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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
341

On Writing 2: An Essay Collection and Loose Sequel to Stephen King's On Writing

Cibella, Marc 14 June 2018 (has links)
No description available.
342

What Are You Going to Do with the Rest of Your Life?

Ferguson, Kelly K. 10 June 2014 (has links)
No description available.
343

Mirrors And Vanities

Salas, Leslie 01 January 2013 (has links)
Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife’s miscarriage. A girl visits her fiancé in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother’s wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling. Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative.
344

You Don't Have to Be Good

Panzeca, Andrea 15 May 2015 (has links)
You Don't Have to be Good, is a nonfiction collection of prose, poetry and graphic memoir set in New Orleans, central Florida, and points in between. In this coming-of-age memoir, I recall the abrupt end of my dad's life, the 24 years of my life in which he was alive, and the years after his death—remembering him while living without him in his hometown of New Orleans. Along the way there are meditations on language, race, gender, dreams, addiction, and ecology. My family and I encounter Hurricane Katrina and Mardi Gras, and at least one shuttle launch. These are the stories I find myself telling at parties, and also those I've never voiced until now.
345

Tvůrčí dráha Petra Popesca v kontextu rumunské poválečné literatury / Literary Creation of Petru Popescu in Context of Romanian Post-war Literature

Horáková, Jarmila January 2014 (has links)
During the communist era in Romania the literature and its authors had been under pressure of normative demands, which substantially restricted freedom of writing. The authors tried to escape the official socialist realism and restore the esthetic function of literature. In the introduction chapter of this work this evolution is described. One of the authors trying to restore the esthetic function of Romanian prose in the 60s was Petru Popescu inspired by the urban background and American literature. His novels express the emotions of the Romanian post-war young generation. Although being successful in his homeland he emmigrated to the USA in 1974, where he made a career as an English writing scenarist and novelist. Other chapters of this thesis describe his work from his poetic debut until his latest work. They reflect the changes in his choices of topics and narrative methods applying the F. K. Stanzel's literary theory. One of the chapters deals with general questions related to exile, writer's identity, selection of the languages and adaptation strategies. Key words: monograph, post-war literature, exile literature, communist regime, July Thesis, Ceaușescu's regime, bilingualism, popular fiction, narrator's role, fiction and non-fiction, adaptation, identity, creative nonfiction
346

Great Wounds: A Collection of Essays and Prose

Haak , Sarah 10 June 2019 (has links)
No description available.
347

1001 Nights Preparing to Die: Meditations in Song and Verse

Anand Gall, K 25 July 2023 (has links)
No description available.
348

Both And

Ainsworth, Rebekah January 2021 (has links)
No description available.
349

Dementure

Burgess, Rachel January 2010 (has links)
No description available.
350

Outo-etnografie, apologie en belydenis in outobiografieë van Elsa Joubert, André P. Brink en Koos Kombuis

Rothmann, Jan-Ben 02 1900 (has links)
Text in Afrikaans / ’n Merkbare opbloei in die publikasie van literêre niefiksietekste wêreldwyd het gelei tot die klassifikasie van sodanige tekste as ’n vierde genre. Die politieke oorgang in Suid-Afrika in 1994 het gelei tot ’n soortgelyke toename in outobiografiese tekste waarin kommentaar gelewer word op die Suid-Afrikaanse politieke werklikheid deur die vertel van sowel persoonlike as kollektiewe geskiedenisse. Daymond en Visagie (2012) identifiseer outo-etnografie, apologie en belydenis as kenmerke van die Suid-Afrikaanse outobiografie ná 1994. In hierdie navorsingsverslag word enkele resente skrywersoutobiografieë van onderskeidelik Elsa Joubert (’n Wonderlike geweld: jeugherinneringe (2005); Reisiger (2009)), André P. Brink (’n Vurk in die pad (2009)) en Koos Kombuis (Seks & drugs & boeremusiek: die memoirs van ‘n volksverraaier (2000); Die tyd van die Kombi’s: ‘n persoonlike blik op die Afrikaanse rock-rebellie (2009)) gemeet aan die kriteria wat deur Daymond en Visagie voorgestel word. Die beskrywing en interpretasie van verskeie outo-etnografiese merkers lei daartoe dat hierdie outobiografieë as ’n vorm van kulturele introspeksie beskou kan word. / A marked proliferation in the publication of literary nonfiction globally led to the classification of such texts as a fourth genre. The political transition in South Africa in 1994 caused a similar increase in autobiographical texts in which commentary is offered on the South African political reality through the telling of both personal and collective histories. Daymond and Visagie (2012) identify autoethnography, apologia and confession as characteristics of post-1994 South African autobiographies. In this research report some contemporary writers’ autobiographies, respectively those of Elsa Joubert (’n Wonderlike geweld: jeugherinneringe (2005); Reisiger (2009)), André P. Brink (’n Vurkin die pad (2009)) and Koos Kombuis (Seks & drugs & boeremusiek: die memoirs van ‘n volksverraaier (2000); Die tyd van die Kombi’s: ‘n persoonlike blik op die Afrikaanse rock-rebellie (2009)) are evaluated using the criteria proposed by Daymond and Visagie. The description and interpretation of various autoethnographical markers confirm that these autobiographies can be considered a form of cultural introspection. / Afrikaans and Theory of Literature / M.A. (Afrikaans)

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