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41	„Zeichen eines persönlich aneinander gebundenen Strebens“ : Zur Dialogizität bei Franz Kafka, Michail Bachtin und Otto Gross Rödholm Siegrist, Helena January 2019 (has links) Dieser Aufsatz verfolgt drei Linien, die sich ineinander verweben. Erstens bilden Michail M. Bachtins Begriffe ‚Außerhalbbefindlichkeit‘, ‚Dialogizität‘, ‚Polyphonie‘ und ‚Intertextualität‘ wie auch einige von Bachtin beschriebenen genretypischen Romanhelden den Ausgangspunkt für Überlegungen zu Franz Kafkas Texten Der Heizer, Das Urteil, Die Verwandlung und Brief an den Vater sowie zu Briefen und Tagebuchaufzeichnungen. Es handelt sich dabei um Untersuchungen zu dem Themenkomplex ‚Macht, Schuld und Liebe‘. Zweitens wird Franz Kafkas Kritik gegen die bürgerliche Moral und das patriarchalische Machtstreben geschildert. In diesem Zusammenhang wird der Psychoanalytiker Otto Gross präsentiert. Franz Kafkas Beziehung zu Otto Gross und die Rolle Kafkas im Kontext der Psychoanalyse werden beleuchtet. Zudem werden Franz Kafkas Neugestaltung der persönlichen Beziehungen und sein Eintreten für eine freiheitliche Pädagogik beschrieben. Drittens wird, ausgehend von Franz Kafkas Lesen von Texten von Franz Werfel und Jonathan Swift, wie auch von seiner Begegnung mit dem Dadaisten Raoul Hausmann, über Kafkas Einstellung zum Lesen und Schreiben und über seine dialogische Praxis reflektiert. Bei diesem Gewebe, das auch Bezüge zur Nachkriegszeit beinhaltet, wird deutlich, dass sich Bachtin und Kafka in einem gemeinsamen europäisch-russischen Kontext bewegt haben, und dass Franz Kafkas Literaturverständnis auffallende Ähnlichkeiten mit Michail Bachtins Theorien aufweist. Innerhalb von diesem Kontext haben sich Kafka, Bachtin und Gross für eine Kultur eingesetzt, welche die autoritären, monologischen Machtstrukturen unterwandert, indem sie freiheitliche Beziehungen und dialogische Literatur gestaltet. Franz Kafka Michail Bachtin Otto Gross Hans Gross Anton Kuh Milena Jesenská Max Brod Franz Werfel Raoul Hausmann Hannah Arendt Außerhalbbefindlichkeit Dialogizität Polyphonie Intertextualität Narr Schelm Tölpel Humanities and the Arts Humaniora och konst
42	Den dödlige narren : En studie av satir och humor i dödsdansen av Hans Holbein den yngre / The deadly jester : A study of satire and humor in Hans Holbein the younger's dance of death Karadh, Sofie January 2023 (has links) Hans Holbein's Dance of Death has fascinated researchers for centuries, and in the shape of the book Les Simulachres et historiées de la mort, published in 1538, it was going to change the perception of the dance of death theme for a long time ahead. What most researchers point out about Holbein's pictures is its underlying sense of satire or irony – but is typically glossed over as a matter of fact. The aim of this study is to explore what makes satire and humor apparent in Holbein's dance of death. The study mainly focuses on four separate images from Holbein's series, that represent different social standings and professions to compare and study the difference in satire depending on this factor. By using Panofsky's iconographic method, Kemp's reception theory and Bachtin's theory about the carnivalesque and the grotesque, the study shows that Holbein was inspired by the earlier traditions of the Dance of Death theme but made certain new changes that were related to renaissance culture and ideas. These factors in combination with the ideas of the grotesque turned the frightful Death into something more than just a sudden harbinger of death – it was also part of carnival culture and laughter. Dance of death Hans Holbein the younger Satire Satire in art Renaissance Medieval Iconography Carnevalesque Grotesque realism Dödsdans Danse Macabre Hans Holbein den yngre Satir Satir i konst Renässansen Medeltiden Panofsky Kemp Bachtin Ikonografi grotesk realism Art History Konstvetenskap
43	Männen i Moa Martinsons Kvinnor och äppelträd Eng, Tord January 2012 (has links) Uppsatsen syftar till att undersöka om en nära läsning av Moa Martinsons Kvinnor och äppelträd med fokus på de manliga karaktärerna förmår öppna texten för tolkning på något nytt sätt, huvudsakligen i ett självbiografiskt perspektiv. Även den omtvistade frågan om Kvinnor och äppelträds strukturella uppbyggnad behandlas i uppsatsen. Skildringarna av männen - Förskinnsbonden, Gamlingen, Liter-Olle med sin hund och Videbonden – visar sig leda mot en undertext, som inte frilagts i tidigare analyser. Martinsons sorg efter sina två drunknade söner tränger oupphörligt fram. Hennes kamp för att komma undan sina minnen och gå vidare avspeglas i romanen. Den svåra och kvardröjande sorgen och andra traumatiska, undanträngda händelser från det första äktenskapet kan vara en anledning till att Martinson ständigt återkom till självbiografiska skildringar i sitt författarskap. Inte mindre än nio av hennes romaner är självbiografiska. En jämförelse av hur mor Sofi och Sally i boken behandlar de män som kommer till deras innersta rum visar sig kasta ljus över diskussionen om romanens struktur - om denna är litterärt, medvetet uppbyggd eller om de ingående berättelserna är sammanfogade mindre planmässigt, mer fristående gentemot varandra. Den figura som Ebba Witt-Brattström ser som en bekräftelse på romanens stränga, medvetna uppbyggnad, att mor Sofi förebådar sin ättling Sallys öde genom sin moderlighet ställd mot Sallys revolutionära inställning, vänds i uppsatsens perspektiv till sin motsats. Mor Sofi och hennes väninna Fredrika vänder upproriskt upp och ner på hela världen då Förskinnsbonden vågar sig fram till badstugans dörr. I motsvarande situation kapitulerar Sally och gifter sig med inkräktaren, Videbonden. Innebörden är rimligen att Witt-Brattströms tolkning av figuran faller och därmed inte kan användas som argument för något planerat samband mellan det inledande kapitlet om Sofi och de senare berättelserna om Ellen och Sally. Moa Martinson Kvinnor och äppelträd Tord Eng Witt-Brattström Bergom-Larsson Kerstin Engman Sällskapet Moas Vänner Eva Adolfsson Johannesdal Harry Martinson Mor badar Liter-Olle Gamlingen Sally Fredrika Bachtin Figura Modernismen Proletärförfattare Feministisk litteratur Män i litteraturen mor Sofi Förskinnsbonden Den skroige mårbo Videbonden Glada Flickan Mandala Sallys söner
44	Svět italské komicko-realistické poezie / The world of the italian comic-realistic poetry Žáčková, Magdalena January 2017 (has links) The doctoral thesis The World of Italian Comic-Realistic Poetry maps in a mostly chronological order the type of Italian poetry that is often referred to as 'giocosa' or 'comico- realistica' - in Czech translation, this best corresponds to 'poezie komicko-realistická'. The principal themes and individual topoi within the genre are analysed one by one, and examples are introduced to demonstrate the propositions related to the existence, characteristics and quality of the genre and the comic contained therein. The introduction is followed by an analysis of comic-realistic poetry of the first period which saw its heyday, namely, the first half of the 14th century, roughly comprising the years 1280- 1340. Following an analysis of sonnets by Rustico di Filippi, who is considered the emblematic founder of the genre in Italy, various topics are gradually analysed such as Bakhtinian reversal in values and seeming protest against the world, poverty and money, woman and anti-stilnovismo in sonnets of a great number of poets of the time, the most typical of them being Cecco Angiolieri. Topics with a more realistic background are also included, religious and political sonnets in particular. The issue of autobiography or pseudo- autobiography in comic-realistic texts is also covered in detail. Based on the...
45	Äta djävlar, föda ord : Om återkommande groteska motiv i Mikael Niemis romaner Kyrkdjävulen, Populärmusik från Vittula, Fallvatten och Koka björn Östling, Marie January 2022 (has links) This essay deals with recurring grotesque motifs in Mikael Niemi’s novels Kyrkdjävulen, Populärmusik från Vittula (Popular Music from Vittula), Fallvatten and Koka björn (To Cook a Bear). It aims to widen the academic understanding of Niemi’s works by focusing on their aesthetics in relation to previous studies, which have mostly been concerned with placing Niemi in a context of Tornedalian minority literature. With the grotesque defined as monstrous and boundary breaking imagery that challenges common rational, ideological or moral world views, this study shows that these motifs can both strengthen, nuance and undermine postcolonial interpretations of the novels.Through Mikhail Bakhtin’s theory of the grotesque, emphasis is placed on the subversive and utopian aspects of the grotesque motifs. With the use of Sigmund Freud’s term the uncanny (das unheimliche) and Julia Kristeva’s term the abject, psychological and emotional aspects of the selected motifs are drawn to the surface. And, by turning to Sara Ahmed’s thoughts on emotions and performativity, the function of disgust in said motifs is examined. The grotesque motifs in question are: the degradation of the mouth, the lower animals, the boy with the knife, the witch mother, and the androgyne. The first part of the analysis shows that in Niemi’sworks the mouth is associated with storytelling, power, agency and the subject’s ability to both knowand express himself, but also to take the world into himself and be changed by it. The mouth is often degraded, which in a carnivalesque manner results in a linguistic revival. The second part of the analysis argues that lower animals, such as rats, reptiles and bat-like devil spawn, are symbols of the abject – that which man must cast out in order to exist. The motifs of the rats and devils are associated with themes of language, identity and writing, but also allude to a threatening feminine principle. In the third part of the analysis, the motifs of the boy with the knife, the witch mother and the androgyne are found to be juxtaposed to and interwoven with each other in narratives concerning gender, sexuality and coming of age. The results of the study show that Mikael Niemi utilizes grotesque aesthetics to give shape toprocesses of growth and change, captivity and liberation, and a complicated sense of identity that eludes clear and rational definitions. The grotesque in these novels is not purely utopian in a Bakhtinian sense, but more emotionally ambivalent. A determining factor to whether the grotesque image brings true renewal or only a repetition of past pain is the will and choice of the individual. Thus, Mikael Niemi’s novels speak not so much of the power of a minority identity, as of the power and potential of the individual to reinvigorate that identity. They form an individualized, existential project in a Tornedalian context. Mikael Niemi Niemi Populärmusik från Vittula Fallvatten Koka björn Kyrkdjävulen grotesk grotesken Bachtin karneval Tornedalen tornedalslitteratur norrlandslitteratur minoritet minoritetslitteratur Sara Ahmed Kristeva Freud abjekt det abjekta det kusliga das unheimliche äckel meänkieli knapsu ei se kannatte Humanities and the Arts Humaniora och konst Languages and Literature Språk och litteratur General Literature Studies Litteraturvetenskap
46	Tintamaresken- en folklig verfremdung! Björnsson, Hillevi January 2014 (has links) I en iterativ process i ett utforskande arbete undersöker jag om tintamaresken kan användas i fler sammanhang än inom den folkliga komiken. Genom litteraturstudium hittar jag en väg från den svenska bondkomiken till fjärmningseffekter i internationella teatertraditioner. Med hjälp av laborationer och kontrollexperiment prövar jag förhållningssättet och gestaltningar tillsammans med tintamaresken. Arbetet leder fram till begrepp och metoder man kan använda för att arbeta med tintamaresken i framförallt episk men också dramatisk teater. tintamaresk Tintamaresque tintamareskteater tintamarre bondkomik commedia dell arte fysisk teater dramapedagogik narren clown bouffon mask kuliss brecht verfremdung lecoq grotesken bachtin kasperteater shakespeare hamlet gestaltning sotie sottie episkteater amatörteater karneval mälhammar oreglia uno myggan ericson maskerad dödsdans dansemacabre danse macabre mumin moomin emond Arts Konst
47	Upp och ned, hit och dit : En romananalys av Haruki Murakamis Fågeln som vrider upp världen utifrån Michail Bachtins kronotopteori / Up and down, here and there : An analysis of Haruki Murakami's The Wind up Bird Chronicle based on the Bakhtinian theory of the chronotope Lindgren, Fanny January 2012 (has links) In this essay Murakami Haruki’s novel The Wind Up Bird Chronicle was analysed from the perspective of Mikhail Bakhtin’s theory of the chronotope. The aim was to explore the concept of time and space as presented in the novel. In particular, the analysis focused on how Bakhtin’s chronotopes can be applied to The Wind Up Bird Chronicle, how the chronotopes can enhance our understanding of the novel, and finally how the chronotope theory can be applied to the concept of ‘magic realism’ that is often used to describe Murakami’s authorship. Four chronotopes, presented by Bachtin, were selected and applied to the novel: every-day life, the road, crisis and the castle. The concept of the chronotope allows analysis of how time and space work together in literature and how they form patterns of correlation in the sujet. Results showed that the four chronotopes were found in the novel, and that they also interacted with each other. The chronotope of everyday-life was apparent throughout the novel, and the narrator was under its control. The narrator also seemed to create every-day life out of the chronotopes of the road and crisis by re-living the crises in the road. These three chronotopes seemed inseparable in The Wind Up Bird Chronicle. Finally, the fourth chronotope, the castle, illustrated how a concrete room in the novel, a house, became a part of time and space through a character who, by his presence, gave the impression of slowing down time. When this character disappeared, time made its way through space, making the chronotope of the castle visible. The essay concludes that the chronotope theory was a relevant way to analyse The Wind Up Chronicle as it provided a concept of how time and space appeared together in a novel where time and space is always present. The analysis helped creating a way of understanding the patterns in the novel, which were not always clear, thereby also increasing the understanding of The Wind Up Bird Chronicle. Mikhail Bakhtin Murakami Haruki chronotope The Wind Up Bird Chronicle the chronotope of every-day life the chronotope of the road the chronotope of crisis the chronotope of the castle magical realism The Dialogical Word Michail Bachtin Haruki Murakami kronotop Fågeln som vrider upp världen vardagslivets kronotop slottets kronotop vägens kronotop vändpunktens kronotop magisk realism Det dialogiska ordet General Literature Studies Litteraturvetenskap

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