Global ETD Search

21	Schillerrezeption in Dänemark / The reception of Friedrich Schiller in Denmark Helbing, Antje 26 November 2013 (has links) Die Studie untersucht die Rezeption von Friedrich Schiller in Dänemark. Ausgehend von der Tatsache, dass der Dichter ab 1793 vom dänischen Erbprinzen Friedrich Christian von Schleswig-Sonderburg Augustenburg großzügig finanziell gefördert wurde, war anzunehmen, dass Schiller schon recht früh in Dänemark große Beachtung fand. Das Stipendium des Erbprinzen verschaffte Schiller die notwendige Arbeitsruhe, um sein Programm einer ästhetischen Erziehung auszuarbeiten. Doch ein Blick auf die weitere Rezeption der Briefe über die ästhetische Erziehung des Menschen zeigt, dass sie nur wenig beachtet wurden und erst 1970 in dänischer Sprache vorlagen. Es wird zunächst untersucht, welche Persönlichkeiten an der Vermittlung von Schiller im 19. Jahrhundert beteiligt sind und welche seiner Schriften besondere Beachtung finden und welche kaum wahrgenommen werden. Da Schiller in Dänemark hauptsächlich als Dramenautor wahrgenommen wird, widmet sich die Untersuchung der Bühnengeschichte seiner Dramen am Königlichen Theater in Kopenhagen. Ebenso wird untersucht, inwieweit Schiller als stilbildendes Vorbild für dänische Dichter ausgemacht werden kann. Hier stehen insbesondere Adam Oehlenschlägers Tragödien und Schack Staffeldts Lyrik sowie die Dramen von Kaj Munk im Fokus des Interesses. 400 800 cultural transfer Friedrich Schiller Knud Lyne Rahbek Johan Ludvig Heiberg Adam Oehlenschläger Georg Brandes Kaj Munk theatre Romanticism Weimarer/Deutsche Klassik Dansk Guldalder Philologien (PPN621711713)
22	Erotic Insanity : Sex and psychiatry at Vadstena asylum, Sweden 1849-1878 Ek, Imelda Helena January 2017 (has links) The early nineteenth century saw the emergence of institutional psychiatry across Europe. Aware that Sweden had fallen behind in this development, Parliament decreed in 1823 that a number of specialised institutions for the care of the insane were to be established. The Vadstena asylum, opened in 1826, was the first such institution in Sweden. The aim of this study is to examine medical interpretation of and responses to erotic behaviour in psychiatric practice at the Vadstena asylum in the period 1849-1878. The book places the theme of the erotic, a topical subject in nineteenth-century public debate, in the context of psychiatry as an emerging specialty in Sweden. The book explores how erotic behaviour was conceptualised as disease, and the nature of therapeutic intervention in erotic cases, in order to present a more nuanced image of nineteenth-century medical attitudes to sexuality. By highlighting the superintendency of physician Ludvig Magnus Hjertstedt, and linking his account of an 1845 study tour through Europe to medical practice at Vadstena, the study situates responses to erotic patients in a period when psychiatry claims authority over human sexuality. In methodological terms, the study applies critical questions inspired by revisionist scholarship to a body of empirical source material. Focusing on a single institution, and conducting in-depth readings of case notes – with regard to language, form, and function – allows the study to highlight the everyday practice of the asylum physician in his encounters with male and female erotic patients, including the use, importance and diagnostic integrity of the concepts nymphomania, erotomania and masturbation. Hjertstedt’s travel journal provides insight into the physician’s medical philosophy, informing the analysis of diagnostic and interpretive procedures, while connecting medical practice at Vadstena to its European paragons. The results indicate that while the use of specific diagnostic terms to describe erotic behaviour was infrequent, therapeutic and managerial intervention shows that sexual acts and expressions of desire were considered disturbing and dangerous symptoms in both male and female patients. The analysis thus makes visible a gap between psychiatric theory and asylum practice, emphasising uncertainties and complexities inherent in the latter. While erotic behaviour could be considered indicative of illness, it might also be interpreted as a lack of character or a result of insufficient moral instruction. The asylum’s regime of work and moral instruction was designed to restore health as well as sound values and appropriate behaviour in its patients, indicating a medical culture at Vadstena which was both curative and normalising. history of psychiatry history of medicine asylums moral treatment medicine and society history of sexuality nineteenth century Vadstena Ludvig Magnus Hjertstedt Georg Engström Gustaf Göthlin History Historia
23	Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering Arrhénborg, Ludvig January 2016 (has links) En adaptionsanalys som utforskar relationen mellan romanen Cloud Atlas av David Mitchell och dess filmatisering (2012) av Tom Tykwer och syskonen Wachowski. Fokuset ligger på skillnader och likheter i narrativ och vilka visuella möjligheter som kunnat tillföras när romanens handlingen gjordes om till filmformat. Cloud Atlas David Mitchell Mitchell Linda Hutcheon Hutcheon Wachowski Lana Wachowski Tykwer Tom Tykwer Gerard Genette Genette fokalisering fabula adaption adaptionsanalys film filmvetenskap 2016 narrativ narratologi narratologisk berättelse berättande handling Arrhénborg Ludvig Arrhénborg
24	Symbolika labutě ve finské poezii od lidové slovesnosti k symbolizmu / Swan Symbolism in Finnish Poetry from Oral Tradition to Symbolist Movement Švec, Michal January 2012 (has links) ENGLISH SUMMARY This master thesis focuses on swan symbolism in Finnish poetry, from the oldest folk poems of oral tradition to the first decades of the 20th century. Firstly a swan is described from the zoological and etymological point of view, and its position in the contemporary Finnish culture is clarified. The next chapter is dedicated to swan symbolism in European culture, from antiquity till presence, and it focuses on mythology, folk traditions and the most common motives in visual art, music and literature. The key part of the thesis describes the swan symbolism in Finnish oral tradition and especially in poetry of the 19th and the beginning of the 20th century. The thesis focuses in particular on Johan Ludvig Runeberg's, Aleksis Kivi's, Elias Lönnrot's, Juhani Aho's, Eino Leino's, Otto Manninen's and Aarni Kouta's poetry. A special chapter is devoted to the myth of the Swan of Tuonela. Following the swan symbolism throughout literature and culture history, I have been looking for connections to Finnish national as well as European traditions and intertextual relations.
25	Transcription and Critical Edition of Carl Nielsen's Songs, Op. 4 and 10 for Flute and Piano Pillman, Laura, 1990- 08 1900 (has links) Widely regarded as one of the most significant composers of the late nineteenth and early twentieth centuries, Carl Nielsen and his music have come to define the early twentieth-century musical traditions of Denmark. His original songs for voice and piano are often revered as popular folk tunes and contributed to his status as a national icon. My dissertation explores Nielsen's vocal repertoire through a multipart project that includes transcribing and editing eleven of Nielsen's early songs from Op. 4 (1891) and Op. 10 (1894), originally for voice and piano, for flute and piano. I discuss the reception history and context of Nielsen's Songs, the important role of transcription in flute literature, and provide full score transcription of the original works for flute and piano. Many vocal works have been transcribed for flute from the original vocal score, providing variety in programming and attracting diverse audiences to performances. Transcription offers scholars a new view into a work, by determining what elements of the piece are integral to maintain the composer's intentions. Carl Nielsen Flute music Music transcription Music preparation Arrangement (Music) Flute and piano music, Arranged. Songs -- History and criticism. Academic theses
26	Kronor, kransar och diadem som rollsymboler i Rubens målningar över Maria de’ Medicis liv / Crowns, wreaths and diadems as role symbols in Rubens’s Marie de’ Medici Cycle af Klinteberg, Kristina January 2022 (has links) This is a study on crowns, wreaths and diadems as role symbols in Peter Paul Rubens’s 24 paintings for Marie de’Medici in Paris, 1622 – 1625. In these paintings, historic facts are shown with the addition of mythological gods and their symbols giving allegorical scenes, where sometimes also Christian symbols or subjects can be traced. A reader of these painted motifs therefore can choose to see the symbols as regal, Christian or mythological. The crown and the wreaths rarely present a challenge in modern interpretations, but the magnificent diadem does. Rubens chooses this diadem for higher goddesses, and for the queen a couple of times too. For some reason, this symbol is mostly misread in analyses. At this point in history, the crowns and the wreaths have been collected from divine spheres and turned into physical objects on earth used by the high and mighty. The large diadem has not; it is still only a symbol on a goddess. If and when put on a human in a portrait, the symbol gives the lady the abilities and characters of a goddess. Rubens uses his own design when turning this symbol into a physical picture;it is a high, pointed diadem with pearls and coloured gems set in gold. He has used it on goddesses both before and after the Medici commission. Today, we have seen numerous spectacular headpieces like this from late 18th century an onwards, wherefore it is an easy mistake to believe that Rubens copied what he saw instead of, as he actually did, foreboding a coming fashion. In addition to confirming this, I also suggest that it is the highest goddess Juno queen Marie is personifying. Juno is mostly known today as a goddess for women and childbirth. But she had far more masculine tasks in earlier days: she was seen as the saviour of the country and a special counsellor of the state. These two important roles are exactly what Marie de’ Medici took on when acting as regent for her young son, Louis XIII,after the murder of her husband, the late Henry IV. By putting Juno’s diadem on Marie’s head, when sitting on a throne, the divine abilities are manifested according to how a historic period could be transferred to the allegorical language in a painting at the time. Peter Paul Rubens Marie de’ Medici Maria de’ Medici Henri IV Henry IV Louis XIII crown wreath diadem role symbol Juno Roman mythology goddess Luxembourg Palace Louvre regent regency Peter Paul Rubens Marie de’ Medicis Maria de’ Medici Henri IV Henrik IV Louis XIII Ludvig XIII krona krans diadem rollsymbol Juno romersk mytologi gudinna Luxembourgpalatset Louvren regent änkedrottning Humanities and the Arts Humaniora och konst

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