Global ETD Search

21	L'oeuvre d'art à l'époque de sa discrétion technique / The work of Art in the age of technical discretion Watier, Éric 10 January 2014 (has links) Le travail artistique ne se construit pas sur une question préalable mais sur l’émergence toujours renouvelée de questions imprévisibles.L’oeuvre d’art à l’époque de sa discrétion technique tire bien évidemment son titre du texte de Walter Benjamin L’oeuvre d’art à l’époque de sa reproductibilité technique. Dans son texte, Benjamin essaie d’envisager les conséquences esthétiques et politiques de la reproductibilité technique. Nous essayons (modestement) de reposer la même question à l’heure du numérique.Cette question n’était pas donnée d’emblée. Elle est apparue dans le tressage complexe de la pratique. Dans ce tressage de problématiques apportées par la pratique elle-même, deux temps sont aujourd’hui visibles :- le temps de la reproductibilité technique, du livre d’artiste et du don ;- le temps de la discrétion, du numérique et de la disponibilité.Ces questions sont apparues de proche en proche et jamais selon un plan préétabli. Le travail d’analyse, n’est donc pas la recherche d’une stratégie ou d’un plan préexistant mais le relevé a posteriori d’un territoire découvert par une marche dans un pays inconnu.Ce tressage continu de la pratique et de la théorie est présent dans l’écriture même de la thèse. S’y mêlent à égalité des oeuvres plastiques, des textes littéraires, des articles, des manifestes et des écrits théoriques. / Artistic work is not built on a previous question but always renewed by the emergence of unforeseen issues.The Work of Art in the Age of Technical Discretion obviously takes its title from the text of Walter Benjamin The Work of Art in the Age of Mechanical Reproduction. In his text, Benjamin tries to consider the aesthetic and political consequences of technical reproducibility. We try (modestly) to ask the same question in the digital age.This question was not immediately given. It appeared in the complex braiding practice. In this weaving problems introduced by the practice itself, two times are now visible:- Time of technical reproducibility, artist’s book and gift;- The time of discretion, digital and availability.These questions have arisen step by step and not according to a predetermined plan. The analytical work, therefore, is not looking for a pre-existing strategy or plan, but the survey retrospectively territory discovered by a walk in an unknown country.This continuous braiding of practice and theory is in the writing of the thesis too. Mingle with equal plastic works, literary texts, articles, manifestos and theoretical writings. Livre d’artiste Reproductibilité Walter Benjamin Felix Gonzalez-Torres Lawrence Weiner Artist book Reproduction Walter Benjamin Felix Gonzalez-Torres Lawrence Weiner 770
22	[pt] O CASO SINGULAR D O LIVRO VERMELHO DE C. G. JUNG / [en] THE SINGULAR CASE OF THE RED BOOK BY C. G. JUNG LARISSA KOUZMIN-KOROVAEFF 13 April 2020 (has links) [pt] O propósito desta pesquisa é qualificar O Livro Vermelho de C. G. Jung como obra de arte. Para isso buscou-se primeiramente quais os conceitos e critérios de validação do livro como tal. Circunscritas as espécies que transitam nessa categoria – livros raros e livros de artista – contemplamos, por meio de um percurso histórico pela história do livro, suas especificidades, pressupostos e aproximações, pois, se por um lado, semelhante aos manuscritos medievais iluminados, tal publicação revigora o livro como obra de arte, por outro lado o processo de criação da obra rompe com o paradigma da feitura do livro através de um processo colaborativo e especializado em vigor desde aquela época, no qual, tradicionalmente, o autor escreve textos, não produz livros. Essa mudança de paradigma vem a ser um dos principais pressupostos da categoria que recoloca na história o livro como obra de arte por meio do campo do livro de artista – em seu sentido lato –, segundo o qual o autor não apenas escreve, mas faz o livro, e estuda-se a si mesmo no processo, então como circunscrevê-lo? Com isso esperamos atingir o objetivo subjacente ao tema central – resgatar o valor cultural e artístico do livro, ressaltando o potencial plástico e criativo que ele oferece. / [en] The purpose of this research is to qualify The Red Book of C.G. Jung as a work of art. For this, we first sought what concepts and validation criteria of the book as such. Circumscribed the species that pass through this category – rare books and artist books – we contemplate, through a historical journey, through the history of the book, its specificities, assumptions and approximations, because, if on the one hand, similar to the illuminated medieval manuscripts, such publication reinvigorates the book as a work of art, on the other hand, the process of creation of the work breaks with the paradigm of book making through a collaborative and specialized process in force since that time, in which, traditionally, the author writes texts, does not produce books. This paradigm shift is one of the main assumptions of the category that relocates in history the book as a work of art through the field of the artist s book – in its broad sense – according to which the author not only writes, but makes the book, and is studied to himself in the process, so how to circumscribe it? With this we hope to achieve the objective underlying the central theme – to rescue the cultural and artistic value of the book, highlighting the plastic and creative potential it offers. [pt] PROCESSO CRIATIVO [pt] PSICOLOGIA JUNGUIANA [pt] LIVRO DE ARTISTA [pt] LIVRO RARO [pt] OBRA DE ARTE [en] CREATIVE PROCESS [en] JUNGIAN PSYCHOLOGY [en] ARTIST BOOK [en] RARE BOOK [en] WORK OF ART
23	Skimmer, trassel, djupt, mörkt, blött Engström Apelmo, Sally January 2023 (has links) Shimmer, Tangle, Deep, Dark, Wet is an exploration of the possibilities of the publication, the underwater world, editorial work and an investigation in different materials. The work includes among other things, a professional mermaid, a marine geologist, three underwater rugby players, and a poem about the waves in the Persian Gulf. / Skimmer, trassel, djupt, mörkt, blött är ett utforskande av publikationens möjligheter, världen under vatten, redaktionellt arbete och ett experimenterande med olika material. Arbetet innehåller bland annat en professionell sjöjungfru, en maringeolog, tre undervattensrugbyspelare och en dikt om vågorna i persiska viken. Graphic design Fanzine Artist book Underwater Water Sea Lake Publication Editorial Aquarium Interview Mermaid Underwater rugby Marine geology Poetry Photography Risograph Printing technique Paper Binding Grafisk design Formgivning Fanzine Artist book Undervatten Vatten Hav Sjö Publikation Redaktionellt Akvarium Intervju Sjöjungfru Undervattensrugby Maringeologi Poesi Fotografi Risografi Utskriftsteknik Papper Bindning Design Design
24	[2013 - 2015] O movimento de translação de um artista em torno do próprio trabalho / - Vilela, Jimson Ferreira 21 October 2015 (has links) O objeto desta dissertação são os trabalhos de arte produzidos pelo autor entre 2013 e 2015. Partindo dos próprios trabalhos e dos espaços onde foram apresentados, este ensaio busca articular procedimentos e conceitos recorrentes na produção do artista por meio de imagens, descrições, desenhos, anotações, projetos e interpretações que interroguem a ideia de livro como suporte, matéria-prima e lugar. / The object of this Master\'s thesis is the author\'s works of art produced between 2013 and 2015. Departing from the works of art themselves and from the spaces where they were presented, this essay seeks to articulate recurring procedures and concepts in the artist\'s production through images, descriptions, drawings, notes, projects and interpretations that question the idea of the book as a support, raw material and place. arte contemporânea brasileira artes visuais Artist book artist writings Brazilian contemporary art ensaio escultura essay instalação installation livro de artista livro objeto object book poéticas visuais sculpture texto de artista visual arts visual poetics
25	[2013 - 2015] O movimento de translação de um artista em torno do próprio trabalho / - Jimson Ferreira Vilela 21 October 2015 (has links) O objeto desta dissertação são os trabalhos de arte produzidos pelo autor entre 2013 e 2015. Partindo dos próprios trabalhos e dos espaços onde foram apresentados, este ensaio busca articular procedimentos e conceitos recorrentes na produção do artista por meio de imagens, descrições, desenhos, anotações, projetos e interpretações que interroguem a ideia de livro como suporte, matéria-prima e lugar. / The object of this Master\'s thesis is the author\'s works of art produced between 2013 and 2015. Departing from the works of art themselves and from the spaces where they were presented, this essay seeks to articulate recurring procedures and concepts in the artist\'s production through images, descriptions, drawings, notes, projects and interpretations that question the idea of the book as a support, raw material and place. arte contemporânea brasileira artes visuais ensaio escultura instalação livro de artista livro objeto poéticas visuais texto de artista Artist book artist writings Brazilian contemporary art essay installation object book sculpture visual arts visual poetics
26	Language of the Book : Volume I–III Investigations of the conceptual and bodily experience of reading and making books / Bokens Språk Bornedal, Kajsa January 2021 (has links) The project Language of the Book Volume I-III explores the conceptual and the bodily experience of reading and making books. The essay presents the development of Volume I: Narracube consisting of three storytelling prototypes. With Narracube a format was developed that can invite stories to be told beyond single voices, linear time and fixed points of views. Narracube highlights the active role of a medium in transmission of a message. A book is never a neutral container for ink but an active space of communication in its mere contruction despite its content. / Projektet Bokens språk Volume I-III utforskar den konceptuella och kroppsliga upplevelsen av att läsa och göra böcker. Uppsatsen presenterar utvecklingen av Volume I: Narrakub som består av tre prototyper för berättande. Narrakub är ett format som utvecklats för att undersöka hur konstruktionen av boken kan bjuda in berättelser bortom enstaka röster, linjär tid och låsta perspektiv. Narrakub belyser den aktiva rollen som ett medium har då det sänder ett meddelande. En bok är aldrig en neutral behållare för bläck utan bär på ett aktivt kommunikationsutrymme i sin konstruktion oavsett innehåll. Book storytelling format paper engineering pop-up Artist Book analogue paper medium communication The medium is the massage The medium is the message reading experience prototypes book arts narration linear time single voice perspectives McLuhan Bok bokhantverk pop-up narrativ läsupplevelse McLuhan kommunikation Humanities and the Arts Humaniora och konst
27	Anthem Clifford, Zachary Lee January 2019 (has links) No description available. Fine Arts Mass Media Modern History Political Science Gun violence School Shootings Protest Printmaking Punk DIY US Shootings USA Guns Flags American Flags Desecration of Flags Mourning Protest Art Punk Art Antifascist, Mass shootings Flag Art Artist Book Zines Counter-Culture Textiles
28	Ontophonie et pictopoésie dans l'oeuvre de Gherasim Luca. : etude de la "variation continue". / Pictopoésie and ontophonie : A study of the continuous variation in the complete works of Gherasim Luca Clonts, Charlène 07 July 2016 (has links) Cette thèse étudie le processus de variation continue comme une trame de fond de l’oeuvre complète de Gherasim Luca, afin de mettre en valeur ses aspects plastiques et phoniques, leur articulation ainsi que la façon dont la pictopoésie et l’ontophonie participent à l’autogénération textuelle. Considérant l’oeuvre à la croisée des arts, l’analyse souligne la structure des espaces textuel et iconique. Elle s’intéresse en outre aux figures (personae) émergeant d’une esthétique protéiforme et à l’espace figural du langage, mettant aussi à l’épreuve la théorie deleuzienne de la variation continue pour en montrer les ressorts et les dépassements. Enfin, la mise en oeuvre organique, phonique et linguistique del’ontophonie interroge les voix/voies nouvelles établies par la poésie orale et la médiopoétique, ménageant un accès vers l’analyse de la répétition et de la reformulation en tant que genèse infinie. / The aim of this PHD is to study the process of the continuous variation, as the guiding principle for the complete works of Gherasim Luca. The purpose is to highlight both its plastic and its phonic aspects, how they work together, and also the way pictopoésie and ontophonie help create a perpetual selfgenerated text. Since the works stand at the crossroads of several arts, this analysis underlines the structure of the iconic and textual spaces. One of the axis of research, that focuses on the persona, as it emerges from a protean aesthetics, and on the figurative space proper to language, calls thus intoquestion Deleuze’s theory of “continuous variation”, while showing its internal mechanism and its exceedance. Finally, the phonic, the linguistic and the physical performance, in staging the ontophonie, brings into question the voices and the media as a means, established by the oral poetry and the mediopoetics, granting access to an analysis based on endless repetition and reformulation. Gherasim Luca Pictopoésie Ontophonie Variation continue Répétition et variation Espace figural du langage Poésie plastique Cubomanie Livre de dialogue Médiation poétique Poésie orale Poésie sonore Poésie radiophonique Avant-‐garde roumaine Surréalisme roumain Littérature moderne et contemporaine Stylistique Gherasim Luca Pictopoetry Ontophonie Continuous variation Repetition and variation Figurative space of language Plastic poetry Cubomania Artist book Poetry and media Oral poetry Performing poetry Radio and poetry Romanian avant-‐garde Romanian surrealism Modern and contemporary literature Stylistics

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