Esta pesquisa tem como propósito identificar, compreender e analisar as estratégias que regem a representação da alteridade nas narrativas televisivas brasileiras, tomando, como objetos específicos de estudo, os gêneros jornalístico e de ficção seriada, nos formatos de grande reportagem e telenovela. Para fins práticos, o corpus definido inclui 16 edições do programa Globo Repórter e quatro telenovelas - \"Além do Horizonte\", \"Amor Eterno Amor\", \"Joia Rara\" e \"Salve Jorge\" - que abordam outros países ou biomas e comunidades do Brasil retratados como exóticos. A abordagem a ser utilizada combina referenciais teóricos das ciências da linguagem, dos estudos culturais e dos campos específicos das teorias do jornalismo e da ficção, bem como de estudiosos da narrativa, da imagem e da linguagem televisual, incluindo autores como S. Moscovici, H. Bhabha, M. Farré, J. Català, T. Todorov, S. Hall, K. Woodward, M. Foucault, V. Flusser, F. Jost, A. Machado, M. Gomes, E. Bucci e M. Sodré. Entre os conceitos teórico-metodológicos de base para a análise proposta estão os de representação social; de narrativa de alteridade - entendida como um oposto-complementar à ideia de narrativa da nação; de imagem evenemencial, que contextualiza a relação entre a produção de narrativas visuais e o desenho de experiências de mundo; e os de alteridade geográfica e sociocultural, que indicam um caminho para examinar as diferentes fronteiras entre o eu/nós e o outro nos processos comunicacionais. Após apresentarmos reflexões teóricas sobre os campos da narrativa, das imagens e dos discursos jornalístico e de ficção, partiremos à análise do material audiovisual, com foco em três categorias que permitem identificar os principais recursos aplicados à representação do outro no texto televisivo. São eles: (a) as estratégias de autenticação e produção de efeitos de realidade fundadas na retórica testemunhal; (b) a construção de polos opositivos e a demarcação de fronteiras entre o próximo e o distante; e (c) as interações entre ficcionalização e factualização nas narrativas, movidas por um tipo de configuração que toma a alteridade em si como intriga ou conflito em diferentes níveis de intensidade. Ao fim, identificamos oito estratégias que atuam como marcos estruturantes das narrativas de alteridade aplicadas ao jornalismo e à ficção seriada na TV, reiterando as funções de reconfiguração e disciplinarização da experiência operadas neste espaço de representação. / This research aims to identify, understand and analyze the strategies of representation of alterity in Brazilian television narratives, taking as specific objects of study the journalistic and serial fiction genres, in the formats of in-depth reporting and telenovela (soap opera). The defined corpus includes 16 editions of the journalistic program Globo Repórter and four telenovelas - \"Além do Horizonte\", \"Amor Eterno Amor\", \"Joia Rara\" and \"Salve Jorge\" - that address other countries, as well as biomes and communities in Brazil portrayed as exotic. Our approach combines theoretical references of language sciences, cultural studies and the specific fields of journalism and fiction theories, as well as scholars in the areas of narrative, image and television language studies, including authors such as S. Moscovici, H. Bhabha, M. Farré, J. Català, T. Todorov, S. Hall, K. Woodward, M. Foucault, V. Flusser, F. Jost, A. Machado, M. Gomes, E. Bucci, and M. Sodré. Among the basic theoretical-methodological concepts for the proposed analysis are those of social representation; narrative of alterity, designed as an opposing-complementary idea to the national narrative; evenemential image, which contextualizes the connection between the production of visual narratives and the organization of world experiences; and the notions of geographical and socio-cultural alterity, which indicate a way to examine the different boundaries between the \"self\" / \"us\" and the \"other\" in communicational processes. After presenting theoretical reflections on the fields of narrative, images and journalistic and fictional discourses, we will analyze the audiovisual material, focusing on three categories that allow us to identify the main resources applied to the representation of the other in television: (a) the strategies of authentication and production of reality effects based on a testimonial rhetoric; (b) the construction of oppositions and the demarcation of boundaries between the near and the distant; and (c) the interactions between fictionalization and factualization in narratives, driven by a type of configuration that takes alterity itself as the intrigue or conflict of a story at different levels of intensity. Finally, we identify eight strategies that work as structuring frameworks for alterity narratives applied to journalism and serial fictions on TV, reiterating the functions of reconfiguration and disciplining of experience in this field of representation.

Orientador: Laura Noemi Chaluh / Resumo: O presente estudo disserta sobre a experiência formativa de três profissionais ligadas à docência. Eu, professora em exercício efetivo em escolas de Ensino Fundamental da rede municipal de ensino de Rio Claro, e, duas discentes do curso de Licenciatura Plena em Pedagogia também bolsistas vinculadas ao Programa do Núcleo de Ensino da Universidade Estadual Paulista (UNESP) articulado à Pró-reitoria de Graduação. Nossa parceria se constitui por meio dos projetos “Prática de Leitura e Literatura e Formação de Professores” (2014-2015) e “Do exercício de leitura e escrita na formação do professor: horizontes para promover a autoria e o trabalho coletivo” (2016) sob coordenação de uma docente do Departamento de Educação do Instituto de Biociências da UNESP/Rio Claro. A partir da proposta de compartilhar a docência de uma forma outra na escola, surgiu a seguinte questão de pesquisa: quais as contribuições que uma proposta de trabalho pedagógico (com crianças na sala de aula) desenvolvida por graduandas e professora em exercício podem trazer para a formação e constituição docente? O objetivo geral da pesquisa foi compreender as contribuições para a formação docente (inicial e continuada) possibilitadas a partir do encontro entre professora em exercício e bolsista em sala de aula. Foram definidos os seguintes objetivos específicos: apresentar e diferenciar programas e projetos existentes no campo da formação inicial de professores no Brasil que possibilitam a inserção dos futuros profe... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: The present research discourse about the formative experience of three professionals related to teaching. I, a practicing teacher at Rio Claro’s municipal schools and, two undergraduate students from the Undergraduate Program in Pedagogy also fellowships linked to the Program of the Teaching Nucleus os the Universidade Estadual Paulista (UNESP), articulated to Pró- Graduation Rectory (PROGRAD). Our partnership is formed through the projects "Practice Reading and Literature and Training of Teachers” and “From the reading and writing practice in teacher training: perspectives to promote the authorship and the collective work” (2016) under coordination of a professor in Department of Education at UNESP’S Bioscience Institute. Based on a proposal to share teaching in a different way in school, the research question arise: what are the proposal of pedagogical work’s contributions (with kids in the classroom) developed by undergraduates and a current teacher can bring to the formation and teacher constitution? The general objective of the research was to understand the contributions to the teacher training (initial and continued) made possible by the meeting between practicing teacher and student in the classroom. The following specific objectives were defined: to present and differentiate existing programs and projects in the field of initial training of teachers in Brazil that allow the insertion of future teachers in the daily life of the school; systematize studies that deal wi... (Complete abstract click electronic access below) / Doutor

What happens after a place has been exploited, isolated, and neglected? What occurs when that place is bound – confined – by impenetrable voids of dereliction? Its core, slowing diffracting, with no opportunity to perceive outward – beyond the derelict terrain to the boundless expanses of earth and water that have perpetuated its vitality. And what then, if for a moment, this decaying place is given a view beyond these boundaries? Deindustrialization has invariably altered modern cultural conceptions of control over nature. The terrain remaining after decades of resource exploitation is composed of deep voids and fissures that reside physically, psychologically, and theoretically in-between the accepted realms of culture and nature. This thesis explores the perversion and dissolution of these two opposing realms within the sublime and fantastical derelict landscape of a declining town. Deindustrial voids are considered as both barrier and bridge; serving as persistent symbolic reminders of the volatile and hubristic relationship between culture and nature, and offering potential reconnection to the natural landscape of a city’s foundation. Reacting to collective nostalgia through memorialisation, totemism, and erasure, typical design interventions continue to prioritize cultural domination and emphasize the designer as creator in order to reassert control over the chaos of deindustrialization, often resulting in placeless infilling of the void. Ideas of extimacy, alterity, and ruination, with influences from the fields of industrial archaeology and landscape architecture, ground contemporary reactions to the deindustrial void and explore the role of landscape in the creation and fragmentation of ideas of place for the dissolving North American industrial city. Both inspired and situated within the declining former town of Fort William, Ontario, this thesis surveys an abandoned industrial corridor that encircles the town, severing it from the liminal water’s edge and landscape beyond. Viewed as a palimpsest, this site is considered beyond its most recent industrial usage to expose a place-specific natural/cultural terrain comprised of material and immaterial layers of evolution and exploitation. This thesis positions the architect as perceiver, hoping to inspire sensitivity, pause, and reflection and resists ideas of forced transformation as a means of outwardly expressing progress. It immerses itself within the in-between places that blur preconceived boundaries – natural and cultural, past and future, controlled and chaotic – in order to encounter the inherent existential qualities of a site in transition.

Cette thèse examine d’abord les personnages merveilleux dans cinq lais de Marie de France, et reconnaît trois types de merveilleux : féerique, amoureux et lycanthropique. Sans motivation ni explicitation – donc par moyen d’un silence narratif – on reconnaît le personnage merveilleux « type ». Une analyse narratologique montre qu’un personnage peut être merveilleux sans être « type » et qu les cinq lais étudiés sont construits selon une focalisation sur le personnage humain. Examinant les actes magiques, cette thèse conclut que la magie des merveilleux « types » ne diffère d’un acte de celle des personnages non « types » que par la motivation psychologique. M’appuyant sur les lois universelles de la magie décrites par Hubert et Mauss, je conclus que Chievrefueil décrit en fait la construction d’une baguette magique. Dernièrement, l’altérité du personnage humain crée la possibilité d’une rencontre – d’habitude érotisée – entre le monde humain et le monde merveilleux et lance le récit.

What happens after a place has been exploited, isolated, and neglected? What occurs when that place is bound – confined – by impenetrable voids of dereliction? Its core, slowing diffracting, with no opportunity to perceive outward – beyond the derelict terrain to the boundless expanses of earth and water that have perpetuated its vitality. And what then, if for a moment, this decaying place is given a view beyond these boundaries? Deindustrialization has invariably altered modern cultural conceptions of control over nature. The terrain remaining after decades of resource exploitation is composed of deep voids and fissures that reside physically, psychologically, and theoretically in-between the accepted realms of culture and nature. This thesis explores the perversion and dissolution of these two opposing realms within the sublime and fantastical derelict landscape of a declining town. Deindustrial voids are considered as both barrier and bridge; serving as persistent symbolic reminders of the volatile and hubristic relationship between culture and nature, and offering potential reconnection to the natural landscape of a city’s foundation. Reacting to collective nostalgia through memorialisation, totemism, and erasure, typical design interventions continue to prioritize cultural domination and emphasize the designer as creator in order to reassert control over the chaos of deindustrialization, often resulting in placeless infilling of the void. Ideas of extimacy, alterity, and ruination, with influences from the fields of industrial archaeology and landscape architecture, ground contemporary reactions to the deindustrial void and explore the role of landscape in the creation and fragmentation of ideas of place for the dissolving North American industrial city. Both inspired and situated within the declining former town of Fort William, Ontario, this thesis surveys an abandoned industrial corridor that encircles the town, severing it from the liminal water’s edge and landscape beyond. Viewed as a palimpsest, this site is considered beyond its most recent industrial usage to expose a place-specific natural/cultural terrain comprised of material and immaterial layers of evolution and exploitation. This thesis positions the architect as perceiver, hoping to inspire sensitivity, pause, and reflection and resists ideas of forced transformation as a means of outwardly expressing progress. It immerses itself within the in-between places that blur preconceived boundaries – natural and cultural, past and future, controlled and chaotic – in order to encounter the inherent existential qualities of a site in transition.

Η ευαισθησία και η γενικότερη κοσμοαντίληψη του Σκαρίμπα αντανακλάται στην ανθρωπογεωγραφία της ποίησής του. Ο δημιουργός άλλωστε είναι ο φορέας της εξωτερίκευσης των πολλαπλών προσωπικοτήτων στους στίχους του. Στην παρούσα εργασία γίνεται ξεχωριστή αναφορά στους στίχους που αφορούν υπαρξιακές αναζητήσεις του ποιητή καθώς και για τα βιογραφικά του ποιήματα. Επίσης παρουσιάζονται τα πρόσωπα της ποίησης σύμφωνα με τις ιδιότητες που αυτά φέρουν, όπως για παράδειγμα η μορφή της γυναίκας (ως γυναίκα – όραμα, ως κούκλα, ως μορφή από το παρελθόν που επανέρχεται στη θύμηση του ποιητικού εγώ, ως νεαρή αγνή κόρη, γυναίκα της υψηλής κοινωνίας και του χωριού, γυναίκα που κάνει παρέα και φλερτάρει με ανδρικές παρέες, ως δυναμική γυναίκα, συνδεδεμένη με το θαλασσινό στοιχείο, κλπ.). Στους στίχους του Σκαρίμπα σημαντική είναι η εμφάνιση της γυναικείας μορφής ως μάνα. Η ανδρική μορφή παρουσιάζεται ως επί το πλείστον στο περιθώριο. Επίσης ξεχωριστή αναφορά γίνεται και στα ποιήματα τα οποία αφιέρωσε ο ποιητής σε φίλους του ή τα έγραψε με αφορμή τη δράση κάποιου γνωστού του προσώπου. Αναλύεται και η ιδιότητα του φίλου και της παρέας, παρουσιάζονται στίχοι που αφορούν την δράση ανώνυμου πλήθους, τις θύμησες νεκρών προσώπων, τη θεϊκή (αγγελική) και διαβολική ιδιότητα. Στο επόμενο μέρος της εργασίας αναλύεται το περιβάλλον ή οι συνθήκες στις οποίες δρουν τα πρόσωπα. Στο τέταρτο μέρος της εργασίας αναλύεται η φυλική ταυτότητα των ποιημάτων σύμφωνα με τα πρόσωπα που παρουσιάζονται σε αυτά. Αναφορά γίνεται και στα ποιήματα όπου δεν γίνεται αναφορά ως προς το φύλο των δρώντων πρόσωπων και χαρακτηρίζονται ως άφυλα. Στο πέμπτο μέρος της εργασίας σημειώνονται συνοπτικά οι τρόποι περιγραφής και απόδοσης των χαρακτήρων καθώς και κάποιες τεχνικές του ποιητή. Στο έκτο μέρος της εργασίας σημειώνονται τα συμπεράσματα από τη μελέτη της ανθρωπογεωγραφίας στους στίχους του Σκαρίμπα. Στο τέλος παρουσιάζονται πίνακες που αφορούν: (α) τις ιδιότητες των προσώπων, (β) τη φυλική ταυτότητα και (γ) το περιβάλλον των δρώντων προσώπων. Στους πίνακες σημειώνονται οι τίτλοι των ομαδοποιημένων ποιημάτων και δίπλα σε παρένθεση με συντομογραφία ο χώρος που τα συναντάμε. / Skarimpas' sensitivity and general Cosmo-theory is mirrored at his poetry heroes and several identities. Actually the author, throughout his lines and the many characters he describes, winds up at self expression, externalization and comes at his own exhibition of feelings. At this project we will be able to see the complexion the woman (in many shapes it appears in society), as well as the shapes of the man, of the friends, of the dead people, the angelic and devil figures. We can also see the analysis of the environment and the general atmosphere in which figures act. At the fourth part, the gender of poems is created according the persons appear in them. At the fifth part poet 's technicals about description are given summarily. At the sixth part we can see the conclusions of skarimbas' human geography. At the end, tables are given in order to band together (a) the properties defining the figures, (b) the gender identity, (c) the environment. At the tables the titles of the poems are also given.

This research agrees to Freud s concept: to insert man in the social order around him and to analyze human relations, intra e inter subjetively established. It is a theoretical research using the psychoanalytical method, in which some notes are drawn from conflict points. This study starts from a brief historical context and it tries to trace the subjetive behavior that arises along human biographic story. This work attempts to do a deep analysis about alter relations that are established between human beings and the way they affect the desired moments. Our contemporary days have aticipated the action as a way to flee from sadness, part of human loneliness, creating many psychic configurations in relation to our present time. Actually, modern times demonstrate new configurations to showing pain, as well as, ways of facing it. In order to a better understanding of the processing attitudes among men and inside oneself, this work has the main objetive to think about a different meta psychological articulation to help us to understand the relation of contemporary arrangements created to deal with the feeling of abandonment and its results within the desired condition. Analyzing the relations among men and its limits, it is necessary to rethink about existing ideas such as pulsing and their vicissitudes, desire, id, ego, and super-ego, pleasure and other ones and to create different ideas from a free mind, open to new thinking. It does not mean to forget old theoretical ideas but to search new ways of subjetive thinking that coexist with the ones already known. / Este trabalho vai ao encontro daquilo que observamos ter sido realizado durante toda a escrita freudiana: contextualizar o homem em sua ordem social circundante e pensar as relações que se estabelecem intra e intersubjetivamente. Trata-se de uma pesquisa teórica, realizada empregando-se o método psicanalítico de pesquisa. O estudo parte de uma breve contextualização histórica e procura traçar os modos de subjetivação que vão se criando ao longo da narrativa biográfica humana. Busca-se realizar profundas reflexões sobre as relações de alteridade que se estabelecem entre os seres e a forma como estas afetam as monções desejantes. A contemporaneidade tem antecipado, cada vez mais, a ação como forma de fugir à angústia inerente ao estatuto do desamparo humano, criando diferentes configurações psíquicas em correspondência ao momento presente. De tal sorte, os tempos hodiernos revelam novas configurações às manifestações de sofrimento e dor, bem como às formas de enfrentá-las. A fim de melhor compreender as articulações que se processam entre os seres, e do ser humano consigo mesmo, este trabalho tem como objetivo principal pensar uma distinta articulação metapsicológica, que se qualifique em compreender a relação dos dispositivos contemporâneos criados para lidar com o desamparo e das implicações destes na condição desejante. Pensando os limites das relações que se criam entre os seres, busca-se repensar proposições já criadas tais como pulsão e seus destinos, desejo, id, ego e superego, princípio do prazer, ou ainda outras e articular distintas idéias a partir de um pensamento que não pretende fechar-se em si, mas manter-se aberto a novas reconstruções. Não significa, assim, invalidar as proposições teóricas até aqui construídas, mas sim pensar novos modos de subjetivação que são criados e que coexistem com os já conhecidos. / Mestre em Psicologia Aplicada

Submitted by Aline Maria Magalhaes de Oliveira null (alinemmo@gmail.com) on 2018-01-04T11:28:32Z No. of bitstreams: 2 TESE_ALINEAVILA_REPOSITORIO-3 (1).pdf: 3565223 bytes, checksum: 930336ccc682bdeacb1bbe8e8d2af710 (MD5) TESE_ALINEAVILA_REPOSITORIO-3 (1).pdf: 3565223 bytes, checksum: 930336ccc682bdeacb1bbe8e8d2af710 (MD5) / Approved for entry into archive by Aline Aparecida Matias null (alinematias@fclar.unesp.br) on 2018-01-04T12:27:30Z (GMT) No. of bitstreams: 1 avila_ammo_dr_arafcl.pdf: 3565223 bytes, checksum: 930336ccc682bdeacb1bbe8e8d2af710 (MD5) / Made available in DSpace on 2018-01-04T12:27:30Z (GMT). No. of bitstreams: 1 avila_ammo_dr_arafcl.pdf: 3565223 bytes, checksum: 930336ccc682bdeacb1bbe8e8d2af710 (MD5) Previous issue date: 2017-10-23 / O objetivo desta tese é investigar em narrativas de Guimarães Rosa como se relacionam as personagens nativas e estrangeiras, ou seja, verificar se há receptividade ou rejeição do diferente, a empatia ou a recusa do outro. O corpus é constituído por textos rosianos em que surgem ou se destacam personagens alemãs – o romance Grande sertão: veredas, a novela “O recado do morro” de Corpo de Baile, o conto “O mau humor de Wotan”, de Ave, palavra – e ciganas: os contos “Faraó e a água do rio”, “O outro ou o outro” e “Zingaresca”, de Tutameia. O procedimento para se atingir a meta é a apuração, por meio da análise, da construção desse tema pelas categorias narrativas, tendo como centro as personagens e sua relação com a história, o narrador, a focalização, o espaço e, como não poderia deixar de ser, a linguagem. Neste caso, salienta-se a exploração de hibridismos. Os resultados da análise de cada narrativa levaram à possibilidade de comparação entre elas no que diz respeito à constituição do tema. A investigação tem como suporte estudos sócio-históricos e estudos culturais relativos ao estrangeiro e ao imigrante, a relações de alteridade e identidade. Os autores e obras principais são: “Os processos de transculturação na narrativa latino-americana” (2001), de Angél Rama; Culturas híbridas (2000) de Néstor Garcia Canclini; Hibridismo (2003), de Peter Burke; O local da cultura (2007), de Homi K. Bhabha; Introdução aos estudos culturais (2004) de Armand Mattelart; Sobrados e mucambos (2013) de Gilberto Freyre. Baseamo-nos também, para a análise da personagem, nas propostas teóricas de Antonio Candido em “A personagem de ficção” (2000) e em Discurso da narrativa (1972) de Gérard Genette para o estudo das categorias narrativas. Intenciona-se demonstrar que o tema do estrangeiro pode ser uma nova chave de leitura para a obra rosiana, visto que se entende sua abordagem como um projeto de universalização do sertão mineiro fazendo desse espaço literário uma babel em que se cruzam os mais diversos idiomas, culturas e alteridades. / The aim of this thesis is to investigate in Guimarães Rosa’s narrative how the native and foreign characters relate, that is, verify if there is receptivity or rejection of the different, other’s empathy or refusal. The corpus consists of Rosiano’s texts in which German characters appear or stand out- the novel “Grande sertão: veredas”, the novel “O recado do morro” from “Corpo de baile”, the story “O mau humor de Wotan”, from “Ave, palavra- e ciganas”: the tales “Faraó e a água do rio”, “O outro ou o outro” and “Zingaresca”, from “Tutameia”. The procedure to reach the objective is to analyze the construction of this theme by narrative categories, centered on the characters and their relation to the story, the narrator, the focus, the space and, of course, the language. In this case, the exploitation of hybrids is emphasized. The results of the analysis of each narrative led to the possibility of comparing them with the constitution of the theme. The research is supported by socio-historical studies and cultural studies related to the foreigner and the immigrant, to the relations of alterity and identity. The authors and main works are: “Os processos de transculturação na narrativa latino-americana” (2001), by Peter Burke; “O local da cultura (2007), by Homi K. Bhabha; “Introdução aos estudos culturais” (2004) by Armand Matterlart; “Sobrados e mucambos” (2013) by Gilberto Freyre. We also based ourselves, for the character analysis, on the theoretical proposals of Antonio Candido in “A personagem de ficção” (2000) and in “Discurso da narrativa” (1972) by Gérard Ganette for the study of narrative categories. It is intended to demonstrate that the theme of the foreigner can be a new key for reading the Rosiana’s work, since its approach is understood as a project of universalization of the “Sertão of Minas Gerais”, making this literary space a Babel in which we can find the most diverse languages, cultures and alterities

Orientador: Ana Raquel Marques da Cunha Martins Portugal / Banca: Eduardo Natalino dos Santos / Banca: Lélio Luiz de Oliveira / Resumo: Esta dissertação tem por proposta analisar visões de alteridade no Altiplano Mexicano do século XVI, contrastando códigos culturais tanto de ascendência indígena como de espanhola, em relação à alteridade mexica. O período abordado é aquele relativo à tomada da capital asteca México-Tenochtitlan pelos espanhóis (1519-1521), estendendo-se ao alvorecer do século XVII, momento em que uma nova realidade colonial se configura na região em questão. Dentro das possíveis maneiras de se entender o Outro, tanto do espanhol frente ao habitante nativo, como da perspectiva do povoado tezcocano, que fez aliança com os mexicas antes da chegada dos espanhóis, pretendemos explorar ambas as visões recaídas sobre os mexicas. Para tanto, utilizaremos a seguinte documentação de época: As Cartas de Relación do conquistador Hernán Cortés, a Historia General de las Cosas de Nueva España do frei Bernardino de Sahagun, a Relación de Tezcoco de Juan Bautista de Pomar e a Historia de la Nacion Chichimeca de Fernando de Alva Ixtlilxochitl. Portanto, procuraremos mapear os mecanismos retóricos utilizados pelos autores selecionados para enunciar os mexicas e refletir sobre os níveis de apronfundamento nas descrições em relação às idiossincrasias do Outro. Como alicerce metodológico, utilizaremos a obra O Espelho de Heródoto do historiador François Hartog / Abstract: This dissertation proposes to analyze visions of alterity in the Mexican Highlands during the XVI century, contrasting cultural codes - both from indigenous and Spanish ancestry - in relation to the Mexica alterity. The period studied relates to the taken over of the Aztec capital, Mexico-Tenochtitlan (1519-1521), by the Spaniards until the dawn of the XVII century, a moment when a new colonial order was established in the region in question. Among the possible ways of understanding the Other, both the Spanish when confronted with the native inhabitant and the Tezcocano village's perspective (who made alliances with the Mexicas before the arrival of the European), intending to exploit both visions about the Mexicas. In order to do this, we will use the following sources: The Cartas de Relación by conqueror Hernán Cortés; Historia General de las Cosas de Nueva España by Friar Bernardino de Sahagun; a Relación de Tezcoco by Juan Bautista de Pomar and Historia de la Nacion Chichimeca by Fernando de Alva Ixtlilxochitl. Thus, we intend to map out the rhetorical mechanisms used by the selected authors in order to enunciate the Mexica and to reflect on the levels of depth in the descriptions regarding the idiosyncrasy of the Other. As a methodological tool, we will use the work O Espelho de Heródoto by the historian François Hartog / Mestre

[pt] Proponho um atravessamento entre rastros do pensamento de Jacques Derrida, sobretudo quanto à tradução, ao subjétil e à alteridade, no intuito de criar possíveis tensões entre Filosofia e Dança, reafirmando, ao mesmo tempo, o gesto da traição incondicional da desconstrução. A noção de traição no pensamento derridiano aparece como uma im-propriedade de todo texto em seu processo irredutível de forçamento de sentido em alteridade. Tal concepção abre uma brecha para se pensar a cena da escritura como uma travessura de atravessamento entre textos, uma passividade incondicional de passagem ao Outro – a qual, para Derrida, é o sentido radical da tradução. Nessa perspectiva, interessa discutir como a desconstrução no seu movimento de manutenção da tensão da diferença pode impulsionar uma arrombadora disseminação do pensamento que não se deixa reduzir ao uno, a identidade de um uno, e seus mecanismos de exclusão e denegação do Outro. Para tanto, assumo uma tessitura errante e, incondicionalmente, inconclusa entre textos de Jacques Derrida, Walter Benjamin, Antonin Artaud, Homi Bhabha, Freud entre outros autores que contribuem no processo de inscrição do pensamento na pulsão do para além. Essa tessitura não busca reafirmar o que eles disseram ou se referiram ou, ainda, escrever como eles ou a respeito deles, mas inscrever diretamente neles, ou melhor, naquilo que se chama eles, subject, it, il. A proposta se mune do processo de sobreposição, altercação, impregnação e operação cirúrgica sobre a indecidível pele que atravessa autores-textos lançando-os às margens da desconstrução. Sobre as margens, a Filosofia e seus homens – dignos de nome – podem também dançar as avessas, num gesto duplo e não-dialético de contaminação e perturbação entre Dança e Filosofia, afirmando a fronteira como uma força de tensão e crise. / [en] What I propose is a crossing between traces of thought expressed by Jacques Derrida, with particular emphasis on translation, subjectile and otherness in order to create potential tensions between Philosophy and Dance, whilst at the same time reaffirming the gesture of unconditional betrayal of deconstruction. The notion of betrayal in Derridian thought appears as a no-ownership of all text in their irreducible process of a forcing of the sense in otherness. Such a conception opens up some incongruity for considering the scene from the writing as a mischievous crossing between the texts, an unconditional passivity within passage to the Other - which, for Derrida, is the radical sense of translation. From this perspective, it is interesting to discuss how the deconstruction movement in its upkeep of tension of difference can force a dissemination of thought that cannot be reduced to one, the identity of a unity, and its mechanisms of exclusion and denial of the Other. For that purpose, I assume an erring tessitura, and unconditionally, incomplete inter-texts of Jacques Derrida, Walter Benjamin, Antonin Artaud, Homi Bhabha, Freud among other authors that contribute to the inscription process of thought on the drive towards beyond. This idea does not look to reaffirm what they said or reported, or even have respect for them or desire to write like them, instead, inscribe them directly, in what is called they, subject, it, il. The proposal is a process overlap, altercation, impregnation and surgical operation on the skin that crosses authors-texts, throwing them on the deconstruction borders. On the borders, Philosophy and its men can also dance inside out, into double and non-dialectical gesture of contamination and disturbance between Dance and Philosophy, affirming the difference as a power of tension and crisis.