Orientador: Maria Celeste Consolin Dezotti / Banca: Adriane da Silva Duarte / Banca: Brunno Vinícius Gonçalves Vieira / Resumo: Pretende-se levantar pontos da obra Argonáutica (Ἀργοναυτικά), de Apolônio de Rodes que possam demonstrar a caracterização das personagens Jasão e Héracles, em oposição. A análise parte da observação de C. Beye (Epic and Romance in Argonautica of Apollonius, 1982), que vê Jasão como um novo perfil de herói, próximo a um anti-herói, mais afeito ao gosto do Período Helenístico e Héracles como paradigma do herói da épica homérica visto pelos olhos da crítica e poética do Período Helenístico - principalmente do ponto de vista estético do poeta Calímaco, tido como mentor de Apolônio. Serão analisadas, então, as características desses heróis que serviriam a essa análise, como representações figurativas de cada um e metáforas da evolução natural das estruturas narrativas. Apolônio faria, portanto, além de literatura, uma crítica, análise e releitura do próprio épico nos moldes das narrativas helenísticas a ele contemporâneas. / Abstract: The intent is to raise points of the work Argonautica (Ἀργοναυτικά), of Apollonius Rhodius that can show the characterization of the characters Jason and Heracles, in opposition. The analysis comes from the notice of C. Beye (Epic and Romance in Argonautica of Apollonius, 1982), that sees Jason as a new outline of hero, near to an anti-hero, more wont to the taste of the Hellenistic Period and Heracles as a paradigm of the hero of the Homeric epics seen through the eyes of the critics and poetics of the Hellenistic Period - mainly through the aesthetic point of view of the poet Callimachus, taken as the mentor of Apollonius. It will be analyzed, then, the characteristics of these heroes that had served to this analysis, as figurative representations of each one and as metaphors of the natural evolution of the narrative structures. Apollonius would do, therefore, besides literature, criticism and analysis and re-reading of the epic itself in the form of the Hellenistic narratives contemporary to him. / Mestre

Diodoro de Sicília historiador que viveu no século I antes da época comum escreveu uma obra intitulada Biblioteca Histórica constituída de quarenta volumes dos quais restaram integrais apenas dos livros I ao V (fragmentos dos livros VI ao X), e dos livros XI ao XX (fragmentos dos livros XXI ao XL). O autor escreveu em sua monumental obra a história universal desde os primórdios (incluindo história egípcia, história dos povos bárbaros, história grega e romana) até à sua própria época (última data citada por Diodoro diz respeito à colonização de Tauromênion, empreendida no reinado de Otávio [XVI, VII, 1]). Entretanto, Diodoro nunca foi considerado, nem em sua própria época, nem em épocas posteriores, um historiador original: sua obra foi considerada uma cópia incessante de outros autores. O centro da controvérsia nos tempos modernos (a partir do século XIX) foi a Quellerforschung (pesquisa das fontes) que intentou buscar no texto diodoriano autores perdidos (que ele cita explicitamente em sua Biblioteca) da época helenística como se o mesmo apenas os tivesse copiado. Essa pesquisa teve por objetivo resgatar a originalidade da Biblioteca Histórica buscando conferir a seu autor a autoria de seus escritos. Longe de ser um mero copista, Diodoro é um historiador-educador que busca instruir seus leitores dando um caráter de utilidade no aprendizado de uma vida correta e justa. Pode-se dividir a Biblioteca em duas partes: a primeira (livros I ao V), de cunho etnográfico-geográfico, narra como os homens foram capazes de caminhar rumo à vida civilizada (ou não, no caso dos bárbaros). A recorrência dos termos parádoxa e thaumázein significando espanto, admiração e maravilhamento mostram como a humanidade foi capaz de superar as dificuldades de uma existência difícil e hostil tornando-se capaz de viver em sociedade. A segunda parte (livros XI ao XX) da Biblioteca, Diodoro dedica-se a narrar a história do mundo (especialmente a da Grécia) mostrando o exemplo dos grandes homens, sobretudo nos campos de batalha. Parádoxa deixa de significar maravilha ou espanto e, aliada à Fortuna (tých), ganha o sentido de contrário a toda expectativa. Assim, Diodoro mostra que a Divina Providência (theia pronoía) interfere nos assuntos humanos e cabe ao historiador mostrar como os grandes homens se comportaram diante dos sucessos / Diodorus Siculus a historian that lived in the first century before the Common Era wrote a work entitled Library of History constituted of forty volumes from which remained intact only the books I through V (fragments of the books VI through X), and from the books XI through XX (fragments of the books XXI through XL). The author wrote in this monumental work of universal history since the primordial times (including egyptian history, barbaric peoples history, greek and roman history) through his own (last date mentioned by Diodorus concerns the Tauromenion colonization that took place during the reign of Octavian [XVI, VII, 1]). However, Diodorus has never been considered, not even on his own time, nor in the eras after that, an original historian: His writings were considered an inexorable copy of others authors. The focus of this controversy in modern times (starting in the XIX century) was the Quelleforschung (sources research) that intended to search on the diodorian texts for lost authors (that he explicitly quotes in his Library) from the Hellenistic era as if they were solely copied. This research had for objective to reclaim the originality of the Library of History seeking to confer to its author the authorship of his writings. Far from being a mere copyist, Diodorus is a historian-educator that seeks to instruct his readers giving a utility character in the learning of a correct and just life. The Library can be divided in two parts: the first one (books I to V), of ethnographicgeographical connotation, narrates how humankind was able to walk towards civilization (or not, in the case of the barbarians). The recurrent terms parádoxa and thaumázein meaning amazement, admiration and marvelous-ment, show how humanity was capable of overcoming the difficulties of a hostile existence and becoming apt to live in society. The second part (books XI to XX) of the Library, Diodorus dedicates into narrating the history of the world (specially Greece), by setting the example of great men, especially in the battle field. Parádoxa does not signify marvelous or amazed and, allied to Fortune (tých), it gains the meaning of contrary to all expectations. Hence, Diodorus shows that the Divine Providence (theia pronoía) interfere in human business and its up to the historian demonstrate how the great men behaved facing the success and failures of existence. The moralizing character from the Library attributes to history an extremely important role, for it is up to it demonstrate who deserves to figurate in glory or abasement through the perennially that only history can confer. Diodorus behaves as a judge that points out those who, in their acts, have succeeded and made mistakes, not only narrating the facts, but incentivizing his reader to a virtuous behavior and to a moral aret.

Cette étude de l’organisation spatiale des cités phéniciennes et des rapports qu’elles entretiennent avec leurs arrière-pays, entre le règne de Darius III (336-330 av. J.-C.) et l’arrivée de Pompée en Orient (66 av. J.-C.), s’appuie sur un corpus archéologiques de cinquante-trois sites identifiés au Liban, en Syrie et en Israël. Le développement des études phéniciennes à partir du XIXe siècle a favorisé l’étude de problématiques centrées sur le lien entre les Phéniciens et la Méditerranée. L’essor, ces dernières années, d’études abordant les dynamiques spatiales comme témoins du rapport des sociétés anciennes à leur territoire invite à repenser ce lien, en étudiant l’organisation des cités et leurs rapports avec leurs-arrière-pays. Représentés par des réseaux d’interaction et de hiérarchie modélisés entre les cinquante-trois sites du corpus, ces rapports sont examinés au miroir du contexte historique hellénistique. Ce dernier, étudié à échelle régionale et locale, livre les grandes logiques géopolitiques impliquant la Phénicie à cette époque, ainsi que des données qui alimentent la représentation des réseaux. Le croisement des données historiques et des résultats de modélisation des réseaux débouche sur une lecture dynamique des arrière-pays phéniciens, principalement centrée sur le fonctionnement politique et les activités commerciales et religieuses des cités / This study of the spatial organization of the Phoenician cities and the link they maintained with their hinterlands between the reign of Darius III (336-330 BC) and the arrival of Pompey in the East (66 BC) is based on an archeological corpus of fifty-three archeological sites identified in Lebanon, Syria and Israel. The development of Phoenician studies from the 19th century onward favoured approaches focusing on the link between the Phoenicians and the Mediterranean Sea. Today, an increasing number of studies are reconsidering the link between the ancient societies and their territories in the light of spatial analysis. Such an approach is used here to study the Phoenician cities and their hinterlands. The links between the fifty-three sites of the corpus are modeled by spatial interaction networks and hierarchical networks and compared with the Hellenistic historical context. This context is studied on a regional and local scale and explains the general geopolitics of Phoenicia at this time. It is also a source of data used in the network models. The cross referencing of historical data and network models offers a dynamic view of the Phoenician hinterlands mostly centered on the political functioning and the commercial and religious activities of the cities

The present master thesis focusses on the iconography of the decorative programme of Macedonian tombs dated from the second half of the 4th century BCE to the first half of the 2nd century BCE. The main objective is to detect the artistic principles of the Macedonian art applied to funerary monuments of local elites. To attain this aim it is necessary to adopt a complex approach which would allow for analysing in detail the various tomb decoration types; such an approach has never been applied so far. The main research tool used throughout this thesis is a profound analysis of individual elements of the tombs' decoration. The study is specifically concerned with the frequency of the individual motifs, their chronological development, and their possible meanings. Other questions include the iconographical differences between male and female tombs, variations between royal and aristocratic sepulchres, comparison of profane and funerary art, and last but not least, the possible transference of motives both from or to other cultural areas. Keywords: iconography, Ancient Greece, Macedonia, Hellenistic period, tumulus, tombs, wall-paintings

Sur le site de Ras el Bassit, durant les campagnes de fouilles menées de 1971 à 1984, 133 timbres amphoriques furent trouvés principalement dans le Tell du Meidan. Ces timbres sont des artefacts précieux. En effet, ce mémoire démontre comment les timbres amphoriques contribuent à l’élaboration de l’histoire d’un site, vue ici par l’analyse de ces 133 timbres amphoriques. Tout d’abord, les termes de base sont présentés pour expliquer ce que sont une amphore et un timbre. Par la suite, l’historiographie des recherches faites sur les timbres montre que, depuis le recueillement des informations sur les sites de production, certaines séries de timbres furent datés à l’année près, contribuant ainsi à améliorer les datations des autres sites. C’est de cette manière que les anses timbrées contribuent le plus souvent à améliorer un site. Il existe aussi d’autres apports. Par exemple, en localisant la production d’une série de timbres, les échanges commerciaux peuvent être aperçus. À travers l’analyse de ces 133 timbres, le site de Ras el Bassit pourra être mieux daté pendant l’époque hellénistique. En effet, les couches stratigraphiques en contexte pourront alors avoir un élément datable d’une grande précision, si tel est le cas. De plus, en connaissant la provenance de ces timbres amphoriques, elle démontrera que les échanges (avec des amphores timbrées) commencèrent dès le IVe siècle, ce qui correspond à une reprise des importations grecques. Ces importations dureront pendant toute l’époque hellénistique. / In the site of Ras el Bassit, during 1971 to 1984’s excavations plan, 133 amphora stamps have been found principally in the Tell du Meidan. These stamps are precious artefacts. Effectively, this dissertation shows how the amphora stamps help the archeologists to know the history of an archeological site, in this case the site of Ras el Bassit. First of all, the basic terms will be presented to explain what are an amphora and a stamp. Then, the historiography research on the amphora stamps shows that since the discovery of amphorae workshops, some stamp’s categories were dated to the year, contributing to the dating of others sites. The dating is the principal contribution of a stamp, but there are others. For example, by locating the production of stamp categories, the trade is visible. With the analysis of these 133 amphora stamps, the dating of Ras el Bassit can be reevaluated and more accurate. Moreover, knowing the origin of these stamps, it will demonstrate that the exchanges (with the amphorae with stamps) began as early as the fourth century B.C., which corresponds to a resumption of Greek imports. These imports will last throughout the Hellenistic period.

L’époque hellénistique est le moment où les villes d’Ionie et de Carie changent peu à peu d’aspect. Dans chaque ville ou presque, quantité de monuments publics nouveaux façonnent progressivement un paysage urbain inédit qui se présente comme un miroir de la cité qui l’a créé. C’est cette transformation sans précédent des centres urbains durant l’époque hellénistique que cette thèse se propose d’étudier, en portant attention aux villes d’Ionie et de Carie dans toute leur diversité. Elle cherche à dégager le sens des changements dans deux régions à l’hellénisation ancienne et fortement urbanisées, caractérisées par des interactions entre cités et rois hellénistiques. Cette étude propose des pistes pour mieux comprendre les sociétés civiques au travers d’un lieu de vie : la ville. L’approche privilégie ce que la ville a de plus remarquable, ses édifices publics. Dans une première partie consacrée aux fortifications urbaines, aux lieux qui abritent les activités politiques, et aux espaces de la vie culturelle au sens large, les monuments publics sont évoqués en tant qu’espaces de la vie civique, et l’on s’interroge sur les raisons de la construction de tant de bâtiments nouveaux. Dans un second temps, une étude plus transversale de l’espace urbain décrit comment se met en place à cette époque un cadre de vie véritablement urbain, avec un paysage, des aménagements et une organisation de l’espace bien spécifique. La troisième partie consacrée aux thématiques économiques montre comment la prospérité des cités se traduit dans la pierre : la construction de bâtiments pour abriter les activités économiques témoigne autant du souci des cités de développer et d’encadrer ces activités que de la richesse de la vie économique des poleis. Ce dynamisme contribue aussi à expliquer une activité de construction soutenue, rendue possible par l’existence de ressources abondantes et variées à la disposition des cités. La réflexion porte pour finir sur la dimension politique et sociale des transformations de l’espace urbain. Cette dernière partie se place dans une perspective historique plus large, celle de l’évolution de la cité hellénistique. / The Hellenistic period is the time when the aspect of the cities of Ionia and Caria is changing gradually. In almost each city, an amount of new public buildings progressively shaping a new urban landscape that looks like a mirror of the city that created it. It is this unprecedented transformation of urban centers during the Hellenistic period that this thesis studies, with attention to the cities of Ionia and Caria in all their diversity. We aim at making sense of the changes in these two regions, which experienced hellenisation and urbanisation early ; they are also characterized by interactions between cities and Hellenistic kings. This study suggests ways of understanding civic societies through the city. We are looking at t the most remarkable features of the city : its public buildings . In the first part devoted to urban fortifications, buildings housing political activities , and areas of cultural life , public monuments are mentioned as spaces of civic life , and we search for the reason why many new buildings were built. Then, the study describes how urban space becomes a place of truly urban life, with a landscape, facilities and a specific spatial organization. In a third section, we show how the cities’ economic prosperity is reflected in stone buildings – some of them housing economic activities – reflects the will of cities to develop and oversee economic activities and the wealth of the poleis. This also helps explain a sustained construction activity made possible by the existence of abundant and varied resources available to cities. Finally, the reflection deals with political and social aspects of the evolution of urban space. This last part is placed in a broader historical perspective, that of the evolution of the Hellenistic city.

L’anarchia désigne au sens propre la vacance du pouvoir dans la sphère militaire (la mort du chef sur le champ de bataille) et dans la sphère politique (la vacance de la magistrature, en particulier éponyme). La notion est vite devenue plus générale et exprime au figuré le manque ou le refus du commandement. Elle se rapproche des sens d’insubordination, insoumission, indiscipline, licence et désordre. L’expérience effective de la vacance du pouvoir dans les cités grecques, sa représentation et sa conceptualisation constituent les axes principaux de cette recherche. L’anarchia est envisagée à l’échelle de l’âme, de la famille, de la cité, voire de l’univers. Elle engage une réflexion sur l’articulation entre deux principes a priori antagonistes, l’aspiration à la liberté et la nécessité de l’ordre, et par conséquent sur les fondements de l’exercice légitime du pouvoir. L’étude repose sur l’analyse précise des emplois du terme anarchia dans les sources épigraphiques, historiques, littéraires et philosophiques. La première partie envisage les vacances effectives des magistratures dans le cadre du cours normal ou d’une rupture du fonctionnement des institutions ainsi que les palliatifs mis en place. Les occurrences du terme anarchia concernent les cités d’Athènes, Thasos, Téos, Syros et Bérénikè. S’ajoutent les emplois problématiques des termes akosmia à propos du régime crétois par Aristote et atagia dans les inscriptions thessaliennes. La deuxième partie envisage l’évolution sémantique du terme de l’absence de chef à l’anarchie chez les historiens et les poètes tragiques et la place de l’anarchia dans les théories du commandement élaborées par Xénophon, Platon et Aristote. / The term anarchia refers literally to the absence of power, in the military sphere (that caused by the loss of a commander), and the political sphere (the absence of archontes, specifically the eponymous archon). The concept quickly generalised, coming to designate in the figurative sense the lack and want of power or the rejection and negation of power. It approaches the meanings of insubordination, rebelliousness, unruliness, licentiousness and disorder. The actual experience of power vacuum in the cities of Ancient Greece and how the Greeks represented it and conceptualised it are the three main lines of this research. Anarchia is conceived not only in the city but also in the soul of the individual, in the family, or even in the universe. It demands reflection on the articulation between two seemingly antagonistic principles, the desire for freedom and the necessity of order, and consequently upon the foundations of legitimate authority. This work relies on a precise analysis of the term anarchia in the epigraphic, historical, literary and philosophical sources. The first part deals with actual periods of power vacuum in the ordinary course of political life or in the context of institutional disruption and the implemented remedies. The term anarchia is employed in the cities of Athens, Thasos, Teos, Syros and Berenike. One must add the problematical use of the terms acosmia by Aristotle regarding the Cretan regime and atagia in the Thessalian inscriptions. The second part deals with the semantic evolution of the term from the absence of ruler to anarchy in the work of historians and tragic poets and the role of anarchia in the theory of leadership developed by Xenophon, Plato and Aristotle.

Cette thèse de doctorat traite du monnayage et de l’histoire des Éléens entre les années 360 a.C. (guerre avec les Arcadiens) et le règne de Septime Sévère (193-211 p.C.). Le monnayage des Eléens est présenté sous la forme d’un catalogue des émissions monétaires. Il est suivi d’une discussion sur l’apport des trésors et des monnaies de fouilles, puis d’une analyse des caractéristiques de l’atelier monétaire éléen. Cette histoire monétaire sert de fil conducteur à la seconde partie, qui traite successivement de la constitution tardive de l’identité et de la cité des Eléens, des événements historiques, et qui s’achève par un portrait de la vie économique de cette région excentrée du Péloponnèse. / The ancient Peloponnesian city of Elis issued a coinage between the half of the fourth century BC and the Roman Era. The first part of this PhD is a corpus of the 2508 coins I know. Then, we can have a look at the hoards and the excavations’ coins, and we can discuss about the monetary production and the characteristics of the Elean monetary workshop. The second part presents the formation of the city and the identity of the Eleans during the Hellenistic period,the history of the Eleans and, to finish, some remarks about the economic activities.

Les fouilles archéologiques effectuées entre 1986 et 1987 sur le terrain Théologitis, au centre du village moderne de Limenas et au coeur de la ville antique de Thasos, ont permis de mettre au jour les vestiges partiels d’une habitation de l’époque romaine. De cette maison, trois pièces ont été fouillées, parmi lesquelles une grande salle rectangulaire contenant une mosaïque de sol conservée dans un état exceptionnel. Notre étude se consacre à l’analyse de ces trois pièces, pour en préciser la fonction et la chronologie, et pour placer cet ensemble architectural dans le paysage urbain de Thasos à l’époque romaine. La première partie de cette recherche est consacrée à l’histoire de Thasos et à la place occupée par les relations économiques et politiques de cette cité dans le nord de la Grèce, mais aussi ailleurs en Méditerranée. La seconde partie traite de l’évolution architecturale de la maison grecque et romaine en Grèce, dont les modifications et l’utilisation de l’espace ont souvent été influencées par des pratiques étrangères. Enfin, la troisième partie porte sur l’analyse de la maison du terrain Théologitis et la fonction des pièces fouillées, en comparant notamment les vestiges découverts avec ceux des autres maisons romaines mises au jour dans l’île. / Archaeological excavations carried out on the Theologitis field between 1986 and 1987, located in the centre of the modern village of Limenas and in the heart of the ancient city of Thasos, have brought to light the partial remains of a dwelling from the Roman period. From this house, three rooms were excavated, including a large rectangular room containing a floor mosaic preserved in exceptional condition. Our study is devoted to the analysis of these three rooms, in order to clarify their function and chronology, and to place this structure in the urban landscape of Thasos during the Roman period. The first part of this research is devoted to the history of Thasos and the place occupied by the city in the economic and political relations in northern Greece, but also elsewhere in the Mediterranean. The second part deals with the architectural development of Greek and Roman houses, in Greece, which were often influenced by foreign practices. Finally, the third part deals with the analysis of the house uncovered in the Theologitis plot and the function of the excavated rooms, by comparing the remains discovered with those of other Roman houses unearthed on the island.

Il est reconnu que la poésie hellénistique a donné à l’expression du sentiment amoureux une importance inédite, mais la rupture que constitue ce fait littéraire par rapport aux œuvres du passé n’a cependant pas toujours été suffisamment mise en avant. Cette étude propose donc d’examiner les spécificités de cette représentation de l’amour et de montrer qu’elle ressortit principalement au registre pathétique. Ainsi, dans une perspective diachronique, elle s’attache tout d’abord à rappeler les particularités de la représentation de l’amour dans la poésie des époques archaïque et classique, et à montrer notamment le rôle secondaire qu’y tient cette thématique. Puis, après avoir analysé les caractéristiques, complexes mais toujours éminemment négatives, que les poètes hellénistiques attribuent à l’amour, essentiellement réduit pour eux à l’ἔρως, elle examine les modalités précises de son expression pathétique, une innovation importante grâce à laquelle la thématique amoureuse a pu accéder en littérature au rang d’un véritable sentiment. Cette étude permet enfin de montrer que la représentation pathétique du sentiment amoureux est l’une des clefs pour comprendre plusieurs caractéristiques et enjeux fondamentaux de la poésie hellénistique, à propos de laquelle il convient de parler d’une véritable poétique de l’amour. En effet, le pathétique amoureux peut s’y lire comme un paradigme méta-poétique qui ne reflète pas seulement les nouvelles valeurs esthétiques de l’époque hellénistique mais également les conditions, inédites, de création et de réception des œuvres littéraires, en particulier dans leurs rapports, aussi étroits qu’ambigus, aux cours royales et à la tradition. / Hellenistic poetry attributed an importance to love never encountered in poetry before. This literary break with the past has only ever received scant attention. This study sets out to examine the specifics of how love was represented and to show how it essentially emerges from the pathetic register. From a diachronic perspective, the study aims to focus on the particular characteristics of the representation of love in the poetry of the classical and archaic periods, and above all demonstrate the secondary role the theme was accorded. After an analysis of the complex, but always eminently negative, characteristics, attributed to love by Hellenistic poets, which, to them, is essentially reduced to ἔρως, the study examines the precise modalities of its expression through pathos, an important innovation through which the theme of love became recognised as a genuine feeling in literature. This study ultimately enables us to show that the pathetic representation of love is one of the keys to understanding several characteristics and fundamental issues of Hellenistic poetry, through a genuine poetics of love. Romantic pathos can indeed be interpreted here as a meta-poetic paradigm which does not only reflect the new aesthetic values of the Hellenistic age but also the new conditions of creation and reception of literary works, in particular in their close and ambiguous relationships with royal courts and tradition.