Made available in DSpace on 2017-07-10T18:55:39Z (GMT). No. of bitstreams: 1 Claudineya Aparecida.pdf: 1666070 bytes, checksum: 0804a1b3772bd5bd0c7d7c615776133a (MD5) Previous issue date: 2012-12-17 / Given the existence of a new social "scenario", where they constitute technological advances, cultural changes and behavior of the subjects, this study turns to the construction of social identity of individuals men and women, by the advertising discourse, under the production conditions of post modernity. During this period, the subjects see themselves in a moment of "instability of identity," in which social functions are no longer well defined. One of the factors that change is the entry of women into the labor market, which caused the "crisis of the patriarchal family," the fall occurring social identities culturally crystallized. The advertising discourse plays a fundamental role in the production and circulation of meanings, which refer to how men and women - are seen by postmodern society. From there, under the theoretical support of Discourse Analysis, proposed by Pecheux (2010a), Orlandi (2007a), (2007b), (2008), etc. and authors alike, we aim to research, investigate how the language of advertising works, to represent the "new" social identities in / post modernity. Therefore, the corpus consists of ten advertisements, selected national magazines, targeted at different audiences and different products or services advertisements. About the media, advertising and post-modern society, and linking them to the creation of social identities in advertisements, mobilized authors as McQuail (2003), Carvalho (1996, 2000), Castells (1999a, 1999b), among others. In the current analysis, we focus on the imaginary formations as production process of advertising discourse, in which the subject-enunciator anticipates the image of himself and his interlocutor, in preparing the speech, promoting the representation and identification of individuals men and women. The effects of meaning are produced from the intersection of the intradiscourse interspeech, showing the materiality discursive (verbal and imagery), the work of the linguage and in it, the inscription of history. Therefore so many times, by the effect of "pre-built", the ideological affiliations return intradiscourse does that refer to the patriarchal society, which "returns" to the subjects postmodern traditional social identities. Finally, we found that there were significant changes with the regard of the construction of social identity of men and women, and are currently represented in a "multifaceted" and "ephemeral" by advertising discourse. Thereby, while it is "registered", also happens to "repetition" of social and cultural identities crystallized, having thus a kind of return to the same, and the already-said / Diante da existência de um novo cenário social, onde se configuram avanços tecnológicos, mudanças culturais e de comportamento dos sujeitos, este trabalho volta-se à construção da identidade social dos sujeitos homens e mulheres, pelo discurso publicitário sob as condições de produção da pós-modernidade. Nesse período, os sujeitos se veem num momento de instabilidade identitária no qual suas funções sociais já não são bem definidas. Um dos fatores dessa mudança é o ingresso da mulher no mercado de trabalho, que ocasionou na crise da família patriarcal , ocasionando a queda das identidades sociais culturalmente cristalizadas. O discurso publicitário desempenha papel fundamental na produção e na circulação de sentidos, que demonstram o modo como os homens e mulheres - são vistos pela sociedade pós-moderna. A partir disso, sob o respaldo teórico da Análise de Discurso, proposta por Pêcheux (2010a), Orlandi (2007a), (2007b), (2008), etc. e de autores afins, objetivamos com a pesquisa, investigar como a linguagem da publicidade funciona, de modo a representar as novas identidades sociais na/da pós-modernidade. Para tanto, o corpus é constituído por dez peças publicitárias, selecionadas de revistas de circulação nacional dirigidas a públicos-alvo distintos e que anunciam diferentes produtos ou serviços. Sobre a mídia, a publicidade e a sociedade pós-moderna, e, ainda, associando-as à constituição de identidades sociais nas propagandas, mobilizamos autores como McQuail (2003), Carvalho (1996, 2000), Castells (1999a, 1999b), dentre outros. Nas análises empreendidas, enfocamos as formações imaginárias como processo de produção do discurso publicitário, em que o sujeito-enunciador antecipa a imagem de si e a de seu interlocutor na elaboração do discurso, promovendo a representação e a identificação dos sujeitos homens e mulheres. Os efeitos de sentido são produzidos a partir da intersecção do intradiscurso com o interdiscurso, que evidencia nas materialidades discursivas (verbal e imagética), o trabalho da linguagem e nela, a inscrição da história. Assim, muitas vezes, pelo efeito do pré-construído , o intradiscurso faz retornar filiações ideológicas que remetem à sociedade patriarcal a qual devolve aos sujeitos pós-modernos as identidades sociais tradicionais. Por fim, constatamos que houve mudanças significativas com relação à construção da identidade social de homens e mulheres, sendo atualmente, representada de forma multifacetada e efêmera pelo discurso publicitário. Ou seja, ao mesmo tempo em que isso é registrado pela publicidade, também acontece a reiteração das identidades social e culturalmente cristalizadas, havendo, dessa forma, uma espécie de retorno ao mesmo, ao já-dito

A Modernidade e a Pós-modernidade, em seus antagonismos produziram discursos de legitimação de projetos os quais deslocam, um em relação ao outro, seus sentidos. Tudo que se moveu neste cenário carregou consigo e se embateu com as ambigüidades e aporias que aí se deram. Assim, portanto, se desenvolveu a Ciência Moderna, expandindo seus campos, legitimando novos discursos ora pela vicariedade, ora baseada na alteridade e ora utilizando a paralogia como recurso. Este é o caso da Ciência da Comunicação que, depois da transição vicariedade/alteridade buscou legitimação discursiva em teorias que substantivassem sua autonomia. Entre elas está a Teoria da Recepção e/ou Teoria da Mediação como vem sendo nomeada. Em Jesús Martín-Barbero os estudos de recepção encontraram vigor para tornar a Ciência da Comunicação não só um discurso científico legítimo, mas também sustentar um projeto de autonomia do pensamento latino americano. Constituído nosso objeto, Dos meios às mediações, obra de Martín-Barbero que referencia o projeto ousado o qual a Comunicação tomou para si, traz, no entanto, uma série de problemas epistemológicos no mapa noturno que desenhou, os quais carecem ser revistos, na medida em que sustentam metodologias empregadas hoje por laboratórios de pesquisa que tomam a recepção como caminho. Dialética, Mediação e Subalternidade, do mesmo modo que os limites do deslocamento da categoria trabalho para a categoria comunicação e os limites da mediação subjetiva, estão no cerne das categorias as quais não prescindem de uma discussão séria a fim de se resolver os problemas de legitimação destes trabalhos empíricos na base da Ciência da Comunicação. Discutir as trajetórias das Ciências, bem como debater sobre as bases epistemológicas do discurso que se pretende autônomo, do mesmo modo, discutir os limites da superação de um pensamento europeu ainda com vitalidade, estão na pauta de nosso trabalho o qual agora submetemos à leitura da comunidade científica. / The Modernity and the Post-modernity, in yours antagonisms, produced legitimations speeches to projects wich dislocate, one in relation other, yours senses. All what move it in this scene, carry on with yourself and embat it with te ambiguities and apories that in there happened. This way, therefore, developed it the Modern Science, dilated your fields, legitimating news speeches one moment by vicarity, the next by alterity and the next using the paralogy like resource. This is the case of the Science of the Communication what then transition vicarity/alterity searched legitimations speechesin theories who substantive your autonomy. Between they is the Theory of Reception and/or Theory of Mediation, how goes being called. In Jesús Martín-Barbero, the studies of reception found force to turn the science of the Communication into doesnt only a scientific speech legitimated, but too to support a project of autonomy of thought latin american. Building our object, Dos meios às Mediações, of Martín- Barbero who referances the daring project that the Communication take to it, bring, however, a whole series epistemologic problems in the night map designed by him and that need of revision, cause support the methodologies emploied today in labs of research what take the reception on like your way. Dialect, Mediation and Subalternity are in the center of the categories who doesnt excuse of a severe epistemologic discussion to solve the problems of legitimation these empirics terms in the base of the Science of Communication. To question the route of sciences, well like to debate about the epistemics bases of speeches that pretend autonomy itself, well like the limits of superation of european thought, yet in force are in the lines of our work that now we submit it to the reading of scientific comunity.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-04-12T11:49:42Z No. of bitstreams: 1 jaquelinelupiseabradasilva.pdf: 1224672 bytes, checksum: bc2a125d4453e73653616d949afdc6c7 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-04-18T13:02:00Z (GMT) No. of bitstreams: 1 jaquelinelupiseabradasilva.pdf: 1224672 bytes, checksum: bc2a125d4453e73653616d949afdc6c7 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-04-18T13:02:22Z (GMT) No. of bitstreams: 1 jaquelinelupiseabradasilva.pdf: 1224672 bytes, checksum: bc2a125d4453e73653616d949afdc6c7 (MD5) / Made available in DSpace on 2017-04-18T13:02:22Z (GMT). No. of bitstreams: 1 jaquelinelupiseabradasilva.pdf: 1224672 bytes, checksum: bc2a125d4453e73653616d949afdc6c7 (MD5) Previous issue date: 2016-10-07 / Ao longo de vários anos de práticas leitoras e dentre diversas obras lidas, tanto clássicas quanto contemporâneas, percebe-se que existe uma predominância de narradores e personagens heterossexuais (masculinos) e pertencentes a raça branca. Ao contrário desse androcentrismo presente no mundo literário, a realidade apresenta-se múltipla, diante disso, pergunta-se: onde estará representada a diversidade de personagens? E, em específico: onde está representada a diversidade de personagens homossexuais? Para responder a essa questão, este estudo pretendeu investigar como os personagens dos romances O beijo da mulher-aranha (1981), Stella Manhattan (1985) e Do fundo do poço se vê a lua (2010) articulam os temas corpo e território para construir uma vivência enunciativa de sexualidade capaz de escapar do padrão “heteronarrativo”. Pretendeu-se compreender também como a sexualidade é representada tanto no plano do conteúdo quanto no plano da expressão nas referidas obras. Destaca-se que os três personagens principais, respectivamente, Molina, Eduardo e Wilson são homoafetivos e vivem processos de desterritorialização e reterritorialização nos seus devidos espaços de convivência, sejam eles espaços fixos ou dentro de processos de mobilidade. A literatura como espaço de catarse e expressão da realidade social é capaz de demonstrar as constantes violências que giram ao redor daqueles que diferem da norma padrão heterossexual, desse modo, este trabalho almejou contribuir para as discussões e, principalmente, denunciar a violência de gênero. É importante ressaltar que mesmo nesse contexto violento, as artes – em específico, a arte teatral, o cinema e a dança – são formas de resistência e contraponto dos personagens contra o sistema heterossexual. A presente pesquisa seguiu uma estrutura pautada nas diretrizes metodológicas que sugerem duas etapas de trabalho: pesquisa teórica e documental. Concluiu-se, portanto, que as três obras analisadas partem de uma matriz heterossexual para contar narrativas homossexuais, mas que, com a presença da arte e o duplo de suas psiques, Molina, Eduardo e Wilson estão em um processo de devir constantes: em suas vivências no “entre lugar” tornam se unos e únicos. / During many years of reading practice and among several classical or contemporaneous books, a predominance of heterosexual narrators and characters of the male sex was noticed. Contrary to this androcentricity in literary world, reality shows itself multiple. Considering this, two questions were made: Where will character diversity be represented? More specifically, where will the diversity of homosexual characters be represented? To answer these questions, this study aimed to investigate how some characters of the novels O beijo da mulher-aranha (1981), Stella Manhattan (1985) e Do fundo do poço se vê a lua (2010) articulate body and territory themes to construct an enunciative sexuality coexistence capable of avoiding the “heteronarrative” pattern. It was also intended to understand how sexuality is represented both at context and expression levels in the books mentioned above. The fact that the three main characters, respectively, Molina, Eduardo and Wilson are homoaffectionate and go through processes of unterritorialization and reterritorialization in their respective spaces of coexistence, whether they are fixed ones or within mobility processes is important to highlight. Literature as catharsis space and expression of social reality is able to demonstrate constant violence which threatens those who differ from heterosexual standard rules. Therefore, the purpose of this coursework was to contribute to discussions on the matter and mainly bring gender violent to light. It must be pointed out that even in this violent context, the arts, particularly, theater, movies and dance are the characters means of resistance and counterpoint against heterosexual system. The current study followed a structure based on methodological guidelines which suggest two work stages: theoretical and desk research. Therefore, it follows that the three books stem from a heterosexual matrix to tell homosexual stories, in which, with the presence of art and their double psyches, Molina, Eduardo and Wilson are in a constant becoming process. And in there “midfrontiers” coexistences in either places, it one them becomes one and only.

Submitted by isabela.moljf@hotmail.com (isabela.moljf@hotmail.com) on 2017-06-08T14:24:10Z No. of bitstreams: 1 alineleitegrunewald.pdf: 667278 bytes, checksum: c82f9ade6c8c82cb87fc66002a04da1e (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-06-26T19:03:44Z (GMT) No. of bitstreams: 1 alineleitegrunewald.pdf: 667278 bytes, checksum: c82f9ade6c8c82cb87fc66002a04da1e (MD5) / Made available in DSpace on 2017-06-26T19:03:44Z (GMT). No. of bitstreams: 1 alineleitegrunewald.pdf: 667278 bytes, checksum: c82f9ade6c8c82cb87fc66002a04da1e (MD5) Previous issue date: 2017-02-23 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho tem como escopo apresentar uma leitura do anúncio nietzschiano da morte de Deus a partir da perspectiva do fim da metafísica, evidenciando como tal contribui para ampliar as possibilidades de se conceber religião na pós-modernidade. Dentro deste espaço aberto pela filosofia de Nietzsche do Deus morto, Vattimo interpreta o retorno da religião na contemporaneidade e pensa um conceito normativo de cristianismo plausível no contexto pós-moderno. / The aim of this essay is to present a viewpoint of Nietzsche’s account of the death of God from the end of metaphysics perspective, showing your contribution to expand the possibilities of religion in the post-modern age. From this philosophical possibility, Vattimo interprets the return of religion in contemporaneity and think about a normative concept of christianity in the post-modern context.

[pt] O design gráfico de linguagem singular desenvolvido na indústria do skate é o objeto de estudo desta dissertação, que procura definir quais são as suas particularidades e que fatores as determinam. O objetivo da pesquisa é estudar, por meio de uma bibliografia selecionada, análise gráfica do material coletado e realização de entrevistas, o contexto a partir do qual se criou esta linguagem gráfica e como ela se estabeleceu, partindo da premissa que a conjuntura em que o skate é praticado é responsável pela formação de um perfil próprio dos skatistas, o qual é expresso através deste design gráfico. Assim, a observação do perfil dos praticantes de skate e do cotidiano da prática deste esporte permitiu que se fizesse associações com as características encontradas nos designs gráficos dos produtos da sua indústria e então compreender o porquê do simbolismo criado e dos estilos artísticos empregados. A pesquisa também institui uma analogia entre a organização dos skatistas em um grupo independente e a criação de um campo artístico e intelectual autônomo, conforme defendido por Pierre Bourdieu. Essa analogia facilita o entendimento da intensa ligação que existe entre skate e arte, evidenciada, entre outras coisas, pela qualidade do design gráfico relacionado com este esporte. / [en] The graphic design with singular language developed in the skateboarding industry is the object of study of this dissertation, which tries to define its peculiarities and which factors determine them. The objective of the inquiry is to study, through a selected bibliography, graphic analysis of the collected material and interviews, the context from which this graphic language was created and how did it get established, based on the premise that the conjucture in which skateboarding is practiced is responsible for the formation of a skateboarders` own profile, expressed through this graphic design. So, the observation of the skaters` profile and the daily life of this sport`s practice allowed doing associations with the characteristics found in the graphic designs of the products of this industry and then to understand the reasons why its symbolism was created and the artistic styles were chosen. The inquiry also sets an analogy up between the organization of the skateboarders in an independent group and the creation of an artistic and intellectual autonomous field, conformable defended by Pierre Bourdieu. This analogy makes easy the understanding of the intense connection that exists between skate and art, shown up, between other things, for the quality of the graphic design connected with this sport.

[pt] A modernidade é um conceito complexo, multifacetado, que possui como linha mestra a crença no progresso da humanidade através da Razão. Assim, foi um terreno fértil para as mais diversas utopias, que traziam a esperança de sua realização no caminhar da história. Neste processo, o cinema – arte nascida entre os modernos –, foi utilizado como mediação. Com os horrores da Segunda Guerra, o fracasso do comunismo, a descrença na capacidade do capitalismo de chegar a um mundo justo, a chamada pós-modernidade é vista como a face do desencanto. O objetivo desta pesquisa é procurar traços de esperança utópica no cinema contemporâneo e discutir como certos filmes podem servir como aliados nas propostas de mudança. Partindo do princípio de que, diferente do que se pensava no passado, não é possível considerar o desenrolar da história de forma linear, com um ponto de chegada definido, as propostas atuais apresentam-se não tão grandiosas e menos reconhecíveis, mas, ao mesmo tempo, realizáveis. Ernst Bloch, que escreveu um longo tratado sobre a esperança, é o fio condutor do texto, sendo confrontado com pensadores do século XXI. / [en] Modernity is a complex, multifaceted concept that has as its mainstay the belief in human progress through Reason. Therefore, it was a breeding ground for various utopias, which were expected to materialise with the progress of history. In this process, the cinema – art born among the moderns – was used as mediation. With the horrors of the Second World War, the failure of communism, the disbelief in the ability of capitalism to reach a fair world, the so-called postmodernity is seen as the face of disenchantment. The objective of this research is to look for traces of utopian hope in contemporary cinema and discuss how certain movies can serve as allies to proposals of change. On the understanding that, differently from what was believed in the past, it is not possible to see history as unfolding in a linear path – with a defined point of arrival –, modern proposals are presented with less grandiosity and recognisability, being, on the other hand, more achievable. Ernst Bloch, who wrote a compendium on hope, is the thread of the text, being compared with thinkers of the 21st century.

Human realities are formed in particular contexts, and can be understood through telling the story of experiences related with these realities. Homelessness is a reality for many in various parts of the world. The condition of homelessness involves various discourses, each of which can be dominant in different people. Dominant discourses bring with them inherent understandings which in the case of the reality of homelessness can negatively influence the daily activities and future prospects of homeless people. These dominant discourses define the experiences of the homeless people and cause them to assess themselves negatively. This study is in the field of Practical Theology, based on a social constructionist paradigm which holds that meanings are socially constructed and there is no single “Truth”. The processes of telling stories, listening to these stories and constructing new meanings make up a narrative approach to counselling, which I use in the context of interactions with homeless youth at the Street Centre run by Pretoria Community Ministries. My approach is qualitative, and the data are evolved from narrative interventions and unstructured interviews with homeless youth. As this process is a journey into the experiences and stories of these young people, empirical sampling is irrelevant. Listening to the stories of the young people from the streets filled me with enthusiasm to take this narrative journey with them through their stories. Examining the impact of economic factors in their discourses and narrations gave me new understanding of their meanings and challenged me, because many of these were unpredictable. The epistemological approach of postfoundationalism used on this journey allowed a wide range of knowledge types and interactions, which I elucidate through interdisciplinary investigation and identification of the traditions that inform the dominant discourses. The seven-movement methodology used for this work is relevant in the context of the homeless youth, because it allows me as researcher to continue the full length of the journey with the homeless youth, leading eventually to new possibilities. On the way certain themes evolved and their meanings constructed. Listening for the discourses and identifying their economic factors helped me to deconstruct these discourses, and so guide the stories into more hopeful channels. Of course, constructing alternate stories and acknowledging the importance of economic factors will not alone change the future of these young homeless people. Economic restructuring of society is needed. This possibility challenges jobless, homeless individuals not to acquiesce in the negative patterns of society, but rather to work with conviction to create new possibilities. In this project I listened to the stories of ten homeless young people, for each of which two sessions are presented in this report. These stories show that the story tellers are the real researchers, who create new alternate stories of hope in the course of this project. “God-talk” and the discussion of “God-experiences” throws light on the role of God in their lives and in their stories. The research journey charted in this report describes first the theological context and research model, and then the particular context of these young people’s lives. This is followed by descriptions of the discourses. Description of the context of the stories and interpretation of the stories themselves moves into assessment of the stories in their individual context. Interdisciplinary investigation and identification of the traditions that inform the discourses thicken our understanding of the realities experienced by these young people, and deeper interpretations arise which are applicable beyond the local context. Each petal of this flower blooms with new colours of understanding and new fragrances of possibility. The findings of this project are not the final end of this journey, but rather lights for future journeys into the experiences of homeless youth. / Thesis (PhD (Pastoral Family Therapy))--University of Pretoria, 2007. / Practical Theology / PhD / unrestricted

Made available in DSpace on 2017-06-01T18:12:22Z (GMT). No. of bitstreams: 1 dissertacao_maria_jose.pdf: 965659 bytes, checksum: 239bc59ba4f8ae990efb54f3823b1538 (MD5) Previous issue date: 2008-07-10 / How to characterize the contemporary culture? What is the key for understanding the post modern human being? The work rescues, through wide flicks, the genealogical line of the contemporary culture, called Post-Modernity, with its complexity, presenting themselves paradoxically as rupture and continuity with that one. Through a historical and critical analysis, making use of the interdisciplinary dialogical interaction, it picks and detaches the main characteristic traces of this culture and of this citizen, offering keys of bigger understanding of its expressions of rupture and continuity with the previous paradigm. In this context, it is placed the Catholic Church, who, interpellated by it, detects the main challenges and possibilities and searches, in the ways of auto-understanding the dialogue with this culture and this citizen. Vatican Council II was this door of access, offered this key of reading, reread and continued - for Latin America and the Caribbean - through the four Episcopal Conferences that came after the Council. The research covers this itinerary and looks - with closer lenses - in the V General Conference of the Episcopate, in Aparecida, in 2007, for the main orientations that show themselves in the catholic guidances of the Latin American and Caribbean continent, in the process of aggiornamento initiated by the Council mentioned before. / Como caracterizar a cultura contemporânea? Qual a chave de compreensão do ser humano pós-moderno? O trabalho resgata, a largas pinceladas, a linha genealógica da cultura contemporânea, chamada Pós-Modernidade, complexa, apresentando-se paradoxalmente como ruptura e continuidade para com a anterior. Através de uma análise histórico-crítica, servindo-se da interação dialógica interdisciplinar, colhe e destaca os principais traços característicos dessa cultura e desse sujeito, oferecendo chaves de maior compreensão de suas expressões de ruptura e continuidade para com o paradigma anterior. Nesse contexto, situa-se a Igreja Católica, que, por ela interpelada, detecta os principais desafios e possibilidades, e busca, nos caminhos de auto-compreensão o diálogo com essa cultura e esse sujeito. O Concílio Vaticano II foi essa porta de acesso, ofereceu essa chave de leitura, relida e continuada para a América Latina e o Caribe através das quatro Conferências Episcopais que se seguiram ao Concílio. A pesquisa percorre esse itinerário e procura com lentes mais próximas na V Conferência Geral do Episcopado, em Aparecida, em 2007, as principais orientações pastorais que se vislumbram para o continente latino-americano e caribenho, no processo de aggiornamento iniciado pelo citado Concílio.

Made available in DSpace on 2017-06-01T18:12:23Z (GMT). No. of bitstreams: 1 dissertacao_genion_costa.pdf: 557036 bytes, checksum: c570d76454c4ebd41713d61c9409db15 (MD5) Previous issue date: 2008-03-29 / This is a study about the response to post-modernity by the Catholic Church in Brazil which analyzes it in their General Directives of the Evangelizing Action published by the National Conference of Brazilian Bishops in documents 54, 61 and 71 from 1996 to 2006. Initially the study characterizes, in its general lines, modernity and post-modernity. Afterwards, it presents the history and the structure of the documents. Finally, it analyzes the documents demonstrating systematically the bishops thought as developed in the General Directives. The study characterizes the type of response given to post-modernity in the General Directives. It also points out indicators of post-modernity utilized in the General Directives and seeks to show the understanding given by the documents of the Church to post-modernity, specifically in its practical orientations to evangelizing and pastoral action / Este é um estudo sobre a recepção da pós-modernidade nas Diretrizes Gerais da Ação Evangelizadora da Igreja no Brasil publicadas pela Conferência Nacional dos Bispos do Brasil nos documentos 54, 61 e 71 de 1996 a 2006. Inicialmente o estudo caracteriza em linhas gerais a modernidade e a pósmodernidade. Depois apresenta o histórico e estrutura dos documentos. Finalmente analisa os documentos, demonstrando sistematicamente o pensamento dos bispos do Brasil desenvolvido nas Diretrizes Gerais. O estudo caracteriza o tipo de recepção que é dada à pós-modernidade nos documentos. A pesquisa classifica indicadores da pós-modernidade encontrados nos documentos e visa mostrar a compreensão que é dada pelos documentos da Igreja à pós-modernidade, especificamente nas orientações práticas para ação evangelizadora e pastoral

Ce travail se propose d’interroger le sujet pris sous le joug des discours de la post-modernité, à partir de ce que nous repérons comme la désacralisation de la croyance mythique. Ce remodelage symbolique fait basculer le lien social vers une société de la technique, une techni-cité, gouvernée par de nouvelles puissances économiques GAFAtisantes. Le sujet contemporain s’assujetti ainsi aux injonctions a-surmoïques d’un Père 2.0 qui le pousse toujours davantage dans la dégringolade subjective d’une jouissance absolue et massifère. Cette nouvelle organisation sociale fait alors éclore de nouvelles représentations de la folie. C’est ce qui nous pousse à réinterroger cette notion qui éclaire l’ensemble de notre propos. La clinique contemporaine témoigne de quelques formes de résistances du sujet. Celui-ci, ayant besoin de renouveler son rapport à l’Autre, se tourne vers de nouvelles formes de spiritualités qu’il prélève dans d’autres cultures. Il espère à partir de la mise en pratiques de ces traditions pouvoir extraire un savoir sur sa propre condition. Ce faisant, il technicise ces croyances importées qui aussitôt arrachées à leur socle symbolique virent à l’imaginaire et s’assignent à la logique capitaliste. Les nouvelles pratiques qui en émergent relèvent alors d’une post-traditionnalité qui offre un compromis au sujet cherchant à se renouveler subjectivement.La post-modernité ne connaissant aucune frontière, nous mettrons ces questions en jeu dans d’autres sociétés, notamment en Amazonie, au Sénégal et au Vanuatu. Nous constaterons que la folie demeure intimement liée au désordre social et que la contamination du discours économico-techno-scientifique contemporains produit des effets au-delà de la culture occidentale. / This research proposes to question the subject taken under the yoke of the discourses of the post-modernity, from what we see as the desecration of mythic belief. This symbolic remodeling shifts the social link towards a society of technology, a “techni-cité”, governed by new « GAFA » economic powers. The contemporary subject is thus subject to the a-parametric injunctions of a Father 2.0 which pushes him ever further into the subjective tumble of an absolute and massive enjoyment and « massifere ». This new social organization then gives rise to new representations of madness. This is what drives us to re-examine this notion that sheds light on our whole subject. This new social organization then gives rise to new representations of madness. This is what drives us to re-examine this notion that sheds light on our whole subject.The contemporary clinic shows some forms of resistance of the subject. The latter, needing to renew his relationship with the Other, turns to new forms of spirituality that he takes from other cultures .He hopes from the putting into practice of these traditions to be able to extract knowledge about his own condition. In doing so he technicizes these imported beliefs, which are immediately torn from their symbolic base, turn to the imaginary and take up capitalist logic. The new practices that emerge from it are part of a post-traditionalism that offers a compromise to the subject that seeks to renew itself subjectively.Since post-modernity knows no boundaries, we will put these issues at stake in other societies, particularly in the Amazon, Senegal and Vanuatu. We will find that madness is closely linked to social disorder and that the contamination of contemporary economic-techno-scientific discourses produces effects beyond occidental culture.