Cette thèse interroge la transgénéricité inédite du schème de la rivalité amoureuse père-fils sur la scène française du XVIIe siècle. La réflexion se fonde sur un corpus représentatif des trois grands genres dramatiques de l’époque – comédie, tragi-comédie et tragédie – et riche d’une quarantaine de pièces. L’objectif de ce travail est de montrer que cette structure dramatique est doublement subversive dans le contexte du Grand Siècle. Sur le plan esthétique, ce conflit envahit tout l’espace scénique alors même que les discours des doctes de l’époque visent à hiérarchiser et à séparer les genres entre eux. La thèse interroge ainsi les stratégies développées par les dramaturges pour adapter ce schème aux contraintes esthétiques propres à chacun des genres. Sur le plan idéologique, ce type de crise met en rivalité les deux représentants mâles de la lignée. Or, dans le cadre particulier de ce Grand Siècle que les historiens qualifient d’ « âge d’or des pères », cela conduit à questionner le fonctionnement sociopolitique et religieux de l’Ancien Régime. S’agit-il en faisant triompher le fils-rival de remettre en cause l’autorité du patriarche au sein de la famille et, partant, du roi au sein de l’État ? Ou bien, à l’inverse, est-il question en favorisant la victoire du père-rival, de réaffirmer le bien-fondé du système établi ? La rivalité père-fils, sous ses apparences galantes serait-elle porteuse d’un discours plus grave, et révélatrice d’une évolution de la société ? Comment la galanterie en transcendant la question générique, questionne-t-elle le politique ? C'est autour de ces deux grands axes de questionnement – esthétique et idéologique – que s'organise la réflexion. / This thesis questions the scheme of the amorous rivalry between father and son which was used for the first time in all genres in seventeenth century French theatre. The research is based on a representative corpus of three dramatic genres of the period – comedy, tragi-comedy and tragedy – and includes about forty plays. The objective of this study is to demonstrate that this dramatic structure is doubly subversive in the period of the seventeenth century. On the aesthetic level, this conflict overcomes the stage even though the theoretic discourses of the period aimed to separate and classify dramatic genres according to a hierarchical system. The thesis studies the strategies developed by dramatists to adapt this dramatic scheme to aesthetic rules specific to each dramatic genre. On the ideological level, this type of conflict brings out the rivalry between the two representative males of the lineage. In the particular context of the seventeenth century, defined by historians as “l’âge d’or des pères”, this leads to reconsideration of the sociopolitical and religious functioning of the so-called “Ancien Regime”. Through the triumph of the rival son, is the authority of the patriarch challenged, and consequently, the one of the king in the state? Or, on the contrary, does the highlighting of the victory of the rival father reassert the legitimacy of the well-founded system? Would the rivalry between father and son, under its gallant appearances, bring a more serious speech and reveal an evolution in society? How does the gallantry, by transcending the limits of the dramatic genres, question politics? This study is based on these two aesthetic and ideological questions.

Made available in DSpace on 2016-04-28T19:33:58Z (GMT). No. of bitstreams: 1 Victor Hugo da Silva Vasconcellos.pdf: 514015 bytes, checksum: b87262079fd9a43da60bb1ef8867415d (MD5) Previous issue date: 2015-08-06 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research deals with the amorous discourse and its constitution. The theme of love is discussed aiming to analyze the manifestations that appear under its name. Love is a subject approached by different areas of knowledge, what doesn t strain its study. In this study, I focus on the love of a straight couple in the twentieth-one century and the discursive manifestations willing the amorous accomplishment. The research objective is the constitution of amorous discourse as an autonomous discourse. My investigation will be driven by the recognition of linguistic mechanisms that structure the amorous discourse; also, using the inter-discourse postulation, to analyze the mechanisms of discourse to recognize the discursive field of love; to reflect if there is different characteristics in this discourse when compared with political discourses, e.g. I start from the hypothesis that the amorous discourse is an atopic discourse belonging to discursive field of love. The atopia of this discourse is characterized by the restricted manifestation of the speakers, so I tend to justify this hypothesis though the reflection about atopia and the discursive peculiarities. Another hypothesis to analyze this discourse is the ethos and the split in ethosessence, alter-ethos and alter-essence. That made, I will verify if there are unfolding in the discourse under analysis and to confirm if this ethical manifestations occur and the effects provoked though discourse. The methodology used is the interpretation of the selected amorous discourses and the application of analysis categories: discursive field, inter-discourse and ethos. The theoretical foundation used is french discourse analysis, mainly, supported by Dominique Maingueneau works. The results of this research pointed that the amorous discourse can be considered a discourse and that love discursive field is based upon a historical and social archive. The research also showed that is possible the unfolding of ethos and its manifestations in the amorous discourse. The social issue of love was approached through seduction. The love in its discourse appeared to be strong, firm; but also fragile and manipulator / Esta pesquisa trata do discurso amoroso e sua constituição. A temática amor é discutida com a finalidade de analisar as manifestações que surgem em seu nome. O amor é um assunto abordado por várias áreas do conhecimento, o que não esgota seu estudo. Delimitei o estudo para o amor entre um homem e uma mulher no século XXI e as manifestações discursivas a fim da concretização amorosa. O objetivo de pesquisa é o discurso amoroso e a constituição desse discurso como autônomo. Minha investigação se pautará em reconhecer os mecanismos linguísticos que estruturam o discurso amoroso; como também, por meio do primado do interdiscurso, analisar os mecanisos discursivos e reconhecer o campo discursivo do amor; refletir se há algo diferencial nesse discurso quando colocado ao lado de outros discursos como o político, por exemplo. Parto da hipótese do discurso amoroso ser um discurso atópico pertencente ao campo discursivo do amor. A atopia desse discurso se caracteriza por ser de manifestação restrita aos enunciadores, dessa feita, procuro justificar essa hipótese por meio da reflexão sobre atopia e as peculiaridades discursivas. Outra hipótese para analisar esse discurso é o ethos discursivo e seu desdobramento em ethos-essência, alter-ethos e alter-essência. Dessa feita, irei verificar se há esses desdobramentos no discurso analisado e confirmar se essas manifestações éticas ocorrem e seus efeitos provocados discursivamente. A metodologia será a interpretação dos discursos amorosos selecionados e a aplicação das categorias de análise: campo discursivo, interdiscurso e ethos. A fundamentação teórica utilizada é, principalmente, a análise do discurso, com respaldo nos trabalhos de Dominique Maingueneau. Os resultados dessa pesquisa apontaram que o discurso amoroso pode ser considerado um discurso e que o campo discursivo do amor está fundado em um arquivo histórico e social. A pesquisa também demonstrou que é possível o desdobramento do ethos e suas manifestações no discurso amoroso. A questão social do amor foi abordada por conta da força que é esse sentimento e seus efeitos sociais como ato de manipulação por meio da sedução. O amor no seu discurso mostrou-se forte, firme; como também frágil e manipulador

Considerada ainda na antiguidade como a \"ancestral de todas as narrativas monogatari\", Taketori monogatari é a obra mais antiga de seu gênero. Escrita provavelmente entre os séculos IX e X, a narrativa conta a trajetória da personagem Kaguyahime, desde que foi encontrada pelo personagem que dá título à obra até a ocasião em que é levada de volta para o mundo de onde veio. Os acontecimentos que se desenrolam a partir da corte amorosa empreendida por cinco pretendentes que desejam se casar com ela ocupam considerável espaço na narrativa. Esse arco é considerado pelos estudiosos japoneses como exclusivo de Taketori monogatari, não constando em nenhum outro registro anterior da lenda. A partir desta hipótese e amparados pelo trabalho de Roland Barthes, propusemos uma reflexão sobre a construção do discurso pretensamente amoroso nessa parte em que se acredita vislumbrar o ineditismo da obra. / Regarded as \"the ancestor of all monogatari narratives\" since Classical Japan, Taketori monogatari is the most ancient piece of work in monogatari genre. Written probably between the 9th and 10th centuries, the narrative tells the story of Kaguyahime, from the moment she was found by the character whose name is in the title of the narrative until she is taken back to her homeland. The episodes starred by the five noble men who wish to marry her occupy the most of the narrative and are thought, by the Japanese scholars, to be exclusively Taketori monogatari author\'s creation. Considering the Japanese scholars\' view and supported by Roland Barthes\'s treatise on amorous discourse, we aimed to expose the way the discourse spoken by Kaguyahime and her suitors is built in those supposedly romantic episodes.

Considerada ainda na antiguidade como a \"ancestral de todas as narrativas monogatari\", Taketori monogatari é a obra mais antiga de seu gênero. Escrita provavelmente entre os séculos IX e X, a narrativa conta a trajetória da personagem Kaguyahime, desde que foi encontrada pelo personagem que dá título à obra até a ocasião em que é levada de volta para o mundo de onde veio. Os acontecimentos que se desenrolam a partir da corte amorosa empreendida por cinco pretendentes que desejam se casar com ela ocupam considerável espaço na narrativa. Esse arco é considerado pelos estudiosos japoneses como exclusivo de Taketori monogatari, não constando em nenhum outro registro anterior da lenda. A partir desta hipótese e amparados pelo trabalho de Roland Barthes, propusemos uma reflexão sobre a construção do discurso pretensamente amoroso nessa parte em que se acredita vislumbrar o ineditismo da obra. / Regarded as \"the ancestor of all monogatari narratives\" since Classical Japan, Taketori monogatari is the most ancient piece of work in monogatari genre. Written probably between the 9th and 10th centuries, the narrative tells the story of Kaguyahime, from the moment she was found by the character whose name is in the title of the narrative until she is taken back to her homeland. The episodes starred by the five noble men who wish to marry her occupy the most of the narrative and are thought, by the Japanese scholars, to be exclusively Taketori monogatari author\'s creation. Considering the Japanese scholars\' view and supported by Roland Barthes\'s treatise on amorous discourse, we aimed to expose the way the discourse spoken by Kaguyahime and her suitors is built in those supposedly romantic episodes.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-07-04T14:33:32Z No. of bitstreams: 1 glauciahelenaferreiradavid.pdf: 2092999 bytes, checksum: 98b615833a4f91e02529111fc823159e (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-08T13:34:55Z (GMT) No. of bitstreams: 1 glauciahelenaferreiradavid.pdf: 2092999 bytes, checksum: 98b615833a4f91e02529111fc823159e (MD5) / Made available in DSpace on 2017-08-08T13:34:55Z (GMT). No. of bitstreams: 1 glauciahelenaferreiradavid.pdf: 2092999 bytes, checksum: 98b615833a4f91e02529111fc823159e (MD5) Previous issue date: 2017-02-21 / Refletir acerca das trajetórias amorosas e sexuais de pessoas soropositivas constitui o objeto principal dessa dissertação. Esta é caracterizada por dois momentos distintos de contato com os participantes. No primeiro momento foi realizado um mapeamento, através da utilização de entrevistas estruturadas, com auxílio do diário de campo, onde foi possível contatar um número maior de participantes, para um olhar mais amplo acerca das principais estratégias utilizadas por essas pessoas para vivenciarem o amor e o sexo a partir da descoberta do diagnóstico positivo para HIV. Na segunda etapa da pesquisa buscou-se uma reflexão mais profunda, com atenção às subjetividades, através de entrevistas em profundidade para história de vida. Foram realizadas quatro entrevistas, com indivíduos de diferentes gêneros, orientação sexual e geração. As narrativas produzidas pelos indivíduos entrevistados nos dois momentos da pesquisa nos indicaram a relevância de uma problematização no contexto da saúde pública, dos discursos que constituem os sujeitos soropositivos e atravessam suas vidas conformando subjetividades, ideais regulatórios, disciplinares e biopolíticos típicos da sociedade moderna ocidental. Nesse sentido, à luz da análise foucauldiana do discurso, é que propomos visibilizar esses sujeitos, impedidos em seus direitos, pela imbricada rede discursiva constituída por relações de saber/poder de forma complexa e multifacetada. Analisando os discursos da aids, do risco, do amor romântico e o desafio relacionado à revelação do diagnóstico positivo para HIV, que emergiram nos diversos relatos, foi possível perceber as inúmeras exclusões, demarcações e impossibilidades geradas por esses discursos. Apoiando-nos nas teorias feministas, buscamos localizar possibilidades de subversão à norma, como forma de resistência e enfrentamento, privilegiando os relatos de nossos interlocutores, como uma provocação construída por inúmeras vozes. / This dissertation aims to reflect about the amorous and sexual trajectories of positive HIV people. This research is characterized by two different periods of contact with participants. The first time, we conducted a mapping, using of structured interviews, with the help of field journal, where it was possible to contact a larger number of participants. It was important for a wider view on the main strategies used by these people to experience the love and sex from the discovery of the positive diagnosis for HIV. In the second stage of the research, we sought a deeper reflection, with attention to subjectivity, through in-depth interviews for life story. Four interviews were conducted with people of different genders, sexual orientation and generation. The narratives produced by individuals interviewed in two moments of research have shown us the importance of a questioning in the context of public health, the discourses that make subjects positions and go through their lives conforming subjectivities, regulatory ideals, disciplinary and biopolitical of modern Western society. Accordingly, in basis of the discourse analysis from Foucault, we propose highlight this subjects, hindered in their rights, by discursive network consisting of relations of know/power so complex and multifaceted. We analyze the discourses of aids, of risk, of romantic love and of the challenge related to the revelation of the positive diagnosis for HIV, which emerged in the various interviews. It was possible to realize the many exclusions, demarcations and impossibilities generated by these discourses. Supporting on the feminist theories, we seek to find possibilities of subversion of the standard, as a form of resistance and confrontation, privileging the Stories of our interlocutors, as a provocation built by many voices.

Made available in DSpace on 2016-04-26T18:11:40Z (GMT). No. of bitstreams: 1 LeniTese.pdf: 1044376 bytes, checksum: 32a0320e1b0d58aa028b317ff05c5c84 (MD5) Previous issue date: 2005-09-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Departing of the Roland Barthes\\\' definition, according to which the myth is a language in complete ideological action, the present Doctorship Thesis pledges to elucidate the shapes of the amorous speech in a brazilian mythical narrative: \\\"Iracema\\\", by José de Alencar. Taken like corpus analysis the text \\\"Iracema\\\", it was presented and defended under the view of the semiotic, considering specifically the studies about the intersemiotic relations that establish themselves between this speech and the coutesy \\\"voices\\\" of Tristão e Isolda there understood. / Partindo da clássica definição de Roland Barthes, segundo a qual o mito é linguagem em plena ação ideológica, a presente Tese de Doutorado empenha-se em desvendar as figuras do discurso amoroso que agem numa narrativa mítica brasileira: \\\"Iracema\\\", de José de Alencar. Tomado como corpus de análise o texto \\\"Iracema\\\", foi aqui apresentado e defendido sob a perspectiva da semiótica, contemplando-se especificamente os estudos das relações intersemióticas que se estabelecem entre este discurso e as \\\"falas\\\" corteses de \\\"Tristão e Isolda\\\", aí subentendidas.

L’objectif de ce travail est la description et l’étude des dynamiques de sens en jeu dans la constructionde la forme sémantique « amour ». L’étude s’inscrit dans une démarche phénoménologique visantl’émergence du sens en tant que produit d’une activité de conceptualisation marquée par l’expérienceperceptive et affective. Trois strates de sens entrelacées apparaissent dans la sémantique du mot etparticipent de la construction globale de la forme par « motivation », « profilage » et « thématisation ».Ces notions permettent l’ouverture de l’espace de création du sens qui provient de l’entrelacs de laperception, du langage et des modalités d’appropriation du phénomène surgissant dans / et par lediscours sur l’amour et le discours amoureux. Le mot amour polarise une dynamique de mouvementau sein des discours amoureux. Sa valeur s’ancre dans le motif composite d’une force propre àdépasser le procès qui le lie à un objet et vecteur de propriétés esthésiques, axiologiques etpraxéologiques. La phénoménologie du mot amour se déploie essentiellement sur un fond de« figures » qualitatives et de constructions métaphorisantes et poétiques qui tendent à unir champsperceptifs et thématiques, et permettent au locuteur la saisie, en partie, de son expérience amoureuse,et l’expression de ses impressions et sentiments. / Construction of the semantic form “amour”. The core of this work is a phenomenological endeavourtargeting the emergence of meaning considered as the result of a conceptualizing process rooted inaffective and perceptual experience. Three intertwined strata of meaning can be observed in thesemantics of the word. These take an active part in the global construction of the form via each ofthese strata, namely the germ-motif stratum, the profiling-unfolding process stratum and the thematicdiscursiveone. The latter notions make it possible to open the creative space of meaning in a trulyoriginal fashion. This creative space results from the intertwining of perception, language and thevarious modalities of self-appropriation of the phenomenon arising in /and through a discourse on loveand the amorous discourse. The word amour polarizes a movement dynamics within the amorousdiscourse. This word is anchored to the heterogeneous “motif” of a dynamic power liable to surpassthe process per se such as linked to its object. It is a vehicle for aesthesic, axiological andpraxeological properties. The phenomenology of the word amour mostly expands in the domain ofqualitative and poetic figures as well as metaphorizing constructions. In the latter domain, figures andconstructions aim at uniting the perceptive and thematic fields, thus enabling the speaker, thoughpartially only, to grasp his amorous experience as well as to express his own impressions andfeelings.

Homicide-Suicide (H-S) is a rare but violent event in which an individual commits homicide and thereafter commits suicide. The H-S phenomenon appears to be increasing among members of the South African Police Service (SAPS). Although research on H-S is sparse, several SA studies have implicated the SAPS as a high risk occupational group for such killings. However, no systematic research that focuses on police H-S has ever been conducted within the RSA. The aim of this thesis is to determine the underlying causes of police H-S killings. The current national study included thirty-eight (38) police H-S cases over a two-year period (2012-2013). The macro, meso, and micro levels of analysis were utilised to study this phenomenon and to test both the socio-cultural and intrapsychic explanations of H-S. A mixed method approach was utilised, which involved both qualitative and quantitative methodologies. Information on H-S was collected via document analysis and interviews with survivors of an H-S attack. The data obtained from the documents were coded on the SAPS “Homicide-Suicide Incidence Coding Form” and the results of this analysis were presented graphically in both tables and charts. Three interviews were conducted with the survivors of these attacks and were qualitatively analysed. The SAPS displayed an H-S incidence rate of 24.27 per 100 000 police officers. A typical police H-S perpetrator is likely to be a black African male who is 35 years old with a Grade 12 education. He would hold the rank of a constable and would have a history of domestic abuse. His victim would usually be an intimate partner of the same race who would be younger than him. She would be employed as an administrative clerk and would be shotand killed multiple times by her amorous jealous boyfriend due to a heated argument or quarrel. The service pistol would be used to commit both H-S killings. Four main themes emerged from the transcripts, namely: Patriarchal dynamics in H-S relationships, Financial issues and the patriarchal order, The death wish (“Thanatos”) of the perpetrator and the H-S survivors as double victims. On the macro level, partial support was found for social integration theory, while the meso and micro levels of analysis supported the psychodynamic perspective. / Psychology / D. Litt. et Phil. (Psychology)