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111	Antinatalist Sexual Dissidence in Decadent Literature Moore, Conner Furie 22 July 2021 (has links) No description available. Literature Decadent literature Decadent movement decadence antinatalism sexual dissidence queer theory Charles Baudelaire Rachilde Algernon Charles Swinburne Oscar Wilde Vernon Lee Arthur Schopenhauer Lee Edelman Max Nordau feminism literary criticism
112	Český literární anarchismus v souvislostech socialismu a ženského hnutí (1890-1914) / Czech Literary Anarchism in the Context of Socialism and the Women's Movement (1890-1914) Hylmar, Radek January 2017 (has links) Czech Literary Anarchism in the Context of Socialism and the Women's Movement (1890-1914) Abstract The thesis focuses on Czech pre-WWI anarchism. It analyses it as a modernist movement comprising various activities spanning political propaganda, proposals of social organisation and thinking about moral values as well views on the arts and literary production. The aim is to present literary texts written by anarchists against a backdrop of other types of expression. At the same time, the thesis assesses anarchism in the historical context of other political, social, artistic and philosophical movements. We study the interweaving of ideological and aesthetic schemes of Czech anarchism, especially with socialism and feminism, but also concerning decadence, Friedrich Nietzsche's philosophy and writings of the German Friedrichshagen poets' and anarchists' circle. The thesis focuses on how anarchism understands human beings and their relationship to the world and society. Given the anarchists' focus on the free individual, we present strategies of emancipation from traditional conventions and institutions such as marriage, family and the state. We also concentrate on reforms concerning morals and similarities with the feminist turn to one's own bodily and psychical experiences as starting points for setting...
113	Metamorfózy prostoru. Modely prostoru v české a ruské lyrice přelomu 19. a 20. století / Metamorphosis of Space. Models of space in the Czech and Russian lyriical poetry of the late 19th and early 20th century Kuthanová, Michaela January 2013 (has links) Metamorphosis of Space Models of space in the Czech and Russian lyrical poetry of the late 19th and early 20th century The work deals with the representation of space in lyrical poetry by artistic imagery. Based on the analysis of the texts of the decadent poets I. Annensky, V. Bryusov, K. Hlaváček, O. Březina describes their individual models of space.
114	La critique d'art de Joris-Karl Huysmans. Esthétique, poétique, idéologie / Joris-Karl Huysmans's Art Criticism. Aesthetics, Poetics, Ideology Jeannerod, Aude 12 December 2013 (has links) Étudier la critique d’art de Joris-Karl Huysmans soulève des enjeux esthétiques, poétiques et idéologiques. Si elle constitue un genre à part entière, que l’auteur a pratiqué en tant que tel, la critique d’art entretient des relations de complémentarité et d’interférence avec le reste de l’œuvre. S’y élabore en effet une esthétique, qui à son tour définit une poétique : parce que le critique est également écrivain, la réflexion qu’il mène au sujet des arts plastiques – peinture, sculpture, architecture – se développe parallèlement à sa pratique d’écriture. Ses options critiques reposent sur une analogie entre les arts, s’inscrivant en cela dans une longue tradition, qui va de l’ut pictura poesis horatien aux correspondances baudelairiennes, en passant par le paragone de la Renaissance. Aussi regarde-t-il l’art en tant qu’écrivain, y cherchant tantôt la confirmation de ses idées sur la littérature, tantôt un modèle d’écriture. Mais parce que la critique engage des valeurs et des convictions, elle se fait aussi la chambre d’écho des options idéologiques de son auteur, aux plans socio-économique, politique et épistémique. Huysmans regarde l’art à travers une idéologie qui se décline en un certain nombre de valeurs et de contre-valeurs : héritier d’un siècle de romantisme, il entretient un rapport douloureux avec son temps, en délicatesse avec la pensée de son époque. Cette idéologie – à la fois anticapitaliste, antibourgeoise et antimoderne – filtre donc le regard qu’il pose sur l’art : elle détermine en partie ses jugements esthétiques, elle les oriente de façon diverse et souvent contradictoire. / In Joris-Karl Huysmans’s art criticism, aesthetics, poetics and ideology are at stake. Though art criticism is a genre in its own right, which the author used as such, it maintains close relations with his other works: they complete one each other as well as they interfere together. In his art criticism, Huysmans develops aesthetics, which define in its turn poetics: because the critic is also a writer, his thinking about visual arts – painting, sculpture, architecture – runs parallel with his writing process/practice. His critical assessments rest upon a comparison between the arts and therefore form part of a tradition which roots in Horace’s maxim ut pictura poesis, crosses the Renaissance period with the paragone and leads to Baudelaire’s correspondances. When watching a painting, Huysmans remains a writer: he’s looking for a confirmation of his ideas about literature or a model for his writing. But because art criticism puts values and beliefs at stake, it echoes the ideological choices of its author, on socio-economic, political and epistemic levels. Huysmans sees the arts through an ideology which comes in various values (et contre-valeurs): heir of a century deeply marked by romanticism, he maintains painful relationships with his time, in trouble with modern ideas. His ideology – against capitalism, bourgeoisie and modernity – filters the way he considers the arts; it partly determines and influences, in various but often opposing ways, his aesthetic judgement. Joris-Karl Huysmans Critique d'art Esthétique Poétique Idéologie Peinture Littérature française du XIXe siècle Ut pictura poesis Romantisme Naturalisme Décadence Modernité Joris-Karl Huysmans Art criticism Aesthetics Poetics Ideology Painting 19th century French literature Ur pictura poesis Romanticism Naturalism Decadence Modernity 840
115	O imposto sobre transmissão causa mortis de quaisquer bens ou direitos: regra-matriz de incidência, isenção, lançamento, decadência e prescrição Prado, Clayton Eduardo 25 October 2007 (has links) Made available in DSpace on 2016-04-26T20:26:00Z (GMT). No. of bitstreams: 1 Clayton Eduardo Prado.pdf: 531979 bytes, checksum: e2b1fd0112e75ea983f01de2f00c951a (MD5) Previous issue date: 2007-10-25 / The study concerns about the inheritance taxation and intends to construct its basic rule of incidence, from the examination of the constitutional rules that discipline this tax, identifying the two equations that compose it: the antecedent (hypothesis tax), describing its material, spatial and temporal criteria; and the consequence (legal relationship tax), identifying its personal (active and passive subject) and quantitative (aliquot and taxable base) criteria. At the second moment, it examines the Law n. 10.705/2000 of the São Paulo State to verify if it is compatible with the constitutional profile of this tax. Further on, the São Paulo legislation comes back to be the focus, to analyse the tax exemption phenomenon. Later, it concerns about the tax assessment, evidencing the peculiar aspects of this tax. The final topic intends to face two intricate questions: the decadence and the prescription of the ITCM / O trabalho trata do imposto sobre transmissão causa mortis de quaisquer bens ou direitos (ITCM) e tem entre seus objetivos construir a sua regra-matriz de incidência, a partir do exame das normas constitucionais que disciplinam esse tributo, identificando as duas equações que a compõem: o antecedente (hipótese tributária), descrevendo os seus critérios material, espacial e temporal; e o conseqüente (relação jurídica tributária), identificando os seus critérios pessoal (sujeitos ativo e passivo) e quantitativo (base de cálculo e alíquota). Construída a regra-matriz de incidência tributária, examina as normas da Lei n. 10.705/2000 do Estado de São Paulo, objetivando verificar em que medida elas são compatíveis com o perfil constitucional desse tributo. A seguir, a legislação paulista volta a ser o foco, com a finalidade de se analisar o fenômeno da isenção do imposto sobre transmissão causa mortis. Posteriormente, trata do lançamento tributário do ITCM, constatando os traços peculiares a esse tributo, sobretudo quando apurado no âmbito de processos judiciais. O tópico final visa enfrentar duas intrincadas questões: a decadência e a prescrição do ITCM, onde se verifica, igualmente, que esse imposto possui singularidades decorrentes da sua forma de apuração Direito tributário Regra-matriz de incidência Isenção Decadência Prescrição Incidencia de impostos -- Brasil Decadencia (Direito) -- Brasil Tax law Inheritance taxation Basic rule of incidence Tax exemption Tax assessment Decadence Prescription
116	La crise de la civilisation selon Raymond Aron à travers l'exemple européen / The crisis of civilization according to Raymond Aron through the European example Lapparent, Olivier de 25 November 2016 (has links) Le déclin de l'Europe au XXe siècle est un fait incontestable. Peut-on ou doit-on franchir le pas et affirmer que l'Europe, comme civilisation, est condamnée à la décadence? Raymond Aron a analysé durant plus de 50 ans l'évolution de l'Europe à travers ses différentes facettes : idée, construction institutionnelle, sentiment. Il affirme la crise de l'Europe, comme crise de civilisation, pour mieux la combattre. L'Europe a un avenir à condition de penser son Histoire. L'Histoire n'est ni la promesse d'un progrès certain ni la condamnation définitive à la décadence. Le réalisme aronien souhaite éviter deux extrêmes : le moralisme et le cynisme. La proposition de cette thèse est l'introduction du terme «oscillation» entre déclin et vitalité historique : de la décadence au déclin, du déclin à la crise, de la crise au conflit, du conflit à la vitalité, de la vitalité à la créativité et de la créativité à l'action. L'oscillation doit mettre en tension l'Europe pour passer de la crise à la métamorphose. La vertu est le chaînon manquant entre déclin et vitalité historique. Elle permet à la tension de revenir à un point d'équilibre. L'accomplissement de la vertu met en pratique la potentialité, la réponse au défi, l'engagement et la vitalité historique. La survie de la civilisation européenne tient en cette ligne de crête fragile mais tremplin vers un renouveau. / The decline of Europe in the twentieth century is an indisputable fact. Can or should we go ahead and say that Europe, as a civilization, is doomed to decadence? Raymond Aron analyzed for more than 50 years the evolution of Europe through its various facets: idea, institutional building, feeling. He assures the crisis in Europe, as a crisis of civilization, to better fight it. Europe has a future. This is about thinking History. History is not the promise of some progress nor the final sentence to decadence. The realism of Aron wants to avoid two extremes: moralism and cynicism. The proposal of this thesis is the introduction of the word "oscillation" between decline and historical vitality: from decadence to decline, from decline to crisis, from crisis to conflict, from conflict to vitality, from vitality to creativity, and from creativity to action. The oscillation should literally energize Europe so as to transform crisis and conflict. Virtue is the missing link between decline and historical vitality. It allows energy to become harmonious again, to its point of equilibrium. The fulfillment of virtue puts into practice potentiality, the answer to challenge, commitment and historical vitality. The survival of the European civilization lies in this delicate edge that is a springboard to a revival. Raymond Aron Europe Crise Civilisation Décadence Construction européenne Vertu Créativité Conflit Innovation Vitalité Démocratie Sentiment européen Identité Déclin Mythe Oscillation Raymond Aron Europe Crisis Civilization Decadence European construction Virtue Creativity Conflict Innovation Vitality Democracy European feeling Identity Decline Myth Oscillation 940.5
117	Mýtus o Narcisovi ve francouzské literatuře přelomu 19. a 20. století / Myth of Narcissus in French literature at the turn of the 20th Century Kučerová, Magdalena January 2014 (has links) Mgr. Magdalena Kučerová Dissertation work: Myth of Narcissus in French literature at the turn of the 20th century ABSTRACT: This dissertation thesis based on knowledge of French myth criticism deals with the issue of myths in literature, which is a specific manifestation of human symbolic imagination. In its most general level the work studies the definition of a myth and its social function as well as the matter of opposite notions regarding to the mythos and logos, which have gradually more and more differentiated along with the development of European thinking. The myth of Narcissus has probably been one of the oldest myths in European culture. In its most renowned and most comprehensive form, the myth first appeared in the third book of Metamorphoses by Ovid, which has served as an inspiration for remakes by many later authors. The story of a young man who fell in love with his own reflection on the surface of the water contains a great variety of semantically strong structures (mainly the motifs of a mirror, narcissistic love, passively superior character of a hero, or the final metamorphoses into a flower), which are analysed in this study. The author of this study outlines the interpretational evolution of the myth of Narcissus in French literary history...
118	L'Anti-Salomé, représentations de la féminité bienveillante au temps de la Décadence (1850-1920) / The Anti-Salome, representations of benevolent femininity in the Time of Decadence Daouda, Marie Kawtar 12 December 2015 (has links) À la charnière entre deux siècles, Salomé fait office de lieu commun inévitable de la littérature et des arts. Cependant, aux côtés de la femme fatale, s'affirme la présence discrète mais tout aussi inévitable de la féminité fragile et bienveillante, formée sur le modèle de la princesse de conte et de l'héroïne de roman gothique, mais surtout sur celui de la vierge et martyre du roman édifiant, qu'il soit antiquisant ou contemporain. Parfois discrète jusqu'à l'illisibilité, cet archétype n'est légitimé dans sa fonction bienveillante que par un sacrifice. La signification religieuse du bouc émissaire reste à la fois lisible et efficace dans les structures narratives du roman, mais aussi dans le détail de l'écriture de ces personnages. Les figures mariales, magdaléennes ou féeriques sont soumises à la même épreuve de destruction, par laquelle l'édification qu'elles symbolisent se fait littéralement construction de sens, juxtaposition d'éléments esthétiques disparates mais efficaces par lesquels un personnage en vient à représenter allégoriquement la création artistique elle-même. En reliant le milieu du XIXe siècle aux années 1920 et en mettant les plus connus des héritiers de Baudelaire en perspective avec ceux dont le nom commence à peine à revenir à la postérité, l'enjeu de la recherche est d'établir dans quelle mesure ces représentations de la féminité bienveillante relèvent d'une permanence, d'un monument – au sens de monumentum – où la fin de siècle va non seulement contempler la mort d'une époque révolue, mais concentrer tout ce qui sert, à l'aube du XXe siècle, à théoriser l'art idéaliste. / At the crossroads between two centuries, Salome plays the part of a mandatory commonplace in art and literature. Nevertheless, next to the femme fatale and just as unavoidable, stands a fragile and benevolent form of feminity, molded in the cast of the fairytale princess and theGothic novel heroine, but inspired above all by the Virgin and Martyr of the edifying novel, be it antique or contemporary. As it might be discrete enough to become unreadable, this archetype's benevolence cannot be legitimated without a sacrifice. The religious meaning of the scapegoat remains just as obvious and as efficient in the novels' narrative structure, as well as in the detailsthrough which such characters are built. Marial, magdalenian and farylike characters must undergo the same destruction trial, through which their edifying meaning becomes a litteral building-up up meaning, by juxtaposing dissimilar and yet efficien aesthetic elements which turn the character into an allegory of artistic creation. By linking mid-19th century and the 1920es and by weaving a link between the most famous of Baudelaire's heirs and the ones whose name is just merging out of oblivion, the purpose of this study is to analyse how much these representations of benevolent femininity must be seen as a permanence, as a monument – or as a monumentum – where late-19th century will not only gaze a the death of a declining era, but concentrate all what will be used to theorize idealist artistic movements on the edge of the 20th century. Salomé Bienveillance Oblativité Sacrifice Dévotion Roman antiquisant Conte Décadence Vierge Parque Sirène Chimère Fée Apparition Spectre Ange Naturalisme Gothique Mouvement d'Oxford Idéalisme Symbolisme Préraphaélite Topos Monumentum Orphée Catholicisme Androgyne Salome Benevolence Oblativity Sacrifice Devotion Antique novel Tale Decadence Virgin Parque Mermaid Chimaera Fairy Ghost Angel Naturalism Gothic Idealism Symbolism Monumentum Oxford movement Preraphaelite Topos Orpheus Catholicism Androgyne
119	L'oeuvre de Nicolas Minsky dans le contexte du symbolisme français / Works of Nikolay Minsky in the context of French symbolism / Творчество Николая Минского в контексте французского символизма Kuntsevich, Daria 09 March 2018 (has links) La thèse présente une analyse comparative de l’œuvre du poète, philosophe, journaliste et dramaturge Nicolas Maksimovitch Minsky, l’un des fondateurs du symbolisme en Russie. L’œuvre de Minsky est considérée dans le contexte du symbolisme français. Le présent travail étudie la genèse du symbolisme russe qui s’est partiellement inspiré des notions et de l’esthétique du symbolisme français. Il contient un large corpus des traductions inédites des textes russes jamais étudiés dans le cadre des analyses littéraires. Ces textes apportent des éléments précieux permettant de mieux comprendre la situation socioculturelle et les particularités de la conscience « transitoire » de la fin du XIXème siècle. L’œuvre de Minsky est née sous l’influence de deux littératures, française et russe. L’approche comparative permet donc de définir sa place dans l’évolution de la culture mondiale et de réaffirmer l’importance des liens culturels entre la France et la Russie. / The dissertation is devoted to a complex comparative research of works of the poet, philosopher, publicist, playwright and one of founders of symbolism in Russia, Nikolay Maksimovich Minsky, in the context of the French symbolism. The dissertation examines the genesis of early Russian symbolism, which was partially shaped by the concepts and categories of French symbolism. The work presents a large body of texts in Russian, translated into French for the first time and previously not subject to literary analysis; these texts reveal the picture of the socio-cultural situation and the main features of the turn-of-the-century consciousness of the late XIX century. Minsky's work was formed at the junction of influence of French and Russian literature, so the comparative approach to the analysis of the poet's work allows us to determine its place in the development of world culture, as well as to emphasize once again the importance of the cultural ties between Russia and France. / Диссертация посвящена компаративистскому исследованию творчества поэта, философа, публициста, драматурга, одного из родоначальников символизма в России, Николая Максимовича Минского, в контексте французского символизма. В диссертации рассматривается генезис раннего русского символизма, сформировавшегося частично благодаря понятиям и категориям французского символизма. В работе представлен большой корпус русских текстов, впервые переведенных на французский язык и ранее не оказывавшихся предметом литературоведческого анализа, которые раскрывают картину социокультурной ситуации и основные особенности рубежного сознания конца XIX столетия. Творчество Минского формировалось на стыке влияния французской и русской литератур, поэтому компаративистский подход к анализу творчества поэта позволяет определить его место в процессе развития мировой культуры, а также в очередной раз подчеркнуть важность культурных связей между Россией и Францией. Poésie Symbolisme (mouvement littéraire) Décadence (mouvement littéraire) Décatentisme Nicolas Minsky (1856-1937) Nicolaï Vilenkine (1856-1937) Poetry Symbolism (literary movement) Decadence (literary movement) Decadentism Nicolas Minsky (1856-1937) Nicolaï Vilenkine (1856-1937)
120	La res publica et sa décadence : de Salluste à Tite-Live / The decadence of the res publica : from Sallust to Livy Vassiliades, Georgios 19 November 2016 (has links) Cette étude explore dans une perspective comparative la présentation historique et l’interprétation philosophique de la décadence de la res publica chez Salluste et Tite Live. Dans la première partie, il est montré que Salluste et Tite-Live sont les premiers auteurs à avoir choisi comme thème central de leur récit le progrès et la décadence d’une cité. À travers un examen précis des étapes de la décadence chez les deux auteurs, nous remarquons que Tite-Live apporte constamment des corrections à la théorie de Salluste. Le schéma d’aucun des deux historiens ne se conforme à une vision cyclique ou linéaire du temps. La représentation biologique de la cité montre aussi que les hommes sont les seuls responsables pour la maladie de la décadence. Or, la reprise du progrès, selon une conception cyclique et la guérison du corps de l’État sont évoquées comme perspectives seulement par Tite-Live. La deuxième partie est consacrée aux causes de la maladie de la décadence, et la troisième à la guérison de la res publica. Trois facteurs sont examinés en détail : les facteurs « divins », le metus hostilis et la nature humaine. Tite-Live renverse l’analyse de plus en plus pessimiste de Salluste, et réintroduit l’homme en tant que facteur principal de l’histoire et comme responsable de la décadence. Dans la troisième partie, leur vision différente de l’avenir de Rome est mise en lumière, à travers l’étude de la position politique et de la fonction exemplaire de l’œuvre des deux historiens. Il en ressort que Tite-Live adopte les catégories sallustéennes d’analyse, mais conçoit sa propre présentation et interprétation de la décadence en réponse à son devancier, dont il renverse les théories. / This study explores in a comparative perspective the historical presentation and the philosophical interpretation of the decadence of the res publica in Sallust and Livy. In the first part, it is shown that Sallust and Livy are the first authors who have chosen the progress and decline of a State as the central theme of their works. Through a precise examination of the stages of decadence in both writers, we observe that Livy constantly proposes corrections to Sallust’s theory. Neither author’s pattern conforms to a cyclical or a linear vision of time. The organicist representation of the body politic also shows that men are solely responsible for the disease of decadence in both authors. However, the resumption of progress according to a cyclical conception and the healing of the body of the State are considered as potential prospects only by Livy. The second part is devoted to the causes of the disease of decadence, and the third one to the healing of the res publica. Three factors are discussed in detail: the "divine" factors, the metus hostilis and the human nature. Livy reverses the increasingly pessimistic analysis of Sallust, and reintroduces man as the most important factor in history and as responsible for the decadence. In the third part, their different view of the future of Rome is brought into focus, through the study of the political position and the exemplary function of the two historians’ works. It is concluded that Livy adopts Sallustian categories of analysis, but he conceives his own presentation and interpretation of the decadence in response to his predecessor, whose theories he challenges. Salluste (86-35 av. J.-C.) Décadence Progrès Historiographie romaine Histoire romaine Philosophie politique Philosophie de l’histoire Sallust (86-35 B.C.) Livy (59 B.C. – 17 A.D.) Decadence Progress Roman historiography Roman history Political philosophy Philosophy of history

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