This paper studies how cultural references and hyphenated premodifiers in an English travel guide about the Caribbean are translated into Swedish. The aim is to investigate what strategies that are used when translating cultural references, and why; as well as to see which grammatical structures that appear when translating hyphenated premodifiers from English to Swedish. The qualitative analysis focuses on how cultural references and hyphenated premodifiers are translated, the strategies/categories used, and the corresponding result. The quantitative analysis aims at summarizing what strategies or grammatical categories that are most commonly used in overcoming these translation issues. The results show that most hyphenated premodifiers are translated with another grammatical structure, namely through premodifying adjectives, without the use of hyphens. Regarding cultural references, equivalence, transference, and generalization were common strategies to convey the same content and sense to the new target readers, whereas the domesticating method together with communicative translation proved to be the most helpful methods.

Notre sujet de recherche est l'étude du phénomène citationnel dans les titres d'articles de la presse russe contemporaine. Les citations présentes dans les titres renvoient à différentes références culturelles textuelles : des citations d'oeuvres littéraires, d'écrits politiques, de textes de chansons, de titres ou de répliques de films, etc. La présente étude est réalisée sur 25 journaux et magazines des années 2002-2004 touchant un lectorat très large, du fait de leur tirage allant de 50000 à 3 millions d'exemplaires. Nous démontrons dans notre étude que ces citations appartiennent au phénomène appelé dans la langue russe "krylatye slova" (paroles ailées) qui désigne le phénomène des citations courantes. Ce phénomène, qui existe dans d'autres langues, n'a jamais été jusqu'à présent l'objet d'étude en tant que phénomène linguistique et culturel en France. L'utilisation de ces citations courantes, connues d'un large public à une époque donnée, dans un pays donné, est un marqueur d'identification nationale pour les locuteurs, qui n'ont pu avoir accès à la majorité de ces références que par l'exposition à une éducation commune et à une vie dans un champ culturel commun. Notre étude de l'utilisation de ces citations dans les titres d'article de la presse russe contemporaine donne donc un aperçu sur les références qui constituent le fonds culturel commun des Russes d'aujourd'hui. Notre étude propose également un instrument accessible à tous permettant de découvrir et recenser ces références, actualisées à une époque donnée. / The subject of our research work is the study of the quotations phenomena that appear in the articles titles of the contemporary russian press. These quotations refer to source texts belonging to different categories of the culture : literary works, political works, songs, movies,... Our research work is based on the analysis of articles published in 25 russian newspapers and magazines, mainly on the period 2002-2004. These newspapers and magazines address a wide public, with prints up to 3 millions. We demonstrate in our work that the quotations that may be found in the article titles are "krylatye slova" (winged words, that is to say usual quotations). This phenomena exist as such in russian and german linguistics but has not been studied until now as a specific phenomena in french linguistics. The usage of winged words, quotations widely known by the general public at a given period of time in a specific country, is a sign of national identification for the speakers, as these quotations refer to cultural knowledge they could acquire only through a common education and exposure to life in the same country. Our work gives an overview of the common cultural references of the contemporary russian people, and proposes a tool, accessible to everybody, to discover these references, actualized at a specific period of time.

Inicialmente é apresentado o resgate teórico e documental sobre o tema Patrimônio Cultural de Natureza Imaterial, foco da dissertação. Seguindo as ideias da Convenção para a Salvaguarda do Patrimônio Imaterial da UNESCO e o método de pesquisa proposto pelo IPHAN no Inventário Nacional de Referências Culturais INRC, optou-se por investigar se o Agnolini, como manifestação da gastronomia da Região de Colonização Italiana, na Serra Gaúcha, RS, Brasil, poderia ser caracterizado como referência cultural imaterial nos termos do INRC. Diante dessa problemática, os métodos utilizados no processo foram a pesquisa bibliográfica e documental, as técnicas da etnografia e história oral e a aplicação do questionário sobre ofícios e modos de fazer do INRC. A base epistemológica das discussões é a Antropologia seguindo a luz da interpretação. A pesquisa propõe a inserção do patrimônio cultural imaterial nos estudos Turísticos, em particular no Turismo Cultural. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-23T17:44:30Z No. of bitstreams: 1 Dissertacao Franciele B Figueiredo.pdf: 8003638 bytes, checksum: 20b9deddda314af8c1ce51160c2ae80e (MD5) / Made available in DSpace on 2014-05-23T17:44:30Z (GMT). No. of bitstreams: 1 Dissertacao Franciele B Figueiredo.pdf: 8003638 bytes, checksum: 20b9deddda314af8c1ce51160c2ae80e (MD5) / Initially we present the theoretical and documental rescue on the Cultural Heritage of Intangible Nature that is the focus of the dissertation. Following the ideas of the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO and the research method proposed by IPHAN of the Inventário Nacional de Referências Culturais INRC. We chose to investigate whether Agnolini, as manifestation of the gastronomy of the Italian Colonization Region in Serra Gaúcha, RS, Brazil, could be characterized as intangible cultural reference in terms of INRC. Thus the methods used in the process were bibliographic and documental research, the technique of ethnography and oral history and the application of a questionnaire about crafts and ways of making , as suggested by the INRC. The epistemological basis of the discussions is the Anthropology following the light of the interpretation. The research proposes the insertion of the intangible cultural heritage in Tourism studies particularly in the Cultural Tourism.

Submitted by Olga Lyda Anglas Rosales Tarumoto (olgaanglas@gmail.com) on 2018-05-07T02:08:31Z No. of bitstreams: 1 tese_corrigida_olga_final_060518.pdf: 4214550 bytes, checksum: f9d6356cd75d02d66f84ef6254472de8 (MD5) / Approved for entry into archive by Claudia Adriana Spindola null (claudia@fct.unesp.br) on 2018-05-07T12:00:51Z (GMT) No. of bitstreams: 1 tarumoto_olar_dr_prud.pdf: 4214550 bytes, checksum: f9d6356cd75d02d66f84ef6254472de8 (MD5) / Made available in DSpace on 2018-05-07T12:00:51Z (GMT). No. of bitstreams: 1 tarumoto_olar_dr_prud.pdf: 4214550 bytes, checksum: f9d6356cd75d02d66f84ef6254472de8 (MD5) Previous issue date: 2017-09-11 / Os cursos no formato de Educação a Distância (EaD) como forma de aquisição de conhecimento está em ampla expansão nos últimos 15 anos, tanto em nível nacional como mundial. No Brasil, esta expansão foi visível principalmente após a atualização da regulamentação feita pelo Ministério da Educação (MEC) em 2005 para os cursos nesta modalidade em nível superior, tanto de graduação como de pós-graduação. Com o crescimento, surge a preocupação com a forma e qualidade em que os cursos estão sendo oferecidos. Após as versões preliminares de 1997 e 2003, os Referenciais de Qualidade em Educação Superior a Distância foram divulgados pelo Ministério da Educação (MEC) em 2007. Ao se falar em qualidade, deve se pensar na forma de mensuração, e que naturalmente nos remete a avaliação. Por outro lado, principalmente dentro do contexto educacional, a avaliação é sempre um processo complexo, tendo em vista que a preocupação principal está em o que avaliar e por que avaliar. Nesta tese, definiu-se que o objetivo é avaliar um Curso Superior na modalidade a distância tendo como base o ponto de vista dos cursistas. Foram aplicados questionários estruturados, com a utilização de técnicas de amostragem estatística para que eles pudessem opinar a respeito do curso que estavam frequentando. Neste questionário, foram consideradas perguntas discursivas (abertas) e com alternativas de respostas (perguntas fechadas). Nesta situação, as perguntas fechadas foram analisadas de forma quantitativa, utilizando-se de técnicas estatísticas, como por exemplo a análise de conglomerados, no entanto, para a questão aberta, em que os dados se constituem de textos não estruturados, foi necessário recorrer a outros métodos. Foi realizada então a análise textual com a utilização do software IRAMUTEQ. Por meio destas duas análises, foi possível verificar a convergência entre elas, observando se estas técnicas eram complementares para a análise (abordagem de métodos mistos). Para o curso avaliado, Especialização em Educação Especial na Perspectiva da Educação Inclusiva do programa Rede São Paulo de Formação Docente (REDEFOR), de forma geral, nas primeiras disciplinas o grau de satisfação em relação ao Ambiente Virtual de Aprendizagem (AVA) e a atuação dos Tutores Presencias, tiveram o menor grau de satisfação. Na análise qualitativa, umas das maiores críticas foram com relação a quantidade de atividades que realizaram e o prazo de entrega das mesmas, o que foi coerente com a análise quantitativa, considerando que dentro da dimensão II – “Material Didático”, as questões com menor grau de satisfação, foram as relacionadas com a quantidade de materiais trabalhados e os prazos de entrega. As análises mostraram ainda que o curso teve alto índice de satisfação (superior a 90%) e que as análises qualitativas foram capazes de captar os pontos fortes e algumas fragilidades que podem ser melhoradas nas próximas ações desta natureza. / Distance Learning courses as a way of acquiring knowledge have been expanding in the last 15 years, both nationally and globally. At the national level, this increase was noticed after regulations in this teaching modality by the Ministry of Education (MEC), at the undergraduate and postgraduate levels. With this increase, a concern arises with the form and quality in which the courses are presented. After the preliminary versions of 1997 and 2003, the Quality Referential in Distance Higher Education was published by MEC in 2007. When talking about quality, develop in the form of measurement, and that naturally remind us of evaluation. On the other hand, within the educational context, evaluation is always a complex process, given that the main concern is in question. In this situation, it was defined that the objective is to evaluate Distance Learning modality based on the student point of view. We applied structured questionnaires, using statistical sampling techniques so that the students could give their opinions about the course. In this questionnaire, we considered discursive questions (open questions) and questions with alternatives (closed questions). In this situation, closed questions can be analyzed quantitatively, using statistical techniques, such as a cluster analysis, however, for an open question, where the data are composed of unstructured texts, it was necessary to look for other methods. A textual analysis was then performed using IRAMUTEQ software. By these two analyses, it was possible to see the convergences between them, being able to see as complementary analytical techniques (approach of mixed methods). For the analyzed course, Specialization in Special Education in the Inclusive Education Perspective of the Rede São Paulo Program of Teacher Training (REDEFOR), the analyzes presented the success of high satisfaction (satisfaction index of more than 90%) and as Qualitative analyzes are able to capture strengths and some deficiencies that can be corrected.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-12-26T10:29:15Z No. of bitstreams: 2 Dissertação - Carmela de Mattos - 2017.pdf: 7163048 bytes, checksum: 92fb376a2d2cacaf89e7ad1facfe016e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-12-26T10:29:53Z (GMT) No. of bitstreams: 2 Dissertação - Carmela de Mattos - 2017.pdf: 7163048 bytes, checksum: 92fb376a2d2cacaf89e7ad1facfe016e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-12-26T10:29:53Z (GMT). No. of bitstreams: 2 Dissertação - Carmela de Mattos - 2017.pdf: 7163048 bytes, checksum: 92fb376a2d2cacaf89e7ad1facfe016e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-12-15 / The aim of this research was to analyze Otakar Ševčík’s methodological approach to the violin initial learning and to demonstrate the auditory reference construction points for the placement of the left hand fingers on its strings, starting with the ‘Semitone System’ finger patterns inserted in his ‘Violin Method for Beginners’ op. 6. The cognitive development process in learning was discussed, as well as the applicability of methodological procedures related to the present muscular and auditory memory in the mentioned pedagogical proposal. The research methodology was ‘Qualitative’ with methodological procedures of ‘Bibliographic Survey’ and ‘Documentary Analysis’, which enables the identification of relevant information and data, so that relations with the Otakar Ševčík teaching methodology could be established. The bibliographical survey organization and the research relevant documents resulted in a ‘Corpus of texts’ firstly with excerpts of specific music authors which highlight the use of auditory references and finger patterns in violin teaching and learning methodologies; and secondly with pedagogical literature authors that according to the researcher could base the pedagogical practice of Ševčík (1901a): Morin (2007), Penna (2011), Harder (2003), Bourdieu, cited by Sandra Pesavento (1995), Folleto (2010), Gerle (2015), Perdomo Guevara (2005), Swanwick (1994) e Póvoas (2006). The research highlighted the publication importance of Ševčík’s pedagogical works as a factor that since 1881 may have led to a complete violin pedagogy transformation and consequently in it’s teaching and learning. The analysis of the ‘Corpus of texts’ made it possible to identify one (1) category to highlight: ‘Teaching / Learning’. It is concluded that there is an inseparable relationship between violin teaching and learning. The analysis of Otakar Ševčík’s methodological approach to initial learning has pointed to interconnection of cognitive processes in simultaneous complex movement execution in initial learning, and it was possible to identify orderly and determinant methodological procedures that can lead to auditory reference construction and gradual development of differentiated technical skills in the course of violin initial teaching and learning process. / O objetivo desta pesquisa foi analisar a abordagem metodológica de Otakar Ševčík para o aprendizado inicial do violino e evidenciar a construção de referenciais auditivos para a colocação dos dedos da mão esquerda nas cordas do instrumento, a partir dos padrões de dedos do ‘Sistema dos Semitons’ inserido em seu ‘Método de Violino para Principiantes’ op. 6. Discutiu-se o processo de desenvolvimento cognitivo na aprendizagem, bem como a aplicabilidade de procedimentos metodológicos relativos à memória muscular e auditiva presentes na referida proposta pedagógica. A metodologia da pesquisa foi ‘Qualitativa’ com procedimentos metodológicos de ‘Levantamento Bibliográfico’ e de ‘Análise Documental’, possibilitando a identificação de informações e dados relevantes para estabelecer relações com a metodologia de ensino de Otakar Ševčík. A organização do levantamento bibliográfico e de documentos relevantes à pesquisa resultou em um ‘Corpus de textos’ primeiramente com excertos de obras de autores específicos da área de música que ressaltaram a utilização de referenciais auditivos e de padrões de dedos em metodologias de ensino e aprendizagem do violino; e num segundo momento com autores da literatura pedagógica que puderam fundamentar, segundo a pesquisadora, a prática pedagógica de Ševčík (1901a): Morin (2007), Penna (2011), Harder (2003), Bourdieu, citado por Sandra Pesavento (1995), Folleto (2010), Gerle (2015), Perdomo Guevara (2005), Swanwick (1994) e Póvoas (2006). A pesquisa destacou a importância da publicação das obras pedagógicas de Sevcik como fator que desde 1881 pode ter ocasionado uma completa transformação na pedagogia do violino e, consequentemente, no ensino e aprendizagem do instrumento. A análise do ‘Corpus de textos’ possibilitou a identificação de 1 (uma) categoria a destacar: ‘Ensino/ Aprendizagem’, concluindo-se que há uma relação indissociável entre ensino e aprendizagem do violino. A análise da abordagem metodológica de Otakar Ševčík para o aprendizado inicial apontou para a interligação de processos cognitivos na execução de movimentos simultâneos complexos na aprendizagem inicial e foi possível identificar procedimentos metodológicos ordenados e determinantes que podem conduzir à construção de referenciais auditivos e ao desenvolvimento gradativo de habilidades técnicas diferenciadas no decorrer do processo de ensino e aprendizagem inicial do violino.

Os referenciais tecnológicos são documentos técnicos de referência, não normativos, elaborados e consensualizados por agentes da cadeia produtiva, visando à disseminação das boas práticas para o processo de produção de edifícios (planejamento, projeto, execução, uso, manutenção e pós-uso), com o intuito de se obter qualidade e adequado desempenho do produto final, bem como de consolidar e difundir o conhecimento no setor. Documentos como esses já são efetivamente utilizados em diversos países, como modelos de códigos de práticas (PRGHO_FRGHV ou FRGHV_RI_SUDFWLFHV) e guias de práticas recomendadas (EHVW_ SUDFWLFH_ JXLGHV); enquanto a construção civil brasileira, apesar de algumas iniciativas, ainda está aquém do desejado nessa área. Assim, o objetivo dessa dissertação é analisar, discutir e propor orientações técnicas, metodológicas e institucionais para a elaboração e implementação de referenciais tecnológicos para o setor de edificações no Brasil. Para tanto, faz-se uma pesquisa e caracterização de documentos nacionais, como cadernos de encargos e manuais técnicos, discutindo a estrutura e o conteúdo dos mesmos e mostrando ainda, por meio de um estudo de caso, a aplicação prática de um documento utilizado em habitações de interesse social no Estado de São Paulo (Manual de Controle de Obras e Serviços). Apresentam-se, ainda, alguns documentos estrangeiros, além de um estudo mais detalhado sobre os documentos técnicos utilizados na França ('RFXPHQWV_7HFKQLTXHV_8QLILpV___'78), discutindo-se a sua adaptação à realidade brasileira. Concluise o trabalho analisando, dentre outros fatores, o conceito de referenciais tecnológicos, seu contexto e interfaces, dando orientações quanto à estrutura e ao conteúdo de documentos desse tipo e citando dificuldades e oportunidades de desenvolvimento e aplicação dos mesmos, bem como a necessidade de ações paralelas, incluindo de natureza institucional, que contribuam para o seu uso prático e efetivo. / The “ technical references” are documents that can be used in different phases of the a building project, with no legal effect as standards or Codes, developed by the agents of the industry, to establish and disseminate best practices for planning, design, execution, use, maintenance and post-use phases, with the aim of to achieve quality and performance of the final product and to consolidate and to broadcast knowledge. Such documents exist in different countries, as the “model codes” or “ codes of practices” and the “ best practice guides” , but this is not the case in Brazil, even though we can find some initiatives in this way. Consequently, the objective of this research is to analyse, discuss and propose technical, methodological and institutional orientations to the implementation of technical referencesfor the building construction sector in Brazil. For this purpose, there is a review of documents such as procurement texts and technical manuals, an analysis of their structures and contents and a deeperexamination of the application of the document used in social housing projects in Sao Paulo. Some foreign documents are also analysed, as well as the technical documents model used in France ('RFXPHQWV_ 7HFKQLTXHV_ 8QLILpV_ __ '78), discussing its adaptation to fit Brazilian reality. The conclusion of this work lies in the analysis, amongst other factors, of the concept of technical reference documents, its context and interfaces, bringing orientation concerning their structure and content, and presenting difficulties and opportunities of developing and using them, as well as showing the need of additional actions, including those of institutional nature, that contribute to their practical and effective use.

The aim of this paper is to analyse what strategies may be the most suitable ones when dealing with problems in the translation of a text on human trafficking. The focus of the study is how to translate terminology related to human trafficking, but also on how to deal with references to culture-specific phenomena. In order to find possible solutions for translation problems in the text, different dictionaries and term banks were used, as well as parallel texts and different translation strategies.           The analysis is based on the translation strategies laid down by Vinay and Darbelnet, Ingo and Newmark. The findings of the study show that a number of different translation strategies had to be applied in order to solve the different translation problems. Regarding the translation of terminology, modulation, equivalence, addition and omission were the most useful strategies, as well as using parallel texts. The strategies found most useful in translating culture-specific phenomena were modulation, equivalence and addition, but componential analysis, transference and established translations were also used. Factors that decided what were the most appropriate strategies to apply in the different instances were the aim of the text, the perspective of the target reader and parallel texts.

Dans le champ de la création littéraire arabe contemporaine, la thématique de l’intertextualité comme source de création littéraire touchant le domaine du roman trouve une double origine. D’une part, l’étude des grands romanciers arabes contemporains montre que ces derniers reprennent les récits antérieurs de caractère essentiellement épique, historique et religieux, pour les reproduire dans un style et un contexte romanesque qui leur sont propres, sans pour autant s’éloigner du thème original. D’autre part, la question de l’intertextualité comme source de création littéraire trouve son fondement dans le rôle dévolu à la mémoire et au savoir. Afin de saisir la manière dont ces deux sources sont utilisées, nous allons tenter d’aborder ces questions en analysant les études universitaires et les critiques littéraires actuelles afin de constituer ainsi une argumentation objective. Partant de là, pour cerner la question de l’intertextualité comme source de création littéraire dans le roman arabe contemporain, nous structurerons notre travail en trois parties. La première aura pour titre : « Citations et Références » - ces deux termes posant, par leur juxtaposition, la question de la relation entre la citation intertextuelle et le lecteur. La seconde partie sera intitulée « Allusions et Evocations » - ce couple de termes posant la question de la relation entre l’intertextualité et la mémoire (historique, culturelle) contenue dans la littérature. Enfin, la troisième partie aura pour titre « Reprises et Remaniements » - ces deux termes posant la question de la reprise textuelle et de la relation de dérivation existant entre les textes. Au terme de chaque partie, nous proposerons un récapitulatif des principaux points abordés, en exposant des arguments visant à expliquer l’intérêt de l’intertextualité dans le processus de renouvellement de la création romanesque arabe contemporaine. / In the field of contemporary Arabic literature, the theme of intertextuality as the source of novelistic literary creation possesses a double origin. On the one hand, the study of major contemporary Arabic novelists shows that they make use of prior narratives of essentially epic, historical and religious character, reproducing them in a romantic style and context that is entirely their own, but without departing from the original theme. On the other, intertextuality as the source of literary creation takes for its foundation the role played by memory and knowledge. In order to grasp the way in which these two sources are used and why, we are going to approach the question by analyzing university studies and current literary criticism on the subject, thereby constructing an objective argument. Then we will structure our work in three parts. The first will be entitled: “Quotations and References”, a juxtaposition posing the question of the relationship between the intertextual quotation and the reader. The second part will be entitled: “Allusions and Evocations”. This pair of terms will be concerned with the relationship between intertextuality and memory (both historical and cultural), which is contained in the literature. Finally, the third part will be called: “Resumptions and Reorganisations” – these two terms raising the question of textual resumption and the divergent relationship existing between texts.

Inicialmente é apresentado o resgate teórico e documental sobre o tema Patrimônio Cultural de Natureza Imaterial, foco da dissertação. Seguindo as ideias da Convenção para a Salvaguarda do Patrimônio Imaterial da UNESCO e o método de pesquisa proposto pelo IPHAN no Inventário Nacional de Referências Culturais INRC, optou-se por investigar se o Agnolini, como manifestação da gastronomia da Região de Colonização Italiana, na Serra Gaúcha, RS, Brasil, poderia ser caracterizado como referência cultural imaterial nos termos do INRC. Diante dessa problemática, os métodos utilizados no processo foram a pesquisa bibliográfica e documental, as técnicas da etnografia e história oral e a aplicação do questionário sobre ofícios e modos de fazer do INRC. A base epistemológica das discussões é a Antropologia seguindo a luz da interpretação. A pesquisa propõe a inserção do patrimônio cultural imaterial nos estudos Turísticos, em particular no Turismo Cultural. / Initially we present the theoretical and documental rescue on the Cultural Heritage of Intangible Nature that is the focus of the dissertation. Following the ideas of the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO and the research method proposed by IPHAN of the Inventário Nacional de Referências Culturais INRC. We chose to investigate whether Agnolini, as manifestation of the gastronomy of the Italian Colonization Region in Serra Gaúcha, RS, Brazil, could be characterized as intangible cultural reference in terms of INRC. Thus the methods used in the process were bibliographic and documental research, the technique of ethnography and oral history and the application of a questionnaire about crafts and ways of making , as suggested by the INRC. The epistemological basis of the discussions is the Anthropology following the light of the interpretation. The research proposes the insertion of the intangible cultural heritage in Tourism studies particularly in the Cultural Tourism.

This master‘s thesis is formed as a part of the research project for whose analyse is used the worldwide experimental network called PlanetLab. The whole dilemma is engaged by IPTV technology. IPTV is a protocol that makes possible transfer data of a television content over the Internet to the end user. In the IPTV technology the server is a source. These data are presented as a video and audio signal (streem) which are required to deliver to the end users. Some structure, which presents alternate these computers´connection, has been established, because the technology making use of the big pretention is used. The most patent way between the source and the destination is found. My objective is design this structure in the pursuit. The principle of the signal ramification from one node to several nodes (in group) is called multicast. Rather said from one node to the set of nodes. In the IPTV is presented each one single program for one multicast group. The concrete end users (recipients) are members of one or several obtainable multicast groups. The switch between programs demands a change from one multicast group to other group. For an analyse is used the worldwide experimental network called PlanetLab. This network was created after the floatation of three American´s universities in 2002. Nowadays it takes in more than 800 nodes which are distributed over the world. The PlanetLab is used by multinational company such as the Intel or the Hewlett-Packard. It is created for the testing and the scientific scope. I make the scripts in the Linux for the formation of the interconnecting structure. The main item by the course of the unreeling is response time. I investigate it with a command called “ping”. Everything is created in the Linux because all nodes use the operation system Linux in PlanetLab. By the help of the command “ping” I take the active nodes and response times. According to the response time I make a distance vectors which are used for the finding a location in the face of the references points which were determined before. According to the similarity of these vectors is designated to what end point is put to the point.