La tesis es un análisis comparativo entre dos novelas de formación andinas: Los ríos profundos (1958) de José María Arguedas y Ximena de dos caminos (1994) de Laura Riesco. Se plantea que la heterogeneidad sociocultural de los Andes tiene un peso decisivo en los procesos formativos representados en estas novelas. Los protagonistas viven una experiencia distinta de la heterogeneidad sociocultural dadas las diferencias entre sus contextos históricos, sociales y culturales. La cultura y la clase social de los protagonistas definen mandatos sociales de género patriarcales y opresivos que son puestos en cuestión en la formación de la subjetividad de los personajes. La heterogeneidad sociocultural tiene un rol fundamental en la formación de los protagonistas como escritores, pues son sujetos bilingües que se educan entre la oralidad quechua y la cultura letrada occidental, dos sistemas lingüísticos enfrentados en una situación de diglosia. La resolución del proceso formativo consiste en que los protagonistas tomen una posición con respecto a los conflictos socioculturales que experimentan a lo largo de su desarrollo, con lo que se ratifica la naturaleza ambigua y fragmentada de sus identidades.

Un tema central de El Zorro de Arriba y el Zorro de Abajo (en adelante, Los zorros) es la sexualidad, la cual, tanto en los diarios como en el relato ficcional, está marcada por la violencia y la dominación. En este trabajo, se ha analizado la disciplina que posibilita esta dominación bajo el orden simbólico de la Masculinidad Hegemónica (en adelante, M.H.). A partir de ello, se examina la actuación de tres personajes, Chaucato, el Mudo y Maxwell. Luego, este análisis, se ha hecho dialogar con el discurso del autor en los diarios, mediante el cual construye su propia identidad masculina. Como resultado, se explica la propuesta de una forma distinta de ser hombre: la masculinidad alternativa.

The underrepresentation of Mexican art song has left classical singers with few Spanish-language repertoire options. Currently, the music of Spain dominates this scene and Mexican art song has yet to earn a place in academic curricula and concert halls. Manuel María Ponce (1882-1948) retains an important position in Mexican music. However, Ponce's vocal repertoire—consisting of over 150 songs—remained dormant for many decades after his death due to its misclassification by music aristocrats in Mexico that greatly affected their diffusion. Consequently, few copies were published during Ponce's life, making them difficult to find. The need in the singing community for repertoire of this kind has raised many questions not only about its existence and availability, but also about its origins and relationship to the established Art Song canon. To promote the diffusion of this underrepresented repertoire, a style analysis of Ponce's Romantic Mexican Art Song is offered through the lens of his writings about Mexican Song. The analysis includes vital information about the origins, form, style, and subjects of these songs. Tangible examples of these traits are provided from Ponce's Doce Canciones Mexicanas along with historically-informed suggestions for singers and translations of the text with IPA transcriptions.

In “Documents of Revolution” I compare various non-fiction prose genres with incipient journalistic media, including scrapbooks, photographs, films and radio poems, to explore the new internationalisms that emerged during the Spanish Civil War. Many studies of the war have prioritized visiting authors and their experience of travelling Spain. By contrast, I show how local critics, writers, and poets, such as the anarchist filmmaker Mateo Santos, the memoirist María Teresa León, and the poet Miguel Hernández, were crucial intermediaries between Spanish working-class oral cultures and foreign visiting authors, such as George Orwell, Nancy Cunard, Langston Hughes and Nicolás Guillén. I describe three modes of relation between intellectual elites and the working class: occupying, broadcasting, and archiving. By reading for the living internationalism of the working-class, I unearth various internationalisms (anarchist, Black Hispanophone, and feminist-humanitarian) that have not received due attention. These overlapping networks and diasporas ensured that the revolutionary and multimedia documentary poetics of the war disseminated far beyond Spain’s borders.

La presente tesis está dividida en un bloque teórico y un bloque práctico. En la parte teórica se realiza un estudio referencial, análisis y discusión de una serie de creaciones artísticas pertenecientes a la época de los años 60 y 70 mayoritariamente en EE UU y minoritariamente en Europa, que hacen uso de la imagen en movimiento monocanal y el cuerpo en acción en la naturaleza con carácter site-specific. En la parte práctica se realiza una obra videográfica que trabaja a partir de los mismos elementos de las obras de estudio desde un punto de vista actual y dentro de la línea de creación personal de la autora, aportando temáticas, motivaciones, procesos creativos y recursos formales que complementan y dan continuidad a la investigación teórica, al tiempo que enriquecen la línea de trabajo personal. Por lo que hemos podido comprobar, no tenemos constancia de que se haya realizado una investigación que analice y compare las distintas aproximaciones a las obras de nuestro estudio desde un punto de vista unitario, sino que han permanecido consideradas como piezas aisladas en muchos casos, dentro de las trayectorias de los propios artistas y sin atender al denominador común que todas ellas comparten. En el bloque teórico se acota el marco conceptual que delimita la temática a la que nos enfrentamos, a la vez que se muestra un recorrido por los puntos más importantes de la investigación, claves a la hora de analizar, discutir y concluir acerca de las creaciones. Estos puntos son los siguientes: La naturaleza como lugar; el cuerpo en acción: performance y danza site-specific; y la imagen en movimiento: cine y vídeo monocanal, entre testimonio y creación. Una vez aplicado el marco teórico, se acomete un estudio referencial que aborda el contexto artístico de la época, una serie de obras periféricas en relación con la investigación, y finalmente las obras destacadas de la tesis. Se realiza un visionado y un análisis completo de las obras destacadas a través de una metodología de análisis creada específicamente en esta investigación para este tipo de piezas. Y se concluye con una discusión que profundiza en el estudio transversal de las obras, el marco teórico, el contexto y las periferias, poniendo a disposición de la comunidad investigadora una visión inédita sobre estas creaciones, y una serie de conclusiones novedosas acerca de la temática. / Ontiñano Abadías, MC. (2014). Cuerpo en acción, imagen en movimiento y naturaleza en el arte de EE UU y Europa durante los años 60-70, con caracter site-specific. Estudio referencial, análisis y proyecto personal [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/36868

María de Jesús (1690s-1776) was a white-veiled Discalced Carmelite nun of the San José convent in Santa Fe de Bogotá, founded in 1606. She professed in the year 1714, and her spiritual journal was printed in a chronicle about the convent in the 1940s. The aim of this study is to examine the love of God and of neighbour, as expressed in the spiritual journal of María de Jesús. In this study I will proceed from the understanding of love as charity. In Christian thought God Himself is love, and its source. Charity, the third, and greatest, of the theological virtues, is a state of being in and responding to God’s love and favour. This way of loving consists in loving God wholeheartedly and loving our neighbour as ourselves. Included in loving our neighbour are acts related to his or her spiritual benefit and salvation. These are all present themes in María de Jesús’ text, but my aim is to examine how she incorporates these themes in her spiritual testimony by analyzing the imagery she uses, and the affective language in her spiritual journal. I will also seek to understand her way of writing by analyzing her text against the background of the tradition of women’s spiritual writings. Being a Discalced Carmelite, it will also be interesting to discover the Teresian presence in María de Jesus’ text, i.e. the influence of her predecessor and the reformer of the order, Teresa of Ávila (1515- 1582). I suggest that this can be noticed in certain rhetorical techniques. I also aim to examine if there are any similarities and differences in their expressions of love of God and of neighbour.

Spanish Republican philosophers in exile defended the Second Republic, legally proclaimed on April 14, 1931. They embraced the anti-fascist cause rising in the 1920s and the 1930s in Europe. During the Civil War, which lasted three years, they stood among the people. 1939 saw the victory of General Francisco Franco, supported by Nazi Germany and the Italy of Mussolini. Threatened with death, they had no choice but to escape from Spain. Some intellectuals experienced French concentration camps but, for the most part, they found refuge in Latin America, especially in Mexico and Venezuela. In exile, they swore to remain loyal to the Second Republic and to the spirit of the Spanish people. Moved by liberal views and humane ideals, these philosophers belonged to the vanquished, as those everywhere in Europe who rose against Fascist barbarity. As a result, their respective works are still widely unknown today – despite relentless efforts made to promote their thought to a larger audience for over half a century. In addition to the historical context of crisis during the interwar period, the situation of Spanish philosophy itself is suggestive. Indeed, Spanish philosophy was institutionalised at the beginning of the twentieth century only: the Schools of Madrid and Barcelona were created. These politics of cultural and intellectual renovation are first bestowed upon the generation of philosophers I study, born in the 1900s. When the Spanish War erupts, they had become professionals of international recognition. This shows the actual limits of academic philosophy, incapable of acknowledging unorthodox ways of philosophising. The experience of exile itself serves in my opinion as a catalyst: Spanish Republican philosophers in exile seek emancipation from academic conventions to philosophise freely; that is, in Spanish and according to the spirit of the people. No doubt “poetic reason” – the true invention of Spanish Republican exile – stems from this ideal of autonomous thinking.

Submitted by LUCIANA CARNEIRO HERNANDES null (lucahernandes@hotmail.com) on 2017-03-31T20:54:59Z No. of bitstreams: 1 TESE LUCIANA CARNEIRO HERNANDES.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) / Approved for entry into archive by Juliano Benedito Ferreira (julianoferreira@reitoria.unesp.br) on 2017-04-06T17:20:18Z (GMT) No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) / Made available in DSpace on 2017-04-06T17:20:18Z (GMT). No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) Previous issue date: 2017-01-31 / Centralizando-se nos relatos de Amores insólitos de nuestra historia (2001, 2011) e nos romances Finesterre (2005), Árbol de família (2010) e Todos éramos hijos (2014), o presente trabalho aborda como María Rosa Lojo articula o conceito de texto com a metáfora do tecido e como esse tecido/texto também está associado à vestimenta, às máscaras e à atuação performática dos personagens em geral, sempre associada ao ato de escrever e ao ato de apropriar-se, em especial no caso das mulheres, ou de outros personagens ex-cêntricos (HUTCHEON, 1991), de seu próprio corpo. A opção pela obra da escritora argentina contemporânea Maria Rosa como corpus desta tese justifica-se pelo painel que traça, em seus livros, da história argentina e pela maneira peculiar como constrói a sua teia narrativa, como elabora o seu bordado. Ao desconstruir mitos fundacionais e questionar a constituição identitária rio-platense, Lojo propõe ressignificar o próprio conceito de humanidade. Envolvendo os leitores, proporciona fruição poética e reflexão profunda. Ao resgatar autoras do século XIX, conta uma nova história da história e possibilita demonstrar como a mulher vai construindo uma forma própria de se colocar na literatura. Portanto, a questão que norteia o presente trabalho é em que medida a autora tece a história da Argentina para recriar-se argentina? Como ela constrói sensorial e sinestesicamente a trama–teia–texto de sua própria argentinidade? Também ela teria sido beneficiária do poder curativo do bordar e do narrar (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expurgando o sentimento da “exilada-filha” tantas vezes mencionado em entrevistas e artigos (também textos, também teias) e o da loucura, tema anunciado do próximo livro? Como principal suporte teórico da investigação foram utilizados textos de Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) e Bonnici (2007), no que tange a estudos de gênero e autoria feminina; de Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) e Rivas (2004) sobre narrativas de extração histórica; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) e Marques (2016), a respeito da estética e da autoria lojeana, além de textos críticos da própria escritora. / Focusing on the reports of Amores insólitos de nuestra história (2001, 2011) and the novels Finesterre (2005), Árbol de familia (2010) and Todos éramos hijos (2014), this paper addresses how María Rosa Lojo articulates the concept of text with the metaphor of the fabric and how this fabric/text is also associated with the dress, the masks and the performance of the characters in general always associated with the act of writing and the act of appropriation, especially in the case of women, or other excentric characters (HUTCHEON, 1991), of his/her own body. The option for the work of the contemporary Argentine writer Maria Rosa as a corpus of this thesis is justified by the panel that traces, in her books, the history of Argentina and the peculiar way in which she constructs her narrative web, how she elaborates her chain-stitch.By deconstructing foundational myths and questioning the rioplatense identity constitution, Lojo proposes to re-signify the very concept of humanity. Involving readers, provides poetic enjoyment and deep reflection. By rescuing authors from the nineteenth century, she tells a new history of history and makes it possible to demonstrate how women are building their own way of putting themselves in the literature. Therefore the question that guides this work is to what extent the author weaves the history of Argentina to recreate herself an Argentinian? How does she construct sensory and sinesthetically the webtext-plot of her own argentinity? Had she also been benefited from the curative power of embroidery and narration (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expunging the feeling of the "exile-child" so often mentioned in interviews and articles (also texts, also webs) and of madness, the theme of the next book announced? As the main theoretical support of the research, texts from Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) and Bonnici (2007) were used in gender studies and female authorship; Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) and Rivas (2004) on historical extraction narratives; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) and Marques (2016), regarding aesthetics and Lojeana authorship, as well as critical texts by the writer herself. / Centralizándose en los relatos de Amores insólitos de nuestra historia (2001, 2011) y en los romances Finesterre (2005), Árbol de familia (2010) y Todos éramos hijos (2014), el presente estudio aborda cómo María Rosa Lojo articula el concepto de texto con la metáfora de tejido y como ese tejido/texto también se asocia con la vestimenta, con las máscaras y la actuación performativa de los personajes en general, siempre vinculada al acto de escribir y al acto de apropiarse, en especial en el caso de las mujeres, o de otros personajes ex céntricos (HUTCHEON, 1991), de su propio cuerpo. La opción por la obra de la escritora argentina contemporánea María Rosa como corpus de esta tesis se justifica por el panel que describe, en sus libros, de la historia argentina y por la manera peculiar como construye su tela narrativa, como elabora su bordado. Al deconstruir mitos fundacionales y cuestionar la constitución de identidad rioplatense, Lojo propone replantear el propio concepto de humanidad. Envolviendo a los lectores, proporciona disfrute poético y reflexión profunda. Al rescatar autoras del siglo XIX, cuenta una nueva historia de la historia y permite demostrar como la mujer va construyendo una forma propia de colocarse en la literatura. Por lo tanto, la pregunta que guía el presente trabajo es: ¿en qué medida la autora teje la historia de Argentina para recrearse argentina? ¿Cómo ella construye sensorial y sinestésicamente la trama–tela–texto de su propia argentinidad? ¿También ella habría sido beneficiaria del poder curativo de bordar y narrar (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expurgando el sentimiento de ―exilada-hija‖ tantas veces mencionado en entrevistas y artículos (también textos, también telas) y el de la locura, tema anunciado del próximo libro? Como principal soporte teórico de la investigación fueron utilizados textos de Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) y Bonnici (2007), con respecto a los estudios de género y autoría femenina; de Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) y Rivas (2004) sobre narrativas de extracción histórica; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) y Marques (2016), con respecto a la estética y a la autoría lojeana, además de textos críticos de la propia escritora.

Orientador: Pedro Paulo Abreu Funari / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-24T05:51:16Z (GMT). No. of bitstreams: 1 AlarconJimenez_Andres_D.pdf: 13149870 bytes, checksum: 85f355d552e2c02f6927e054a5fb1d1c (MD5) Previous issue date: 2013 / Resumo: Essa pesquisa em História comparada tem como objeto estudar os livros de História do Brasil, de João Ribeiro, e de História da Colômbia de Gerado Arrubla e Jesús María Henao. Os primeiros foram publicados em 1900 com ocasião das comemorações do Quarto Centenário do Descobrimento do Brasil. Os segundos foram publicados em 1911, pois foram os vencedores de um concurso literário celebrado com ocasião do Primeiro Centenário da Independência da Colômbia. Esses livros foram importantes dentre os primeiros livros de texto de história pátria destinados às escolas primárias e secundárias devido, entre outros motivos, pelo contexto de produção e consumo. Por outro lado, estudam-se esses livros como produto do trabalho e visão de mundo dos seus autores. Com esse fim, em primeira instancia, debate-se a ideia de estudar a escrita da História, na sua cadeia produtiva, como uma tecnologia de si. Em segunda instancia, estudam-se essas Histórias como manufaturas, objetos que são produto do processo de constituição de si dos autores como pessoas, desde crianças. Representam as visões de mundo dos autores: o sujeito histórico é o resultado de como o autor concebeu, desenvolveu e usou os "humanos" e sua cultura material na escrita da Historia. Em terceira instancia, propõe-se a noção de "memória protética", devido a que tanto no caso dos autores como dos usuários, essa classe de livros e essa classe de "história", ambas as tecnologias de recente manufatura, constituir-se-iam uma extensão da memória individual / Abstract: The goal of this research in comparative history is the study of João Ribeiro's "Historia do Brasil" and Gerado Arrubla and Jesús María Henao's "História de Colombia". Ribeiro's books were first published in 1900, as part of the commemorations of Brazil's discovery 400th anniversary. Arrubla and Henao's books were first published in 1911, because they had won a Literary Contest during the celebrations of Colombia's Independence Centennial. These books were important among the first national history text books, for primary and secondary schools because of their production context and use. We study these books as the product of the author¿s work and world-vision. To accomplish our goals, firstly, we debate the writing of History as a part of a chain of production and as a technology of the self. Secondly, we study those histories as manufactures, objects that exist as the result of the author¿s constitutive process as a Human, since childhood. In them, the author materializes his world-visions: the historical subject is the product of the way he developed, conceived and used "human beings" and its material culture in the writing of history. Thirdly, we coin the expression "prosthetic memory" because in the case of both authors and readers, that kind of books and that kind of history, both modern technologies, became an extension of the individual memory / Doutorado / Historia Cultural / Doutor em História

El presente trabajo de tesis tiene como objetivo principal determinar la relación entre las diversas modalidades de contratación de personal en el sector público y su efecto en la atención al usuario final en cuatro sedes de la Superintendencia Nacional de los Registros Públicos – SUNARP: Surco, San Borja, San Isidro y Jesús María. En el primer capítulo, se desarrolla el marco teórico importante para el sustento de la investigación efectuada, tocándose temas sobre la calidad en la atención de servicio al usuario, los regímenes de contratación de personal en el sector público peruano, el servicio de certificados de copias literal de la SUNARP, los indicadores de calidad y; motivación y clima laboral: satisfacción el cliente interno y externo. Luego, en el segundo capítulo, explicamos la metodología de la investigación donde se abordará el método del caso, el contexto, las herramientas e instrumentos que se emplearon para realizar el trabajo de campo en la investigación. En el tercer capítulo, se describe el análisis de datos y resultados obtenidos en la fase de campo. Con respecto, a la herramienta de observación se describe las principales evidencias encontradas en las diferentes oficinas. Además, se menciona las entrevistas sostenidas a los jefes de las oficinas de investigación y tesorero de SUNARP, como también los resultados arrojados de los cajeros encuestados de ambos regímenes y, por último, el resultado de las encuestas aplicadas a los usuarios del servicio de copias literales atendidas en las 4 sedes de investigación de la SUNARP. Los hallazgos de la investigación son mencionados en el cuarto capítulo, donde detallamos los productos no conformes originados por los cajeros según el tipo de modalidad de contrato y la oficina de procedencia; así mismo, se desarrollan las conclusiones y recomendaciones obtenidas de la investigación de campo. Finalmente, en el quinto capítulo, se menciona la bibliografía utilizada para este trabajo de investigación. / The main objective of this thesis is to determine the relationship between the different modalities of hiring personnel in the public sector and their effect on the attention to the final user in four branches of the National Superintendence of Public Registries - SUNARP: Surco, San Borja, San Isidro and Jesús María. In the first chapter, the theoretical framework for the support of the research carried out was developed, touching on topics on the quality of service to the user, personnel recruitment schemes in the Peruvian public sector, literal copies service of the SUNARP, quality indicators and; Motivation and work climate. Then, in the second chapter, we explain the research methodology that addresses the case method, context, and tools and tools used to conduct the research. In the third chapter, the analysis of data and results obtained in the field phase is described. Regarding the observation, the evidence found in the different offices is described. In addition, the interviews with the heads of the research offices and treasurer of SUNARP are mentioned, as well as the results of the cashiers surveyed in both regimes and, finally, the results of the surveys of users of the literal service served in the 4 SUNARP research sites. The findings of the investigation are mentioned in the fourth chapter, where we present the nonconforming products originated by the cashiers, by modality of contract and the office of origin; Likewise, the conclusions and recommendations obtained from the research are developed. Finally, the fifth chapter mentions the bibliography consulted for this research work. / Tesis