Global ETD Search

1	Kannibaler och veganer : avstånd och gränsdragningar i köttets värld / Cannibals and vegans : distances and borders in the world of meat Thelander, Jeanette January 2011 (has links) There are several ways in which people can relate to eating or not eating animals. This essay is focussing two main strategies: Making distances and drawing borders. Today, there are several reasons for not eating meat, including environmental reasons, individual and public health reasons, ethical reasons and more. Yet, people eat more meat than ever. According to the UN, this is a major problem. In 2006 the report Livestock’s long shadow pointed out that meat consumption was a bigger problem from an environmental point of view, than global transports, including air-traffic. At the same time, western societies are becoming both more animal friendly (when it comes to companion animals) and more animal abusive (when it comes to production animals). There seems to be a lot of empathy for animals, yet people choose to hurt them, kill them and eat them. This essay, with a feministic approach, tries to reveal what mechanisms are behind this ambigous behaviour. The findings suggest that the border line between humans and animals is blurred due to several reasons. / Att äta eller inte äta djur är en fråga som det går att förhålla sig till på olika sätt. Den här uppsatsen fokuserar på två huvudstrategier: Avståndstagande och gränsdragningar. I dag finns många anledningar till att inte äta kött, till exempel miljöskäl, hälsoskäl (såväl individuella som folkhälsomässiga), etiska skäl med flera. Ändå äter jordens befolkning mer kött än någonsin. Enligt FN är det ett stort problem. Rapporten "Livestock's long shadow" som kom ut 2006, pekar ut köttkonsumtionen som ett större miljöproblem än världens samlade transporter, inklusive flygtransporter. Samtidigt, håller västerländska samhällen på att bli allt mer djurvänliga (när det handlar om sällskapsdjur) och allt mer djurfientliga (när det handlar om så kallade produktionsdjur). Det finns uppenbarligen mycket empati för djuren, ändå väljer människor att göra dem illa, döda dem och äta dem. Den här uppsatsen försöker ur ett feministiskt perspektiv undersöka de mekanismer som ligger bakom detta ambivalenta beteende. Resultatet tyder på att gränsen mellan människa och djur är en kulturell konstruktion som håller på att suddas ut, av flera skäl. animal vegan vegetarian cannibalism animal rights animal ethics djur vegan vegetarian vegetarism veganism kannibalism djurrätt djuretik
2	I djurens ställe : En undersökning av kannibalismens roll och tematisering i Cormac McCarthys The Road / In Place of the Animals : A study of the role and thematisation of cannibalism in Cormac McCarthy’s The Road Hall, Nina January 2015 (has links) In this essay I’m exploring the novel The Road (2006) by the American author Cormac McCarthy. My main subject of interest is the thematic presence of consumption in general and meat consumption in particular in the text, and how this theme takes on an extreme form in the described and implied acts of cannibalism. Throughout the history of the Western World cannibalistic acts have been most commonly condemned and the cannibal has been, in a wide range of discourses, a cultural symbol of opposition to the idea of – and identification with – the ”civilized (Western) self”. Within the frames of popular culture cannibalism is generally portrayed along these lines as an expression of primitivism, animalistic behavior, depravity and monstrosity. As a reader of The Road, one may classify this story as a part of this tradition in its depiction of cannibalism. However, my goal is to illustrate how the subject can be viewed in a more diverse way, which potentially leads the reader to recognize the cannibal: Not in the form of the Other but as a part of the Self; not as a telling agent of evil times but as a critical mirror image of our own. I do this by shedding light on how cannibalism can be said to connect with other discourses throughout McCarthy’s text: Meat consumption as mentioned earlier is one of them and by following that trail my reasoning also comes to include industrialized meat and cultural consumerism. The conclusion of this essay is that the occurring cannibalism in The Road can be, and in my opinion should be, read as criticism of our contemporary society and its exploitive relationship to animals. McCarthy The Road cannibalism meat consumption industrialized meat animals consumerism McCarthy The Road Vägen kannibalism köttkonsumtion industrialiserat kött djur konsumism
3	Cannibalism Is Not Inherently Immoral : A Philosophical Study of Morality and Cannibalism Blomberg, Rebecca January 2022 (has links) This essay argues that cannibalism is not inherently immoral. To demonstrate this, I have analyzed the ethics of cannibalism through the perspective of consent, rights, autonomy, and consumption of flesh. I have defined the concepts of cannibalism and morality. The case of the German Cannibal Armin Meiwes is used throughout the essay as it gives factual examples of a case where cannibalism is in accordance to consent. I have analyzed cannibalism as a taboo, in the ways this taboo has formed and how we differentiate cannibalism in humans and nonhumans. Following this I have demonstrated how the relations surrounding human rights, the law's interpretation of consent and autonomy can alter its morality. With discussing consumption of flesh, whether it be from an animal or a human being, followed by how our view on treating nonanimals as a means to an end, I illustrate a comparison to cannibalism in human beings. By exploring the relationship of cannibalism with morality through these theories I conclude that cannibalism in fact cannot be inherently immoral. Cannibalism Armin Meiwes Meiwes German cannibal Cannibal Moral Morality Immoral Immorality Philosophy Ethics Autonomy Morality in cannibalism cannibalism moral cannibalism morality consent moral philosophyy Kannibalism kannibal filosofi etik moral samtycke Armin Meiwes Tysk kannibal moralisk kannibalism moral i kannibalism moralfilosofi autonomi Philosophy Filosofi
4	Sangvinolent berättande : En studie av Yu Huas roman En handelsman i blod / Sangvinolent Narration : A Study of Yu Hua's Novel Chronicle of a Blood Merchant Engdahl, Lin January 2011 (has links) The present MA thesis analyzes how body and blood functions as historical and narrative elements in Yu Hua's novel Chronicle of a Blood Merchant (1995). In the novel, the story and the plot can not be regarded as disparate items; the two levels of the text are tightly interwoven by what the thesis introduces as a sangvinolent narration. The term conceptualizes the use of blood as a structural element and the thrust of the text, in this case how the ability to sell blood is a prerequisite for the story and the plot. Close readings reveal the structural correlations between the blood-selling main-character Xu Sanguan in the plot on the one hand, and in the story on the other, which can be detected to have, inter alia, an effect on the temporality of the narrative. Themes linked to identity, belonging and survival (performativity, mimicry, reification and alienation) permeate the text. In the novel the body and bodily fluids are sacrificed in order to form and enforce perceptions of identity and societal roles. The rhetorical use of ‘blood and tears’ (Ch. xue yu lei) indicates thematic connections to the Chinese revolutionary literature, and furthermore, the use of flesh and blood can be read in relation to the cannibalistic discourses crucial to Chinese modernity since Lu Xun. alienation avant-garde blood blood-selling cannibalism China Chronicle of a Blood Merchant corporality mimicry narratology performativity reification Yu Hua 许三观卖血记，余华 alienation avantgarde blod blodsäljande En handelsman i blod kannibalism Kina kroppslighet mimicry narratologi performativitet reifikation Yu Hua Literature Litteraturvetenskap
5	Äcklet, Äcklet : En äckelstudie om doft, kroppsvätskor och skriftliga spyor samt att äta sig själv och andra i Aliide, Aliide, Parfymen, Nekrofilen, Våtmarker och Tid för kärlek / Disgust, Disgust : A disgusting study about scent, bodyfluids, writing vomit and eating oneself and others in Aliide, Aliide, Parfymen, Nekrofilen, Våtmarker and Tid för kärlek Guldbacke Lund, Linnéa January 2021 (has links) This essay explores and examines disgust in five literary figures and books based on scent, bodyfluids and abjection. Together with Julia Kristeva's Powers of Horror: An Essay on Abjection and Sara Ahmed's "The Performativity of Disgust" in The Cultural Politics of Emotion, I analyze these books, and my position as a researchsubject. The questions I ask are: What does disgust mean? How do the subject's boundaries shift when things penetrate the body? How are scents, body fluids and disgust expressed in relation to power and the female body? And what does it mean that I stick my reading experiences on the texts I read? The analysis begins in Mare Kandre's novel Aliide, Aliide and how gaze, power and girlhood are made, as well as how abjection takes place in the intake of milk and larvae. Body in body and body against body are analyzed based on Aliide's disgust in the novel. I discuss how something growing inside is experienced as disgusting and frightening and connect it to the pregnant body and the fetus as abjection. In the second chapter of the analyze, it is Parfymen: berättelsen om en mördare by Patrick Süskind that focuses on the scent of the female body that Grenouille, the main character tries to extract and master. The gaze on the female body and the extraction of fragrance is in focus here and in Nekrofilen by Gabrielle Wittkop, Lucien's desire for the dead body is examined. The body fluids, such as the vomit that the bodies excrete can be read as limits to life and death. In the third and final analysis section, I read these books with affect. I reconnect to my introduction where Ulf Lundell's poems made me feel disgusted. I use Ahmed's concept of performativity to discuss how cannibalism - reading - eating body fluids are connected, and how writing about disgust, is a form om vomiting. I examine my own writing subject and what an affective reading does to literary studies and the research position. In conclusion, I discuss how the universal and the subjective making of disgust effect research. Disgust Abjection Scent Bodyfluids Cannibalism Vomit Research position Reading Writing Subject borders female body gaze power power relations Ahmed Kristeva repulsive effects affective performativity äckel abjekt doft lukt kroppsvätskor spy kräkas kannibalism forskarsubjekt gränser läsandesubjekt skrivandesubjekt affektiv performativitet makt kvinnokropp död motstånd effekt General Literature Studies Litteraturvetenskap

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