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11	"Det är inte det jag är här för, jag är här för att undervisa" : En studie över hur ämneslärare i dans tolkar och förhåller sig till gymnasieskolans fostrande uppdrag Bergström, Sara, Persson, Hanna January 2023 (has links) The Swedish school’s fostering assignment is a well-researched field within social science, but there is a lack of research regarding the assignment related to dance. Therefore, the purpose of this study is to contribute to an understanding of the fostering assignment in relation to dance. This is a qualitative study aiming to give an insight to how dance teachers in upper-secondary schools interpret and include the fostering assignment in their work. The study also aims to address how different dance traditions affect how fostering is practiced in upper-secondary schools. The method used for collecting data is semi-structured interviews and the analysis is hermeneutic. The result shows a lack of an overall picture of what fostering in upper-secondary schools actually means and the fostering assignment’s changing and contextual character in relation to the shifting ideals of society. Dance as a practice and subject can contribute to students developing abilities relating to democracy, empathy, entrepreneurship, and also strengthen students’ identities and subjectification. In conclusion, the study stresses the importance of specifying the implementation of the fostering assignment on different levels (macro, meso, micro) within organisations. Otherwise, there is a risk that the fostering happening counteracts the content written in the curriculum. dance pedagogy curriculum fostering upper-secondary school democracy prosocial behaviour subjectification danspedagogik värdegrund fostran gymnasieskola demokrati prosocialt beteende subjektifiering Arts Konst Educational Sciences Utbildningsvetenskap
12	”…den här genren är ju liksom ute lite grann och identitetskrisar ganska rejält.” : uppfattningar om jazzdansens utmärkande egenskaper / "…this genre is kind of out there experiencing quite a substantial identity crisis." : perceptions of the defining characteristics of jazz dance Sahlin, Linnea January 2023 (has links) This study aims to explore the defining characteristics of jazz dance as a genre with the ambition of reaching a deeper understanding of the art form as well as clarifying the foundations for my own jazz dance teaching. Using a qualitative research method, the study examines the perceptions of four dance educators, each with experience in dancing and teaching different forms of jazz. Drawing on a phenomenographic perspective, the study identifies variations in perceptions through semi-structured interviews and categorization. The findings present six descriptive categories of important components within jazz dance including Body and Music Interplay, Relevant Music Choices, Freedom, Play and Individuality, Contrasting Dynamics, Technical Finesse and Body Control, and Interaction and Expression. Furthermore, the study discusses the challenges of defining jazz dance but highlights the significance of embodied musicality and Africanist aesthetics as key elements of the art form, as well as emphasizing the concept of "swing" as central to jazz and the perception of “jazziness”. In conclusion the study shows a broad variety in perceptions which contribute to an increased awareness and understanding of jazz dance as well as providing tools for communication in jazz dance teaching. Ultimately the study encourages further research on the topic. jazz dance jazzy dance education dance pedagogy defining characteristics variations in perceptions jazzdans jazzigt dansundervisning danspedagogik utmärkande egenskaper variationer i uppfattningar Performing Arts Scenkonst Pedagogical Work Pedagogiskt arbete
13	Utan dans? : danskunskap i ett expanderat perspektiv Stövind, Jörgen January 2022 (has links) Without dance? – dance knowledge in an expanded perspective The vocational dancer education in classical ballet's subject-specific intended learning outcomes means many years of dance training that requires sacrifices in other school subjects and other hobbies, without work guarantee. There are more dancers than there are jobs, which is why many people stop dancing after graduation. The survey’s purpose is to investigate what happens over time with the dance knowledge that is generated during the vocational dancer education. Is it still relevant to the person's sphere of life even outside a dance context? Five people, who completed the vocational dancer education in classical ballet in 2011 and 2012 and stopped dancing after graduation, are interviewed. The results are analyzed with a phenomenographic approach, the description categories or result are analyzed to a final outcome space, which indicates, through the ballet´s genre-determined structure and a cognitive thought pattern that is characterized by a given construction to understand the meaning of structure, a unique and profound body knowledge and social adaptability as a consequence of the education. Dance practice enables social adaptability, a visualization of people's complex reality, the understanding of the value of taking varying perspectives to manage and adapt to different people and social contexts. ballet classical ballet dance dance pedagogy problem solving cognition academic skills vocational education vocational dance education balett klassisk balett dans danspedagogik problemlösning kognition akademiska förmågor yrkesutbildning yrkesdansarutbildning Pedagogy Pedagogik Learning Lärande
14	Dokumenterande respektive konstnärligt filmad metod för instudering av jazzdansmaterial : En kvalitativ studie om film som instuderingsmetod / A documenting respectively screendance recorded rehearsal method for jazz dance material : A qualitative study about video recording as a rehearsing method within jazz dance education Boutros Moussa, Alexandra January 2024 (has links) Syftet med denna studie är att undersöka en dokumenterad respektive konstnärligt filmad metod för instudering av jazzdansmaterial, på ett sätt som samspelar med det egna sättet att lära. Undersökningen har gjorts genom intervjuer, film och observationer med hjälp av en danspedagogstudent. Litteraturen inom ämnet har varit begränsad vilket inneburit en kunskapsinhämtning från flera kunskapsfält. För att analysera materialet har jag använt en tematisk analys samt ett observationsschema med fokus på dansanalys av följande jazzdanskomponenter etablerade av Katarina Lundmark: bredd & höjd, precision, timing, koordination och musikaliskt uttryck (2011). Analysen av intervjuerna resulterade i totalt 10 teman, varav 4st tillhörande respektive filmmetod. Observationerna jämförde två jazzdansfraser som båda filmats vid två tillfällen med en veckas mellanrum och skapade ett resultat för hur vardera jazzdanskomponent påverkade gestaltningen i respektive jazzdansfras. Ett av studiens fynd visar att arbetet med film som instuderingsmetod kräver ett tydligt situerat syfte där de inre processerna aktivt samspelar med de yttre processerna. / The purpose of this study was to investigate a documenting respectively screendance recorded rehearsal method for jazz dance material, in a way that interacts with one's own way of learning. The study has been done through interviews, film and observations with the help of a student in dance pedagogy. The literature on the subject has been limited, which led into the gathering of literature from several fields. To analyze the material, I have used a thematic analysis as well as an observation scheme combined with a focus on dance analysis of the following jazz dance components conducted by Katarina Lundmark: width & height, precision, timing, coordination and musical expression (2011). The analysis of the interviews resulted in a total of 10 themes, of which 4 belongs to the respective filming method. The observations compared two jazz dance phrases that were both filmed on two occasions one week apart from each other and created a result for how each jazz dance component affected the performance in the respective jazz dance phrase. One of the study's findings shows that working with film as a rehearsing method requires a clearly situated purpose where the internal processes actively interact with the external processes. / <p>Angivet datum ovan för presentation är ifrån min opponering, uppsatsen godkändes först den 21 juni 2024, när revideringsarbetet till följd av opponeringen var avklarat. </p> Rehearsal dance film recording memory screendance education visual methods jazz dance reflection dance pedagogy learning Instudering dans film inspelning minne dansfilm undervisning visuella metoder jazzdans reflektion danspedagogik lärande Arts Konst Studies on Film Filmvetenskap Learning Lärande Didactics Didaktik Pedagogy Pedagogik
15	I gränsen mellan repetition och praktik : En praktiknära studie av verket Suit of Dances (1994) Blad, Levi January 2024 (has links) The purpose of this study is to, within an artistic process, investigate a dance practice and how the process is enriched by the interaction with three experts within the field of dance pedagogy. Furthermore, it discusses aspects from the process that can be applied in dance education. Methods that are used is autoethnographic perspectives and self-reflective writing in the studio before inviting experts to three unique practical interviews. The results are an intense movement analysis from the work in the studio and deep interaction on the work with three interviews that highlight things such as bodily exploration, musicality and reflection on practice. The study’s conclusion is that a method for ballet class inspired by Creative movement can enrich dance education with reflexivity, but the study also highlights the importance of repetition of movement. / <p>En praktisk föreläsning av arbetet hölls 16 maj i studio 16 på Brinellvägen 58.</p> Artistic process practice dance dance pedagogy education autoethnography ethnography reflexivity material Creative movement Classical ballet Johann Sebastian Bach Jerome Robbins Michael Baryshnikov. Konstnärlig process praktik dans danspedagogik pedagogik autoetnografi etnografi reflexivitet material Kreativ rörelse klassisk balett Johann Sebastian Bach Jerome Robbins Michael Baryshnikov. Performing Arts Scenkonst Pedagogy Pedagogik

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