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Personliga flöden & digitala minnessaker : En kvalitativ studie av estetik och värde i digitala samlingar på Instagram / Personal feeds and digital keepsakes : A qualitative study of aesthetics and value in digital collections on InstagramDahlberg, Caroline January 2021 (has links)
Denna kvalitativa studie av digitala samlingar pp Instagram genomfördes med metodkombinationen enkät, intervju och kompositionell tolkning. Studien ämnade undersöka digitalt samlande och vad som styr Instagramanvändares samlande av digitala artefakter. Med insamlat material, läsning av gestaltpsykologi, Bourdieus kapitalbegrepp, sociala medier och digitala samlingar har studien siktat på att skapa ett kunskapsbidrag som ska bredda förståelsen för varför och hur vi samlar digitalt samt hur det påverkar grafisk design-, reklam- och kommunikationsbransch. Studien nådde slutsatsen att publika och privata samlingar på Instagram till största del inte har estetiskt orienterade samband, men att Instagramanvändare har dessa tankegångar nära till hands vid byggandet av sin digitala publika samling. Dessa estetiskt orienterade tankegångarna är mer närvarande i det publika flödet än i det dolda. / This qualitative study was carried out using method combination of survey, interview and compositional interpretation of digital collections on Instagram. The study investigates digital collections and what governs Instagram-users’ collecting of digital artifacts. With the collected material, readings of gestalt psychology, Bourdieu’s theory of capital, social media and digital collections the study aimed to contribute to our understanding of why and how we collect digitally as well as how it affects the graphic design-, advertising- and communication industry. The study came to the conclusion that public and private collections often do not have aesthetically oriented connections, but that Instagram-users have these reasonings close to heart while building their public digital collection. These aesthetically oriented thoughts are more present in the public feed than in the hidden feed.
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Perception des risques sur les réseaux sociaux : l’influence de la perception des risques de surveillance sur la pratique des jeunes usagers à MontréalBeaupré, Aurélie 08 1900 (has links)
Ce mémoire porte sur la perception du risque des jeunes adultes situés à Montréal quant aux réseaux sociaux numériques. Nous souhaitons plus spécifiquement saisir dans quelle mesure leur perception des risques de surveillance influence leur pratique.
En quelques années, les réseaux sociaux numériques se sont imposés parmi les plateformes les plus utilisées d’Internet. Malgré la sortie médiatique de nombreux sonneurs d’alerte concernant les risques imposés sur la vie privée par les technologies de l’information et de la communication, cette nouvelle réalité semble être généralement acceptée. Cette banalisation d’une surveillance technologique généralisée est crainte par de nombreux chercheurs et spécialistes. Comme l’évoque Sofsky (2011, p. 19) : « Ni l’absence de contestation, ni la faiblesse des défenses mises en œuvre n’impliquent que le risque soit moindre ».
Nous posons comme hypothèse que leur perception quant aux risques de surveillance exerce généralement peu d’influence sur leur pratique. La tenue de douze entretiens-semi dirigés avec de jeunes adultes montréalais âgés entre 20 et 30 ans permettra de vérifier notre hypothèse.
Une analyse phénoménologique des témoignages de nos informateurs a donné lieu à une typologie distinguant trois groupes d’utilisateurs participant aux réseaux sociaux numériques : les responsables vigilants, les responsables indifférents et les abnégateurs. Les résultats de l’analyse nous obligent finalement à réviser notre hypothèse initiale et à envisager que la perception de certains risques, en fin de compte, influence la pratique des individus interrogés. / This thesis focuses on the risk perception of young adults in Montreal concerning online social networks. We wish to understand to what extent their perception of the risks of lateral and vertical surveillance influences their practice.
Within the past few years, online social networks have imposed themselves among the most used platforms on the Internet. Despite the media coverage of many whistleblowers regarding the risks imposed on privacy by information and communication technologies, this new reality seems to be generally accepted. This trivialization of generalized technological surveillance is a fear for many researchers and specialists. As Sofsky (2011, p. 19) explains: “Neither the absence of dispute, nor the weakness of the defenses implemented imply that the risk is lower”.
We hypothesize that the perception of supervisory risks of these young adults generally has little influence on their practice. The conduct of twelve semi-structured interviews with young adults aged between 20 and 30 from Montreal will allow us to verify our hypothesis.
A phenomenological analysis of the testimonies of our informants gave rise to a distinct typology of three user groups participating in online social networks: vigilant users, indifferent users, and abnegators. The results of the analysis ultimately force us to review our initial hypothesis and to consider that, after all, the perception of certain risks influences the practice of the individuals interviewed.
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Jag vill inte se din perfekta frukost när jag sitter i min fåtölj och har brödsmulor på bröstet : En autoetnografisk- och kritisk analys om visuellt material och den egna upplevelsen på plattformen Instagram / I don't want to see your perfect breakfast while sitting in my armchair with crumbs on my chest : Research of visual material and the own experience on Instagram through autoetnography and critical analysisFilipsson, Elin January 2020 (has links)
Denna uppsatsen handlar om utmaningen att få distans till ett visuellt material på Instagram och varför ett material betraktas på sättet det görs. Syftet med uppsatsen är på så sätt att hitta en djupare förståelse för min ståndpunkt i det visuella meningsskapandet och hur dagens visuella kultur speglas på Instagram. Uppsatsen uppnår detta genom en kritisk och subjektiv forskningsansats med hjälp av den teoretiska grundeni fenomenologi, feministisk ståndpunktsteori och autoetnografi. Undersökningen sker genom en metodkombination av autoetnografi och kritisk bildanalys där en instagramdagbok kombineras med foton från influensers eller kreatörer. I den autoetnografiska metoden tar jag, uppsatsens författare, ståndpunkten som ung kvinna medan jag i den kritiska bildanalysen tar ståndpunkten som grafisk designer. Metodkombinationen ger ett resultat som visar hur ståndpunkten, objekt och människans erfarenhet kan vara med och påverka en tolkning av ett foto. Resultatet visar även att influensers och kreatörer har en tydlig visuellt kommunicerad självrepresentation på Instagram. Den slutsats som kan dras genom uppsatsen är att den egna ståndpunkten har en avgörande betydelse i en analys av visuellt material, samt att branchen bör överväga ståndpunktens roll och ge betraktaren en större transparens.
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Self-Concept and Intimacy Through Social Media RepresentationPinkelman, Hanna January 2021 (has links)
No description available.
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Disinformation in a Time of War : A Critical Discourse Analysis of Russian Disinformation Strategies During the Russo-Ukrainian War of 2022de Boer, Laura January 2023 (has links)
This paper examines Russian broadcast media's disinformation strategies after the Ukraine invasion in 2022. In the past decade, Russian disinformation has been recognized by scholars and policymakers as a danger to European security and order. And it has made it harder for Europeans to access reliable and factual information. However, much research thus far has been conducted when the war in Ukraine was different in proportion, and where disinformation functioned as the foundation for small-scale military action. Now that the war has evolved, disinformation strategies have evolved with it. In this paper, I applied Critical Discourse Analysis (CDA) to twenty articles from three internationally oriented Russian broadcasters: RT, Sputnik, and TASS. This revealed two major themes in disinformation narratives: positive Self-representation and negative Other-representation. I demonstrate in this research that Russian disinformation is no longer used to hide Russia’s direct involvement in Ukraine, but that it is used to present justifications for the invasion and further military actions. Moreover, the research illustrates that the relationship between information warfare and conventional warfare is symbiotic and that contemporary disinformation strategies have been adjusted so that they can benefit from the current circumstances in Ukraine. Ultimately, in this research, I determine that Russian disinformation strategies have evolved since the annexation of Crimea in 2014 and are now altered to align with the Kremlin’s aggressive military tactics.
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Fighting Stereotypes and Empowering Roma Youth through Participatory Film : A Case Study Based on a Participatory Film Project Conducted in the Roma Community in Glasgow, ScotlandDlugosz, Katarzyna January 2024 (has links)
The Roma community has long been subjected to negative stereotypes and misrepresentations in the public sphere, leading to discrimination and prejudice. Roma youth in Glasgow, Scotland, supported by the Roma-led organisation Romano Lav, have taken an active role in challenging these negative portrayals through a participatory film project. One of the aims of this research is to explore how young Roma filmmakers are utilising cinematic storytelling to challenge harmful stereotyping of their community. The other one is to investigate the impact of participatory video projects on the film creators and their community. The study fits within the field of Communication for Development by addressing the transformative and empowering aspect of a film project. It aims to fill a gap in knowledge regarding self-representations of Roma and the role of participatory video in their community accounting for cultural specificity. It also adds an insight into the Romani youth’s attitudes and values, contributing this way to a broader knowledge of Scottish Roma while suggesting solutions for social change. By employing qualitative research methodologies, critical visual analysis and interviews, the study seeks to understand the experiences, perspectives, and motivations of the teenagers involved in the project. It is grounded in Paolo Freire’s theories linking participation and empowerment and Stuart Hall’s constructivist approach to representation. The analysis finds that the Roma youth use personal narratives, cultural traditions, and everyday experiences to construct new representations that challenge stereotypes. Moreover, it highlights the transformative impact of participatory video on the empowerment of the participants, its influence on strengthening communal identity and social bonds, and the film’s educational role in building a more equitable society. This study found that participatory video harnesses great potential for Roma self-representation and empowerment.
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L'horreur cinématographique et la justice sociale à l'ère de Black Lives Matter et du #MeTooCarignan, Rosalie 08 1900 (has links)
La présente étude propose une analyse des intersections entre les luttes sociales et les films d’horreur issus de la dernière décennie. En premier lieu, elle se penche sur l’émergence des mouvements Black Lives Matter et #MeToo au sein du paysage sociohistorique des années 2010 en présentant des événements précurseurs comme les émeutes de Los Angeles en 1992 et l’élection présidentielle de Donald Trump en 2017 avant de décortiquer les politiques spécifiques aux mouvements. Ensuite, l’étude se penche sur la signifiance des sous-genres de l’horreur cinématographique – notamment les films d’entailles, de viol-revanche et d’horreur Noire – dans le contexte des études culturelles en s’attardant plus particulièrement aux écrits de Carol J. Clover, Kevin Wynter et Robin R. Means Coleman. L’essai revisite finalement les contextes sociohistoriques et la théorie culturelle dans l’analyse des neuf longs-métrages constituant le corpus d’œuvres, soit Get Out (Jordan Peele, 2017), Revenge (Coralie Fargeat, 2017), Cam (Daniel Goldhaber, 2018), The Perfection (Richard Shepard, 2019), His House (Remi Weekes, 2020), Bad Hair (Justin Simien, 2020), Candyman (Nia DaCosta, 2021), Scream (Matt Bettinelli-Olpin et Tyler Gillett, 2022) et Master (Mariama Diallo, 2022), afin de faire ressortir l’influence que les politiques de Black Lives Matter et #MeToo ont eu sur le traitement esthético-narratif des rapports de « race », des agressions sexuelles et de la justice sociale. / This study analyzes the intersections between social struggles and the horror films of the last decade. First, it examines the emergence of the Black Lives Matter and #MeToo movements within the socio-historical landscape of the 2010s, presenting precursor events such as the 1992 Los Angeles riot and Donald Trump's 2017 presidential election before unpacking the movements' specific politics. Next, the study examines the significance of the horror subgenres – most notably the slasher, rape-revenge and Black horror films – in the context of cultural studies, focusing in particular on the writings of Carol J. Clover, Kevin Wynter and Robin R. Means Coleman. The essay then revisits elements of the socio-historical contexts and the cultural study writings in the analysis of the nine feature films making up the corpus, namely Get Out (Jordan Peele, 2017), Revenge (Coralie Fargeat, 2017), Cam (Daniel Goldhaber, 2018), The Perfection (Richard Shepard, 2019), His House (Remi Weekes, 2020), Bad Hair (Justin Simien, 2020), Candyman (Nia DaCosta, 2021), Scream (Matt Bettinelli-Olpin and Tyler Gillett, 2022) and Master (Mariama Diallo, 2022), in order to highlight the influence that the politics of Black Lives Matter and #MeToo have had on the aesthetic and narrative treatment of "race" relations, sexual violence and social justice.
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Le Caravage en représentation : continuités et ruptures d'un discours biographiqueCarrier-Corbeil, Marie 08 1900 (has links)
Les Vies de Caravage publiées par Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini et Francesco Susinno ont une influence considérable dans la réception du corpus de l’artiste. Souvent considérées en tant que sources primaires, ces œuvres littéraires opèrent toutefois une médiation dans le discours de la discipline en émettant des jugements critiques et stylistiques sur les œuvres et par la mise en scène de faits historiques par la fiction. Ce mémoire situe le mythe du Caravage dans le contexte de la production littéraire italienne et de son héritage antique et contemporain. Les illustrations de ces ouvrages sont également étudiées en regard de la tradition de portraiture. Les stéréotypes définissant le peintre sont perçus dans leurs mutations et confrontés à la perception de la violence et de l’érotisme par l’historiographie moderne, de même que leur récupération par la culture populaire notamment dans le film Caravaggio de Derek Jarman (1986). / The Lives of Caravaggio, published by Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini and Francesco Suninno, had considerable influence on the reception of the artist’s oeuvre. Often considered to be primary sources, these literary works express stylistic criticism and stage historical facts through fiction. This master’s thesis situates Caravaggio’s myth in the context of Italian literary production and its ancient and contemporary heritage. The stereotypes that define the painter are perceived in their changes and confronted with the perception of their violence and eroticism by modern historiography and popular culture, particularly in Derek Jarman’s movie Caravaggio (1986). / Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal
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Le Caravage en représentation : continuités et ruptures d'un discours biographiqueCarrier-Corbeil, Marie 08 1900 (has links)
Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal / Les Vies de Caravage publiées par Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini et Francesco Susinno ont une influence considérable dans la réception du corpus de l’artiste. Souvent considérées en tant que sources primaires, ces œuvres littéraires opèrent toutefois une médiation dans le discours de la discipline en émettant des jugements critiques et stylistiques sur les œuvres et par la mise en scène de faits historiques par la fiction. Ce mémoire situe le mythe du Caravage dans le contexte de la production littéraire italienne et de son héritage antique et contemporain. Les illustrations de ces ouvrages sont également étudiées en regard de la tradition de portraiture. Les stéréotypes définissant le peintre sont perçus dans leurs mutations et confrontés à la perception de la violence et de l’érotisme par l’historiographie moderne, de même que leur récupération par la culture populaire notamment dans le film Caravaggio de Derek Jarman (1986). / The Lives of Caravaggio, published by Giovanni Baglione, Gian Pietro Bellori, Guilio Mancini and Francesco Suninno, had considerable influence on the reception of the artist’s oeuvre. Often considered to be primary sources, these literary works express stylistic criticism and stage historical facts through fiction. This master’s thesis situates Caravaggio’s myth in the context of Italian literary production and its ancient and contemporary heritage. The stereotypes that define the painter are perceived in their changes and confronted with the perception of their violence and eroticism by modern historiography and popular culture, particularly in Derek Jarman’s movie Caravaggio (1986).
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Islam in Contemporary Czech Discourse: perception and representation of "the other"Franioková, Tereza January 2013 (has links)
Islam and its believers who reside in the Czech Republic are the main theme of this master thesis. My research focuses, first of all, on the Muslim presence in the country over the last ten years. Secondly, I aim to present Islam through the Czech media which is rather unexplored field till today. The text is divided in two parts: a theoretical one and a practical one. The first mentioned deals with the following topics: religiosity in the Czech Republic, history of Islam in the country (especially in Prague and in Brno), Muslims residing in the Czech Republic, image of Islam in the literature and widely debated Muslim question in Europe. The second part of the text is more pragmatic and it is exactly in this part that I lead an analysis of several blogs and Facebook pages emerged from a preliminary research on the Internet. Besides the Internet that is my source number one, I place emphasis also on other Czech mass media such as book market, audiovisual productions or press.
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