This paper aims to explore how religious and spiritual experiences are conveyed in Karin Boye's novel Kris (English translation: Crisis). I study these experiences in the novel by using the French philosopher and mystic Simone Weil's theories of affliction and decreation. The study seeks answers to the following questions: which experiences in the novel are presented as Malin's spiritual experiences? How does Boye portray these spiritual experiences? What can we learn about Malin's spiritual experiences through Weil's theories of affliction and decreation? Affliction is a word that Weil uses to describe a specific suffering. Decreation is a term connected to Weil's idea that the only freedom humans are allowed is to give their consent to God, and give up their created self to become an uncreated self. The result of my analysis is not that Weil's concepts fit perfectly with what happens to Malin in the novel. But her philosophy proves to be useful when it comes to analyzing how Malin must suffer to learn how to uncreate herself, to be able to grow and develop a new self. This happens when she starts questioning the hierarchies that exist in her own family, within the education system, how and what the church teaches and preaches. In the middle of this crisis, she realizes that she is in love with Siv, a woman who she studies with. This love comes with more suffering, but also with a new spirituality that is created through love and light. In her new spirituality she can see things more clearly and it contains more love and light, compared to her earlier spirituality. This love and light are also connected to Weil's ideas in my paper.

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[pt] Uma parcela significativa do evangelicalismo brasileiro, o neopentecostalismo, herdado da América do Norte, adere à Teologia da Prosperidade, cujos pressupostos vão de encontro ao núcleo da identidade cristã, a Teologia da Graça. Esta tese propõe analisar os fatores econômicos, políticos, sociais e religiosos que contribuíram para a mudança de paradigma, fazendo com que uma vertente do evangelicalismo pentecostal migrasse da religiosidade pautada na resignação para uma forma de manifestação religiosa norteada pela economia de mercado, o capital e o lucro, distanciando-o da sua origem de santidade e da Teologia da Graça, conforme ensinadas pelo pai do avivamento de santidade ou perfeição cristã, John Wesley e o aproximando do secularismo. Como instrumento de verificação para alcançar o resultado esperado, os elementos norteadores desta pesquisa estão alicerçados na Teologia Sistemática e na corroboração da História, da Sociologia e da Antropologia. / [en] A meaningful parcel of Brazilian evangelicalism, the Neopentecostalism, inherited from North America, adheres to the Theology of Prosperity, whose presuppositions stand against the core of the Christian identity, the Theology of Grace. This thesis proposes to analyze the economic, political, social and religious factors that contributed to a change of paradigm, making that stream of Pentecostal evangelicalism migrated from the religiosity regulated by resignation to a form of religious manifestation guided by market economy, the capital and profit, keeping it away from its origin of holiness and from the Theology of Grace, as they were taught by the father of Sanctity Revival or Christian Perfection, John Wesley, and approaching it to secularism. As instrument of verification to reach the expected results, the guiding elements of this research have as background the Systematic Theology and the corroboration of History, Sociology and Anthropology.

Depuis le début des années 1990 on suit l'évolution globale du niveau de la mer grâce aux satellites altimétriques. Ils observent une hausse du niveau moyen global de la mer (GMSL) de 3.4 ± 0.4 mm/an sur la période 1993-2016 (ce qui représente le double de ce qui a été observé au cours du 20ème siècle par les marégraphes, hausse à 1.7 mm/an entre 1900 et 1990). Le GMSL présente aussi des fluctuations interannuelles qui peuvent atteindre quelques millimètres, surtout pendant les épisodes ENSO. Cette hausse n'est pas régionalement uniforme : elle a été 3 fois plus rapide que la hausse moyenne globale dans certaines zones entre 1993 et 2016. Au cours du 21ème siècle, on s'attend à une hausse accrue du GMSL pouvant aller jusqu'à 1 m à l'horizon 2100, avec une forte variabilité régionale. Il est donc important de comprendre l'évolution actuelle du niveau des océans qui constitue une menace sérieuse pour de nombreuses régions côtières basses souvent très peuplées. Cette thèse s'inscrit dans le contexte du projet niveau de la mer CCI (Climate Change Initiative) de l'Agence Spatiale Européenne (ESA) ayant pour objectif de fournir de meilleurs produits du niveau de la mer combinant les missions Topex/Poseidon, Jason-1/2, ERS-1/2 et Envisat. L'objectif premier de cette thèse est de valider ces produits SL_CCI du niveau de la mer en utilisant différentes approches, en particulier par l'étude du bilan (comparaison du GMSL observé avec la somme des différentes contributions : composante stérique, fonte des glaces continentales et transferts d'eau depuis les terres émergées). Un autre objectif est d'estimer les composantes du niveau de la mer mal connues, et tout particulièrement le contenu thermique de l'océan profond non mesurable par le système Argo, et la contribution du stock d'eau sur les continents. Ces travaux ont montré que la contribution de l'océan profond en dessous de 2000m est faible sur la période 2005-2013 et contenue dans la barre d'incertitudes des données (erreurs qui proviennent essentiellement, (1) des produits niveau de la mer altimétriques et des lacunes de la couverture géographique des données Argo dans la région Indonésienne pour la tendance et (2) des produits GRACE et Argo pour la variabilité interannuelle). Nos résultats et la méthode utilisée montrent que le niveau de la mer et ses composantes sont encore entachés d'erreurs importantes. Dans la deuxième partie, nous avons analysé l'influence du phénomène ENSO (El Niño et La Niña) sur les variations interannuelles du GMSL. Nous montrons que lors des évènements La Niña comme celui de 2010-2011, le déficit de précipitations sur l'océan (et l'excès sur les continents) conduit à une baisse temporaire de la masse de l'océan global et donc du niveau de la mer. C'est essentiellement la variation de masse de l'océan qui explique la variabilité interannuelle du niveau de la mer lors des évènements ENSO, et le déficit (La Niña) ou excès (El Niño) de masse se trouve confiné dans l'océan Pacifique tropical Nord. Pour finir, nous analysons l'évolution de la température moyenne de l'air et de l'océan en surface sur la période du "hiatus" (2003-2013). Nous montrons que ce hiatus, c'est à dire le ralentissement récent de la hausse de la température moyenne globale de la Terre est un phénomène quasi global, même si le Pacifique tropical Est s'est fortement refroidi. Cette "supposée" pause récente s'explique par la variabilité naturelle interne du climat. La Terre est toujours en état de déséquilibre énergétique dû à l'accumulation de gaz à effet de serre. Nous mettons en évidence le rôle de la variabilité naturelle à court terme sur les changements à plus long terme associés au réchauffement climatique anthropique. / Since the early 1990s sea level is routinely measured using high-precision altimeter satellites. These observe a rise in global mean sea level (GMSL) of 3.4 ± 0.4 mm/yr over the 1993-2016 period (which is twice what has been observed during the 20th century by the tide gauges, with a rise of 1.7 +/- 0.3 mm/yr). The interannual variability in the GMSL can reach several millimeters, especially during ENSO events. The rate of sea level rise is not regionally uniform. During the altimetry era, it was three times faster than the global mean in some areas. During the 21st century, we expect a greater rise of the GMSL than today, up to 1 m in 2100, with strong regional variability. It is therefore important to understand the current evolution of the sea level, since it represents a serious threat to many low coastal areas, often densely populated of the planet. My thesis research deals with the Sea Level CCI (Climate Change Initiative) project of the European Space Agency (ESA) which objective is to provide improved sea level products combining several altimetry missions, including Topex/Poseidon, Jason-1/2, ERS-1/2 and Envisat. The primary objective of my thesis was to validate the CCI sea level products using different approaches, in particular the sea level budget approach. It consists of comparing the observed GMSL with the sum of different contributions : the steric component, melting of continental ice and transfers of water between the land surface and oceans. Another objective was to estimate the poorly known components to sea level rise, in particular the heat content of the deep ocean not measurable by Argo, and the contribution of water storage on the land. My work has shown that the contribution of the deep ocean below 2000m to the rising sea level is small over the 2005-2013 periods and not significant compared to the data uncertainties. The main uncertainties come from: (1) -in terms of trend- the altimetry sea level products and gaps in the geographical coverage of Argo data in the Indonesian region, and (2) -in terms of interannual variability- the GRACE and Argo products. My results and the method used show that the sea level and its components are still affected by important errors. In the second part, I analyzed the influence of ENSO (El Niño and La Niña) on the interannual variations of the GMSL. I showed that during La Niña events, like that of 2010-2011, the rainfall deficit over the ocean (and excess over the continents) leads to a temporary decrease in the global ocean mass and therefore in the GMSL. This is essentially the ocean mass variation that explains the interannual variability of the GMSL during ENSO events. Furthermore, the deficit (La Niña) or excess (El Niño) ocean mass is confined in the north tropical Pacific Ocean. Finally, I analyzed the evolution of the average temperature of air and ocean surface over the period of the "hiatus" (2003-2013). I showed that this hiatus, i.e. the recent slowdown in the rise of the global mean Earth's temperature is an almost global phenomenon, though cooling of the tropical eastern Pacific has slightly contributed. This recent pause is attributable to natural internal climate variability. The Earth is indeed still in a state of energetic imbalance due to the accumulation of greenhouse gases. I highlighted the role of the natural variability that is superimposed to the anthropogenic global warming.

The marginalisation of palliative and pastoral care practices by conventional approaches to care for terminally ill patients, motivated the research curiosity. The significance of terminal patient's spirituality, their language practices and communities of concern are endorsed as being the major contributing factor to meaningful 'living' with terminal illness. Listening to stories has been the qualitative research practice, revealing meaning-making, quest stories. Feminist theology and post-modern ideas and discourses have assisted me, and the participants, in the deconstruction of power, patriarchy and dualism as the primary contributing factors to marginalisation of people due to illness, race, gender, poverty, culture and education. Pastoral care practices and feminist theology have guided us to emphasise the necessity to recognise the God of Grace as an important part to ensuring holistic patient care. Recognising the 'God-Self, respectful narrative and pastoral care practices paved the way to honour sacred spaces and voice stories of terminal illness. / Practical Theology / M.Th (Specialisation Pastoral Therapy)

Une question demeure récurrente : les divisions qui subsistent depuis le XVIè siècle entre Catholiques, Luthériens et Réformés sont-elles autant d’ordre anthropologique que théologique ? Cette problématique paraissant pouvoir être soutenue, il convenait alors de déterminer les différends anthropologiques, de les analyser et de se demander s’ils sont une entrave à la Κοινωνία. L’étude de la situation au XVIè siècle a permis de conclure que les concepts anthropologiques portés par une philosophie existentielle ont joué un rôle important dans la rupture au sein de l’Église d’Occident. Le retour sur la pensée de Pannenberg, Moltmann, Rahner, théologiens de trois confessions différentes, autorise à dire qu’au XXè siècle la vision de l’homme a toujours une incidence sur les concepts théologiques, mais les différences sont de moins en moins séparatrices et deviennent souvent des dons à partager. L’analyse de dialogues œcuméniques a mis en évidence que les différends anthropothéologiques ont été partiellement réconciliés et font l’objet d’accords, voire d’une déclaration commune sur la Doctrine de la Justification. Aujourd’hui, un défi reste à relever celui d’une déclaration sur le Ministère en vue du partage à la même table eucharistique. Une démarche de consensus différencié serait une aide à la recherche d’une pleine communion. / An issue has been ever recurring : are the discords which have been going on since sixteenth century between Catholics, Lutherans, Calvinists as much anthropological as theological ? As this question can be supported it seems suitable to determine these anthropological disagreements, analyse them and wonder whether or not they are obstacle to the Κοινωνία. A study concerning the situation during the XVIth century has allowed to conclude that the anthropological concepts conveyed by an existential philosophy have played a mojor role in the severing within the Western Church. The return on the thoughts developed by Pannenberg, Moltmann and Rahner, theologians of three different confessions, allows us to tell that in the XXth. century man’s vision has always an incidence on the theological concepts but are less and less separative and are often gifts to be shared. The analysis of ecumenical dialogues have clearly shown that theanthropological disagreements have been partly reconciled and are now subject to consensus, even a joint declaration on the doctrine of justification. Today we have to take up a challenge about a declaration on the ministry in order to share the body of Christ at the same table. A differing consensus method could be a help to find a complete communion.

Cette thèse porte sur les gestes et attitudes qui ont caractérisé la figure aristocratique dans l’art européen entre 1661 et 1789. Cet intervalle correspond à la durée de vie d’un paradigme corporel noble appelé « le bon air et la bonne grâce », de son élaboration à la cour de Louis XIV et de sa diffusion hégémonique en Europe, jusqu’à son rejet définitif à la Révolution française. La société d’Ancien Régime a déployé tout un arsenal de moyens (exercices, instruments orthopédiques,…) pour intérioriser une grâce qui devait paraître innée et prouver la noblesse. Le maître à danser détenait le monopole de l’inculcation de cette grâce et de son élaboration suivant des critères hautement esthétiques. Les gestes et positions inventoriés ici, sont décrits et associés à leurs connotations d’origine, montrant qu’une connaissance approfondie et minutieuse de la gestuelle peut affiner notre compréhension d’un large pan de l’art des XVIIe et XVIIIe siècles. L’auteur démontre que cette hexis corporelle contemporaine transcende tous les domaines concernés par le corps noble (éducation, théâtre, danse, opéra, arts martiaux, etc.) et en vient à infiltrer la majorité des genres picturaux, bousculant les traditions artistiques déjà en place et s’affichant comme une alternative moderne à la grâce des Anciens. Le portrait, la gravure de mode, les figurines de porcelaine, les vues de villes et de jardins sont les plus touchés par ce phénomène. La bonne grâce s’affirme ainsi dans une culture visuelle qui, par ricochet, en vient à renforcer les pratiques sociales dont elle était le reflet. Cet aller-retour des attitudes aristocratiques entre l’art et la vie occasionne la standardisation de la figure et du corps aristocratiques. Dans la pastorale, la peinture d’histoire et la scène de genre, l’idéal aristocratique se manifeste, tantôt en négatif dans la figure du paysan, du Pierrot et de l’Arlequin, tantôt de manière idéalisée dans celles du berger et du héros galants. La substitution de gestes emphatiques et d’expressions faciales explicites par une gestuelle fondée sur la retenue et la dissimulation des passions, fondera une nouvelle historia moins lisible que la traditionnelle, mais plus subtile et insinuée, répondant ainsi mieux au goût et à la sensibilité aristocratique. / This thesis concerns the characteristic gestures and attitudes of the aristocratic figure in European art between 1661 and 1789. This period corresponds to the lifetime of a noble bodily ideal named “le bon air” and “la bonne grâce”, from its formulation at Louis XIV’s court and hegemonic propagation until its decline with the French Revolution. A panoply of means (exercises, orthopaedic instruments…) have been invented by the Ancien Régime society to embody a grace that should appear inborn and testify to noble birth. The dancing-master enjoyed the monopoly of inculcating this grace and elaborating it in accordance with highly aesthetic criteria. Most of the bon air and bonne grâce gestures and postures are here catalogued, described and associated with their original connotative values, showing that a deep and meticulous knowledge of body techniques can sharpen our understanding of a great proportion of Early Modern artworks. The author agues that this bodily habitus transcended every field concerned with the noble body (education, theatre, dance, opera, martial arts…) and came to infiltrate most pictorial genres, challenging age-old artistic traditions and imposing itself as a modern alternative to the grace of the Ancients. Portraiture, fashion plates, porcelain figurines, city and garden landscapes were the most affected by this phenomenon. Bonne grâce thus affirmed itself in a visual culture, which in return reinforced the very social practices that mirrored. The circular migration of aristocratic gestures between life and art caused a standardisation of both aristocratic body and figure. Within pastoral, history painting and genre scenes, the aristocratic ideal reveals itself antithetically in the figure of the peasant, the Pierrot and the Harlequin, and idealistically in those of the gallant shepherd and gallant hero. The substitution of emphatic gestures and strong facial expressions for ones based on restraint and dissimulation gave birth to a new historia that was less legible, but more subtle and suggestive, in accordance with aristocratic taste and sensibility.

Le riche et complexe « siècle de saint Louis » est celui du déploiement d’une justice royale hiérarchisée et professionnelle employant des centaines de maîtres formés dans les universités. La Cour du roi se réunit à Paris à intervalles réguliers lors de sessions en parlement. La monarchie adopte plusieurs réformes qui permettent aux justiciables d’avoir accès à la justice. Les recours sont alors portés, pour une large part, contre le roi lui-même et les exactions de ses agents. Tant de recours différents peuvent être formés qu’une forme de responsabilité de l’administration royale paraît se mettre en place.Un important contentieux est par ailleurs soulevé par les hommes contre leurs seigneurs laïcs ou ecclésiastiques. La justice royale apparaît alors comme un régulateur des relations féodales. L’appel judiciaire au Parlement, qui se systématise contre les jugements des justices concurrentes, ouvre la voie à la concrétisation de la supériorité de la justice royale, que l’on commence à appeler en français : « souveraineté ».Par acculturation, l’offre et la demande de justice se rencontrent et tendent à consacrer les institutions royales en justice de « droit commun ». Les résistances sont nombreuses de la part des justices concurrentes, mais la Cour du roi reçoit aussi leurs plaintes et, tout en étendant son influence, statue dessus en toute impartialité, ce qui contribue également à légitimer la mise en place d’un État de droit. / The rich and complex « Saint Louis’ Century » is a time of development of a hierarchical and professional royal justice. Hundreds of Masters are trained at the Universities. The king’s Court regularly assembles in Paris during sessions « in parlemento ». The monarchy adopts several reforms allowing an easier access to justice. The recourses are also carried against the king himself and the exactions of his agents. There are so many different types of recourses that the concept of responsibility of the royal administration seems to appear.On the other hand, an important part of the litigations is raised by men against their laïcs or ecclesiastics lords. Royal justice settles as a regulator of the feudal relationships. The judiciary appeal to the Parlement is becoming usual against the other justices. Indeed, it contributes to give concrete expression to the superiority of the king’s justice, which is now called, in French « souveraineté ».By acculturation, the demand and the supply meet and tend to dedicate royal institutions to an « ordinary court ». There are a lot of resistances from other judges, but the curia regis receives and judge impartially these complaints too, which contribute to set of a State under the rule of law.

<p>This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. The main purpose, as depicted by the title, is to examine the roots of Swedish ideology concerning what today is generally named design, as embodied in the concept of more beautiful or better things for everyday life (in Swedish: ”vackrare vardagsvara”).</p><p>Chapter II contains a background and includes philosophical ideas and aesthetic movements in Europe which have influenced the Swedish Society of Arts and Crafts (in Swedish ”Svenska Slöjdföreningen”, abbreviated SSF) which was later renamed the Swedish Society of Crafts and Design (in Swedish: ”Föreningen Svensk Form”). It considers these activities: the Arts and Crafts movement in England, the Swedish national romantic movement, Deutscher Werkbund in Germany, and Swedish moulders of public opinion and new ideas, like Ellen Key, Carl Larsson and Gregor Paulsson.</p><p>Chapter III is an ideological biography of Gregor Paulsson. The chapter deals with biographical data and ideological development, and the social aesthetical texts which were important in his activity in the National Museum and as director of The Swedish Society of Arts and Crafts. Gregor Paulsson is considered mainly in his role as social aesthetical propagandist and museologist.</p><p>Chapter IV concerns the early history and activities of the Swedish Society of Arts and Crafts seen as an introduction to the Baltic Exhibition 1914, and the subsequent schism which eventually led to its reorganization and a new ideological orientation. Its activities were directed towards increased cooperation between artists and industry, and a special department was established as an employment office for companies and designers under the management of the textile artist Elsa Gullberg. This chapter also includes a brief portrait of key persons in the Society.</p><p>Chapter V is a study in several sections of the articles for everyday use seen in industrial practice, with Gustavsberg’s china factory and Orrefors’ glassworks as two separate historical studies. The 1917 Home Exhibition is surveyed as an example of the educational ambitions in the development of people’s taste. The focus of the chapter, however, is the international industrial art exhibition in Paris 1925, Exposition International des Arts Décoratifs et Industriels Modernes, and the debate about it in the Swedish and French press.</p><p>Chapter VI consists of a concluding discussion with a final epilogue. It contains suggested questions for future research including relations between design and ethics.</p>

This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. The main purpose, as depicted by the title, is to examine the roots of Swedish ideology concerning what today is generally named design, as embodied in the concept of more beautiful or better things for everyday life (in Swedish: ”vackrare vardagsvara”). Chapter II contains a background and includes philosophical ideas and aesthetic movements in Europe which have influenced the Swedish Society of Arts and Crafts (in Swedish ”Svenska Slöjdföreningen”, abbreviated SSF) which was later renamed the Swedish Society of Crafts and Design (in Swedish: ”Föreningen Svensk Form”). It considers these activities: the Arts and Crafts movement in England, the Swedish national romantic movement, Deutscher Werkbund in Germany, and Swedish moulders of public opinion and new ideas, like Ellen Key, Carl Larsson and Gregor Paulsson. Chapter III is an ideological biography of Gregor Paulsson. The chapter deals with biographical data and ideological development, and the social aesthetical texts which were important in his activity in the National Museum and as director of The Swedish Society of Arts and Crafts. Gregor Paulsson is considered mainly in his role as social aesthetical propagandist and museologist. Chapter IV concerns the early history and activities of the Swedish Society of Arts and Crafts seen as an introduction to the Baltic Exhibition 1914, and the subsequent schism which eventually led to its reorganization and a new ideological orientation. Its activities were directed towards increased cooperation between artists and industry, and a special department was established as an employment office for companies and designers under the management of the textile artist Elsa Gullberg. This chapter also includes a brief portrait of key persons in the Society. Chapter V is a study in several sections of the articles for everyday use seen in industrial practice, with Gustavsberg’s china factory and Orrefors’ glassworks as two separate historical studies. The 1917 Home Exhibition is surveyed as an example of the educational ambitions in the development of people’s taste. The focus of the chapter, however, is the international industrial art exhibition in Paris 1925, Exposition International des Arts Décoratifs et Industriels Modernes, and the debate about it in the Swedish and French press. Chapter VI consists of a concluding discussion with a final epilogue. It contains suggested questions for future research including relations between design and ethics.