This study reports on the impact of the Authorial Empathy Scale (AES), a tool designed to measure responses to literature that balance attention both to authors’ aesthetic choices and to empathetic engagement with the narrative world, on teachers’ instructional practices and students’ written and spoken responses. The research is guided by the following research questions: (1) In what ways, if any, does a literary unit intervention designed to foster readings of authorial empathy shape the teaching practice of two secondary ELA teachers? (2) In what ways, if any, does a literary unit intervention designed to foster readings of authorial empathy shape secondary students’ responses to texts? Data consist of stimulated-recall interviews and discussion transcripts of teachers and students that were analyzed for the goals, tools, and sources of their decisions. The major findings are the use of the AES seemed to facilitate a common approach among teachers and students for generating more balanced responses to texts. However, sustaining the balanced responses faced challenges in the form of institutional rubrics, IRE discussion patterns, and the specific demands of writing tasks. Students who evidenced greater mastery of the conventions of academic writing tended to generate more authorially empathetic responses to texts. During the Authorial Empathy unit, students tended to engage in more extensive and collaborative talk turns during discussion. The results make clear the importance for teachers to select texts, tasks, and tools that support the use of the AES in guiding students to respond with authorial empathy. / Literacy & Learners

Diese Arbeit untersucht die Konstruktion von Autoridentitäten am Beispiel eines Korpus aus 25 deutschen und 25 US-amerikanischen wissenschaftlichen Artikeln aus dem Fach Soziologie, die in den beiden führenden Fachzeitschriften der Länder veröffentlicht wurden. Am Gebrauch der ersten Pronomen der Person in Kombination mit den ihnen zugeordneten Verben wird nachgezeichnet und verglichen, welche Rollen sich die deutschen und US-amerikanischen Autoren in ihren Texten zuschreiben. Dabei werden sowohl quantitativ als auch qualitativ weitreichende Unterschiede deutlich, die auf grundlegend unterschiedliche Konventionen, wie in den beiden Wissenschaftskulturen wissenschaftliche glaubwürdige Autorenidentitäten konstruiert werden, hindeuten. Weitergehend wird an einer Fallstudie gezeigt, dass diese Konventionen zwar nachweisbar, aber dennoch nicht notwendigerweise bindend sind, da erfahrene Autoren dennoch in der Lage sind, eine glaubwürdige Autorenidentität zu konstruieren, auch wenn sie umfassend gegen diese Konventionen verstoßen. Dies wird anhand einer Fallstudie belegt. Weitergehend werden die Ergebnisse im Rahmen des Impression Managements in einem sozialpsychologischen Kontext betrachtet und abschließend in ihrem Nutzen für die Schreibdidaktik diskutiert.

This project highlights aspects of Hester Piozzi’s approach to biography in Anecdotes of the Late Samuel Johnson LL. D. During the Last Twenty Years of His Life in order to analyze her use of accumulated cultural and social capital. I highlight similarities between Anecdotes and Samuel Johnson’s model for biography given in Rambler #60 and show how Piozzi adheres to his advice as she characterizes Johnson as a pious genius, intolerantly opinionated, and self-indulgent, yet unwilling to accept those qualities in others. I analyze how her editorial choices characterize her as a reliable source of information and a blameless victim of Johnson’s need for attention. This study proves Anecdotes and the corresponding entries in Thraliana are important because her deliberate revisioning of her history speaks to her ability to manipulate social expectations in order to revive her literary career and actively contribute to eighteenth-century British economy, culture, and society.

The thesis is devoted to the promotion and development of reading pre-literacy in kindergarten through modern authorial fairy tales. The theoretical part is focused on the development of preschool age children in various aspects related to the development of reading and language skills - in terms of psychology, early childhood education and Framework educational program for preschool education. With respect to the theme of the thesis is part of the theory also definitions of reading literacy and reading pre-literacy and its content in the context of selected procedures for development of reading in kindergarten. There are also itemized some of the methods RWCT (Reading and Writing for Critical Thinking), which are used in order to develop literacy skills. Theoretically, they are also gripped the literary and drama education in kindergarten, the specifics of the modern fairy tale and the role of projective methods in kindergarten. In the practical part there are present projects: What would happen, if there were walking around Brno giant and Lichožrouti. Projects were developed based on the book Daisy Mrázková (What would happen, if ...) and Paul Šrut (Lichožrouti). Both projects were developed in accordance with the Framework educational program for preschool education and the recommendations of...

The diploma thesis focuses on the translation of Jaromir Nohavica's work. The aim of the thesis is to define Nohavica's translation style on the basis of detailed translatological analysis of his translations of Bulat Okudzhava and Vladimir Vysotsky. At the same time, the translations of Milan Dvorak and Petr Kovarik are analysed. The analysis is extended by a brief analysis of a song score which works as a verification of a hypothesis whether the chosen translations are songful not only in Jaromir Nohavica's presentation. The theoretical part of the thesis is dedicated to Jaromir Nohavica's personality, particularities of lyrics translation, author song and their authors. Thanks to a complex approach, the diploma thesis describes a translation style of a significant representative of Czech culture which has not been so far individually introduced. Key words Jaromir Nohavica, translation style, translatological analysis, authorial song, Bulat Okud- zhava, Vladimir Vysotsky, lyrics translation, score

Made available in DSpace on 2016-04-26T18:16:09Z (GMT). No. of bitstreams: 1 Daniel Grizante.pdf: 2918521 bytes, checksum: 71ad07526df988433b11ffbd68ff288d (MD5) Previous issue date: 2007-05-15 / The objective of this thesis is the research and mapping of the changes undergone by animation with the increased use of computer technology in the creative and productive processes and the advent of new digital communication media. Due to the range of the term animation, an historical-evolutive line known as authorial animation was priorized. For this, contemporary works of animation with innovative use of computer technology were analyzed, including works from artists such as Mark Napier, Marius Watz, Zachary Lieberman, Ckoe, Hans Hoogerbrugge and Motomichi Nakamura, as well as animation series for the Internet such as Stainboy, Ninjai and Cinema Bulbo, and movies such as Waking Life, Ryan, Ghost in the Shell Innocence, among others. The analysis is based on Deleuze s theory of moving images (from which animation is not distinguished), as production of thought that result in a subtle relationship between language, media, technology, poetic intentions, esthetics and ethics, revealing true forms of reflection. From this analysis, three major themes, all extremely important for the comprehension of this kind of computer animation, emerged: the movement created through code, the synthetic moving image and the new media in animation and its influence on the creative process. It was established that Animation a language historically connected with technological media - occupies today an im-portant place in current audiovisual production since its approach of movement is fully compati-ble with contemporary concepts of constructing moving images / A presente dissertação tem como objetivo a pesquisa e mapeamento das mudanças sofri-das pela animação em seus processos criativos e produtivos com o crescente uso da computação e com o surgimento de novos meios de comunicação digitais. Devido à abrangência do termo a-nimação , decidiu-se priorizar uma linha histórico-evolutiva do que conhecemos como cinema de animação. Para tanto, foram analisadas obras contemporâneas de animação que utilizam a tecno-logia computacional de forma inovadora para a linguagem, a exemplo de trabalhos de artistas como Mark Napier, Marius Watz, Zachary Lieberman, Ckoe, Hans Hoogerbrugge e Motomichi, além das séries de animaçãos para internet Stainboy, Ninjai e Cinema Bulbo e dos filmes Waking life, Ryan, Ghost in the shell, entre outros. As análises deram-se a partir da constatação deleuzia-na de que a imagem em movimento, da qual a animação não se distingue, é produção de pensa-mento e, portanto, resulta de uma sutil relação entre linguagem, meios, tecnologia, intenções poé-ticas, estéticas e formações éticas, revelando verdadeiras formas de reflexão. A partir destas aná-lises, surgiram três grandes temas de suma importância para a compreensão desta animação pro-duzida mediante a utilização da computação: o movimento criado a partir de códigos de progra-mação, a imagem em movimento sintética e os novos meios de recepção da animação e sua influ-ência no processo criativo. Constatou-se que a animação, linguagem historicamente ligada aos meios tecnológicos, ocupa hoje lugar de destaque na atual produção audiovisual, já que suas a-bordagens do movimento são plenamente compatíveis com os conceitos contemporâneos de construção da imagem em movimento

The aim of the present study was to investigate how the impermanence of contract work affects working lives, self-perceptions and the career strategies of Swedish screenwriters of finding and keeping work. Furthermore, it also explored how screenwriters experience their abilities to exercise authorial leverage over media content. Introducing the concept of “career authoring” to cover different aspects of the professional lives of screenwriters such as managing a career, establishing authorship and contractual negotiations, the study was able to embrace various mind-sets and strategies for career success. Combining ethnographical studies and textual analyses the study was able to ascertain that the contingency of the Swedish film and television industries necessitates strategies to cultivate reputations, industrial visibility, consciously receive writing credits and conform to a traditional division of labour. Moreover, the study illuminated the importance of contractual negotiations for career success in terms of both retaining and wavering rights to their work. Strategies for exercise increased authorial leverage were not only confined to the script, but extended beyond the page, where the latter  accentuated processes of reconfiguring traditional conceptions of screenwriters’ abilities to influence media content.

De la Deffence, et illustration de la langue françoyse (1549) au tombeau de Ronsard réuni par Binet (1586), la sociabilité littéraire mise en scène dans quelque trois cents recueils d’environ soixante-dix poètes est envisagée comme le support de constructions identitaires à la fois collectives et individuelles. En effet, le foisonnement des pièces de contact valorise l’émulation lettrée et donne de la visibilité à l’émergence d’un « champ poétique » où le positionnement de chacun est fait, tout à la fois, d’identification à des groupes et de différenciation pour défendre un style singulier. L’identité valorisée collectivement est celle de « Poète ». Dans un élan commun et à la suite de Marot, il s’agit de donner tout son prestige à ce « mestier » – dont la visibilité est favorisée par la publication imprimée – ainsi que de convaincre les grands de son utilité politique. L’étiquette fédératrice se subdivise en identités collectives aux contours plus restreints, par exemple autour d’un genre pratiqué (les « Amours »), autour d’une langue (« poëtes françoys »), ou encore autour d’une implantation géographique (les poètes du Clain, les poètes gascons, etc.). Ce morcellement s’accompagne de tentatives de classements de valeur. Cela provoque des mouvements d’humeur (des poètes de province contre le milieu parisien naissant, par exemple), voire des conflits (poètes nouveaux contre poètes vieux, poètes chrétiens contre poètes païens, etc.), ainsi qu’une démultiplication des figures de chefs de file. Dans le même temps, chaque auteur essaie de faire valoir sa singularité, notamment en développant l’ethos du poète solitaire ou du poète mélancolique, et s’attache à ouvrir des voies nouvelles, dans un mouvement collectif de valorisation de l’originalité. Entrent ainsi en tension la structure pyramidale hiérarchique et l’affirmation d’un droit à la différence qui rend inclassable. / From the Deffence, et illustration de la langue françoyse (1549) to Ronsard's tomb texts collected by Binet in 1586, the literary sociability depicted in some three hundred volumes of poetry gathering together about seventy poets is regarded as the mean to construct identities both collective and individual. Indeed the flurry of common topics is at the origin of a literary emulation and makes the emergence of a "poetic field" noticeable; so the position of each poet is both defined with an identification to groups or with a differentiation to defend their proper styles.Being "a poet" is the identity collectively valued. Altogether on Marot's tracks, the point is to make this "craft" prestigious - printed publication makes it visible - and to convince the greats of its political importance. The unifying label is subdivided in collective identities with restricted outlines like a popular topic (the "Amours"), a language ("poëtes françoys") or eventually a location (the poets from the river Clain, the Gascon poets, etc). Therefore this fragmentation leads to an attempt of classification of value. This is at the origin of disagreements (some provincial poets against the emerging Parisian milieu for instance), even conflicts (modern poets against old poets, Christian poets versus pagan poets, etc), as well as an increase of leading figures. Meanwhile each author attempts to defend their own singularities, notably by working on the ethos of the solitary poet or of the melancholic poet and endeavours to open new poetic paths, within a collective movement defending originality. Hence the tension opposing the hierarchical organisation and the assertion of the right to be different and thus unique.

Dissertation thesis Acting with the Inner Partner as a Way to Develop Teacher's Personal Dispositions focuses on specifics of a psychosomatic discipline called Acting with the Inner Partner, in professional training of future teachers. This discipline represents the pedagogy of experimenting with the phenomenon of self-speech in experimental conditions. The emphasis is on the personality of future teachers, as well as on cultivation of their self-reflection. This should lead to a becoming a professional teacher with an authorial approach and authentic acting. The objective of the dissertation thesis is a deeper understanding of psychosomatic disciplines pedagogy, whereas my very own teaching experience at The Department of Psychology and Pedagogy is essential. Specifics of future teachers' personal preparation in the view of psychosomatic disciplines, represents the basic part of this work. Another part focuses on the experience with Acting with the Inner Partner, at first described by a student and later by an assistant (lecturer) and researcher. Common features of so called psychosomatic condition are discovered. The author also searches the possibility of exporting Acting with the Inner Partner out of the Department of Pedagogy and Psychology at South Bohemia University. As the methodology of video recording analysis has not been accomplished yet, the starting points for further research are described. The empirical part focuses on typology documented on students' written self-reflections. The objective is to describe the assistant's experience. The interpretation of the research results shows the need to distinguish between the terms 'written teaching self-reflections' and 'written teaching reflections, commonly described as feedback.

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2016-09-26T11:26:03Z No. of bitstreams: 2 Tese - Ema Marta Dunck Cintra - 2016.pdf: 9425370 bytes, checksum: 2c06326bfc683abfeeea650905ca39a0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-26T11:52:58Z (GMT) No. of bitstreams: 2 Tese - Ema Marta Dunck Cintra - 2016.pdf: 9425370 bytes, checksum: 2c06326bfc683abfeeea650905ca39a0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-09-26T11:52:58Z (GMT). No. of bitstreams: 2 Tese - Ema Marta Dunck Cintra - 2016.pdf: 9425370 bytes, checksum: 2c06326bfc683abfeeea650905ca39a0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-08-26 / How can an ethnic identity that has been wiped out, numbed, silenced by colonization process be identified? In the case of the Chiquitano in the Portal do Encantado-MT, who had positioned themselves as indigenous people to have the right to remain in their territory, the first strategy was to trigger the mother tongue which had taken refuge in the memory of their elders. Thus, the focus of this thesis is to present how, through “memory bilingualism” , this people could trigger an interactive process of resistance, cultural and political positioning of identity assertion. An identity that those who remembered (the elders) were able to reconstruct, given the common unitary point (belonging) of representation and impulsion to the experience of traditional knowledge. This knowledge, inherited from a common past, provoked/articulated/triggered a fight in view of the hegemony imposed by the settlers and their ways of homogenization of knowledge, culture and life. Hence, based on the results of this study, which entangles decolonial authors and authors who treat the language as discourse, it is possible to state that the Chiquitano, when triggered the mother tongue which was stored in their memory, could reach the dwelling for their being and gradually establish a decolonial process, identifying their identity and their place of belonging. That’s because, collectively, they acted and promoted the interaction of different generations of people. Through reflection, they found themselves, creating themselves and their “new” world. By demanding their own school, they produced science. Giving value to the ancestral knowledge, they defined the curriculum and pedagogic practices. In this way, they recorded their culture, which was dormant in the language memory. They produced an authorial and coping pedagogy. The valorization of their knowledge and their being created the possibilities for fighting the dominant power. Memory bilingualism was the guiding basis for the training of teachers and their pedagogic practices, as well as for the assertion of an identity. Everything together, provided the resurgence of a “being more” (FREIRE, 2014) and led the sociocultural vitalization of the Chiquitano do Brasil in the Portal de Encantado-MT. / Cómo marcar una identidad étnica apagada, dormida, silenciada a causa del proceso colonizador? En el caso de los Chiquitano del Portal do Encantado-MT, que necesitaron posicionarse como indígenas para tener el derecho de permanecer en su territorio, la primera estrategia fue accionar la lengua materna que estaba refugiada en la memoria de los ancianos. Es de eso que trata esta tesis, al presentar cómo, a través del “bilingüismo de memoria” ese pueblo consiguió desarrollar un proceso interactivo de resistencia, posicionamiento cultural y político de afirmación de la identidad. Esta, por su vez, se dio a través de los ancianos que recordaban la lengua dado el punto de unidad (pertenencia) común de representación y de impulsión para la vivencia de los saberes tradicionales. Esos saberes, heredados de un pasado común, provocaron/articularon/accionaron una lucha en contra de la hegemonía impuesta por el colonizador y sus formas de homogenización del conocimiento, de la cultura y de la vida, De esta manera, con base en los resultados de este estudio, que articula autores decoloniales y autores que tratan de la lengua como discurso, es posible afirmar que los Chiquitano, al accionar la lengua materna que estaba guardada en su memoria, lograron llegar a la morada de su ser y paulatinamente establecer un proceso decolonial, demarcando su identidad y su lugar de pertenencia. Eso porque, colectivamente, actuaron y promovieron la interacción de las diferentes generaciones del pueblo. Reflexionando, fueron reencontrándose, constituyéndose a sí mismos y a su “nuevo” mundo. Con la solicitud de una escuela propia para ellos, produjeron ciencia. Valorando el conocimiento ancestral, definieron el currículo y las prácticas pedagógicas. Registraron, así, su cultura, que estaba dormida en la memoria de la lengua. Produjeron una pedagogía autoral y de enfrentamiento. La valoración de su saber y de su ser creó las posibilidades de lucha frente al poder dominante. El bilingüismo de memoria fue la base orientadora para la formación de los profesores y de sus prácticas pedagógicas, así como para la formación de una identidad. Todo eso, en conjunto, propició el resurgimiento de un “ser más” (FREIRE, 2014) y provocó la vitalización sociocultural de los Chiquitano de Brasil en el Portal do Encantado- MT. / Como marcar uma identidade étnica apagada, adormecida, silenciada em virtude do processo colonizador? No caso dos Chiquitano do Portal do Encantado-MT, que tiveram de se posicionar como indígenas para terem o direito de permanecer em seu território, a primeira estratégia foi acionar a língua materna que estava refugiada na memória dos mais velhos. E é disso que esta tese trata, ao apresentar como, por meio do “bilinguismo de memória” , esse povo conseguiu desencadear um processo interativo de resistência, posicionamento cultural e político de afirmação da identidade. Identidade essa que os lembradores (anciãos) puderam reconstituir, dado o ponto unitário (pertencimento) comum de representação e de impulsão para a vivência dos saberes tradicionais. Esses saberes, herdados de um passado comum, provocaram/articularam/acionaram uma luta em face da hegemonia imposta pelo colonizador e suas formas de homogeneização do conhecimento, da cultura e da vida. Assim, com base nos resultados deste estudo, que enreda autores decoloniais e autores que tratam a língua como discurso, é possível afirmar que os Chiquitano, ao acionarem a língua materna que estava guardada em sua memória, puderam chegar à morada do seu ser e gradativamente estabelecer um processo decolonial, demarcando sua identidade e seu lugar de pertencimento. Isso porque, coletivamente, agiram e promoveram a interação das diferentes gerações do povo. Refletindo, foram se reencontrando, constituindo-se a si mesmos e o seu “novo” mundo. Ao demandarem uma escola própria para eles, produziram ciência. Valorizando o conhecimento ancestral, definiram o currículo e as práticas pedagógicas. Registraram, assim, a sua cultura, que estava adormecida na memória da língua. Produziram uma pedagogia autoral e de enfrentamento. A valorização do seu saber e do seu ser criou as possibilidades de luta diante do poder dominante. O bilinguismo de memória foi a base orientadora para a formação dos professores e para a fundamentação de suas práticas pedagógicas, assim como para a afirmação de uma identidade. Tudo isso, associado, propiciou o ressurgimento de um “ser mais” (FREIRE, 2014) e provocou a vitalização sociocultural dos Chiquitano do Brasil no Portal de Encantado-MT.