Bakgrund: Aktiemarknaden reagerar på information och omvärldsförändringar. Prissättningen på aktiemarknaden sker utifrån investerares tro på aktierna och vid oro hos investerare reagerar aktiemarknaden ofta negativt. Investerarnas oro kan skapas av information från kriser, där krisen i sig kan speglas på aktiemarknaden men även investerarnas uppfattning om krisen kan bidra till negativa stängningkurser. Syfte: Syftet med studien är att beskriva och analysera relationen mellan globala kriser och aktiemarknaden i Sverige. Metod: För att mäta aktiemarknadens reaktion på kriser används marknadsindex OMX30, OMXSPI tillsammans med nio branschindex. Utifrån dessa har aktiemarknadens volatilitet under kriserna analyserats med hjälp av eventfönster. För att mäta investerares påverkan på aktiemarknaden och hur anpassningsbar den är har effektiva marknadshypotesen tillsammans med teorin beteendeekonomi använts. Studien har formulerat två hypoteser i syfte att analysera om statistiskt signifikant skillnad mellan aktiemarknadens stängningskurser föreligger innan och efter kriserna. Studien analyserade kriserna terrorattacken 11:e september, Finanskrisen 2008, Covid-19-pandemin och Rysslands invasion av Ukraina. Slutsatser: Studiens resultat visade aktiemarknadens volatilitet varit högre utifrån aktieindex efter samtliga kriser. Utifrån branschindex har aktiemarknadens volatilitet varit varierande efter kriserna. Alla kriser studien undersöker har synliggjorts som nedgång på aktieindex och majoriteten av branschindex. Det finns en statistiskt signifikant skillnad mellan aktiemarknadens stängningskurser innan och efter krisen för 36 av 39 marknadsindex. Studien kunde även visa att marknaden återhämtat sig olika snabbt efter kriserna och påverkats av information kring kriserna. / Background: The stock market reacts to information and changes in the environment. Pricing on the stock market takes place based on investors' faith in the shares, and when investors are worried, the stock market often reacts negatively. Investors' concerns can be created by information from crises, where the crisis itself can be reflected on the stock market, but also investors' perception of the crisis can contribute to negative closing prices. Purpose: The purpose of the studies is to describe and analyze the relationship between global crises and the stock market in Sweden. Method: To measure the stock market's reaction to crises, the market index OMX30 and OMXSPI is used together with nine industry indices. Based on these, the volatility of the stock market during the crises has been analyzed using event windows. To measure investors' influence on the stock market and how adaptable it is, the efficient market hypothesis together with the theory of behavioral finance has been used. The study has formulated two hypotheses with the aim of analyzing whether there is a statistically significant difference between the closing prices of the stock market before and after the crises. The study analyzed the crises 9/11 terrorist attack, The financial crisis, the Covid-19 pandemic and the Russian invasion of Ukraine. Conclusions: The results of the study showed that the volatility of the stock market was higher based on the stock index after all the crises. Based on the industry index, the volatility of the stock market has been variable after the crises. All the crises the study examines have been made visible as declines in stock indices and the majority of industry indices. There is a statistically significant difference between stock market closing prices before and after the crisis for 36 out of 39 market indices. The study was also able to show that the market recovered differently quickly after the crises and was influenced by information about the crises.

No description available.

No description available.

Ausgehend von der These, Luftverkehr finde am Boden statt, entwickelt die am Institut für Kulturwissenschaft verteidigte Dissertation eine spezifische Geopolitik des Luftverkehrs. Der Luftverkehr wird dabei über seine Operationen am Boden und an Flughäfen untersucht. Der genaue Blick auf die technischen Details bei der Implementierung dieser Anlagen in machthistorisch entscheidenden Momenten des 20. Jahrhunderts ermöglicht eine Revision geopolitischen Denkens und eröffnet einen innovativen Zugang für eine Genealogie der Globalisierung. Die Dissertation analysiert die Bewegungen in der Luft auf ihre stets lokalen und immanent territorialen Dimensionen – und widerlegt so den vermeintlichen und häufig wiederholten Anspruch an den Luftverkehr, er sei das globale, raumvernichtende Verkehrssystem par excellence (Carl Schmitt, Paul Virilio, Martin Heidegger). Die Dissertation ist auch ein Beitrag zur Genealogie von Medientheorie, insofern sie unter Rückgriff auf Harold A. Innis die Übertragung nicht von Zeichen, sondern von Personen und Gütern zum Gegenstand hat. Historisch geht sie von der Kriegslogistik der USA im Zweiten Weltkrieg aus. Sie bezieht heterogene Quellen ein: politische Programme und Debatten, internationale Beziehungen; philosophische, juridische, ökonomische und urbanistische Diskurse; ingenieurstechnische Entwicklungen und militärische Doktrinen. Sie nimmt den Leser mit auf eine Reise über alle Meere und Kontinente mit Fokus auf Saudi-Arabien, Zentral- und Südafrika, Brasilien und den Nahen Osten, untersucht Ereignisse von den 1930er bis 1970er Jahren und endet mit einem Epilog zu den Anschlägen vom 9. September 2011. / This dissertation develops a specific geopolitics of aviation, taking an original perspective as it starts with the assumption that air travel happens on the ground. The focus is on a thorough examination of the technical details for implementing the facilities of airports at moments decisive for the distribution of power in the 20th century. Geopolitical discourses are revised to enable an original understanding for the genealogy of globalisation. The dissertation analyses movements in the air with view on their immanent local and territorial dimensions. It breaks with the overcome understanding of aviation as a traffic system that is global and that destroys space as no other (Carl Schmitt, Paul Virilio, Martin Heidegger). The dissertation was disputed at the Institute for Cultural Studies. It is also a contribution to the genealogy of media theory, following in the footsteps of Harold A. Innis, as it focuses on the neglected transmission of goods and people instead of signs and codes. Starting point is the US military logistics in World War II. The heterogeneous material under review includes political programmes and debates; international relations; philosophical, juridical and economic discourses; urbanism, engineering and military doctrines. It takes the reader on a journey around the world, with focus on Saudi-Arabia, Central and Southern Africa, Brazil and the Near East, taking into account events from the 1930s to 1970s, and concluding with an epilogue on the events of 9/11.

Al Qaeda killings, posttraumatic stress, and the Gothic together triangulate a sizable space in recent American fiction that is still largely uncharted by critics. This thesis maps that shared territory in four novels written between 2005 and 2007 by writers who were born in America, and whose protagonists are the survivors in New York City after the World Trade Center falls. Published in the city of their tragedy and reviewed in its media, the novels surveyed here include Don DeLillo’s _Falling Man_ (2007), Jonathan Safran Foer’s _Extremely Loud and Incredibly Close_ (2005), Lynne Sharon Schwartz’s _The Writing on the Wall_ (2005), and Jess Walter’s _The Zero_ (2006). The thesis issues a challenge to the large number of negative and dismissive reviews of the novels under consideration, making a case that under different criteria, shaped by trauma theory and psychoanalysis, the novels succeed after all in making readers feel what it was to be alive in September 2001, enduring the posttraumatic stress for months and years later. The thesis asserts that 9/11 fiction is too commonly presented in popular journals and scholarly studies as an undifferentiated mass. In the same critical piece a journalist or an academic may evaluate narratives in which unfold a terrorist's point of view, a surviving or a dying New York City victim's perspective, and an outsider's reaction set thousands of miles away from Ground Zero. What this thesis argues for is a separation in study of the fictive strands that meditate on the burning towers, treating the New York City survivor story as a discrete body. Despite their being set in one of the most known cities of the Western world, and the terrorist attack that they depict being the most- watched catastrophe ever experienced in real-time before, these fictions have not yet been critically ordered. Charting the salient reappearing conflicts, unsettling descriptions, protagonist decay, and potent techniques for registering horror that resurface in this New York City 9/11 fiction, this thesis proposes and demonstrates how the peculiar and affecting Gothic tensions in the works can be further understood by trauma theory, a term coined by Cathy Caruth in Unclaimed Experience (1996: 72). Though the thesis concentrates on developments in trauma theory from the mid 1990s to 2015, it also addresses its theoretical antecedents: from the earliest voices in the late nineteenth and early twentieth centuries that linked mental illness to a trauma (Charcot, Janet, Breuer, Freud), to researchers from mid-twentieth century (Adler, Lindemann) who studied how catastrophe affects civilian minds not previously trained to either fight war or withstand cataclysm. Always keeping at the fore the ancient Greek double-meaning of trauma as both unhealing “wound” and “defeat,” the thesis surveys tenets of the trauma theorists from the very first of those who studied the effects on civilian survivors of disaster (of what is still the largest nightclub fire in U.S. history, which replaced front page coverage of World War II for a few days: the Cocoanut Grove blaze in Boston, 1942) up to those theorists writing in 2015. The concepts evolving behind trauma theory, this thesis demonstrates, provide a useful mechanism to discuss the surprising yearnings hiding behind the appearance of doppelgängers, possession ghosts, terrorists as monsters, empty coffins, and visitants that appear to feed on characters’ sorrow, guilt, and loneliness within the novels under discussion. This thesis reappraises the dominant idea in trauma studies of the mid-1990s, namely that trauma victims often cannot fully remember and articulate their physical and psychic wounds. The argument here is that, true to the theories of the Caruthian school, the victims in these novels may not remember and express their trauma completely and in a linear fashion. However, the victims figured in these novels do relate the horrors of their memory to a degree by letting their narration erupt with the unexpectedly Gothic images, tropes, visions, language, and typical contradictions, aporias, lacunae, and paradoxes. The Gothic, one might say, becomes the language in which trauma speaks and articulates itself, albeit not always in the most cogent of signs. One might easily dismiss these fleeting Gothic presences that characters conjure in the fictions under consideration as anomalous apparitions signalling nothing. However, this thesis interrogates these ghostly traces of Gothicism to find what secrets they hold. Working from the insights of psychoanalysis and its post-Freudian re-inventers and challengers, it aims to puzzle out the dimensions of characters’ mourning in its “traumagothic” reading of the texts. Characters’ use of the Gothic becomes their way of remembering, a coded language to the curious. This thesis holds that unexpressed grief and guilt are the large constant in this grouping of novels. Characters’ grief articulation and guilt release, or the desire for symbolic amnesia, take paths that the figures often were suspicious of before 9/11: a return to organized religion, a belief in spirits, a call for vengeance, psychotherapy, substance abuse, splitting with a partner, rampant sex with nearby strangers, torture of suspects, and killing. All the earnest attempts through the above means by the characters to express grief, vent rage, and alleviate survivor guilt do so without noticeable success. True closure towards their trauma is largely a myth. No reliable evidence surfaces from the close reading of the texts that those affected by trauma ever fully recover. However, as this thesis demonstrates, other forms of recompense come from these searches for elusive peace and the nostalgic longing for the America that has been lost to them.

Les attentats du 7 juillet 2005 à Londres ont causé un choc et un effroi dans la société britannique non seulement à cause du nombre important des victimes mais aussi en raison de la citoyenneté britannique des kamikazes. A l’exception de Germaine Lindsay qui était d’origine jamaïcaine, les autres membres de la cellule – Mohammed Siddiq Khan, Shehzad Tanweer et Hussib Hussain - étaient tous d’origine pakistanaise. Les kamikazes du 7 juillet 2005 n’étaient pas les seuls Britanniques d’origine pakistanaise impliqués dans des actes de terrorisme. Avant 2005, ils étaient nombreux à aller combattre auprès d’organisations djihadistes pakistanaises au Cachemire ou à commettre des tentatives d’attentat sur le sol britannique, comme ce fut le cas de la cellule de Luton en 2004. Après 2005, d’autres cellules, comme celle de Birmingham en 2011, ont essayé de commettre des attentats à une plus grande échelle. L’origine pakistanaise des auteurs, leur intérêt pour le conflit au Cachemire et leur entrainement paramilitaire dans les camps d’organisations djihadistes pakistanaises sont autant d'éléments communs qui nous ont conduit à nous interroger sur la nature de la radicalisation violente en Grande-Bretagne. Cette thèse examine la dimension pakistanaise de la radicalisation islamiste violente en Grande-Bretagne en se basant sur la théorie des mouvements sociaux, notamment le modèle de Quintan Wiktorowicz, selon lequel la radicalisation est le fruit de griefs politiques, socio-économiques et d’idéologie. Elle s’appuie sur dix études de cas : trois organisations djihadistes pakistanaises (Lashkar e-Toiba, Harakat ul-Mujahideen et Jaish e-Mohammed), trois organisations extrémistes transnationales (Hizb ut-Tahrir, Al-Muhajiroun et Supporters of Sharia) et quatre mouvements de l’islam sud-asiatiques (Ahl e-Hadith, déobandi, Tablighi Jamaat et Jamaat e-Islami). La thèse démontre qu’il y a une dimension spécifiquement pakistanaise de la radicalisation islamiste violente en Grande-Bretagne en raison de l’histoire coloniale, le conflit au Cachemire, la « guerre contre la terreur » et l’intervention militaire en Afghanistan. / The 7 July 2005 London bombings caused shock and awe in the British society not only because of the important number of casualties, but also due to the British citizenship of the bombers. With the exception of Germaine Lindsay, who was of Jamaican descent, all the other members of the cell - Mohammed Siddiq Khan, Shehzad Tanweer and Hussib Hussain - had Pakistani background. The London bombers were not the only British Pakistanis who were involved in acts of terrorism. Before 2005, many went to fight alongside the Pakistani jihadi organisations in Kashmir or plotted against Britain such as the Luton cell in 2004. After 2005, other cells, like the one in Birmingham in 2011, planned attacks on a bigger scale on British soil. The Pakistani origin of the perpetrators, their interest in Kashmir and their paramilitary training in camps belonging to Pakistani jihadi organisations were common features that have raised questions about the nature of violent radicalisation in Britain. This thesis examines the Pakistani dimension of violent radicalisation in Britain by building on social movement theory, especially on Quintan Wiktorowicz’ model, according to which radicalisation is the result of political, socio-economic grievances and ideology. This research is based on ten case studies: three Pakistani jihadi organisations (Lashkar e-Toiba, Harakat ul-Mujahideen and Jaish e-Mohammed), three extremist transnational organisations (Hizb ut-Tahrir, Al-Muhajiroun and Supporters of Sharia) and four South-Asian Islamic mouvements (Ahl e-Hadith, Deobandi, Tablighi Jamaat and Jamaat e-Islami). The thesis shows that there is specifically a Pakistani dimension to the violent islamist radicalisation in Britain due to the colonial history, the conflict in Kashmir, the ‘’war on terror’’ and the military intervention in Afghanistan.

The tragic and devastating September 11 attacks resulted in a variety of original musical responses. Exemplary works expressed their reactions through overt 9/11-concentric dialogues to express themes of mourning, military retribution, dissent and commemoration. An examination of such works concludes that effective musical responses express a direct message clarified by supporting musical and/or textual materials. Musical materials can accentuate the specific thematic message of the responsive work as they often evoke images and emotions reminiscent of the attacks and their aftermath. Compositional techniques used in these works are often reminiscent of historical works written in similar circumstances. The recurrence of these historical approaches illuminates the timeless compositional design of historical examples and exemplifies modern advancements in music composition and production. A comparison between classical and popular post-9/11 musical compositions concludes that certain classical and popular genres deal with responsive themes more effectively than others. A recommendation for further study is enclosed.

Abstract The purpose of this research is to examine the experiences of first-generation, highly educated Iranian women who came to Canada to pursue further education in a ‘just’, ‘safe’, and ‘peaceful’ place. The research has revealed that these women who were fleeing from an ‘oppressive’ and ‘unjust’ Iranian regime face new challenges and different forms of oppression in Canada. This dissertation examines some of the challenges that these women face at their place of work and/or at graduate school. The research findings are based on narratives of eleven Iranian women who participated in in-depth interviews in the summer of 2008. These women, whose ages range from 26 to 55 and are of diverse marital status, all hold an academic degree from Iran. They were also all enrolled in different graduate schools and diverse disciplines in Ontario universities at the time of the interviews. The research findings indicate that their presence in Canada became more controversial after the September 11, 2001 attack on the World Trade centers in New York. Historically, the social images imposed on Middle Eastern women derive from the Orientalism that arose following the colonization of the Middle East by Western imperialists. The perpetuation of such images after the 9/11 attack has created a harsh environment for the participants in this research. After 9/11 most immigrants from the Middle East were assumed to be Muslim and Arab, which many North Americans came to equate with being a terrorist. In order to analyze the participants’ voices and experiences, I have adopted a multi-critical theoretical perspective that includes Orientalism, anti-colonialism and integrative anti-racist feminist perspectives, so as to be equipped with the tools necessary to investigate and expose the roots of racism, oppression and discrimination of these marginalized voices. The findings of this research fall under six interrelated themes: adaptation, stereotyping, discrimination, being silenced, strategy of resistance, and belonging to Canadian society/ graduate school. One of the important results of this research is that, regardless of the suffering and pain that the participants feel in Canadian graduate school and society, they prefer to stay in Canada because of the socio-political climate in Iran.

This study examined impact of national culture on human resource management (HRM) functioning in present-day Pakistan.

Abstract The purpose of this research is to examine the experiences of first-generation, highly educated Iranian women who came to Canada to pursue further education in a ‘just’, ‘safe’, and ‘peaceful’ place. The research has revealed that these women who were fleeing from an ‘oppressive’ and ‘unjust’ Iranian regime face new challenges and different forms of oppression in Canada. This dissertation examines some of the challenges that these women face at their place of work and/or at graduate school. The research findings are based on narratives of eleven Iranian women who participated in in-depth interviews in the summer of 2008. These women, whose ages range from 26 to 55 and are of diverse marital status, all hold an academic degree from Iran. They were also all enrolled in different graduate schools and diverse disciplines in Ontario universities at the time of the interviews. The research findings indicate that their presence in Canada became more controversial after the September 11, 2001 attack on the World Trade centers in New York. Historically, the social images imposed on Middle Eastern women derive from the Orientalism that arose following the colonization of the Middle East by Western imperialists. The perpetuation of such images after the 9/11 attack has created a harsh environment for the participants in this research. After 9/11 most immigrants from the Middle East were assumed to be Muslim and Arab, which many North Americans came to equate with being a terrorist. In order to analyze the participants’ voices and experiences, I have adopted a multi-critical theoretical perspective that includes Orientalism, anti-colonialism and integrative anti-racist feminist perspectives, so as to be equipped with the tools necessary to investigate and expose the roots of racism, oppression and discrimination of these marginalized voices. The findings of this research fall under six interrelated themes: adaptation, stereotyping, discrimination, being silenced, strategy of resistance, and belonging to Canadian society/ graduate school. One of the important results of this research is that, regardless of the suffering and pain that the participants feel in Canadian graduate school and society, they prefer to stay in Canada because of the socio-political climate in Iran.