Global ETD Search

11	Mening – minne:glömska : En läsning av Birgitta Trotzigs Dykungens dotter Wellander, Dag January 2008 (has links) Dag Wellander: Meaning – memory: oblivion. A reading of Birgitta Trotzig’s The mud kings daughter. Master of Arts paper. Written in Swedish. 115 pp. Department of Literature and History of Ideas, Stockholm University, SE – 106 91 Stockholm The purpose of the paper is to treat one question, including the consequences of it’s answer, the question if The mud kings daughter is a text that has meaning. The question is in a first series of steps being approached by the way of scrutinizing the meaning found in the text in accordance with the methodology applied by those four dissertations that are available on the subject, i.e. on The mud kings daughter. These examinations do not find that the alleged forms of meaning stated by the dissertations is being produced by the text. On the contrary striking similarities is being found between these alleged forms of meaning on the one hand, and on the other the unfounded, disambiguated meaning that, according to Shoshana Felman, Freudian and anti-Freudian critics alike, have said is to be found in Henry James’ short novel The Turn of the Screw. In a following series of steps – some of which are being taken on Jacques Derrida’s advice – the rhetorical functioning of the textual ambiguity is observed and often found to be enchanting, whereupon the rhetorical necessity of the textual ambiguity is found to be affliction. This split between the rhetorical functioning of the textual ambiguity as rather enchanting, and the rhetorical necessity of the textual ambiguity being affliction, is then treated as something that hardly could be understood, and, accordingly, as something that might be understood as something that could not be understood. The idea is being put in that this split could be thought of as an inversion of oblivion into a living memory of a forgotten reading impression, an idea that is being inspired by the inversion of oblivion into a living memory in Marcel Proust’s In Search of Lost Time. Keywords: Birgitta Trotzig, Shoshana Felman, Jacques Derrida, Marcel Proust, meaning, ambiguity, memory, oblivion. Keywords: Birgitta Trotzig Shoshana Felman Jacques Derrida Marcel Proust mening ambiguitet minne glömska. Literature Litteraturvetenskap
12	Samhällsordningen i Birgitta Trotzigs Dykungens dotter / The Social Order in Birgitta Trotzig's Dykungens dotter Flodell, Hampus January 2023 (has links) Studiens syfte är att visa hur sociala förhållanden tematiseras i Birgitta Trotzigs roman Dykungens dotter, med fokus på uteslutningsförhållanden. Med hjälp av en strukturalistisk metod hämtad från Michel Serres avtäcker analysen närvaron av en särskild operation av grundande uteslutning inom olika samhälleliga sfärer som presenteras i romanen. Operationen betraktas i analogi med den syndabocksmekanism som René Girard teoretiserat. Det blir därmed möjligt att i det samhälle som Trotzigs roman presenterar se en hierarkisk ordning byggd på ett uteslutet element, ett som förkroppsligas i bland annat den växande kroppen, den trängtande sexualiteten, den kringdrivande befolkningen och dylandets levande oordning. Birgitta Trotzig Dykungens dotter samhällsordning uteslutning René Girard syndabocksmekanism Michel Serres strukturalism General Literature Studies Litteraturvetenskap
13	När utlandsadopterade författare skriver om sig själva: om berättarposition och framställning i självbiografier : When transnationally adopted authors write about themselves: considering narrator position and self-construction in autobiographies Sundelin, Jennifer January 2021 (has links) This essay explores the life writing of two transnationally adopted authors of Scandinavian nationality. Both are adopted from Korea and the essay aims to analyse how they make use of self construction, or how they stage themselves as subjects in their autobiographies. It also discusses how multiculturalism affects the writers perspective and how this is woven into the narrative. My thesis is that those who are seeking their identity in their past, but cannot find any answers there, experience a certain void that needs to be filled. A comparative reading of the two adoption memoirs Kinamann ( Tjønn, 2011) and Blod är tjockare än vatten (Trotzig, 1996) illustrates this. On the one hand this void both empowers and complicates the construction of narrative identity. On the other hand it allows for interesting differences in narrative technique to emerge between how the two authors construct and interpret their lives. Litteraturvetenskap självbiografier adoption adoptionsmemoarer berättarposition framställning självkonstruktion Trotzig Tjønn Hübinette Butler Riceour Vulovic Humanities and the Arts Humaniora och konst
14	När moderskapet inte är tillräckligt : En komparativ studie av Birgitta Trotzigs Dykungens dotter och Sara Stridsbergs Happy Sally Jolind, Sara January 2018 (has links) I beskrivningar av Sara Stridsbergs författarskap är Birgitta Trotzig ett återkommande namn. Främst har deras språkliga likheter betonats, men det finns även innehållsmässiga likheter då de båda återkommer till att skriva om moderskap. I denna uppsats jämförs hur moderskap gestaltas i Brigitta Trotzigs Dykungens dotter (1985) och Sara Stridsbergs Happy Sally (2004). Främst studeras hur moderskap gestaltas i de två romanerna, på vilka sätt moderskapet bryter från de rådande könsnormerna samt på vilka sätt verken problematiserar de moraliska aspekter och dilemman som kvinnlig frigörelse och moderskap innebär. Jämförelsen görs genom en tematisk komparativ läsning, och nyckelbegrepp i läsningen är genuskontrakt och norm. I båda romanerna ges en komplex bild av moderskapet, där både kvinnor som vill ha barn och kvinnor som väljer att göra abort skildras. I både Dykungens dotter och Happy Sally finns karaktärer som bryter mot den traditionella modersrollen och mot genuskontraktet, och för dessa normbrott krävs att de betalar ett pris. En skillnad i romanerna är huruvida karaktärerna bryter mot normen av fri vilja eller inte. Birgitta Trotzig Sara Stridsberg Dykungens dotter Happy Sally Moderskap Komparativ läsning Genusteori Genus Genuskontrakt Norm Normbrott Normbrytande Kvinnoroll General Literature Studies Litteraturvetenskap
15	The Japanese Tale Urashima Tarō in a Swedish Children’s book of the Early 20th Century : A Comparative Literary Analysis of the Tale Elements of Urashima Tarō in Ida Trotzig’s book Japanska sagor (Japanese Tales), published in 1912 Wolke, Madeleine January 2022 (has links) The present thesis examines Japanese folktales through a comparative case study of the tale elements of Fiskarpojken Urashima (The fisher-boy Urashima) in the Swedish children’s book Japanska sagor (Japanese tales) written by Ida Trotzig, published in 1912. The book was part of the book series Barnbiblioteket Saga (The Children’s Tale Library). Trotzig’s tale version is compared to historic and contemporary versions of the tale in Japanese, English and Swedish. The comparative tale elements include motifs defined by the author and classified according to Stith Thompson’s motif classes, structural and formal tale elements, and motifs of the religious substrata defined by McKeon. The time period studied includes the birth of Japanese folklore studies, the Russo-Japanese War with a growing interest for Japan in the West and the influx of Western ideas in Japan. Japanska sagor was published around the time when the Urashima tale was added to the National readers by Japan’s Ministry of Education and the narrative was changed, omitting the original love story. Both narratives are represented in the non-Japanese versions from this time, and still today. Trotzig’s version follows the historic narrative that included a love story and shows relatively many romantic elements in comparison to the significant Japanese tale versions recorded during the last millennium. Trotzig’s version contains two new added romantic and emotional elements at the end of the story and the princess was given a new name, Urana No. Trotzig’s version includes all four original motifs of the basic religious substratum and at least four of the nine motifs of the ōo (romantic) substratum, as defined by McKeon. The age of the tale elements can in several cases be traced back to the 8th century texts. Trotzig’s version shares almost all of the compared tale elements with the Hasegawa/Chamberlain version (1886). Japanese tales Folktales Ida Trotzig Children’s literature Folktale collection Urashima Tarô Specific Languages Studier av enskilda språk General Literature Studies Litteraturvetenskap
16	Varan-i-världen : Varan i form och innehåll i En dramatikers dagbok / Being-in-capitalism : The commodity in content and form in Diary of a Playwright Stark Theander, Ellen January 2022 (has links) This thesis explores the commodity as a motif in the first volume of Lars Norén’s Diary of a Playwright, as well as how this motif relates to reification and alienation, and in addition is reflected in the work formally. The study is oriented both towards the text’s depiction of the commodity and its reflections on its own depiction. These descriptions are read in light of Marxist theory and through comparisons with Walter Benjamin’s Passagenwerk, where the latter work also forms a connection to Martin Heidegger and Simone Weil in their capacity of important influences for Norén. Much like in the Passagenwek, the commodity acts as a secret structure in Diary of a Playwright. It organises the text and its seemingly disparate elements on a deeper level. The study contributes to a new understanding of one the greatest Swedish writers in the 20th and 21st centuries. Although the diary has not been the subject of much research, the predominant understanding of the work is, as with Norén’s other writings, largely characterised by a psychoanalytic perspective. Lars Norén Norén En dramatikers dagbok varor varan förtingligande förfrämligande reifikation alienation marxism fenomenologi Frankfurtskolan Walter Benjamin Passagearbetet Passagenwerk Lukács Historia och klassmedvetande Karl Marx Fredric Jameson Guy Debord Simone Weil Martin Heidegger Ulf Olsson Anders Olsson Jesper Olsson Peter Henning Cecilia Sjöholm Mikael van Reis Lars Nylander Birgitta Trotzig Patrik Mehrens Yvonne Blomberg Jan Olov Ullén Göran Sommardal Jakob Staberg Björn Apelkvist Erik Beckman Susan Buck-Morss avskapelse schizofreni varans dialektik marxistisk formalism skådespelssamhället varuformen fetisch fantasmagori General Literature Studies Litteraturvetenskap Humanities and the Arts Humaniora och konst Languages and Literature Språk och litteratur

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