[pt] A partir da experiência da autora como participante em três oficinas de prosa de ficção, esta dissertação desenvolve reflexões sobre os caminhos da experimentação e da construção da escrita artística, e também da profissionalização do escritor. Da motivação do escrever às formas de inserção no sistema literário, a oficina se oferece em seus temas e dinâmicas como espaço de investigação das tensões relacionadas à prática da escrita na contemporaneidade: fundada sob o princípio do aprendizado, ela pressupõe o apagamento do autor como sujeito inspirado e original, mas convive com as ideias românticas em torno da criação. Embora aceitem os novos termos da intertextualidade e da aprendizagem técnica, seus alunos buscam uma voz própria e vivenciam a experiência da impessoalidade que escapa ao controle no processo de escrita. Neste trabalho, as atividades da oficina são apresentadas em diálogo com as noções barthesianas e deleuzeanas sobre a escrita, sua motivação e sua construção. / [en] Considering the author s experience as a participant in three prose fiction s workshop, this dissertation develops reflections on the experimentation and construction ways of artistic writing and also on the writer s professionalism. From the writing motivation to the forms of insertion in the literary system, the workshop presents their themes and dynamics as a space to investigate the tensions related to the writing practice in contemporary times: based on the principle of learning, it requires the author s extinguishment as an inspired and original subject, but has a close association with romantic ideas around the creation. Although new terms of intertextuality and technical learning are accepted, the students search for a own voice and live the impersonality experience that goes beyond the control in the writing process. In this work, the workshop activities are presented in dialogue with the Barthes s and Deleuze s notions about writing, their motivation and construction.

[pt] Nesta dissertação estuda-se o sistema construtivo em alvenaria estrutural na cidade do Rio de Janeiro face aos conceitos de construção sustentável. Avalia-se esse método construtivo em seus detalhes de execução, materiais utilizados e outros benefícios na obra como redução de resíduos e ganhos em prazo de construção. Também são analisados impactos qualitativos no produto e os aspectos sociais e culturais devido as limitações técnicas do sistema bem como as legislações que têm influência. Levando-se em consideração as necessidades atuais do mercado imobiliário na busca por processos sustentáveis, foram analisadas as principais certificações. Tem-se como principal conclusão que nem sempre o processo atenderá de forma completa as necessidades de determinado empreendimento em função de algumas limitações técnicas. Do ponto de vista da sustentabilidade, o processo apresenta qualidades devido à modulação do sistema que gera menos desperdícios, porém, pode limitar a concepção de um produto diversificado e mais confortável através de soluções diferenciadas de planta e fachada, por exemplo. Mesmo que as construtoras tenham tentado utilizar o sistema em padrões médios de empreendimento, com preços de venda que giram em torno de 7.000 a 8.000 reais por metro quadrado, a solução não teve boa aceitação tanto pelos construtores como pelos clientes, e nota-se que o mesmo é utilizado em larga escala para empreendimentos de padrões populares. / [en] In this thesis the use of structural masonry constructive system is investigated in light of the concepts of sustainable construction in the city of Rio de Janeiro. This study is based on the evolution and growing importance of the construction sector within Brazilian economy, and the current trend in the construction market in the search for processes that minimize impacts on the environment with rational use of natural resources. The earliest records of civil construction activity in the city of Rio de Janeiro date from the colonial period, at a time which those activities were unregulated. In 1810 King João VI established the engineering school. The period between the late nineteenth century and early twentieth century was a time of intense economic transformation with the decay of the coffee plantations and the beginning of the industrial development. In 1940 there was a breakthrough in civil construction in Brazil, when the sector was considered one of the most advanced of its time. In 1971 there was great progress in the sector of construction in Rio de Janeiro with the creation of BNH, Banco Nacional da Habitação, and the Law of the Real Estate Development (Lei das Incorporações). The 90s were marked by the improvement of the qualification of the workforce, resulting in better products. The 2000s were distinguished by the boom in housing construction in the west zone and the expansion of large construction companies landbanks. In 2008 the growth was toward the north zone, however, by the end of that year, with the peak of the global crisis known as Subprime, the sector started suffering from a poor performance cycle until in the first half of 2009. The government program called Minha Casa Minha Vida was launched providing a better environment, with the incentive to produce one million new housing units. By the second half of 2009 the construction market was fully recovered. Many companies created new brands or subsidiaries to focus their business in this new market niche, and the use of large-scale structural masonry was considered the most suitable technology to be used in this type of construction. In 2011, the sector continued to grow driven by the demand fostered by the Olympic Games and the approval of new urban zoning laws. In this study the major projects launched in the city of Rio de Janeiro between 2005 and 2012 were mapped as well as the number of constructions that adopted structural masonry during this period. Impacts of civil construction on the environment range from the generation of raw material to the end of the useful life of products built. As a consequence of the growth experienced by the civil construction sector and its great economic impact, principles of sustainability standards and certifications arouse aiming the achievement of sustainable development in the entire production chain. Over the years, several international events debated on sustainability. In 1713 Carl Von Carlowitz published the first treaty on sustainable use of forest resources. In 1976 the first world conference on housing and environment was held in Canada. The system in structural masonry is ancient and its use dates back to early human activity process. Around 4000 years before Christ structures were employed for varied purposes and materials were usually blocks of clay and stone. In the seventeenth century the system becomes a construction technology based on principles of static. Element resistance tests begun to be performed in the nineteenth and twentieth centuries. The projects were based on limited empirical calculation methods, resulting in very thick walls and slow production speed. In the 50 s there was a revival of interest in structural masonry driven by the shortage of building materials in Europe, such as steel. The use of structural masonry in Brazil began in the sixteenth century, during the colonial period; yet, the process was not rationalized. By the 70s, the structural masonry was considered engineering technology in Brazil and projects started to be based on scientifically validated principles. With this evolution, it became more efficient and an economical alternative, although still somewhat precarious. Structural masonry achieved its consolidation with official norms in the 80s. Ancient definitions considered that the buildings should be formed of natural or artificial stones linked together in a stable manner by the combination of joints and mortar (or only by one of the two), capable of resisting only to compressive stresses. Currently, buildings in structural masonry are formed by industrial blocks (ceramic or concrete) designed and sized by calculation procedures to support loads beyond their own weight and resist compression. They are linked together by the interposition of mortar and can contain rebar in concrete or mortar in horizontal and / or vertical plane. They are classified as armed, unarmed, partially armed or pre-stressed. The structural masonry consists of four main components. The units are the basic components that define the resistance characteristics. Units can be concrete, ceramic or sand-lime blocks, solid or hollow. The mortar is a mixture of sand, cement, lime and water responsible for laying and unifying the units. It transmits and uniforms the stresses throughout the blocks, seal out water and wind and even out small deformations. Rebars are steel bars surrounded by grout that make all components of the masonry work together. The grout is a very fluid micro concrete with aggregates and it is responsible for the union of blocks with rebars within its hollows. The rationalization of structural masonry brings results by improving productivity and quality, with consequent increased value added. It also incentives increase in productivity and cost reduction in the supply chain, while meeting construction standards. As a result, the final consumer can buy at a lower price. Modulation was already used by the Greeks, Romans and Japanese. It represented to them, respectively, aesthetic, functional and aesthetic and functional character. At present time, for the modulation process to be harmonized, it is needed to update the standard as to the sizing of the blocks. The incompatibility between the dimensions of the components of the building often results in large thicknesses dimensional settings and designs solutions that do not properly address these adjustments, which end up being performed impromptu in the work site. The advantages of modulation are: simplification in project design, standardization of building components, optimization of the dimensions with reduction of different shapes, less interface problems between components and subsystems, standardization of detail and dimensional accuracy, rationalization and simplification in the execution of the work due to ease of assembly, reduction of material breaks, thus avoiding losses in construction. The disadvantages are: the need to have standardized components without dimensional and qualitative variation in the market, and need for investment in preparation and training of manpower. The definition of the system to be used by the constructor occurs in the study phase. It is usually observed: the type and purpose of the project, the maximum number of floors, the ceiling heights between slabs, the size of compartments and wall allocation, the eventual need for sheltered parking and its mixed solution analysis, the size of balconies, the need for flexibility of plans, if penthouses should have swimming pool, the dimensioning of the common areas. In the cases where the product can fit in structural masonry guidelines, this has been the preferred construction system. The project in structural masonry should consider the coordination between the various project disciplines with the integration between the design teams. Schedule of the project design should be prepared with the correct interaction of reconciliations. The design should be standardized and simplify the solutions and should provide full details of projects to avoid doubts and execution errors during construction. Wall rebar can be done directly with interlocking blocks, requiring interposition between blocks of 50 per cent in intercepted wall. It also can be done by placing the rebar in mortar joints with 90 angle, as well as through folded steel bars, industrialized trusses or staples, steel decks or similar materials of proven resistance. Electrical installation must be standardized in the predefined rows heights. The hydraulic and gas installations must be apparent and not embedded in order not to interfere in modulations. The project modulated masonry must have solutions that minimize the need for adjustments or additional elements while helping reconcile the different project disciplines. This constructive method is examined regarding its execution details, increase in production and other benefits to the construction itself. Furthermore, qualitative impacts on the product and the social and cultural aspects due to the system s technical limitations and the applicable laws and regulations are analyzed. The main certifications like AQUA, LEED, PROCEL EDIFICA, CASA AZUL, SANTANDER OBRA SUSTENTÁVEL and QUALIVERDE were analyzed in view of the current necessity of the real estate market to seek for more sustainable construction processes. It was analyzed the positive and negative aspects, as well as possible limitations of structural masonry for obtaining the building approvals. Two recently launched projects in structural masonry were analyzed. Through case studies one can compare them to competing projects built in conventional reinforced concrete structure and it is possible to understand the main differences between the products. The projects were also evaluated for the possibility of obtaining green building certification. AQUA was chosen as the reference certification. It provided the features used in the comparative between the different systems. To meet all categories of the certification, some aspects of the project might need to be adjusted, such as layout, wall thickness and span dimension. The main conclusion is that structural masonry will not always completely fulfill the needs of various projects because of certain technical limitations. Taking sustainability into account, structural masonry has a number of benefits beginning with the modulation of the process which generates less waste. However, it can limit the design of more comfortable and sophisticated products, for example with differentiated solutions for layout and façades. Even considering that some companies have used structural masonry in the construction of buildings for the middle class, with selling prices around BRL 7,000 to BRL 8,000 per square meter, this solution was not well accepted either by the contractors or those clients, whereas it is largely used in lower class constructions.

[pt] O objetivo deste artigo é investigar se a corrupção em países em desenvolvimento está relacionada simplesmente a políticos visando à extração de renda ou se reflete um mecanismo mais complexo de retribuição aos financiadores de campanha com recursos públicos. Se os políticos decidem entre se engajar ou não na atividade ilícita de forma racional, deveríamos esperar uma queda na corrupção decorrente do aumento da punição à corrupção ou elevação na probabilidade de auditorias (Becker, 1968). Além disso, se a corrupção for uma forma de retribuição aos financiadores de campanha desses políticos, uma elevação na punição provocaria não somente uma queda na corrupção observada como também uma diminuição na demanda por recursos para projetos mais corruptíveis, como os de infraestrutura (Mauro 1998). Nesse artigo testamos essas explicações usando um experimento realizado no Brasil em 2009. Usando o fato de que alguns municípios foram aleatoriamente escolhidos para terem a probabilidade de serem auditados elevada, analisamos dados públicos dos convênios entre municípios e União. Encontramos uma queda considerável nos recursos solicitados para obras em infraestrutura. Ainda, encontramos efeitos mais pronunciados no caso em que o município foi auditado no passado, evidência de que prefeitos de fato respondem a políticas críveis. Por fim, esse efeito é mais forte se o prefeito foi fortemente financiado por construtoras. Em suma, nossos resultados sugerem que os prefeitos possuem um compromisso de retribuir financiadores de campanha e que respondem a políticas críveis contra a corrupção reduzindo os pedidos de recursos para projetos de infraestrutura. / [en] This paper proposes a test to estimate the nature of political corruption in developing countries: embezzlement by self-enriching politicians versus corruption that originates as a quid-pro-quo from campaign contributions. If politicians make their decision about being or not being corrupt rationally, then increasing the punishment for corrupt practices or the probability of getting caught should reduce corrupt practices (Becker, 1968). If corruption is a response of politicians to firms that finance their campaigns, an increase in punishment should yield not only a reduction in corruption but also a reduction in the demand for projects that are corruptible, such as projects on infrastructure. We test these explanations for corrupt practices using a randomized policy experiment in Brazil. We exploit the fact that some municipalities were randomly chosen to have their probability of being audited increased and we analyze public data of block grants. We find a significant decrease in the resources requested by the mayors to execute projects in infrastructure. Also, this effect is more pronounced if the municipality has been audited in the past, evidence that mayors respond to credible policies. Finally, this effect is larger if mayor s campaign was strongly financed by construction companies. In sum, our findings suggest that mayors are committed with campaign contributors and respond to larger probability of audits by reducing the amount of resources requested for infrastructure projects.

[pt] Tree ensemble methods são reconhecidamente métodos de sucesso em problemas de aprendizado supervisionado, bem como são comumente descritos como métodos resistentes ao overfitting. A proposta deste trabalho é investigar essa característica a partir de modelos que extrapolem essa resistência. Ao prever uma instância de exemplo, os métodos de conjuntos são capazes de identificar a folha onde essa instância ocorre em cada uma das árvores. Nosso método então procura identificar uma nova função sobre todas as folhas deste conjunto, minimizando uma função de perda no conjunto de treino. Uma das maneiras de definir conceitualmente essa proposta é interpretar nosso modelo como um gerador automático de features ou um otimizador de predição. / [en] In supervised learning, tree ensemble methods have been recognized for their high level performance in a wide range of applications. Moreover, several references report such methods to present a resistance of to overfitting. This work investigates this observed resistance by proposing a method that explores it. When predicting an instance, tree ensemble methods determines the leaf of each tree where the instance falls. The prediction is then obtained by a function of these leaves, minimizing a loss function or an error estimator for the training set, overfitting in the learning phase in some sense. This method can be interpreted either as an Automated Feature Engineering or a Predictor Optimization.

[pt] A presente pesquisa se situa na confluência entre essa presença multimodal para o desenvolvimento de uma consciência crítica sobre o caráter ideológico na trajetória formativa do Ensino Superior em Design. Com o objetivo de contribuir para uma reflexão sobre os processos formativos dos futuros designers na sociedade, este estudo faz uma investigação sobre a presença multimodal em experiências de sala de aula, enfatizando-a enquanto estruturadora de práticas discursivas com reflexos no âmbito social. A pesquisa explora em que medida a formação em Design incorpora uma reflexão sobre os objetos de uso, sistemas de informação em serviços no domínio da pragmática, debatendo sobre o objeto em uso como mediador de significados individuais e coletivos. O contexto de observação se dá em um curso de Bacharelado em Design com habilitação em Comunicação Visual de uma instituição de Ensino Superior do Rio de Janeiro, e se fundamenta nos princípios da pesquisa qualitativa e da observação participante. Nos aproximamos da abordagem teórico-metodológica da Sociolinguística Interacional como base para a interpretação dos dados. A ponte da multimodalidade como condição propulsora dos processos de construção de sentidos sociais está fundamentada na obra de Fairclough. Bomfim, Couto, Farbiarz e Novaes são os autores que sustentam a construção epistemológica do Design como campo produtor de sentidos a partir de atos de linguagem. Entre os achados e reflexões da pesquisa, encontram-se esquemas de conhecimento nas interações inerentes a uma práxis analítica e crítica, e identifica-se uma diversidade de ocorrências de perspectivas pragmáticas nas práticas pedagógicas. / [en] The present research is placed at the confluence between this multimodal presence for the development of a critical awareness about the ideological character in the formative trajectory of Higher Education in Design. In order to contribute to a reflection on the training processes of future designers in society, this study investigates the multimodal presence in classroom experiences, emphasizing it as a structuring of discursive practices with reflections in the social sphere. The research explores the extent to which Design training incorporates a reflection on the objects of use, information systems in services in the domain of pragmatics and debating on the object in use as a mediator of individual and collective meanings. The observation context takes place in a Bachelor s Degree in Design with a degree in Visual Communication from an institution of Higher Education in Rio de Janeiro, and is based on the principles of qualitative research and participant observation. The use of theoretical-methodological approach of Interactional Sociolinguistics is the base for the interpretation of the data. The bridge of multimodality as a driving force in the processes of construction of social meanings is based on the work of Fairclough. Bomfim, Couto, Farbiarz and Novaes are the authors who support the epistemological construction of Design as a field that produces meanings based on acts of language. Among the findings and reflections of the research, it is found knowledge schemes in the interactions inherent to an analytical and critical praxis, and it is identified a diversity of occurrence of pragmatic perspectives in pedagogical practices.

[pt] A pesquisa se propõe a analisar as narrativas, construídas em conjunto, de três jovens e sua mãe afetiva, que passaram pelo acolhimento institucional na cidade do Rio de Janeiro. Busca-se compreender como os participantes constroem e narram suas estratégias de resistência, desenvolvidas para lidar com situações de violência e opressão pelas quais passaram. É observada a coconstrução narrativa articulada à presença de agência (Duranti, 2004; Ahrean, 2000) e de resistência na fala dos narradores (Castells 1999; Ewick e Silbey, 2003). A partir de uma visão qualitativa e interpretativa, a análise é conduzida com as perspectivas da Análise da Narrativa e a abordagem SocioInteracional. O estudo da história de vida (Linde, 1993) é feito considerando as contribuições da estrutura narrativa de Labov (1972) e a releitura de autores contemporâneos (Bastos, 2005; 2008; Bastos e Biar, 2015; Bamberg e Georgakopoulou, 2008). O conceito de estratégia de resistência é desenvolvido com base na existência de um poder dominante, no qual os atores, conscientes das desigualdades e das condições desfavoráveis, agem de forma a resistir e alterar a realidade em que vivem (Foucault, 1979; Castells 1999; Ewick e Silbey, 2003). Na análise, é possível perceber que os participantes constroem uma identidade agentiva por meio do discurso e das ações de resistência narradas. Para cada estratégia desenvolvida, é explicitada a sua organização, levando em consideração poder, agente e tomada de consciência. A resistência tem como objetivo a alteração do micro para o benefício dos irmãos, o que reforça e promove os laços familiares. / [en] This research aims at analyzing the narratives told by three young brothers who were once wards of the state at Rio de Janeiro, but received care and nurture from an affective mother. I seek to understand how these participants build and narrate their resistance strategies, which they had to develop throughout their lives in order to survive the violence and oppression scenarios they were inserted into. I scrutinize the articulation of such narratives with the narrators agency (Duranti, 2004; Ahrean, 2000) and resistance (Castells 1999; Ewick and Silbey, 2003). From a qualitative and interpretative point of view, the investigation is carried out using the Narrative Analysis and Interactional Sociolinguistics approaches. The participant s life stories (Linde, 1993) are studied with regard to the labovian model (1972) perspective and other contemporary authors contributions (Bastos, 2005; 2008; Bastos and Biar, 2015; Bamberg and Georgakopoulo, 2008). Based on the existence of a dominant power, responsible for creating all kinds of inequalities and unfavorable conditions, I develop the concept of resistance strategies, which depicts the act of resisting and fighting such power once the actor becomes aware of it (Foucalt, 1979; Castells, 1999; Ewick and Silbey, 2003). It is observable that the participants build an agentive identity in their narratives, for that each strategy developed by them in their lifetime is well organized in their speeches. Power, agency and awakening are central to these strategies. Resistance is a way of trying to change their micro environment to their benefit, strengthening family ties and connections.

[pt] Os conflitos armados contemporâneos vêm desafiando os estudos de Resolução de Conflitos no que tange aos meios e métodos empregados, dentre os quais a mediação é um dos mais utilizados na contemporaneidade. O presente trabalho discute a necessidade de mudança de paradigma no tocante ao enfoque da mediação internacional. Argumenta-se que, dadas as particularidades dos conflitos armados contemporâneos, envolvendo diversos atores, nacionais e internacionais, e variadas causas raízes, muitas delas originadas do colonialismo e do processo de descolonização, a mediação internacional, implementada, tradicionalmente de forma top-down, em torno das grandes mesas de negociações e envolvendo autoridades e mediadores internacionais, por si só, não se tem mostrado suficiente para a construção da paz sustentável. Neste diapasão, este estudo visa refletir sobre a chamada mediação local como meio alternativo de resolução pacífica de conflitos, principalmente, no contexto de disputas localizadas em Estados de grande fragilidade institucional. Ademais, no estudo de caso, discute-se o conflito na Líbia, país que atravessa uma crise de alcance transnacional e de proporções severas há mais de uma década, nos setores político, econômico-financeiro, social e de segurança, decorrentes de duas guerras civis sucessivas, iniciadas no contexto da Primavera Árabe. A partir do caso estudado, conclui-se que, em conflitos prolongados e complexos, a mediação local pode se constituir como meio mais adequado para iniciar um processo de construção da paz, servindo para fortalecer a mediação internacional de âmbito nacional, cujos acordos só conseguem ser implementados se houver adesão no nível subnacional. / [en] Contemporary armed conflicts have been challenging Conflict Resolution studies regarding the means and methods used, among which mediation is one of the most used in contemporary times. This paper discusses the need for a paradigm shift regarding the approach to international mediation. It is argued that, given the particularities of contemporary armed conflicts, involving various actors, national and international, and various root causes, many of them originating from colonialism and the decolonization process, international mediation, traditionally implemented in a top-down, around large negotiating tables and involving international authorities and mediators, by itself has not proved to be sufficient for the construction of sustainable peace. In this vein, this study aims to reflect on the so-called local mediation as an alternative means of peaceful conflict resolution, especially in the context of disputes located in States with great institutional fragility. In addition, the case study discusses the conflict in Libya, a country that has been going through a crisis of transnational scope and severe proportions for more than a decade, in the political, economic-financial, social and security sectors, resulting from two successive civil wars, initiated in the context of the Arab Spring. Based on the case studied, it is concluded that, in prolonged and complex conflicts, local mediation can be the most appropriate means of initiating a peacebuilding process, serving to strengthen international mediation at the national level, whose agreements can only be implemented if there is buy-in at the subnational level.

[pt] Esta é uma investigação em torno de possibilidades de ativação de potências poéticas individuais através da experimentação visual e suas implicações no contexto do ensino de graduação em Design. Ela apresenta uma reflexão em torno de processos criativos, trabalhando com a questão norteadora de que o investimento simultâneo na literacia visual, no conhecimento da História da Cultura e no exercício de práticas reflexivas que trabalhem a visualidade no ensinoaprendizagem, pode contribuir para o desenvolvimento da autopoiese do indivíduo. O processo apresentado tem como objetivo estimular os agentes envolvidos a encontrarem suas potências poéticas e, desse modo, envolve a experimentação visual da própria pesquisadora. Para tanto, trabalharemos com os autores que vão de Paulo Freire, Bell Hooks e Jorge Larrosa Bondía, a Ailton Krenak e Humberto Maturana, passando por Geroges Didi-Huberman e Jacques Rancière. Artistas como Robert Rauchenberg, Francis Alÿs, Vija Celmins, Janine Antoni e Marcelo Moscheta acompanham o mergulho pessoal da autora em sua atividade poética a fim de atestar suas premissas de pesquisa. / [en] This is an investigation around possibilities of activation of individual poetic powers through visual experimentation and its implications in the context of undergraduate teaching in Design. It presents a reflection around creative processes, working with the hypothesis that the simultaneous investment in visual literacy, knowledge of the History of Culture and in the exercise of reflexive practices that work visuality in teaching-learning, can contribute to the development of the individual s autopoiesis. The process presented aims to stimulate the agents involved to find their poetic powers and, thus, involves the visual experimentation of the researcher herself. To this end, we will work with authors ranging from Paulo Freire, Bell Hooks and Jorge Larrosa Bondía, to Ailton Krenak and Humberto Maturana, as well as Georges Didi-Huberman and Jacques Rancière. Artists such as Robert Rauchenberg, Francis Alÿs, Vija Celmins, Janine Antoni and Marcelo Moscheta accompany the author s personal dive into her poetic activity in order to attest to the premises of her research.

[pt] Pouco lembrada nos dias de hoje, o Esqueleto foi uma favela que não faz mais parte do mapa da cidade. Erradicada em 1965, ela era então a quinta maior favela do Rio de Janeiro, constituindo-se como um espaço estratégico de habitação para diversos trabalhadores. Se muito já foi escrito sobre seu processo de desapropriação, no entanto, a formação daquela localidade, iniciada em 1934, foi ainda pouco explorada nos estudos acadêmicos do campo – que muito frequentemente passam ao largo da experiência dos moradores desse tipo de localidade. Como resultado, a história do Esqueleto acabou sendo reduzida ao ato que marcou seu fim, deixando nas sombras as motivações e lógicas dos que a habitavam. Em caminho inverso, esta dissertação busca compreender a formação e desenvolvimento daquela localidade a partir da perspectiva de seus próprios moradores. Sem perder de vista sua relação com o Estado e as negociações nela envolvidas, buscamos privilegiar a análise da experiência dos moradores e sua agência cotidiana, de modo a tentarmos compreender tanto a lógica da construção e crescimento do Esqueleto quanto os caminhos da luta dos moradores locais pelo direito à cidade. / [en] Little remembered these days, Esqueleto was a favela that is no longer part of the city map. Eradicated in 1965, it was then the fifth largest favela in Rio de Janeiro, constituting itself as a strategic housing space for several workers. Although much has already been written about its expropriation process, however, the formation of that locality, which began in 1934, has still been little explored in academic studies of the field – which very often overlook the experience of residents of this type of locality. As a result, the story of Esqueleto ended up being reduced to the act that marked its end, leaving the motivations and logic of those who inhabited it in the shadows. In reverse, this dissertation seeks to understand the formation and development of that locality from the perspective of its own residents. Without losing sight of its relationship with the State and the negotiations involved in it, we seek to privilege the analysis of the experience of the residents and their daily agency, in order to try to understand both the logic of the construction and growth of the Esqueleto and the paths of struggle of the local residents. for the right to the city.

[pt] Smiljan Radić é um arquiteto chileno que tem se destacado internacionalmente por suas obras que apresentam um teor enigmático. Sua prática é marcada pela experimentação com a matéria bruta e a investigação de seus significados sociais, sensoriais e simbólicos, onde o interesse está concentrado na criação de atmosferas que transcendam o senso comum da visualidade arquitetônica. Sua retórica assim como sua produção autoral, composta por narrativas textuais e imagéticas, evidenciam o caráter subjetivo e poético de seu trabalho, acrescentando um ingrediente subterrâneo que faz com que suas obras se relacionem diretamente com os campos da imaginação, do inconsciente e da memória. O argumento que está aqui implícito é o de que na arquitetura de Smiljan Radić, ou pelo menos em parte dela, a função do real e a função do irreal se fundem em um todo arquitetônico inovador. Para tratar das obras do arquiteto chileno e de seus processos criativos, nos aprofundamos nas bases de formação da geração de arquitetos chilenos da qual Radić faz parte. Por sua vez encontramos nas vanguardas surrealista, situacionista e no conjunto de grupos que se convencionou chamar de Arquitetura Radical parte importante do referencial prático e teórico que apontam para uma condição de infiltração mútua entre os domínios da realidade e da imaginação. É a partir desta ótica que investigamos os métodos e processos criativos de Radić. Assim, a partir da análise de duas obras relevantes do início do milênio – Restaurante Mestizo e a Casa para El Poema Del Ángulo Recto - identificamos e desenvolvemos temas inerentes à abordagem do binômio imaginação mais realidade construída, buscando traçar relações entre seus processos de criação e o referencial teórico abordado, assim como identificar os efeitos provocados por estas obras no âmbito da experiência. / [en] Smiljan Radić is a Chilean architect who has stood out internationally for his enigmatic works. His practice is marked by experimentation with raw matter and the investigation of its social, sensorial and symbolic meanings, where the interest is concentrated in creating atmospheres that trancend the common sense of architectural visuality. His rhetoric as well as his authorial production, composed of textual and imagistic narratives, evidence the subjective and poetic character of his work, adding an underground ingredient that makes his works directly related to the fields of the imagination, the unconscious and memory. The argument implied here is that in the architecture of Smiljan Radić, or at least in part of it, the function of the real and the function of the unreal merge into an innovative architectural whole. In order to deal with the works of the Chilean architect and his creative processes, we delve into the formation bases of the Chilean architects generation of which Radić is a part. On the other hand, we find in the surrealistic, situationist vanguards and in the set of groups that have been called Radical Architecture, an important part of the practical and theoretical referential that point to a condition of mutual infiltration between the domains of reality and imagination. It is from this point of view that the methods and creative processes of Radić will be investigated. Thus, from the analysis of two relevant works from the beginning of the millennium - Restaurante Mestizo and Casa para El Poema Del Ángulo Recto - we identify and develop themes inherent to the binomial approach to the imagination plus built reality, seeking to draw relationships between its creation processes and construction, and the theoretical reference approach, as well as to identify the effects caused by these works in the scope of experience.