Orientador: Vera Regina Toledo Camargo / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-17T22:53:15Z (GMT). No. of bitstreams: 1 Mariuzzo_Patricia_M.pdf: 3574981 bytes, checksum: 5a02d92e9bdcd2aed72a41dd154f88de (MD5) Previous issue date: 2011 / Resumo: A partir da segunda metade do século XX a divulgação científica ganhou maior espaço em todas as mídias. Televisão, rádio, jornais, revistas e, mais recentemente, a internet, passaram a noticiar, ora com euforia, ora com desconfiança, as descobertas da Ciência. Este trabalho analisa a divulgação da produção cientifica na Região Metropolitana de Campinas (RMC) a partir da implementação da serie "Cenário XXI, Conhecimento, Tecnologia e Inovação" no jornal Correio Popular, de Campinas. Esta serie jornalística e constituída por uma serie de suplementos especiais criados em 2003 e por paginas semanais sobre Ciência, caracterizando uma retomada, de forma sistematizada, de uma editoria de Ciência neste jornal. Um dos objetivos da pesquisa é examinar o contexto histórico que possibilita a concepção do projeto e também verificar/identificar que atores participaram e ou determinaram a inserção da divulgação de Ciência pelo Correio Popular nos moldes em que ela foi realizada no período compreendido entre 2003 e 2004. Para a realização dessa pesquisa utilizaremos conceitos do Estudo de Caso e da Analise de Conteúdo com abordagem predominantemente qualitativa, embora recorra a dados quantitativos, de forma complementar. Os Estudos Culturais da Ciência também serão utilizados na analise / Abstract: From the second half of the twentieth century science gained more space in all media. Television, radio, newspapers, magazines and, more recently, the Internet, began to notice, sometimes with elation, sometimes with suspicion, the discoveries of science. This study examines the development of scientific research in the Metropolitan Region of Campinas (RMC) from the implementation of the series "Cenário XXI, Conhecimento, Tecnologia e Inovação", in the newspaper Correio Popular, Campinas. This series consists of a journalistic series of special supplements created in 2003 and weekly pages on Science, featuring a revival, in a systematic way, of an editorial dedicated to science communication. One goal of research is to examine the historical context that allows the project design and to verify / identify which actors participated and led to the inclusion or disclosure of the Correio Popular science communication in the manner in which it was performed in the period between 2003 and 2004. To carry out this research will use case study concepts and content analysis with a predominantly qualitative approach, although recourse to quantitative data in a complementary way. Cultural Studies of Science will also be used in the analysis / Mestrado / Divulgação Científica e Cultural / Mestre em Divulgação Científica e Cultural

Submitted by Kenia Bernini (kenia.bernini@ufpel.edu.br) on 2018-10-18T22:22:15Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Letícia_Portella_Milan_Dissertação.pdf: 1800896 bytes, checksum: 6c96c3137ee0a73bf07630932ffeff43 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2018-10-19T19:50:11Z (GMT) No. of bitstreams: 2 Letícia_Portella_Milan_Dissertação.pdf: 1800896 bytes, checksum: 6c96c3137ee0a73bf07630932ffeff43 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2018-10-19T19:50:19Z (GMT) No. of bitstreams: 2 Letícia_Portella_Milan_Dissertação.pdf: 1800896 bytes, checksum: 6c96c3137ee0a73bf07630932ffeff43 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-10-19T19:50:28Z (GMT). No. of bitstreams: 2 Letícia_Portella_Milan_Dissertação.pdf: 1800896 bytes, checksum: 6c96c3137ee0a73bf07630932ffeff43 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-02 / Sem bolsa / Os diários se constituíram como modos típicos da escrita de si feminina. Desde que as mulheres conquistaram o direito à alfabetização, muitas utilizaram da prática da escrita como um instrumento para se colocar no mundo e construir a si. Nesta dissertação é feita uma investigação histórica sobre os espaços de lazer e sociabilidade da elite pelotense, através dos diários íntimos de Clarice Tavares Xavier. Foram acessados os arquivos pessoais de Clarice e utilizado como fonte principal esse material datado entre os anos de 1954 a 1956. Clarice Tavares Xavier era uma jovem pertencente a uma tradicional família gaúcha que, através do seu olhar, descreve o seu cotidiano e as diferentes impressões que tinha sobre os lugares que frequentava na cidade de Pelotas. Em conjunto com fotografias e relatos orais busca-se compreender como as moças de elite circulavam nos espaços sociais que Clarice aponta em suas narrativas. O e1studo procurou analisar as sociabilidades e lazeres dos espaços privados, instituições educacionais, associações recreativas e locais públicos da cidade sob a perspectiva de um olhar feminino. Conclui-se, assim, que a imagem de si criada nos diários pessoais de Clarice Tavares Xavier pode ser entendida (e comparada), a partir do contexto social e dos espaços de lazer ocupados e usufruídos por essa mesma elite. A condição social e as regras estruturais de conduta e comportamento reservados às mulheres abastadas causa, portanto, impacto perceptível num modo de escrita que se pretende privado e particular. Acredita-se que a imagem pessoal cunhada nos diários é um caminho historiográfico importante para que se compreenda os espaços de lazer de elite, mas também como se forma uma dialética entre a expressão pessoal e as estruturas externas, típicas de um gênero e de uma classe específica. / Personal journals were constituted as standard modes of “writing about the self” concerning women. Since women acquired the right to be alphabetised, many of them utilised writing as a tool to place themselves in the world and to build their selfimage. In this dissertation, we will conduct a historical investigation about spaces of leisure and sociability through the personal journals of Clarice Tavares Xavier. By accessing the personal archives of Clarice Tavares Xavier, we were able to utilise, as our main source, her journals, dated from 1954 to 1956. Clarice Tavares Xavier was a young woman who stemmed from a tradition southern family and, through her look onto the world, described her daily life and the different impressions that she had concerning places she circulated in Pelotas. Together with photographs and oral testimonies, we tried to understand how young elite women circulated in social spaces which Clarice described in her narratives. Our research sought to analise the leisure and sociabilities within private spaces, educational institutions, recreational associations and public urban spaces under the perspective of a female look. We conclude, then, that the self-image created in the personal journals of Clarice Tavares Xavier can be understood (and compared to) in relation to the social context and leisure spaces that were occupied and enjoyed by the elite of Pelotas. The social condition and the structural rules of behaviour that were reserved to wealthy women caused, therefore, a considerable impact on a mode of writing that pretended itself private and particular. We believe that the personal image inscribed in journals is a satisfactory historiographical path through which we can understand, in this case, not only leisure spaces of the elite, but also how a dialectical relation is formed between personal expression and external structures – structures common to a specific gender and a specific class.

Esta dissertação é um estudo teórico sobre as relações entre as linguagens do meio impresso e as do meio digital. A hipótese de que o jornal diário sofre modelizações a partir dos textos culturais advindos da Internet conduz todo o roteiro de investigações. O sentido de estruturas modelizantes, assim como de outros conceitos em que se ancoram a pesquisa advém da teoria Semiótica russa ou da cultura, nascida na Escola de Tártu, Estônia. Com esse aporte, espera-se compreender como a cultura refaz as linguagens e recodifica o sistema do jornalismo impresso, operando semioses e criando novos textos nesse âmbito. A pesquisa adota como conjunto conceitual principal os termos forjados nas reflexões do grupo de intelectuais russos, mas amplia suas análises a partir de outros postulados e contribuições, tais como dialogismo, discurso e conceitos pertencentes à área do jornalismo e das novas mídias. Valendo-se de recursos quantitativos a partir de uma amostra de seis jornais brasileiros de expressão nacional, este estudo investiga possibilidades de modelização, sobretudo, sob o exercício do papel do hiperlink enquanto signo. Ao constatar essa determinação da linguagem digital sobre o impresso, o estudo analisa a ampliação do campo de significação que a Internet provoca sobre os sistemas culturais de nosso tempo, instaurando-se como parte de uma mente da cultura e atuando a partir de um diagrama de pensamento. Tais perspectivas não encerram as análises nos resultados obtidos, mas amplia o campo de visão para novos problemas. / This dissertation is a theoretical study on the relationship between the languages of the press and the digital medium. The hypothesis that the daily suffers modeling from cultural texts coming from the Internet drives the entire script investigations. The sense of modelizations structures, as well as other concepts that are anchored in research comes from semiotics theory of culture or russian semiotics, born in the School of Tartu, Estonia. With this contribution we hope to understand how culture remakes languages and recode the system of press operating semioses and creating new texts in this area. The research adopts the main conceptual terms set forged in the reflections of the group of russian intellectuals, but extends their analyzes from other postulates and contributions, such as dialogism, discourse and concepts pertaining to the field of journalism and new media. Drawing on quantitative resources from a sample of six brazilian newspapers of national expression this study investigates the possibilities of modeling, especially in the exercise of the role of the hyperlink as a sign. With this determination of the digital language int the press, the study examines the expansion of the field of signification that the Internet brings about cultural systems of our time, establishing themselves as part of a mind of culture working from a diagram thought. Such views do not contain the analysis of the results obtained, but expands the vision for new problems.

O objetivo deste trabalho é mostrar a função que teve a Imprensa Negra como instrumento de reinvindicação de direitos e combate à exclusão sócio-político-econômica do negro em São Paulo, numa época de urbanização e crescimento industrial acelerados.Em decorrência das origens dessa exclusão, pretende-se relembrar o papel das Irmandades, Associações e primeiros jornais como focos iniciais de resistência à mesma. No entanto, o período escolhido para a pesquisa é aquele compreendido entre os anos de 1915 e 1937, quando, a par do interesse de congregar os negros através da educação e de outros meios, a Imprensa começa a reinvindicar os direitos que os mesmos deveriam ter como cidadãos integrantes da sociedade paulista e, por extensão, brasileira. A implantação do Estado Novo em 1937 determina o fechamento dos partidos políticos, associações e jornais a eles ligados, razão pela qual a historiografia considera a data como a de decadência dos jornais negros e, portanto, de suas reinvindicações. Tentaremos mostrar, entretanto, como as disputas ideológicas e por poder entre as lideranças, mudando o perfil de atuação dos periódicos, foram decisivos para a decadência do caráter reinvindicatório dos mesmos, tendo se iniciado bem antes do golpe de Getúlio Vargas. / The aim of this master thesis is to show the role of Black Press as instrument of rights claiming and the struggle against social, political e economical exclusion of Brazilian black people in São Paulo in a time of fast urbanization and industrial growth. Considering the origins of that social exclusion, this paper intends to remember the role of Brotherhoods, Associations and former black journals as the initial process for fighting that exclusion. Nevertheless the chosen period for this research is between 1915 and 1937, when, besides the interest in congregating the blacks through education and other means, the Black Press starts claiming the rights that people should have as integrated citizens in São Paulo society and, as a consequence, in Brazilian society. The implementation of Estado Novo in 1937 determines the political parties shut down as well as the associations and journals associated to them, being this event the main reason the Historiography considers that year as the highlight of black journals decadence, so do their claims. However, we will try to demonstrate how the ideological disputes and struggle for power among the leaders, by the acting profile of journals, were crucial for the decadence of journals claiming approach, getting started quite before the Getúlio Vargas coup.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-04-26T17:41:28Z No. of bitstreams: 1 cicerocostavillela.pdf: 27090485 bytes, checksum: 769699582fae0e0757710904dbca0ca9 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-05-02T00:54:35Z (GMT) No. of bitstreams: 1 cicerocostavillela.pdf: 27090485 bytes, checksum: 769699582fae0e0757710904dbca0ca9 (MD5) / Made available in DSpace on 2016-05-02T00:54:35Z (GMT). No. of bitstreams: 1 cicerocostavillela.pdf: 27090485 bytes, checksum: 769699582fae0e0757710904dbca0ca9 (MD5) Previous issue date: 2015-03-30 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho pretende fazer uma cartografia dos discursos sobre as favelas. Nesse sentido, a partir da perspectiva da Análise de Discurso Franco-Brasileira, pretende-se mostrar o processo de transformação dos discursos sobre as favelas em um período de 30 anos. O estudo pretende mostrar o papel do jornalismo na construção imaginária e simbólica do espaço urbano e problematizar os discursos feitos sobre as favelas. Dessa forma, ela relaciona mídia, território e produção de subjetividades. Estes elementos articulados em torno das questões discursivas de que sentidos e sujeitos se tão em um processo concomitante. Dessa forma, ao narrar o espaço urbano, a mídia também situa e contribui para a construção dos sujeitos passíveis de serem encontrados em determinados ambientes. / The research aims to make a map of the speeches on the slums. In this sense, from the perspective of Discourse Analysis Franco-Brazilian, is intended to show the process of transformation of speeches about the slums in a period of 30 years. The study aims to show the role of journalism in the imaginary and symbolic construction of urban space and discuss the speeches made on the slums. Thus, it relates media, territory and production of subjectivities. These articulated elements around ended questions that senses and subject to so in a concurrent process. Thus, in narrating the urban space, the media also located and contributes to the construction of subjects that can be found in certain environment

This study aimed at assessing access and use of PERii electronic journal resources by postgraduate students in the School of Education at the University of Dar es Salaam. Specific objectives for this study were to examine if the postgraduate students in the School of Eduction are aware of PERii electronic journal resources; to examine if the postgraduate students access PERii electronic journal resources; to examine if the postgraduate students use PERii electronic journal resources; to examine the challenges encountered by postgraduate students in the access and use of PERii electronic journal resources; and to determine possible ways to improve access and use of PERii electronic journal resources. The study was basically a cross-sectional study and data were collected through a combination of questionnaire for postgraduate students and interview for the Reference Librarians. The findings of this study were that the majority of postgraduate are aware of PERii electronic journal resources through various sources including the Library website, notice board, fliers, posters, IL training, colleagues, librarians and supervisors. Again, the majority of them use PERii electronic journal resources for various purposes including working on the assignments, research proposal writing, literature review, research report writing, current awareness, leisure, and for extra exploration of ongoing scientific debates through peer reviewed papers. The challenges encountered include power outage, inadequate bandwidth, slow download speed, inability to access the resources from home, lack of training, lack of awareness, limited access to computers and difficult in making a search. Suggested ways to improve access and use of PERii electronic journal resources include seeking to provide training on how to access and use of PERii electronic journal resources; ensure stable and reliable power, ensure adequate bandwidth; increase awareness of the resources, improve ICT infrastructure, enable access of the resources from home; increase download speed and ensure relevant information is provided. Based on these findings it was recommended that training on access and use of PERii electronic journal resources should be integrated into the University curriculum; ICT infrastructure to support access and use of PERii electronic journal resources should be improved; ensuring stable and reliable power by buying heavy duty generators at the University; increasing awareness by improving methods for promotion and marketing of the resources; enabling access of PERii electronic journal resources from home; ensuring adequate bandwidth through shaping the available bandwidth allowing certain services such as ICT services to receive a large proportion of bandwidth than other services; and ensuring relevant information is provided through subscribing more database with relevant information to all courses at the University. / Mini Dissertation (MIT)--University of Pretoria, 2015. / Information Science / MIT / Unrestricted

Dans cette thèse, nous proposons d’étudier l’ensemble de l’œuvre diaristique de Jean Cocteau. Le poète tient huit différents journaux personnels de 1928 jusqu’à sa mort en 1963 : Opium. Journal de désintoxication, Tour du monde en 80 jours, Journal 1942-1945, La Belle et la Bête. Journal d’un film, La Difficulté d’être, Maalesh. Journal d’une tournée de théâtre, Journal d’un inconnu et Le Passé défini. D’abord, nous présenterons la pratique du journal chez l’auteur et définirons l’approche qu’il a du genre. Il s’agit d’une part, de démontrer l’importance de cette activité pour le poète et, d’autre part, de relever l’originalité de cette forme d’écriture chez le diariste. Ensuite, nous nous attarderons sur deux éléments essentiels de sa conception du genre : la publication et la destination. Dans un premier temps, nous nous intéresserons au travail éditorial de l’écrivain, afin de comprendre comment il inscrit l’ensemble de ses journaux dans le champ de la production littéraire. Dans un deuxième temps, nous définirons le lecteur modèle du diariste et distinguerons les différentes stratégies de captation auxquelles recourt le poète. C’est à travers le regard du futur lecteur, qui s’oppose à celui du critique contemporain à Cocteau, que ce dernier aspire à immortaliser son âme démasquée. / In this thesis, we take on Jean Cocteau’s full body of diaristic work. The poet has eight different diaries to his name spanning from 1928 until his death in 1963 : Opium. Journal de désintoxication, Tour du monde en 80 jours, Journal 1942-1945, La Belle et la Bête. Journal d’un film, La Difficulté d’être, Maalesh. Journal d’une tournée de théâtre, Journal d’un inconnu and Le Passé défini.We will begin by presenting the author’s diaristic practice and defining his approach to the genre. The aim is to demonstrate this activity’s importance to the poet on the one hand, and reveal the diarist’s originality in this form of writing on the other.Then, we will focus on two essential elements in his conception of the genre: publication and readership. We will firstly attend to the writer’s editorial work in order to understand where he positions the sum of his diaries within the field of literature. Secondly, we will define the typical diary reader and identify the different harnessing strategies the poet resorts to. It is with an eye on the potential reader, who is in direct opposition with Cocteau’s contemporary critic, that the writer aspires to immortalize his unmasked soul.

Det har i media riktats kritik mot journalsystemet Profdocs utformning och hantering av patientinformation. Exempelvis menar vissa slutanvändare av systemet att det inte är lika användarvänligt och överskådligt vilket kan medföra ökade risker vid hanteringen av patientdata. Därför är det intressant att på ett objektivt sätt inom ett avgränsat område undersöka vad detta kan bero på. De säkerhetsmekanismer som undersökts i denna studie är kontohantering, informationssäkerhet och gränssnitt. Syftet med undersökningen är att kartlägga utvalda existerande säkerhetsmekanismer som tillämpas för att hantera patientintegriteten i Capios Journalsystem Profdoc Journal 3. Målet är att kunna redovisa, analysera och ge förbättringsförslag på de undersökta säkerhetsmekanismerna. Metoderna som använts för att samla in data till studien är e-postintervjuer och en deltagande observation som genomfördes på Capios vårdcentral i Hovås/Billdal. Resultatet av studien är att bland annat behörighetshantering och utbildning har förbättringspotentialer. Flera av dem har en koppling till att utbildningen inför användandet av systemet inte är tillräcklig. En bättre utformad utbildning skulle leda till att personalen känner sig bekvämare i systemet och dess utformning som i sin tur skulle minska risken att patienters integritet kränks.

Nous reprenons dans une nouvelle optique la réflexion de Malraux sur l’Orient et l’Occident dans les années 1920. Comment pense-t-il l’Occident face à l’autre culturel? Qu’elle est l’originalité de son discours sur l’Orient et l’Occident? Nous tentons de la mettre en évidence en intégrant ce discours dans le débat sur ce dualisme culturel paru dans trois revues : La Revue Universelle, Europe et La Nouvelle Revue Française. À l’époque où deux intellectuels, Henri Massis et René Guénon, réfléchissent à la reconstruction de l’Occident par le catholicisme, et se demandent si elle doit se faire en s’ouvrant à l’influence de la pensée orientale ou sur son exclusion, Malraux, favorable à l’influence orientale, mais très nietszchéen, ne songe pas à recourir à la religion pour l’Occident dont il souligne l’état de crise. Il lui paraît que l’Occident s’est construit la notion de l’individu et le respect du pouvoir et de l’action. Cette figure de l’Occident surgit face au miroir de l’Orient – principalement la Chine où l’individu n’existait pas. Malraux également dénonce l’impasse de l’individualisme et l’échec du monde moderne guidé par la raison et le progrès. A la crise sociale et culturelle, il ne propose de remède décisive Il chante l’absurde, sur un ton pathétique, soulignant le Moi incertain de l’homme qui ne sait pas échapper à la mort. Son Occident, sous-tendu par cette conscience nihiliste, est une vision tragique où l’absurde est pensé comme une fatalité. / I aim to provide a new analysis of André Malraux’s essay which compares and contrasts the Orient and Occident in the 1920’s. How does he consider the Occident in the face of the cultural other? Wherein lies the originality of his essay? My work strives to uncover this originality by inserting Malraux into a debate regarding cultural duality occurring in three journals: La Revue Universelle, Europe and La Nouvelle Revue Française. During this period, two intellectuals, Henri Massis and René Guénon, reflected upon the extent to which both Catholicism and Eastern thought should play a role in the reconstruction of a post-World War I society. While Malraux was sympathetic to Oriental culture and thought, he remained very Nietzschen and thus refused to turn to Western religion. According his vision, the Occident was responsible for the construction of the notions of the individual and respect for power and action. This image of the Occide! nt comes to light in the mirror of the Orient – especially in the case of China where the individual didn’t exist. Malraux also denounces the cul-de-sac of individualism and the failure of a modern world where reason and progress are valued above all. Malraux provides no remedy for this cultural and social crisis. He sings the absurd with a pathetic tone, a tone that expresses an uncertain ‘self’ of a human unable to escape death. His Occident, based on this nihilistic consciousness, is a tragic vision in which the absurd is an inevitable fate

Didier-Georges Gabily, Jean-Luc Lagarce et Jean-François Peyret ont la particularité d’avoir tenu, entre 1977 et 2008, un journal personnel. S’il s’agit d’explorer ces matériaux, encore peu étudiés dans le champ des études théâtrales, l’enjeu de la réflexion est de mesurer les apports du jeu diaristique à l’exercice théâtral. Les déplacements de l’un à l’autre sont envisagés dans ce que Philippe Lejeune nomme l’« espace autobiographique ». Dans cette perspective, les journaux ne constituent pas de nouvelles clés de lecture pour l’œuvre mais bel et bien des pièces maîtresses d’un jeu identitaire, ouvrant un dialogue sans fin entre fictions théâtrales, romanesques et textes autobiographiques. La première partie de la réflexion propose de cartographier ces journaux d’un genre particulier en observant d’abord comment la vie de l’homme et celle du théâtre y cohabitent. Comme pour de nombreux! autres artistes, le journal incarne l’espace d’un atelier : on tentera alors d’observer l’élaboration de l’écriture dramatique et on se demandera dans quelle mesure le journal peut constituer une mémoire de l’acte théâtral, par essence éphémère. La seconde partie est divisée en chapitres monographiques : pour chacun des trois auteurs, on arpentera le chemin du journal au théâtre sous l’angle d’une perspective unique ; la tentation autobiographique chez Jean-Luc Lagarce, la question lyrique chez Didier-Georges Gabily et celle du rapport à l’Autre chez Jean-François Peyret. / A common feature of Didier-Georges Gabily, Jean-Luc Lagarce and Jean-François Peyret is that they all kept personal diaries between 1977 and 2008. A study of this as of yet unexplored material from the point of view of theatrical studies can help measure the contribution of the diaristic play to theatrical practice. Movements from one to the other are considered in what Philippe Lejeune calls the “autobiographical space”. In this perspective, diaries do not constitute new reading keys for the works, but rather the cornerstones of an identity game that opens an endless dialogue between theatrical fictions, novels and autobiographical texts. The first part of the work attempts to map these distinctive diaries by observing how they account for both the artist’s life and his theatrical life more generally. As for many other artists, the diary embodies the space of a workshop: I will endeavour to observe the elaboration of dramatic writi! ng and speculate as to the extent to which the diary can constitute a memory of the theatrical act, which is essentially ephemeral. The second part is divided into monographic chapters. For each of the three authors, the path from diary to theatre will be viewed from a single perspective: the autobiographical temptation for Jean-Luc Lagarce, the questions of lyricism for Didier-Georges Gabily, and of inter-personal relationship for Jean-François Peyret.