The thesis called ``Illegible foreigners{\crqq} deals with the way Českobudějovické listy (renamed Českobudějovický deník in October 2006) presents minorities living in the Czech Republic. The thesis focuses on Romanies, the most frequently mentioned minority in this south Bohemia daily. The thesis consists of two parts. The first part outlines important theo-retical concepts that should explain the current situation of minorities as pre-sented in the south Bohemia daily. The main indicator of the relationship be-tween the media, minorities and the majority society are stereotypes, which can be positive or negative. The thesis lists the main stereotypical attributes as-cribed to minorities by the media and discusses the degree of objectivity in articles that mention minorities.The second part of the thesis uses specific arti-cles on minorities published from 1 January 2004 to 31 July 2006 in the south Bohemia daily to document whether minorities are depicted in a negative or positive way and whether the articles (journalists) are objective.

The subject of the theses is sports journalism, the part of Czech media sphere slightly neglected by academics. The main focus is on Czech sports journalists (without consideration of their specific professional interest) and their social role. This paper has sociological character and its goal is to compare Czech sports journalism in two periods - during the period of ´propagandistic-promotion role´ of media defined politically (primarily by Communist Party) before 1989 and during contemporary period of commercialized and entertaining media - and to compare these two periods. The text can be understood as a contribution to the role of media within the framework of out-of-school education. Theses also contains the analysis of sports journalists role before 1989 and today: only aspect of sports journalists business which did not changed during last twenty years is the essence of their profession. One of two main methods used in this paper is qualitative analysis of questionnaires collected in an email survey: we could compare working conditions and profession opinions of five regional sports journalists. The text also offers professional portraits of respondents which are based the interpretation of their answers. These answers were interpreted by the author from the comparative perspective. Findings and conclusions were used for developing the typology of sports journalists which contains five genuine types of sports journalists. All types are described from several angles and to each type one respondent of our research is allocated as a representative. At the end, author offers critical evaluation of the typology and possibilities of future work on the topic of sports journalism.

O estudo em comento é um convite à reflexão sobre a atividade desenvolvida pelo jornalista escritor. Reconhecer originalidade e criatividade em seus artigos é uma responsabilidade imposta pela Lei de Direitos Autorais. Detectar na informação jornalística atributos que lhe conferem status de obra proporciona proteção ao jornalista como autor e incentiva cada vez mais o trabalho responsável. Assim, busca-se a diferenciação dos diversos escritos divulgados pela imprensa assegurando proteção legal àqueles cujos atributos pessoais do escritor revelam o esplendor de um estilo próprio que, além de informar, propõe ao leitor uma visão e abordagem diferenciada sobre o fato noticiado, consequência da vivência técnica e cultural do escritor. / The present study is an invitation to reflect about the activity developed by the journalist and writer. Recognizing the originality and criativity in his articles is a responsibility imposed by the Copyright Law. Detecting in the attributes which give him the status of work provides protection to the journalist as the author and encourages each time more the responsible work. Therefore, it seeks the differentiation of the several writings released by the press ensuring legal protection to those whose personal attributes of the writer reveal the splendor of his own style, which, besides informing, proposes to the reader a differentiated vision and approach about the reported fact, a consequence of the writer\'s technical and cultural experience.

Submitted by Erika Demachki (erikademachki@gmail.com) on 2016-08-04T17:58:59Z No. of bitstreams: 2 Dissertação - Victor Hugo de Carvalho Caldas - 2016.pdf: 1875779 bytes, checksum: 16e88aef5001741aa908ab366c41da8b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2016-08-04T18:04:43Z (GMT) No. of bitstreams: 2 Dissertação - Victor Hugo de Carvalho Caldas - 2016.pdf: 1875779 bytes, checksum: 16e88aef5001741aa908ab366c41da8b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-08-04T18:04:43Z (GMT). No. of bitstreams: 2 Dissertação - Victor Hugo de Carvalho Caldas - 2016.pdf: 1875779 bytes, checksum: 16e88aef5001741aa908ab366c41da8b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-06-27 / In this work we investigate the construction of the character of the journalist in HBO series The Newsroom, comparing it with its cinematographic representation. In addition, we present an overview of the emergence and evolution of the TV series in USA, very popular today and available to the public through a variety of channels, which implies the importance of their understanding. / Neste trabalho investigamos a construção da personagem do jornalista em The Newsroom, série de TV do canal norte-americano HBO, comparando-a com a representação desse profissional no cinema. Além disso, apresentamos um panorama do surgimento e evolução das próprias séries televisivas nos Estados Unidos, hoje muito populares e disponíveis para o público por meio de uma variedade de canais, o que implica na importância do seu entendimento.

A presente dissertação procura compreender os discursos sobre o trabalho de jornalistas freelancers da cidade de São Paulo a partir de três momentos ou gêneros do discurso: questionário quantitativo, entrevistas em profundidade e grupo focal. O referencial teórico parte do binômio Comunicação e Trabalho como constitutivo da atividade humana, e envolve a Ergologia, o Materialismo Histórico e as Mudanças no Mundo do Trabalho, a Análise de Discurso e os Estudos de Recepção. Todas essas perspectivas são relacionadas para abordar o indivíduo-sujeito, que é social e particular. Os discursos dos pesquisados revelam, em todas as instâncias, certo ajustamento ao novo espírito do capitalismo e às suas prescrições, sendo mais individualistas e dificilmente enunciando questões coletivas; os engajados são exceções. Considerando o mundo do trabalho como mediação central da comunicação, a pesquisa faz, entre os discursos sobre o trabalho, um estudo de recepção com os sujeitos pesquisados. A recepção se revela o momento por excelência de falar sobre o trabalho. Ao falar sobre o trabalho do outro, os jornalistas se confrontam com o próprio trabalho e revelam, no discurso, os valores e os dramas da atividade real de comunicação e trabalho. / This dissertation seeks to understand the discourses on the work of freelance journalists in São Paulo city from three moments or genres of discourse: quantitative questionnaire, interviews and focus groups. The theoretical framework puts the binomial Communication and Work as constitutive of human activity, and involves Ergology, Historical Materialism and Changes on the World of Work, Discourse Analysis and Reception Studies, together with all the perspectives on the question of the subject, that is social and individual. The discourses of the analysis reveal, in all instances, some adjustment to the new spirit of capitalism and its requirements. They are more individualistic and hardly uttering collective issues; those engaged are excepctions. Considering the world of worlk as central mediation of communication, the research provides a study of reception with the subjects studied, between the discourses on the work. The reception is revelead as the moment par excellence to talk about work. When talking abour the others work, the journalists are confronted with their own work and reveal, in his discourse, values and dramas of real activity of communication and work.

A política e o jornalismo eram dois componentes fundamentais na vida pessoal e profissional de Julio de Mesquita Filho. Justamente por isso, não era difícil encontrar essas duas vertentes refletidas nas páginas de O Estado de S. Paulo, uma vez que esse jornalista fazia questão de utilizar, sobretudo as seções de opinião do jornal, como um lugar reservado para as suas constatações sobre assuntos que permeavam o cotidiano da sociedade paulista e brasileira na década de 30. Durante o Movimento Constitucionalista de 32, essa característica tornou-se ainda mais evidente, podendo ser ela percebida tanto nas notícias veiculadas como nos editoriais deste jornal. Por um dos líderes civis do conflito e também pelo seu papel de liderança dentro da redação, seu discurso era percebido e respondido pelos paulistas e demais jornalistas, criando a relação dialógica necessária para a manutenção e propagação do movimento. Assim, este trabalho, através da Teoria Lingüística da Enunciação, procura identificar enunciados recorrentes ao discurso utilizado por Julio de Mesquita Filho, durante a Revolução de 32, por meio da análise da cobertura jornalística do conflito, realizada pelo impresso O Estado de S. Paulo. / Politics and Journalism are two fundamental things at Julio de Mesquita Filho\'s personal and professional life. Because of that, it wasn\'t uneasy to find this two issues reflected inside O Estado de S. Paulo\'s pages, since this journalist wanted to use, especially at the opinion section of the newspaper, as a particular place to do his verifications about subjects that were everyday in the São Paulo and Brazil\'s society, in the 30\'s. In the course of Constitutionalist Movement in 1932, this characteristic became more obvious, and this could be known at the news and editorials of this media. As one of the civilian leaders at the conflict and in consequence of his leadership inside the editorial staff, his speech was noticed and answered by paulistas and journalists, making the dialogical relation necessary needed to preserve and to spread the movement. Thus, this paper work, using The Linguistics Enunciation Theory, tries to identify recurring enunciations in the Julio de Mesquita Filho\'s speech, during the Revolution of 32, analyzing the journalistic approach of the conflict, made by O Estado de S. Paulo.

L’industrie du tourisme a beaucoup évolué et continue de se transformer sous l’effet du numérique, mais aussi sous l’effet des changements sociaux et économiques. L’information destinée aux voyageurs, auparavant produite par les seuls professionnels du métier – les journalistes de voyage – s’est diversifiée. De nouveaux acteurs, comme les blogueurs et les commentateurs des sites de recommandation, sont devenus des sources d’information importantes pour les voyageurs. Nos travaux de recherche se proposent d’explorer les pratiques des auteurs en ligne ainsi que la réception et l’interprétation de leurs écrits par les voyageurs. Des entretiens qualitatifs menés auprès de journalistes, blogueurs et commentateurs producteurs d’informations autour de Paris, éclairent leurs méthodes et pratiques et leur niveau d’adoption ou de rejet des codes traditionnels du journalisme. Dans un second temps, une autre série d’entretiens avec des voyageurs nous ont permis de mettre en évidence les jugements émis par ces « consommateurs » sur les contenus trouvés en ligne. En considérant les motivations de ces internautes, surtout l’aspiration à vivre des expériences « authentiques », les chercheurs peuvent mieux comprendre ce que les voyageurs apprécient. Les résultats suggèrent que les productions des journalistes de voyage, blogueurs et contributeurs participent chacune à leur manière à alimenter l’internaute en information lorsqu’il organise son voyage. Quant aux « consommateurs » de ces articles ou commentaires sur une destination, ils apprécient trouver une variété d’informations. Ces travaux permettent de formuler une conclusion générale au sujet du journaliste de voyage professionnel, dont les écrits ne sont qu’un fragment parmi toute la production d’informations touristiques, à laquelle contribuent également des non-professionnels. Le journalisme de voyage s’avère être un processus riche, au sein duquel différents types d’acteurs évoluent, pour répondre aux besoins des voyageurs-internautes. / The travel industry has evolved over the past decades, including social and technological changes that allow more people than ever to cross the globe. Travel journalists working for established media are no longer the sole gatekeepers of information relating to a destination. New authors, including bloggers and commentators on recommendation sites, have become major sources of information for travelers. This project seeks to explore both the practices of these online authors as well as the reception and interpretations of their work by travelers. Qualitative interviews with a sample of journalists, bloggers, and forum contributors in Paris help shed light on how these individuals adhere to notions considered “journalistic” as defined by traditional manuals. The goal is to explore and elaborate a definition of the travel journalist as opposed to non-professional authors. Secondly, through interviews with travelers who plan their trips online, the research aims to understand how consumers prioritize and value the content they find on the internet, especially looking at motivations linked to the idea of discovering authentic experiences abroad. Findings suggest that travel journalists, bloggers, and forum contributors all participate uniquely to the travel planning process, providing different elements. On the reception end, travelers consume many sources during their travel planning, and actively seek various websites and publications for different reasons. The overall conclusion is that travel journalists are just one important yet specific part of the larger process of travel journalism that acts interdependently with non-professional sources to respond to the online traveler’s needs.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-11T14:28:37Z No. of bitstreams: 1 rafaelpereiradasilva.pdf: 1215601 bytes, checksum: 18e34e31d7de03791d59cf4088fe46e3 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-11T15:06:56Z (GMT) No. of bitstreams: 1 rafaelpereiradasilva.pdf: 1215601 bytes, checksum: 18e34e31d7de03791d59cf4088fe46e3 (MD5) / Made available in DSpace on 2015-12-11T15:06:56Z (GMT). No. of bitstreams: 1 rafaelpereiradasilva.pdf: 1215601 bytes, checksum: 18e34e31d7de03791d59cf4088fe46e3 (MD5) Previous issue date: 2015-02-27 / A pesquisa visa analisar o ethos discursivo dos jornalistas que atuam em assessoria imprensa. O ethos é compreendido como a imagem de si mostrado por meio do discurso. A investigação parte de uma reflexão sobre as transformações no mundo dos jornalistas, onde se constata um conjunto de mudanças no mercado profissional, este fenômeno tem desencadeado alterações significativas sobre a identidade profissional dos jornalistas. Por outro lado, tem-se um alargamento do campo profissional, em que, gradualmente, os jornalistas passam a atuar em espaços extra-redações exercendo o papel de assessor de imprensa ou comunicação. No entanto, a imprensa e os jornalistas se consolidaram ao longo dos séculos como uma instituição ligada aos princípios democráticos, filhos do Iluminismo, o jornalismo e os jornalistas sempre tiveram um ethos e uma ideologia vinculada ao interesse público e ao interesse social. Tendo em vista a mudança de habitus dos jornalistas profissionais, este estudo pretende inserir-se em um conjunto de investigações não “normatizadores” sobre a identidade profissional dos jornalistas. Assim sendo, por meio de entrevistas em profundidade com seis agentes desse campo, procuraremos compreender qual é a imagem de si projetada por meio do discurso dos jornalistas que atuam em assessoria de imprensa. Além disso, utilizamos como aparato metodológico a análise do discurso, na linha francesa para analisar as entrevistas. Como abordagem teórica, nos apropriamos das noções de Campo e habitus desenvolvidas por Pierre Bourdieu, assim como empregamos o conceito de ethos discursivo nas perspectivas de Dominique Maingueneu e de Ruth Amossy a fim de balizar nossa argumentação. / The research aims to analyze the discursive ethos of journalists working in press officer. The ethos is understood as the picture shown itself through discourse. The research part of a reflection on the changes in the world of journalists, which noted a number of changes in the professional market, this phenomenon has triggered significant changes on the professional identity of journalists. How to ensure some researchers, journalism is undergoing structural changes. On the other hand, there is an extension of the professional field in which gradually journalists start to act in extra-essays spaces playing the role of press and communications officer. However, the press and journalists have consolidated over the centuries as an institution linked to democratic principles, children of the Enlightenment, journalism and journalists have always had an ethos and an ideology linked to the public interest and social interest. In view of the change of habitus of professional journalists, this study intends to enter into a body of research not "standard-setting" on the professional identity of journalists. Thus, through in-depth interviews with six agents of this field, try to understand what is the image of themselves projected through discourse of journalists working in the press office. In addition, we use as method discourse analysis in the French line to analyze the interviews. As a theoretical approach we appropriate the field notions of habitus developed by Pierre Bourdieu, as well as employ the concept of discursive ethos prospects of Dominique Maingueneu and Ruth Amossy to mark out our argument.

Genus är en del av en inlärningsprocess som startar redan vid födseln. Det vi lärt oss påverkar våra uppfattningar och beteenden. Vilket i sin tur också påverkar hur en journalist gestaltar respektive kön. Vi påverkas dagligen av hur män och kvinnor porträtteras i medier. Det kulturella och sociala mönstret skapar en orättvisa mellan kvinnor och män då manliga egenskaper värderas högre. För att kunna förändra samhället behöver vi uppmärksamma samhällets orättvisor. Under hela 1900-talet har mannen varit den idealiska journalisten – men i dagsläget utbildar sig fler kvinnor än män till journalister. I denna studie undersöker vi hur tidningen Journalisten porträtterar män och kvinnor i sina personporträtt. Utifrån ett genusperspektiv med utgångspunkt i Yvonne Hirdmans teori om genusordning samt gestaltningsteorin har vi gjort en kvantitativ innehållsanalys samt retorisk bildanalys av porträtten. Vi ser på representation, likheter och skillnader mellan könen. Resultatet visar att kvinnan dominerar sett till representationen. Kvinnorna är ofta yngre medan männen ofta är äldre. Kvinnan ler mer och upplevs mer inbjudande medan mannen upplevs mer distanserad i bild. Det är fler män med familj och barn och fler kvinnor som är singlar och utan barn. Kvinnorna porträtteras oftare på arbetet och männen i hemmet. Det är dubbelt så många män som har en chefsposition jämfört med kvinnorna och männen upplevs ha mer makt. Politik och kultur är två gemensamma favoritnyhetsämnen hos respektive kön. Männen beskrivs dock ha arbetat mer med hårda nyhetsämnen medan kvinnorna beskrivs ha arbetat mer med de mjuka enligt porträtten.

The diploma thesis deals with the depiction of the media and journalism in Czech prose of the 1960s. From the point of view of the entire period of the communist regime's rule in Czechoslovakia, the 1960s are a time of easing political and social conditions, which was also reflected in the literature. The aim of this work is to show the image of the media and journalism in Czech prose in the period in the broader genesis of the portrayal of the media in Czech literature and also with regard to the historical social and cultural context of the 1960s. Moreover, the thesis illustrates through content and text analysis, how individual works of literature describes the medial landscape and the way media officers and their functions are portrayed. Furthermore, the thesis examines the perception of journalists by a society living under the communist regime and how the journalists perceived themselves.