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The Global ETD Search service is a free service for researchers
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Showing 1 to 10 of 11 (0.064 seconds)Spelling suggestions: "subject:"c.ulture journalism"" "subject:"1culture journalism""
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Concepts of culture : textual analysis of the New York Times Magazine /Benson, Christopher, January 2004 (has links)
Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 92-97). Also available on the Internet.
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Concepts of culture textual analysis of the New York Times Magazine /Benson, Christopher, January 2004 (has links)
Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 92-97). Also available on the Internet.
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Fint och fult i film : En studie av finkulturell och populärkulturell diskurs i svenska filmrecensioner / High and popular in film : A study of the use of high culture and popular culture discourse in Swedish movie reviewsMånsdotter, Sofia January 2015 (has links)
The discussion about high culture and popular culture in our society has been going on for decades. In few places is it as loud as within culture journalism and the critics’ society, where the question of what is good taste and what is dumb entertainment constantly gets brought to the surface. Film is a particularly vulnerable area, since it is such a universally appealing and rather young medium. In America and England several studies have been performed of the reviewing society and reveiwers’ use of high and low art-discourse in their writing. The Swedish market is sorely lacking in this area. This study is an attempt to shed some light on the way Swedish culture journalism works, with the focus being Swedish film reviews. The goal is to explore the use of high culture and popular culture discourse within Swedish reviews by examining the movie reviews published in the two large Swedish newspapers Dagens Nyheter and Aftonbladet in 2013. The reviews were studied using a number of variables, some of which represented the high culture discourse, and some of which represented the popular culture discourse. The study showed that the reviewers of these newspapers tended to use both high art discourse and popular culture discourse within their reviews to almost the same extent. The news papers were also very similar in the way they used the variables for high culture and popular culture discourse.
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"Es ist ein unglaublicher Betrug" Ingeborg Bachmann's literary critique of the journalistic media /Nittel, Gisela. January 2008 (has links)
Thesis (Ph. D.)--University of Sydney, 2009. / Title from title screen (viewed October 28, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Germanic Studies, Faculty of Arts. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references. Also available in print form.
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Kulturjournalistiken idag : och hur rapporteringsfokuset ändras på dagstidningarnas kultursidor. / The Culture Journalism of Today : and how the report focus changes in the cultural sections of local newspapers.Ström, Carin January 2013 (has links)
As our society moves into a more technical era, journalism and the reporting of culture have had to follow. But where has that left the cultural critique, and journalist/reviewers, in our local newspapers? This bachelor thesis will try to map and explain the change of the cultural presentation in the local newspapers from the day it was firstly introduced as a genre in the modern journalistic world until today – 1840 and onwards. Whether it has turned into complete tabloid journalism or if it's methods are used to expand the knowledge about the cultural object, it shall be discovered with the help of an analysis of the cultural sections in some newspapers – both from the last quarter of 2012 (October - December) and one date from two years prior to that. One of the answers provided by the analysis, and perhaps the most relevant to this thesis, is that by adding features of tabloid journalism in reports of cultural news, culture journalism can better adapt its contents according to academic and social preferences of what is considered important aspects of information in the news, as it positions itself according to the technological fields and the changes within the cultural area itself.
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Filmkritikens retorik : En kvalitativ studie av recensioner till hög- och populärkulturella filmverk / The rhetoric of film criticism : A qualitative study on reviews of high- and popular cultural filmsKojo, Lovis January 2018 (has links)
The divide between popular culture and high culture has been a subject of discussion since the early days of media research. Even though popular culture has a somewhat higher status today than in the early 1900’s, the division between the two cultural forms still exists. For example, the movies that appeal to the great masses are rarely awarded the most prestigious European film prices. The aim of this study was to examine how these two cultural practices is separated in film reviews on the Swedish film site MovieZine with the use of the socio-cultural theories of Adorno, Horkheimer and Bourdieu. The main issues consisted of what types of rhetorical arguments the critics use to value the film, and what types of cultural references they make in the different reviews The selection of the movie reviews for this study was based on the ten most viewed movies in Swedish cinema in 2016, and ten movies that were awarded some of the most prestigious and refined American and European film prices in the same year. The general result showed that the film critics used different types of rhetorical arguments based on what type of films they reviewed. In their reviews of the more high cultural films, the citric based their arguments on matters that are considered to be of a more intellectual and analytical kind, than in the reviews of the films that appeal to the masses. The critics often referred to movies or other cultural phenomenon that could be placed on the same side of the cultural spectrum as the movies they reviewed.
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År 2016 – Ett paradigmäventyr : En kvalitativ studie om förändringar i språk, framställning och värden inom svensk filmkritikJerner, Viktor, Turfors, Daniel January 2017 (has links)
The state of cultural journalism has been a subject of discussion within journalism research for a long period of time. The core of the discussion is that cultural journalism differs from journalism in many ways, which creates friction. Some researchers illustrate this friction as a battle between two separate paradigms – the journalistic paradigm and the aestethic paradigm – and their values. The aesthetic paradigm strives for values such as subjectivity, pedagogicality and expertise, while the journalistic paradigm focuses on effectivity, objectivity and ethics. The research concerning this has mostly been aimed at literature and music, but not film to the same extent. This study aimed to fill that gap by investigating the changes within swedish film criticism during the time between the late ‘90s and today. The platforms that we analysed are Moviezine, Barometern and Aftonbladet and the film reviews from them were analysed from the perspective of language, method of production and the values of the two paradigms. The study showed that these three platforms took their own paths; some of them have moved towards the aesthetic paradigm, while others have gone in the opposite direction. 2016 is the most divisive year of the analysed years.
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Sportfånar och Kultursnobbar - om sport- och kulturjournalistikens betydelser ur ett samhälleligt perspektivRosqvist, Ida January 2011 (has links)
Uppsatsens syfte är att studera skillnader mellan kultur- och sportjournalistik för att kunna undersöka vad dessa skillnader har för grunder och betydelser för vår uppfattning om kultur och sport i samhället. Varför låter sport- och kulturjournalistik så olika? Vad har det för betydelse? Genom att detaljstudera två av Sveriges Radios nyhetsprogram, Kulturnytt och Radiosportens nyheter, görs skillnader mellan de två genrerna tydliga och konkreta. Skillnaderna analyseras utifrån begrepp som genre, hegemoni, dikotomi och uppdelningen mellan hög och låg samhällelig status. Uppsatsens slutsatser är att uppdelningen mellan sport och kultur hålls stabil genom journalistiska genrer, vilka i sin tur är skapade efter uttryckens olika samhälleliga status. Kulturens och sportens historiska bakgrunder och nutida plats i den samhälleliga diskursen speglas så i de journalistiska skillnaderna. Resultatet av undersökningen gestaltas i ett ljudverk som syftar till att tydliggöra hur skillnaderna ser ut genom att vända på genrerna. Hur låter det om man rapporterar om kultur som om det vore sport och hur skulle ett reportage om en sporthändelse låta med kulturjournalistikens verktyg? / The purpose of this dissertation is to study and examine the differences between culture and sports journalism to examine what the grounds of the differences are, and what the consequences are for our understanding of culture and sport in society. Why do sports and culture journalism sound so different? And, what does it mean? Through detailed study of two Swedish Radio news programmes, Kulturnytt and Radiosportens nyheter, the differences between the two genres is made evident and concrete. The differences are analysed through concepts as genre, hegemony, dichotomy and the division between high and low social status. The conclusions of this dissertation are that the division between sport and culture is kept stable by journalistic genres, which in turn is created by the expressions differences in social status. Culture and sport's historical background and contemporary place in the discourse is thus reflected in the journalistic differences. The results of the genre examination are interpreted in a radio piece, aiming to clarify how the differences are constructed by reversing the genres. How would it sound to report on culture as if it were sports, and how could a story about a sport event sound using the instruments of culture journalism?
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Kulturní publicistika Ferdinanda Peroutky v Přítomnosti (1924 -1939) / Ferdinand Peroutka's Cultural Publicism in PřítomnostMiklica, Tomáš January 2017 (has links)
The diploma thesis Cultural journalism of Ferdinand Peroutka in Přítomnost (1924 - 1939) deals with culture articles Ferdinand Peroutka has written as the editor-in-chief of a cultural-political magazine Přítomnost during the years between the World Wars. The thesis is therefore mainly focused on his literary criticism but texts concerning theatre or film are included as well. Crucial part of the thesis is based on a critical qualitative analysis of a chosen sample of texts published in the culture section of Přítomnost between 1924 and 1939 - with the emphasis on Peroutka's requirements towards art, his polemics with other authors or his subject choice and reception. Form and content of the texts are analysed too. Additionally, the thesis provides an introduction to Ferdinand Peroutka as a member of Czechoslovak Republic's elite, specifically as a journalist and a culture critic. In order to offer full context a description of Přítomnost magazine is included and completed by a brief summary of Czechoslovak culture journalism between the World Wars with examples of other important periodicals and their contributors. The thesis opens with introducing different approaches to criticism as a genre.
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Genus & genrer : forskningsanknutna genusdiskurser i dagspressEngström, Kerstin January 2008 (has links)
<p>At the centre of this study lies the question of how research-related media texts contribute to the social construction of sex and gender conceptions when they use research, either as a main source, or to support or comment on specific issues and statements, from the political arena, for example. The principal aim of the study has been to analyze and problematize the ways in which different types of newspapers, genres and editorial sections reproduce, or contribute to change, in existing gender discourses. </p><p> The material was collected from two Swedish newspapers during the year 2001: the national morning paper Dagens Nyheter (DN), and the national evening paper Aftonbladet. </p><p>The theories of discourse, agenda-setting and -framing in this study are related to the questions: what kinds of knowledge on women and men, and biological, physiological, psychological, social and cultural perspectives on sex/gender are represented; how are they described; and how do content and form contribute to the (re)production of, or change in, gender discourses? The main analytical perspectives are those about gender discourse (re)production, genres as ideological forms, and the epistemologies of journalism. </p><p> A combination of analytical strategies and methods was used: content and thematic analysis, and qualitative analysis of text and language with methodological tools from different traditions of discourse analysis. </p><p> In my study, I can see an interplay between research traditions and genre conventions in the (re)production of gender discourses. Since the news sections repeatedly choose to publish research as empiric and in the form of results, and then within that, primarily findings from medicine and the social sciences, these areas are reproduced as important and relevant, and as producers of objective, true knowledge that can be presented as simple facts. Research-related texts in culture journalism, on the other hand, follow the tradition of primarily treating research within the humanities, and nowadays also gender and queer theoretical perspectives within different disciplines. Through the genre conventions of culture journalism, this research is reproduced as something that you can reflect upon, problematize, criticize, form an opinion of, and judge.</p><p> The study also gives reason to argue that media logic and institutionalized genre conventions contribute to the reproduction of science and research as different worlds and cultures, in which the natural sciences and the humanities are found in different media spaces, and different forms of knowledge about sex/gender are given space on different conditions and in different forms. </p>
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