revitalisation Museum Material Turn Ethnologie (PPN621261858)
2	Le dialogue des objets : fabrique et circulation des savoirs naturalistes : le cas des collections de Jean Hermann (1738-1800) / The dialogue between objects : construction and circulation of naturalistic knowledge : the case of Jean Hermann's collections (1738-1800) Rusque, Dorothée 29 June 2018 (has links) Dans le sillage des problématiques posées par l’anthropologie historique du savoir et par les travaux sur la matérialité des pratiques savantes, la thèse questionne la dimension cognitive des collections d’histoire naturelle de Jean Hermann (1738-1800). Dès 1762, le naturaliste crée un riche cabinet ouvert aux trois règnes de la nature. Il est associé à une bibliothèque et à un jardin botanique dont il a la charge en tant que professeur de botanique de l’université de Strasbourg. Les trois formes de collections lui servent d’équipement pour la recherche et pour l’enseignement. L’objet de l’enquête est de cerner le rôle des objets dans la production et la circulation des savoirs naturalistes. Il s’agit également d’observer la construction sociale d’une figure savante. Le travail met au jour l’importance de l’économie d’échange des objets dans la constitution des collections et le rôle du dialogue des objets - échantillons, livres, images – dans le processus d’observation. Le dispositif visuel qu’est le cabinet est au centre de la fabrique du savoir. Les collections contribuent aussi à l’émergence d’une science publique, elles sont des supports d’enseignement et elles attirent de nombreux visiteurs. / Following the issues raised by the historic anthropology of the knowledge and the material turn, the thesis questions the cognitive dimension of the collections of natural history of Jean Hermann (1738-1800). From 1762, the naturalist created a rich cabinet composed of objects from the three kingdoms of nature. The cabinet was associated with two other forms of collections: a library and a botanical garden, which he managed as professor of botany of the university of medicine from 1783. All three forms of collections were used as his equipment for research and teaching. The investigation shall determine the role of objects in the production and the circulation of the naturalistic knowledge. Its objective is also to observe the social construction of a learned figure. The study points out the importance of the economy of exchange of objects in the constitution of collections and the role of the dialogue between objects - samples, books, images – in the visualization process. The visual device of the cabinet is at the core of the process of knowledge making. Collections contributed to the emergence of a public science; they were media of teaching and attracted numerous visitors. Histoire naturelle Collections Histoire des savoirs Matérialité des pratiques Circulation du savoir Natural history Collections History of knowledge Material turn Circulation of knowledge 069.5 944.04
3	Organet lever! : Kropp, ting och performativitet i Erik Beckmans roman Inlandsbanan (1967) / The liver is alive! : Body, thing and performativity in the novel Inlandsbanan (1967) by Erik Beckman Nyström, Filip January 2017 (has links) The works of Erik Beckman (1935-1995) are quite unique within the Swedish literary scene. His texts convert the experimental language of the concretists of the sixties into a new form of fabulation that undermines our understanding of what literature can be, ranging from novels and poetry to theatre pieces and radio theatre. His literary style has been discussed by critics, but the depths of it are yet to be fully explored. There is a lot to gain from combining contemporary theories of materiality and corporeality with his self-proclaimed materialistic poetics. The novel Inlandsbanan (1967) is a fragmentary account of an inland train going through Sweden, with characters coming and going in a frustrating tempo. The text is filled with word games, narrative constructs and a language that brings forth the material aspects of communication that push the boundaries of literary interpretation. This thesis examines Beckman’s novel through the lens of theoretical concepts of thingliness and corporeality developed by the likes of Judith Butler, Karen Barad, and Andrew Pickering in order to elaborate an analysis that goes beyond the surface of its experimental and materialistic use of literary language. Using bodily themes, I analyze specific passages in the novel in order to find a new understanding of its semantic functions. By doing this through the concept of performativity, not only can I identify a thematized corporeality, but beyond that a literary form and a language that problematizes the very notion of the written text as a body and highlights a material agency in literature. This method enables an interpretation of the novel that can illuminates important aspects at play that previously have not been explored. Erik Beckman Beckman kropp kroppslighet ting tingslighet performativitet språk judith butler donna haraway haraway butler bodies that matter vicki kirby shoshana felman inlandsbanan konkretism materialism språkmaterialism språkmaterialitet språklig materialitet deleuze guattari derrida kristeva roman experimentell barad posthumanism posthumanistisk genusteori material turn materiella svängningen pickering kroppens fenomenologi merleau-ponty cyborg organ organet lever decentrerad romanform korporealitet corporealitet corporeality General Literature Studies Litteraturvetenskap

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