Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-06-17T14:19:05Z No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T14:38:59Z (GMT) No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) / Made available in DSpace on 2016-07-13T14:38:59Z (GMT). No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) Previous issue date: 2015-12-11 / No presente trabalho apresenta-se um estudo da História das Religiões de Mircea Eliade realizado sobre três aspectos desta obra: os aspectos epistemológico, metodológico e categorial. Na primeira parte do trabalho, postula-se que a História das Religiões eliadiana se trata de uma disciplina autônoma e integral, com objeto próprio de estudo – o fenômeno religioso considerado no seu plano específico de referência, o plano religioso – e com método próprio de trabalho – um método histórico-fenomenológicohermenêutico unitário –; que tal disciplina gira em torno de dois eixos – a fenomenologia da religião stricto sensu e a história das religiões; que, no seu todo, a História das Religiões eliadiana tem o estatuto de uma fenomenologia existencial da religião, situando-se no âmbito da Filosofia. Na segunda parte deste trabalho discorre-se sobre o método apenas implícito na obra eliadiana, o qual leva em conta o aspecto histórico do fenômeno religioso e o qual conjuga fenomenologia e hermenêutica, desenvolvendo-se em dois planos: o primeiro plano é o da análise fenomenológicodescritiva do fenômeno religioso realizada no campo da fenomenologia da religião stricto sensu, no qual o autor romeno conforma sua morfologia do sagrado; o segundo plano é o da análise hermenêutico-filosófica dos fenômenos religiosos históricos, no qual o citado autor procede à interpretação dos fenômenos religiosos historicamente acontecidos para a elaboração de sua história das religiões; Eliade utiliza ainda a análise hermenêutico-filosófica dos simbolismos religiosos para a realização de uma hermenêutica filosófica dos símbolos religiosos por meio da qual formula juízos normativos sobre a condição humana. Na terceira parte deste trabalho, realiza-se um estudo das principais categorias do pensamento eliadiano com ênfase para a hierofania, a dialética da hierofania, a dialética do sagrado e do profano, o sagrado, a religião, a experiência religiosa, o espaço sagrado, tempo e história, o homo religiosus, o homem ocidental moderno a-religioso, o arquétipo, o arquétipo da coincidentia oppositorum, imagens e símbolos, a a-historicidade da vida religiosa, o símbolo religioso, o simbolismo religioso, o mito, o rito, a camuflagem e a ocultação do sagrado no profano, a irreconhecibilidade do sagrado na História (ou a irreconhecibilidade do milagre) e o sagrado no mundo ocidental secularizado. / In this thesis a study of Mircea Eliade’s History of Religions is presented carried through on three different approaches: the epistemological approach, the methodological approach and the categorical approach. In the first Chapter of this thesis, it is claimed that Eliade’s History of Religions constitutes an autonomous and integral discipline, with proper object of study – the religious phenomenon in its specific plan of reference, the religious plan - and with proper method of work – a unitary historical-phenomenological-hermeneutic method -; that such discipline turns around two axles – the phenomenology of religion stricto sensu and the history of religions -; that, in its all, the eliadian History of Religions has the statute of an existential phenomenology of religion placing itself in the branch of Philosophy. In the second Chapter of this thesis, it is discoursed on the only implicit method in the eliadian workmanship, which takes in account the historical aspect of the religious phenomenon and which conjugates phenomenology and hermeneutics, developing itself in two plans: the first plan is that of the phenomenological-descriptive analysis of the religious phenomenon carried through on the field of the phenomenology of religion stricto sensu, in which the Rumanian author conforms his morphology of the Sacred; the second plan is that of the hermeneutic-philosophical analysis of the historical religious phenomena in which the cited author proceeds to the interpretation of the religious phenomena historically happened for the elaboration of his history of religions; Eliade also use the hermeneutic-philosophical analysis of the religious symbolisms for the accomplishment of a philosophical hermeneutics of the religious symbols by means of which he formulates normative judgments on the human being condition. In the third Chapter of this work, a study of the main categories of the eliadian thought is developed with emphasis for the hierophany, the dialectic of the hierophany, the dialectic of the Sacred and the Profane, the Sacred, the religion, the religious experience, the sacred space, time and history, homo religiosus, the modern Occidental man of the secularized societies, the archetype, the archetype of coincidentia oppositorum, images and symbols, the non-historicity of the of religious life, the religious symbol, the religious symbolism, the Myth, the Rite, the Camouflage and the Occultation of the Sacred in the Profane, the unrecognizableness of the Sacred in History (or the unrecognizableness of miracle), and the Sacred in the modern secularized Occidental world.

This thesis finds out how the concepts of the divine in African Traditional Religions are similar or different, particularly in Ghana and Lesotho and in other parts of Africa in general. In doing so, the researcher combines literature review of eminent scholars who have studied the religious and socio-cultural life of the people of Ghana and Lesotho in particular and Africa in general, with personal field study through dissemination of questionnaires, interviews and personal observations. Through this approach he finds out the various religious phenomena that reveal the concept of the divine in the two countries concerned and in other African countries through comparison of their worships and socio-cultural activities in order to come out with the differences and the similarities that may call for synthesis of the concept in Africa. He also finds out how the concept of the divine in Africa has been influenced by foreign religions and culture particularly Christianity, Islam, Western culture and Education. And how their services and disservices have affected the concept of the divine in Africa. The researcher also looks at the issue of monotheism as against polytheism in African religious perspective to find out whether the African Traditional Religions are polytheistic, monotheistic or monolatry. The study reveals that the concept of the divine, in the two countries under study, ends up in one Supreme deity-God- .but that the approach to the concept is not always the same. There are some differences and similarities, which also prevail in other African Traditional Religions and in Christianity. There is also a look into whether the term "African Traditional Religions" is appropriate for the religious belief and practices found in Africa, and whether a synthesis of religious practices in Africa would be possible in future. In the final analysis the study reveals that the African concept of the divine as pertains in the two countries is not different from that of Christianity and Islam but that the approach to the concept differs due to differences in the perception of the divine through sociocultural and religious milieus. / Religious Studies & Arabic / D. Litt. et Phil. (Religious Studies)

This qualitative study focuses on the stories of a bereaved couple living with the death of two of their children. The effect of the children's death on the parents is explored, as well as the way in which the parents live with the death of their two sons. The stories of the bereaved couple show their courage and resilience in continuing with their lives, maintaining their bond with their deceased sons and trying to make meaning of their death. As a study in practical theology and pastoral care one aim of this study was to help transform the lives of the parents for the better. In one of the chapters of the research report a study of some literature on bereavement and the death of children is presented. Dominant cultural discourses about death, bereavement, grief and mourning are discussed, as well as voices protesting against these discourses. / Practical Theology / M.Th. (Pastoral Therapy)

This study investigated the communication rules in the family structures of the Maasai and the Akamba cultures with the aim of comparing the core symbols emanating from the rules. The researcher used the qualitative design to identify and compare the communication rules of the rural Maasai of the Rift Valley Province and the rural Akamba of the Eastern Province of Kenya. The study focused on male and female adult individuals in family situations who were familiar with the traditional expectations of their cultures. Data was collected through focus group and in-depth interviews. From the data it was concluded that although the Maasai and the Akamba are from two different ethnic groups of Africa, namely the Nilo-Hamitic and Bantu respectively, the core symbols of their communication rules that are similar far outnumber those that are different. This phenomenon was noted when comparing the different levels of relationship within the family structures, namely, communication between spouses, communication between parents and children, and communication between siblings. One of the important findings of this study is that there are more similarities than differences in the cultures of the Maasai and the Akamba at family level. Therefore, the similarities of core symbols could imply that ethnic differences should not lead to the assumption that cultural practices will be significantly different. However, similar cultural practices or core symbols might not necessarily rule out conflict, as was indeed the case with the Maasai and the Akamba.Another finding was that the most outstanding core symbol in both cultures was respect, which was the fulcrum of most of the other core symbols in the communication rules. / Communication Science / D. Litt. et Phil. (Communication)

Sexist socialisation in the church starts from childhood. The Sunday school, the Christian community and parents all play a role in transmitting sexist values to children. Sexism is present in the interpretation, use and teaching of scripture as well as the hierarchy, roles, structures, language, worship and symbols of the church. These subconsciously influence children. People's faith may be shaken when the sexist nature of some of these beliefs is exposed. Sexist socialisation is detrimental as the growth and witness of the church may be stunted. Hence there is a need to develop non-sexist Christian education. Insights and tools from feminist theology help in this programme. The conclusions are tentative as such a process is evolutionary, but important. / Philosophy, Practical and Systematic Theology / Th. M. (Theological Ethics)

Sickness and healing expenence is universal, but the context in which both are perceived and dealt with is particular. Culture and the individual constitute the universal context. The social structures, values, beliefs, the symbol system of a culture and the tendency of the individual to act upon his existence within cultural parameters, inform the particular context. The relationship that exists between culture and the individual is best described as dialectic. The concept of dialect is the theoretical tool to analytically show how this relationship works out in real life. At the base of this relationship operates conflict. Sickness, or permanent ill health since early childhood as shown in an in-depth case study, triggers conflict on at least two levels: the personal-psychological and the socio­ cultural level. To effectively deal with sickness and the inner conflicts caused by it, is to channel the motivation to resolve them by way of employing a symbolic idiom, a cultural symbol that attains personal meaning. G. Chewe P. of Bemba ethnicity, the main actor of this thesis, demonstrates how his life experience of sickness made various symbols become operational, how he filled them with personal meaning, and that there was no hiatus between the public and private domain. Healing requires more than medical aid. Cultural symbols that become personal symbols are often tied into religious experience of some kind. Individuals who successfully employ personal symbols eventually achieve healing because the symbolic idiom helps them to resolve intrapsychic conflict. Missiology cannot escape from two realities: culture and the individual. If anything, missiology must be interested in culture and the individual. Missiology, in the role of aide-de-camps of the Christian Mission, shows the history of how individuals connect to God, and how God transforms them in their cultural environment. To be able to achieve both goals, the issues of context and conflict must be addressed. This thesis seeks to account for the dialectic between culture and the individual, how context and conflict shaped the person and the Christian G. Chewe P. of Bemba ethnicity, and how he acted upon this context to resolve his travail. / Christian Spirituality, Church History and Missiology / D. Th (Missiology)

This thesis sets out to investigate new notation symbols, systems, and string techniques in some one hundred 20th century string quartets, selected from a variety of composers. The analysis includes compositions that have, through contemporary aesthetic ideals, extended musical and technical resources and stimulated the development of compositional methods in such a way as to influence later works in the genre. k The thesis divided into two parts : Histoiy and Research Part One is a brief history of 20th century music, and includes the development o f the string quartet from earliest times up to the mid-century. Part Two researches string techniques and notation from the turn of the century up to 1990. The historical perspective demonstrates that after World War n, with the emergence o f the electronic age and a changing social and intellectual climate, traditional concepts were being challenged. Composers facing the dilemma affecting music in general, and the string quartet in particular, had to adapt to radically developing techniques and styles. Sounds and syntax o f a different type were initially, but unsuccessfully, sought to unify the divergent thinking o f the time. Ultimately, the developmental paths took shape from the problem itself and different approaches emerged to master the multi-faceted dimensions available to composers. Part Two investigates music syntax from the viewpoint of recording new symbols, notation systems and string techniques. Quartets of the first half of the century show that both the dissolution and the extension o f traditional processes were contained, importantly, within the continued use of conventional notation. The impact and significance of these quartets within the context of 20th century development cannot be ignored. However, the quartets researched post-1960 demonstrate that composers have enlarged all parameters of the genre through the extension of traditional resources and by radical innovation. This research demonstrates that the emergence of new symbols and string techniques in the second half of the century has been largely on an arbitrary basis. Nevertheless^ broad classification of these elements is undertaken. / Art History, Visual Arts & Musicology / D.Mus. (Musicology)

Summaries in Afrikaans and English / The transformative mission of the White Paper on Education (1995: 19) states that the South African education system is moving towards a single, national, non-racial system where all people are offered equil opportunities. Demographic and other changes make particular demands on the education system. The HSRC (1987:54) claim that distance edcation is increasingly viewed as a possible solution for educational problems. The literature study aims to motivate, from an andragogic-didactical perspective, the use of two-dimensional silent images in study material. A literature study was also undertaken on the perception of silent images and the elements involved in the perception of depth, movement, size, colour, etc., from which certain didactic guidelines were deducted with a view to the design of silent images. The ability of distance education students to identify the elements above, was emperically researched. The validity of the didactic guidelines were verified in this phase. / Die transformatiewe missie van die Witskrif vir Onderwys (1995: 19) stel dit dat die Suid-Afrikaanse onderwysstelsel oorgaan na 'n "enkele nasionale, nie-rassige stelsel" waar daar gelyke geleenthede vir aile mense gebied word. Demografiese en ander veranderinge stel besondere eise aan die onderwysstelsel. Die RGN (1987: 54) stel dit dat afstandsonderrig al meer as 'n moontlike oplossing gesien vir die onderwysprobleme. Die literatuurstudie het dit ten doe! om die gebruik van tweedimensionele stilbeelde in studiemateriaal in die Suid-Afrikaanse situasie andragogies-didakties te fundeer. 'n Literatuurstudie oor die persepsie van stilbeelde en die elemente wat betrokke is by die persepsie van diepte, beweging, grootte, kleur, ens. is gedoen waaruit sekere didaktiese riglyne met die oog op die ontwerp van stilbeelde gestel is. Die afstandsonderrigstudente se vermoe om bogenoemde elemente waar te neem, was empiries nagevors. Die geldigheid van die didaktiese riglyne is tydens hierdie fase geveri fireer. / Educational Studies / M. Ed. (Didaktiek)

Das Thema „Gastfreundschaft“ hat in den vergangenen Jahren neu das Interesse der Missionstheologie geweckt. Diese Masterarbeit setzt sich zum Ziel, herauszufinden, ob und inwieweit Gastfreundschaft eine Dimension für den missionalen Gemeindebau sein kann. Sie untersucht dazu biblisch-exegetische, missionstheologische, systematisch-theologische und Gemeindebauliteratur, ob sie in ihren Konzepten explizite oder implizite Merkmale oder Begriffe der Gastfreundschaft gebrauchen. Aus der Literaturanalyse werden Wortfelder ermittelt, wie beispielsweise Gottesbezug, Auftragsorien-tierung, Bedürfnisorientierung, Lern- und Veränderungsprozesse, Räume, Miteinander und auch Gren-zen, die Gastfreundschaft in ihrer Wesensart ausmachen. In einem zweiten Untersuchungsdurchgang wird aus diesen Zwischenerträgen eine Gastfreundschaftskultur entwickelt, die entlang des Kulturmo-dells von Geert Hofstede in vier Kategorien angelegt ist: Werte, Rituale, Symbole und Helden der Gastfreundschaft. Demnach legt Gastfreundschaft in ihrer Art u.a. viel Wert auf Großzügigkeit, Be-dürfnisorientierung, Integration und Gottesbezug. Daraus resultieren Rituale, wie z.B. das Einladen, die hohe Bedeutung, die Freundschaften und Beziehungen beigemessen wird, wie gefeiert wird, meist in Verbindung mit einer gemeinsamen Mahlzeit, bei der Dankbarkeit, Gotteslob und die Lebensfreude nicht zu kurz kommen. Die Kultur der Gastfreundschaft drückt sich insbesondere in Symbolen aus, wie beispielsweise in der Raumgestaltung, in Umarmung, im Essen und Trinken, dem Begriff Heimat oder Zuhause und durch praktische Hilfen u.a.. Helden der Gastfreundschaft sind Modelle, die zum Nachahmen einladen, wie z.B. Gott der Ursprung aller Gastfreundschaft selbst, Jesus Christus, bibli-sche Personen und Beispiele unserer Zeit, die im Kontext von Gemeindebau das Leitmotiv der Gast-freundschaft verfolgen. Diese Gastfreundschaftskultur wird der Qualität und Zielsetzung des „Missio-nalseins“ von Gemeinde gegenübergestellt, um zu erkunden, wie sich diese Lebenskultur dazu eignet, eine im missionalen Sinne einladende, gastfreundliche Gemeinde zu entwickeln. Die vorliegende Stu-die will am Ende nicht bei der theoretischen Ermittlung des Themas stehen bleiben. Dazu setzt sie ihre Ergebnisse an einem Beispiel in Bezug zur systemischen Organisationsentwicklung für die Gestaltung von Lern- und Veränderungsprozessen bei der Transformation einer Gemeindekultur hin zur Gast-freundschaft / In recent years, researchers in the field of missiology have re-discovered hospitality as a topic of inter-est. It is the purpose of this master thesis to ascertain if and to what extent hospitality can be a dimen-sion of missional church planting. This is achieved by examining literature on biblical exegesis, mis-sional theology, systematic theology and church planting for its explicit or implicit use of concepts and/or terminology related to hospitality. Literary analysis is used to identify word fields that define the nature of hospitality such as God focus, mission focus, focus on needs, learning and change pro-cesses, spaces, fellowship and limits. In a second step the results of the literary analysis are used for developing a culture of hospitality based on the four categories of Geert Hofstede's cultural model: values, rituals, symbols, and heroes of hospitality. According to this model, the key elements of hospi-tality are generosity, the focus on needs, integration, and God focus. These lead to rituals such as invi-tations, the high value placed on friendship and relationships, but also the way people celebrate, most-ly with a shared meal expressing gratitude, praise to God and the joy of living. Above all, the culture of hospitality is expressed through symbols such as decoration, embracing each other, sharing food and drink, the concept of home, practical help, etc. Heroes of hospitality are role models who inspire to be emulated such as God, the source of all hospitality, Jesus Christ, biblical characters, and those of our contemporaries who follow the leitmotif of hospitality in the church planting context. This culture of hospitality is compared to the quality and the purpose of the missional church in order to determine how this core culture can be useful for developing a missionally inviting and hospitable church. Final-ly, this thesis aims to go beyond the purely theoretical research into the topic. In order to achieve this, its results are applied to an example of the systemic organisational development to transform the cul-ture of a church for hospitality by shaping learning and change processes / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

Visual Type Instrument - VTI, is a tool containing a typeface and a set of geometric calculations that generates numerical data in spreadsheets. The data is determined from the typefaces visual dimensions and is used to calculate leading, type size, margins and format. The aim is to offer, for all of those working with typography and design, a practical way to manage text, image and format in relationship to visual size. Instead of using point measurements, VTI uses a new device called Edo. An Edo is the same as one twelfth of a millimetre. This makes VTI compatible with the metric system and helps us to set text in relation to our own formats which applies namely in millimetres.    VTI uses logical arithmetic and geometry that is set in an automated process, and many choices that normally postpone the working process can be excluded. Simultaneously VTI is meant to discreetly make the user aware that more settings can be activated in line with the users own development, which makes the creative flow unaffected.    Using a metrics based on simple fractions, a mnemonic awareness is developed with the user and an understanding of how every detail fits together becomes more obvious. The typography becomes the key to any design choices that follows. The user becomes aware of the visual size, and in a cognitive way stimulated to recreate a font size regardless of the fonts limitations.