Both Qatar and FIFA have been heavily criticised for the bribes and corruption resulting in Qatar obtaining the FIFA World Cup 2022. Over 6500 migrant workers in Qatar are said to have lost their lives during the construction of new arenas, and the media is an essential part for this being acknowledged. This essay examines and identifies the discourses that are dominating the articles written in the awakening of FIFAs World Cup in Qatar 2022. This will be done through studying the portrayal of Qatar in Dagens Nyheter, the Guardian and Gulf Times. The articles are studied through a narrative analysis method with support from agenda setting, framing and gatekeeping theories. The results show that western media portrays Qatar as unworthy of the world cup, while Qatari media ensures that the country will create the greatest world cup in history. The results suggest that Qatar is guilty of sportswashing through their government-controlled media.

The aim of this study is to analyze 25 fake election posters that have been put up between 2018 and 2022 in Sweden, through a narrative analysis, to gain an insight into how they displace political messages in the public space. The study is also done to gain a deeper understanding of the practice from a media activist perspective and to investigate how these practices renegotiate a traditional form of political communication. These renegotiation practices are theorized in terms of territorialization (Deleuze & Guattari, 1987). In addition, the concept right to the city (Harvey, 2003, 2008; Lefebvre, 1996) is used to understand the city as a public political space. The results of the study show that many fake election posters seem to want to challenge and try to influence their surroundings, although there are differences in what the the election posters specifically want to challenge or criticize. Common characteristics of the practice are activism, criticism, disclosure, disinformation, appropriation, intertextuality, irony, satire, humor, and political standpoints. This also shows that fake election posters can be understood as a type of activism, as there are many similarities with other media activist practices such as culture jamming, street art and graffiti.

Narrative identity refers to the interconnected web of stories forged by individuals to explain life. These stories are permeated with values and work as resources for the self during role transitions, in a constant flux of construction and revision. By analyzing the accounts of acting *förstelärare this study explores how a professional self is negotiated within a hero’s relational setting, this in order to challenge stereotypes and contradictions in teacher identities. In 2013 the Swedish Government introduced a career reform aimed to attract, and promote the conservation of, high-performing teachers in schools, and thus was the category *förstelärare (’first teacher’) introduced. Drawing on socio-constructive and pragmatic theories of identity, this paper aims to highlight nine individual *first teachers’ representations of experience as a means to consider and reflect upon the complexity of the teaching profession in a late modern society. Ultimately the qualitative analysis identifies the ways *first teachers subconsciously use the hero’s narrative as a tool to discursively negotiate a professional identity.

At the turn of the century, photographers started a transition from analogue to digital photography: a transition which took years to complete. The photographic landscape is now in a new period of development, with new AI-programs based on machine learning. These programs can be about (I) editing programs that aim to streamline the photographic workflow or correct pictures with technical flaws, such as reducing grain from a high ISO or enlarging pictures. The programs also incorporate (II) AI generated images based on prompting from an AI-artist, so called text-to-image programs like DALL-E 3, Midjourney, Stable Diffusion and Firefly 2. In this study we have done seven semi-structured interviews with Swedish photographers. We have used a postphenomenological theory based on Don Ihde’s philosophy. In analyzing the material from the interviews we have used narrative analysis. The results showed that photographers who worked in advertising, with organizations or clients had a higher tolerance for image manipulation with (II). These photographers valued effectiveness in their workflow and saw a larger need to adapt to new technology. While nature photographers valued authenticity and used (I) sparingly. Another result from the study was that Swedish photographers do not consider (II) photography and do not think that AI generated images should be allowed to compete in photo competitions, only in certain categories with only AI generated images.

Genom narrativ analys av fyra berättelser undersöker denna studie så kallade glasbarns levda erfarenheter av deras uppväxt med deras syskon. Syftet med studien är att vidga förståelsen av hur barn påverkas av att växa upp med ett syskon med omfattande vårdbehov orsakat av funktionsnedsättning eller sjukdom. Den narrativa analysen har skett i tre steg: 1) enskild analys av var berättelse; 2) identifiering av huvudnarrativ, och 3) analys av huvudnarrativ. Den narrativa analysen grundade sig framför allt i poststrukturalistisk narrativ teori, men med en antagen utgångspunkt i socialkonstruktivism.  Analysprocessen resulterade i två huvudnarrativ: normalisering och internalisering av sociala roller. Dessa huvudnarrativ kunde sedan brytas ned i underteman som skildrar narrativens komplexitet och nyans. Under normalisering identifierades undertemana: normalisera för samhället; vem hade personen kunnat vara?, och; att passa in i det normativa. Narrativet om internalisering av sociala roller kunder brytas ned i undertemana: att navigera tilldelade sociala roller; att känna ansvar och skuld, och; svårighet med att skapa egen identitet. Slutsatser som dras är att glasbarn har en tudelad relation till normer och normalisering och att tilldelade sociala roller tillsammans med förväntningar, skuld och ansvar hämmar deras förmåga till identitetsskapande. / Through a narrative analysis of four stories, this study examines the lived experiences of so-called "glass children" during their upbringing with a sibling. The objective is to enhance the understanding of how children are affected by growing up with a sibling requiring high care due to disability or illness. The narrative analysis involves three steps: 1) analysing each story; 2) identifying main narratives; and 3) analysing main narratives. The narrative analysis is rooted in poststructuralist narrative theory but grounded in social constructivism. The analysis yielded two main narratives: normalization and internalization of social roles. Themes capturing the complexity and nuance of these narratives could be extracted. From the normalization narrative, the following themes emerged: normalization for society; envisioning an alternative identity, and; conforming to societal norms. The internalization of social roles narrative could be subdivided into: navigating assigned social roles; feeling responsibility and guilt; and struggling with self-identity. The conclusions drawn suggest that glass children have a complex relationship with norms and normalization, and that assigned roles, coupled with expectations, guilt, and responsibility, impede the ability to develop a sense of identity.

Taking the form of a case study on an interpellation on ‘youth crime and street gangs’ and its consideration in plenary debate in the Finnish Parliament in December 2022, the purpose of this study is to examine how politicians narrate the Finnish community of value and its boundaries. The methodological framework of this study consists of strategic narrative analysis, poststructural and critical research theoretical underpinnings, and the operationalization of the concept of ‘community of value’. The findings of the study show that the strategic narratives on the Finnish community of value are diverse but return to similar points of boundary-making problematizing the ‘Migrant’ as part of a ‘suspect population’. The character of the community of value is simultaneously defined through the ordinary actions of its ‘Good Citizens’ and Finland as ‘not-Sweden’. Ultimately, the role left to play for the ‘Migrant’ is one of a ‘Tolerated Citizen’. These findings add a contribution to the field of critical migration and integration studies, as well as to the field of Finnish and Nordic political discourses.

This study examines the role and implications of mimicry (Bhabha, 1994) and colonial trans-lation (Young, 2003) in Swedish adoption narratives. Through a deconstructive narrative analysis of three Swedish adoption texts: Längtansbarnen: Adoptivförädrar berättar [The Longed for/Longing Children: Adoptive parents tell their story] (Weigl, 1997), Adoption: Banden som gör oss till familj [Adoption: the ties that make us a family] (Juusela, 2010), and Gul Utanpå [Yellow on the Outside] (Lundberg, 2013); the study explores how mimicry manifests itself in adoption narratives, the process of the translation of the adoptee into a mimic Swede, and how the transnational/-racial adoptee as a mimic poses a threat, as mimicry turns to menace.The study finds that mimicry emerges as a process, where the adoptee is first desired as abody of difference that can become an almost the same Swede, a mimic Swede, while keeping an almost difference. A dual translation process takes place where the adoptee’s body is translated from a body of a difference that is total into a mimic Swede, while a version of Swedishness is translated onto the body. As a mimic, the adoptee communicates their (almost) sameness through an excessive, but limited version of Swedishness, while disavowing their difference.However, their difference is still visible, and continuously communicated through (mis)recognition by others. The adoptee’s mimicry is prone to turn into menace, where they pose a threat to the identity of the white Swede and meanings of white Swedishness.Key Words: Transnational/-racial Adoption; Mimicry; Colonial Translation; DeconstructiveNarrative Analysis; Sweden

From the animal and trickster tales told by enslaved Africans in America to current education and performance based storytelling by contemporary African American storytellers, this study traces the aesthetics and epistemologies of the collaborative African diasporic oral expressive traditions. Through systematic analysis based on data derived from bibliographic and archival sources, interviews, and participant observation, it delineates the progression of the repertoire and content of Blackstorytelling through the lives and works of national and internationally known storytellers, Jackie Torrence, Linda Goss and Charlotte Blake Alston. Its theoretical framework is inspired by Kariamu Welsh Asante’s aesthetic senses coupled with pertinent ideas of other scholars in the field. The study demonstrates the existence of significant evidence of cultural preservation and artistic re-interpretation of the African aesthetic in Blackstorytelling. The genre comprises both traditional and contemporary expressions of African American culture. As such, it is a major component of the universal African oral continuum / African American Studies

The justification of war is a central issue in international relations, and the characteristic political response to war is to adopt a story that offers a degree of explanation. Narratives play a central role in garnering public support for wars to be seen as legitimate. Soft power, which includes sociocultural factors such as the state's image, credibility, shared values, and moral authority, also plays a crucial role. In the digital age, with the rise of social media, diplomacy has transformed and become a primary source of news with unparalleled global reach. Consequently, digital diplomacy has become essential for states to communicate their policy objectives directly to their audience through compelling social media narratives, especially during times of war. There have been few studies examining the relationship between soft power, digital diplomacy, and strategic narratives during wartime. This study uses visual narrative analysis (VNA) to address this gap by analysing eight video tweets published by the Israeli Ministry of Foreign Affairs (MFA) during the Israeli-Hamas war from October 7, 2023, and the six months after. The results show that the Israeli MFA used strategic narratives to legitimise the war. Notably, they used visual representations to emphasise Israel’s right to self-defence and its proximity to Western ideals, to garner support. Strategic narratives provide a storytelling which invoke the past to illuminate the present and future and create a shared identity in the context of the Israel-Hamas War.

[pt] Nos últimos anos observaram-se mudanças significativas no mundo do trabalho devido à reestruturação produtiva do sistema capitalista. O período da pandemia da COVID-19 atuou como um catalisador dessas mudanças, produzindo desdobramentos como a ampliação do teletrabalho e, posteriormente, a criação de formatos híbridos de trabalho. Essas transformações motivaram a realização dessa tese que, utilizando a perspectiva teórica da Teoria do Processo de Trabalho (LPT), objetivou compreender, a partir das narrativas emergentes das vivências de trabalhadores em regimes remoto e híbrido as dinâmicas de controle-resistência desse processo de trabalho. Com este intuito, sob o posicionamento ontológico do Realismo Crítico e por meio da abordagem metodológica da Análise de Narrativa Temática (ANT), foram entrevistados 15 trabalhadores que atuam em regime de teletrabalho na modalidade híbrida ou integralmente remota com vistas a entender suas vivências de trabalho. Assim, suas narrativas reconstituíram o movimento dinâmico e integrador da dicotomia capital-trabalho e do tensionamento entre controle-resistência, apontando para o aspecto recursivo, e por vezes contraditório, dessas categorias constituintes do devir organizacional. As histórias narradas também indicaram a experiência ambígua da sobreposição das dimensões individuais e laborais; a articulação de narrativas que tensionam os conflitos marcados pela subjetividade das estratégias de controle e da individualidade das formas de resistência; além da percepção da presença de um elemento geracional a influenciar as vivências. Finalmente, ainda que o teletrabalho possa se configurar como uma expressão da integração do lar como espaço de produção de mais-valia – ele também aparece como terreno contestado e palco da disputa entre a vida e o capital. / [en] In recent years, there have been significant changes in the world of work due to the productive restructuring of the capitalist system. The COVID-19 pandemic has acted as a catalyst for these changes, producing developments such as the expansion of teleworking and, later, the creation of hybrid work formats. These transformations motivated this thesis which, using the theoretical perspective of Labour Process Theory (LPT), aimed to understand how the work process and its dynamics of control and resistance are experienced and narrated by workers in the context of remote or hybrid work. To this end, under the ontological stance of Critical Realism and using the methodological approach of Thematic Narrative Analysis (ANT), 15 workers who work remotely in the hybrid or fully remote modality were interviewed in order to understand their work experiences. Their narratives reconstructed the dynamic and integrating movement of the capitallabour dichotomy and the tension between control-resistance, pointing to the recursive and sometimes contradictory aspect of these categories that make up the organisational becoming. The stories told also indicated the ambiguous experience of the overlapping of individual and labour dimensions; the articulation of narratives that tension conflicts marked by the subjectivity of control strategies and the individuality of forms of resistance; as well as the perception of the presence of a generational element influencing experiences. Finally, although teleworking can be configured as an expression of the integration of the home as a space for the production of surplus value - it also appears as contested terrain and the stage for the dispute between life and capital.