While housing has been recognized as an essential component of refugee resettlement, access to housing is difficult for refugees. This thesis examines the approach to essential services like housing services provided by faith-based organizations (FBOs). In studying how FBOs conceptualize the home and convey their approach to housing for refugees, I aim to put emphasis on the concept of home. Using Foucauldian discourse analysis to examine the narrative FBOs have created of home for refugees I will argue that FBOs conceptualize home as immaterial, meaning that it is an 'affective construct' or an emotional feeling rather than a material reality. The research revealed that while FBOs work in the community is undeniable the focus on creating the emotions associated with the home, the limited attention to a physical place refugees can call home reveals the lack of attention granted to FBO’s websites in their approach to housing for refugees. Therefore, the physical concept of the home needs to receive more attention from FBOs.

D’Implantation de Systèmes d’Information. Etude de cas : Les PME AlgériennesNotre thèse est consacrée à l’étude des technologies de l’information et de communication (TIC), leurs usages, impacts et leurs appropriations ainsi que les contraintes qui freinent leur intégration dans les petites et moyennes entreprises (PME). Notre étude a permis : Analyser les facteurs d’acceptabilité du système d’information (SI) en adoptant une approche comportementale et montrer la nécessité d’une approche immatérielle (Humaine/Culturelle, organisationnelle /managériale…) dans la conduite et la gestion du projet SI.Prendre en considération deux niveaux d’analyse : Le niveau micro pour l’analyse des facteurs immatériels relatifs à la méthodologie du projet d’implantation de SI, et les facteurs immatériels relatifs aux phases du projet SI. Le niveau macro pour l’analyse des facteurs immatériels relatifs à la stratégie d’aide et d’assistance, de diffusion des TIC dans les PME. La conception d’un modèle de recherche et effectuer deux tests : Le premier test de base de notre modèle en pré-adoption a permis de révéler une corrélation positive et statistiquement significative entre les facteurs immatériels et les facteurs d’acceptabilité. Communiquez les résultats du premier test. Le deuxième test en post-adoption qui nous a permis de : Confirmer la continuité de l’acceptabilité du SI en post-adoption avec l’augmentation du taux d’acceptabilité du SI. Confirmer la continuité de la prise en compte des facteurs immatériels dans le projet d’implantation du SI avec l’augmentation du taux d’immatérialité. Déduire que notre approche immatérielle a permis d’améliorer le taux d’acceptabilité du SI et, par conséquent, augmenter le taux de succès du projet d’implantation du SI. / Our thesis is devoted to the study of information technology and communication (ICT), their uses, impacts and their appropriations as well as the constraints which slow down their integration in small and medium-sized enterprises (SME). Our research allowed :To analyze the acceptability factors of the information system by adopting a behavioral approach and aims at showing the necessity of an immaterial approach (Human / Cultural, organizational / managerial ...) in the conduct and management of the project of the information system (IS). To Consider two levels of analysis: The micro level to analyze the immaterial factors relative to the methodology of the implementation project of IS and the immaterial factors relative to the phases of the project of the IS. The macro level to analyze the immaterial factors relative to the strategy of assistance and support, diffusion of ICT in SME. To Concept design of a research model and doing two tests: The first basic test of our model in pre-adoption allowed to show a statistically significant correlation between the immaterial factors and the acceptability factors. Communicate the results of the first test. The second test model in post-adoption phase allowed to confirm the continuity of the acceptability of IS in post-adoption with the increase of the rate of acceptability of IS. Confirm the continuity of the consideration of the immaterial factors in the project of implementation of an IS with the increase of the rate of system immateriality. Deduct that our immaterial approach allowed to improve the rate of acceptability of the IS and, consequently, to increase the rate of success of the project of implementation of IS.

The Black Social Clubs had an important place in Brazilian society formation. They broke the standards of a time, acting in the fight against slavery and the racial discrimination. The more ancient place is located in Rio Grande do Sul (South of Brazil), and it represents the greater representation. The objective of this study is to know what principal measures should be done by the club managers and State about the preservation of these places that, in the end of the XX century and the beginning of the new millennium, have been searching survive to the disarticulating problems, neglecting and asking for help. The methodology of this work is a documentary and bibliographic research as well as techniques of the oral history and participant observation, with econographic character, doing an analysis of the final routings of the 1st National Meeting of Black Clubs and Societies, occurred in 2006, in Santa Maria/RS. This meeting was a historical mark, constructing a new paradigm with demands registered in the Santa Maria Letter , which pointed the principal guidelines for the club directors and the Public Power in coming years. The investigation has the principal objective of suggesting public policies in order to preserve, keep, strengthen, spread and safeguard these places of resistance and black identity, focusing the study on Treze de Maio, a Black Social Club created by workers of the extinct railroad in Santa Maria, RS, Brazil, mainly in its birth, from 1903 to 1914 and its revitalization as a community museum in the XXI century. This museum appears as a strategy, a reinvention of the heritage, with an eye in the past, searching the origins, but with actions in the present to recognize and register this centennial club and other pairs as immaterial heritage of Brazilian society. In this sense, it is consider as the principal result of this work, the opening process of the Social Black Clubs Register in Brazil, by the National Historic and Heritage Institute, (NHHI) in November 5th,2009, which will guarantee, after the inventory, the elaboration of a Safeguard Plan, which contemplates the National Politic of Immaterial Heritage. / Os Clubes Sociais Negros tiveram papel decisivo na formação da sociedade brasileira. Romperam com os padrões de uma época, atuando incisivamente na luta contra a escravidão e a discriminação racial, sendo que o espaço mais antigo do país se localiza no RS, além de constituírem a maior representatividade até então mapeada. O problema que delineia este trabalho versa sobre quais as principais medidas que devem ser tomadas por gestores clubistas e Estado no que tange à preservação destes territórios que, ao final do século XX e início de novo milênio, vêm procurando sobreviver às intempéries da desarticulação, do descaso e pedindo socorro. O presente trabalho utiliza como metodologia a pesquisa documental e bibliográfica, além de técnicas de história oral e observação participante, com caráter etnográfico, aplicação de questionário, analisando os encaminhamentos finais do 1º Encontro Nacional de Clubes e Sociedades Negras, realizado no ano de 2006, em Santa Maria/RS, o qual representou um marco histórico na construção de um novo paradigma, com demandas registradas na Carta de Santa Maria , que apontou as principais diretrizes para as ações de dirigentes clubistas e poder público nos próximos anos. A investigação tem como objetivo principal propor a implementação de políticas públicas de preservação, manutenção, fortalecimento, difusão e salvaguarda destes lugares de resistência e identidade negra, centrando o estudo na trajetória e transformações pelas quais passou a Sociedade Cultural Ferroviária Treze de Maio, Clube Social Negro criado por ferroviários da extinta Viação Férrea de Santa Maria/RS, em especial no período do seu nascimento, de 1903 a 1914, e sua posterior revitalização como um museu comunitário que surge em pleno século XXI, como uma estratégia, uma reinvenção do patrimônio, com olhar para o passado, buscando as origens, mas com ações no presente com vistas ao reconhecimento e Registro desta centenária agremiação e outros pares como patrimônio imaterial da sociedade brasileira. Nesse sentido, considera-se como principal resultado deste trabalho a abertura do processo de Registro dos Clubes Sociais Negros do Brasil, pelo Instituto do Patrimônio Histórico e Artístico Nacional, o IPHAN, em 05 de novembro de 2009, o que lhe garantirá, após o inventário, a elaboração de um Plano de Salvaguarda, vindo ao encontro do que prevê a Política Nacional do Patrimônio Imaterial.

The essay acts as a blueprint over my artistic practice. It is through the friction caused by th relations between the Keywords mentioned above I strive to achieve a dynamic which will act as an interlocutor between the fields, which are not separated but which fail to understand each others' logic and instead more or less intentionally seek to overwrite each other. / [I examensarbetet ingår utställningen: "Taking care of business":] The show was a total installation spanning over 7 days in which Studio Stök (Fredrik Fermelin and I) were constantly keeping the exhibition going: One room was filled with gelatine and lasers, was connected to another room by a tunnel in which a robotic vacuum cleaner constantly active. The other room was filled with +20 office chairs with incense sticks. Fredrik and I were never seen, but for 13 hours a day (07:00am-06:00pm), we mopped up the water from the "melting" gelatin so people could walk, lightning new incense, switching vacuum cleaners and mixing playlists with binaural beats for the tunnel. It was a way of catering an immediate sensation experienced as a viewer, no textualization was presented and enunciated indicating the exhibition was to be read in a certain way, and no artist was present creating a somewhat eerie sensation of a presence or absence. The smells were carried through the exhibition by the draft from the open doors and each room thus pre-empted the other. . Each room had an entrance and people were thus entering from two directions, there was no wrong way of entering and experiencing, the choreography of the exhibition created a sort of moebious strip which ended as quickly as it had lasted. During the week various flash events were held where the backspace which in normal circumstances acts as the entrance was opened. Material: Various Teknik: Installation The exhibition and partially the essays was a completely collaboration between Cecilie Hundevad Meng and Fredrik Fermelin as the artist group Studio Stök. The Exhibition and the essay(s) was only indirectly connected. / <p>The essay was abstractly linked to the exhibition.</p>

A l'heure actuelle, de nombreuses entreprises peuvent d'ores et déjà exercer leurs activités dans d'autres pays sans avoir besoin d'y établir une présence physique. Dans le cadre de ce travail, la principale problématique était de savoir comment préserver le recouvrement des recettes publiques (la TVA et l'impôt sur les bénéfices des sociétés) en matière de services immatériels transfrontaliers à l'ère des technologies de l'information et de la communication. Dans cette perspective, il apparaît que la question du rattachement territorial des prestations de services immatérielles est étroitement liée à une problématique d'identification et de localisation des protagonistes. Dès lors, il est nécessaire de poursuivre le développement de la synergie entre les différentes administrations de l'Etat, et de renforcer la coopération, voire la coordination, entre les administrations fiscales et les acteurs du numérique. / Currently, many companies may already operate in other countries without needing to have a physical presence. In this work, the main problem was to know how to preserve the revenue of the states (VAT and tax on corporate profits) in the context of immaterial beyond-borders services in the era of IT. In this perspective, it appears that the question of territorial connection of immaterial services is closely related to a problem of identification and location of the parties.Therefore, it is necessary to continue the cooperation and even to coordinate, first, between various authorities in France, and secondly, between tax authorities and IT providers.

Nessa dissertação analiso, à luz de conceitos marxianos, as noções de trabalho imaterial - tal qual exposto por Antonio Negri e André Gorz, sobretudo - e de pós-grande indústria - desenvolvido por Ruy Fausto, Eleutério Prado e Leda Paulani -, as quais estão no cerne da interpretação desses autores acerca da atual fase do desenvolvimento do modo de produção capitalista. Com isso, pretendo, por um lado, apreender alguns problemas teóricos dessas tentativas de se entender a contemporaneidade com base nos conceitos de trabalho imaterial e de pós-grande indústria; e por outro, chamar a atenção para a força e a atualidade da obra de Marx e de conceitos como o de trabalho abstrato, de mais-valia relativa, de subsunção real do trabalho ao capital, de grande indústria, dentre outros. / In this dissertation I analyse, through marxian concepts, the notions of immaterial labour - as exposed by Antonio Negri and André Gorz, - and of post-great industry - developed by Ruy Fausto, Eletério Prado and Leda Paulani -, which are in the center of these authors\' interpretations concerning the current phase of development of the capitalist mode of production. With this, I intend to, on the one hand, apprehend the theoretical problems of these attempts of understand the contemporary capitalism based in the concepts of immaterial labour and pos-great industry; and on the other hand, call attention to the force and atuality of the work of Marx and the concepts of abstract labour, of relative plus-value, of real subsuntion of the labour to the capital, of great industry, amongst others.

Herança basicamente portuguesa, as festas religiosas no Brasil ganharam contornos populares, sendo de grande importância para a formação da cultura popular e para a identidade nacional. Em Ilhabela, litoral norte do Estado de São Paulo, a Festa de São Benedito que tem com ponto máximo a apresentação da Congada de São Benedito vem sendo realizada há mais de cento e cinquenta anos, sem nunca ter sido interrompida. Esta festa recebeu grande influência africana e não se tornou mero entretenimento, mantendo sua tradição como uma manifestação de grande religiosidade popular, onde o sagrado e o profano estão interligados em uma demonstração de fé e solidariedade que atravessa gerações e se constitui em significativo patrimônio imaterial brasileiro. Deve-se compreender que não só o governo deve atuar como co-responsável no comprometimento pela preservação e salvaguarda desse bem cultural, mas também toda a comunidade local, verdadeira detentora do saber e da qual depende a efetiva prática da transmissão para as futuras gerações. Neste trabalho foi realizada uma pesquisa bibliográfica e exploratória, buscando-se um referencial teórico para a compreensão e elucidação dos fatos, sem desprezar o registro da memória coletiva obtido através de entrevistas abertas realizadas com os detentores da festa. / Inheritance basically Portuguese, the religious parties in Brazil, earn popular profile, being very important to the popular culture development and national identity. In Ilhabela, north coast of São Paulo State, São Beneditos Party which has as a culminating point the São Beneditos Congada has being realized an hundred fifty years ago, without any interruption. This party received great African influence and didnt become a simple entertainment, keeping its tradition as a manifestation of great popular religiosity, where the sacred and the profane were connected in a faith and solidarity proof, which passes along generations and consists of a Brazilian immaterial patrimony. We must understand that not only the government must acts as the responsible under an engagement for the preservation and safeguard of this cultural resource, but also the whole local community, the truth owner of the knowledge and from whom depend the effective practice on the transmission for the future generations. This study realized a bibliographic and inquiry research, looking for a theoretic reference to the understanding and elucidation of the facts, without despising the collective memory register obtained through opened interviews made with the party owners.

Este estudo objetivou identificar, apresentar e analisar, à luz do trabalho imaterial, o trabalho e a estratégia de viver a vida de músico da cena autoral e independente na sociedade do hiperespetáculo. Sua base teórica foi fundamentada sob a noção de trabalho imaterial (GORZ, 2005; GRISCI, 2006; LAZZARATO; NEGRI, 2001), sociedade do espetáculo (DEBORD, 1997) e hiperespetáculo (LIPOVETSKY 2015), indústria musical e cena musical independente (GALLETA 2014; HERSCHMANN, 2012; MAUDONNET, 2015; NETO, 2015; FRANCIS, 2011; VIVEIRO; NAKANO, 2008), e estratégia existencial consumista (BAUMAN, 2008a; BAUMAN; RAUD, 2017). A pesquisa caracterizou-se como exploratória qualitativa e contou com a participação de quatorze músicos da cena autoral e independente que participaram, pelo menos, de um de dois coletivos de músicos da cena autoral e independente de Porto Alegre/RS e que estão ativos na cena. A coleta de dados se deu pela realização de um grupo focal com seis participantes de um dos coletivos mencionados e entrevistas semiestruturadas com outros oito músicos de ambos os coletivos. A análise de conteúdo seguiu orientações de Minayo (2001) e resultou três categorias de análise: (i) (auto)composição e trabalho imaterial: a difícil arte de ser músico da cena autoral e independente; (ii) música e cena autoral e independente; e (iii) estratégia de viver a vida em busca de afinação. O estudo permitiu mostrar o esforço em busca de afinação como estratégia de viver a vida de músico da cena autoral e independente. Algo que se dá em meio a tensão – consentir, resistir – no que diz respeito aos princípios e valores que circulam na cena independente cada vez mais dependente. A estratégia de viver a vida em busca de afinação explicita o debate entre a harmonia e a cacofonia, mostrando-se condizente com a estratégia existencial consumista (BAUMAN, 2008a; BAUMAND; RAUD, 2017). / This study aimed to identify, present and analyze, based on immaterial labor, the work and the strategy of living of the authoral and independent scene musical life in the hyper-spectacle society. Its theoretical basis was grounded on the notion of immaterial labor (GORZ, 2005; GRISCI, 2006; LAZZARATO; NEGRI, 2001), spectacle society (DEBORD, 1997), hyper-spectacle society (LIPOVETSKY 2015), music industry and independent musical scene (GALLETA 2014; HERSCHMANN, 2012; MAUDONNET, 2015; NETO, 2015; FRANCIS, 2011; VIVEIRO; NAKANO, 2008) and existential consumerist strategy (BAUMAN, 2008a, BAUMAND, RAUD, 2017). The research was characterized as qualitative exploratory and reached the participation of fourteen authoral and independent scene musicians who have participated at least in one of two collective of musicians of the authorial and independent scene of Porto Alegre/RS and that are active in the scene . The data collection occurred through a focus group with six participants from one of the mentioned collectives and semi-structured interviews with eight other musicians from both collectives. Content analysis followed Minayo's (2001) instructions and supported three categories of analysis: (i) (self)composition and immaterial labor: the hard art of being authorial and independent scene musician; (ii) music and authorial and independent scene; and (iii) the strategy of living life looking for tuning. The study allowed to show the effort in looking for tuning as a strategy of living the authoral and independent scene musicians life. Something that occurs through the tension – consenting, resisting – regarding to the principles and values that circulate in the independent scene, increasingly dependent. The strategy of living life looking for tuning explicitly explains the debate between harmony and cacophony, showing itself to consistent with the existential consumerist strategy (BAUMAN, 2008a; BAUMAND, RAUD, 2017).

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-27T11:19:49Z No. of bitstreams: 1 Gabriella Vasconcellos de Araújo.pdf: 6841303 bytes, checksum: 42360584ae5638034dfacf0dfaf75db2 (MD5) / Made available in DSpace on 2018-11-27T11:19:49Z (GMT). No. of bitstreams: 1 Gabriella Vasconcellos de Araújo.pdf: 6841303 bytes, checksum: 42360584ae5638034dfacf0dfaf75db2 (MD5) Previous issue date: 2018-09-10 / In the late 1930s, the Brazilian State created the Institute of National Historical and Artistic Patrimony (IPHAN) with the aim of preserving brazilian material culture. Later, the 1988 Federal Constitution extended IPHAN's operation by incorporating immaterial patrimony. It is considered material or immaterial cultural patrimony every cultural property that is recognized by the social group as a reference of its culture, its history, present in the memory of the people and that is part of everyday life. Since the creation of the National Program of Immaterial Patrimony (PNPI) until March 2018, have been registered forty-one Immaterial Cultural Patrimony of Brazil, among them the paneleiras de Goiabeiras, the object of study of this work. The central problem of this work was based on the following question: The recognition of the Metier of the paneleiras de Goiabeiras as a cultural property of immaterial nature by the IPHAN contributed to the recognition and strengthening of the tradition of the paneleiras, of the social groups involved in the process of production of the clay pan and for the socioeconomic development of the region where the paneleiras are established? The research was carried out through direct observation, analysis of Vitória’s city map, with a look at the neighborhood of Goiabeiras, analysis of documents and cultural records, as well as in - depth interviews with the holders of knowledge. As a result, it was verified that despite the recognition of the Metier of the paneleiras de Goiabeiras as a cultural property of immaterial nature by the IPHAN, the metier is at risk of extinction due to the lack of interest of the descendants to continue the metier, due to the absence of effective public policies that recognize and disseminate the work developed by the community, as well as by the lack of recognition of the Capixaba society of the cultural works developed by their fellow countrymen / No final da década de 1930, o Estado Brasileiro criou o Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN) com o intuito de preservar a cultura material brasileira. Mais tarde, a Constituição Federal de 1988 ampliou a atuação do IPHAN incorporando os patrimônios imateriais. Considera-se patrimônio cultural material ou imaterial todo bem cultural que for reconhecido pelo grupo social como referência de sua cultura, de sua história, presente na memória do povo e que faz parte do cotidiano. Desde a criação do Programa Nacional do Patrimônio Imaterial (PNPI) até março de 2018, foram registrados quarenta e um Patrimônios Culturais Imateriais do Brasil, dentre eles as paneleiras de Goiabeiras, objeto de estudo deste trabalho. O problema central deste trabalho baseou-se na seguinte indagação: O reconhecimento do ofício das paneleiras de Goiabeiras como um bem cultural de natureza imaterial pelo IPHAN, contribuiu para o reconhecimento e fortalecimento da tradição das paneleiras, dos grupos sociais envolvidos no processo de produção das panelas de barro e para o desenvolvimento socioeconômico da região onde as paneleiras estão estabelecidas? A pesquisa foi realizada por meio de observação direta, análise dos mapas da cidade de Vitória, com um olhar voltado para o bairro de Goiabeiras, análise de documentos e registros culturais, além de entrevistas em profundidade com as detentoras do saber. Como resultado, constatou-se que apesar do reconhecimento do ofício das paneleiras de Goiabeiras como um bem cultural de natureza imaterial pelo IPHAN, este corre risco de extinção pela falta de interesse dos descendentes em dar continuidade, pela ausência de políticas públicas efetivas que reconheçam e divulguem o trabalho desenvolvido pela comunidade, bem como pela falta de reconhecimento da sociedade capixaba dos trabalhos culturais desenvolvidos pelos seus conterrâneos

Made available in DSpace on 2016-04-26T18:11:36Z (GMT). No. of bitstreams: 1 Luisa Marques Barreto.pdf: 548292 bytes, checksum: 2ff3b9f6414739ca61212e17d9bb8876 (MD5) Previous issue date: 2012-05-04 / This research is about the impact caused by the proximity between producers and receivers in the context of cyberspace cultural production. This phenomenon has directly affected author status and the way it is constructed in society. The digitalization of cultural products and the network sharing have destabilized three fundamental categories that holds the copyright: the author, the property and the labor. The purpose of this research is to introduce some changes regarding the epistemological notion of intellectual property as a remuneration copyright source. These changes affect significantly the ways in which the works communicate with public. This is a relevant thing why among other related factors, the control over the intangible works reproduction becomes increasingly more complex and inefficient. The problem of this research resides in the fact that both, the author-function as the user's role, has been radically altered impacting the way the discourses and the cultural production circulates. The theme will be studied from two angles of analysis: from the standpoint of the legal system and power structures related of cultural industry, and from culture. We will introduce debates regarding intellectual property (Virno 2003, Hardt & Negri 2005, Gorz 2005), free culture (Lessig 2004, 2009, 2005; and Lemos, 2005, 2010, 2011); author-function (Foucault, 1969) and the concept of immunization paradigm developed by Roberto Esposito (2005, 2010). The studies published during the period of open public consultation by the Culture Ministry in 2007 by the academic groups linked to the FGV, USP and UFSC still formed the basis for understanding in the legal field which are the proposed changes to the copyright Brazilian reform law, 9.610/98. The research result was an update of discussions that are not always correlated and when are systematically analyzed can show significant changes in the ways of thinking the new relationship between author, work and public in the cognitive networks of cyberspace / Esta pesquisa trata do impacto causado pela aproximação entre produtores e receptores na produção cultural no ciberespaço, que afetou diretamente o status do autor e o modo como ele se constrói na sociedade. A digitalização dos produtos culturais e o compartilhamento em rede desestabilizaram três categorias fundamentais que sustentam os direitos autorais: o autor, a propriedade e o trabalho. O objetivo desta pesquisa é apresentar algumas mudanças epistemológicas em relação a noção de propriedade intelectual enquanto fonte de remuneração autoral. Tais mudanças afetam de maneira significativa os modos como as obras se comunicam com o público. Isso porque, dentre outros fatores relacionados, o controle sobre a reprodução das obras imateriais torna-se cada vez mais complexo e ineficiente. O problema desta pesquisa reside no fato de que tanto a função-autor como o papel do usuário foram radicalmente alterados, impactando o modo como circulam os discursos e a produção cultural. O tema será estudado sob dois ângulos de análise: do ponto de vista do sistema jurídico e das estruturas de poder relacionadas a indústria cultural; e da cultura. Apresentamos debates sobre propriedade intelectual (Virno 2003, Hardt & Negri 2005 e Gorz 2005), cultura livre (Lessig 2004, 2009; e Lemos 2005, 2010, 2011); a função-autor (Foucault, 1969) e o conceito de paradigma da imunização desenvolvido por Roberto Esposito (2005, 2010). Os estudos divulgados durante o período da consulta pública aberta pelo Ministério da Cultura em 2007 pelos grupos acadêmicos ligados a FGV, USP e UFSC, constituíram ainda a base para compreendermos, no âmbito jurídico, quais são as alterações propostas para reforma da lei de direitos autorais brasileira, 9.610/98. O resultado da pesquisa foi uma atualização de discussões nem sempre correlacionadas e que, analisadas sistemicamente, apontam para mudanças significativas nos modos de se pensar as novas relações entre autoria, obra e público nas redes cognitivas do ciberespaço