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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 111 to 115 of 115 (0.024 seconds)| 111 |
Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904 / The woman artist: : representations in the journal Palettskrap 1877 – 1904IÖsterberg, Susanna January 2016 (has links)
Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analyserat bildernas uttryck och bildbudskap utifrån Roland Barthes semiotiska metod. För en genusmedveten och kritisk blick på det konsthistoriska sammanhanget, har jag har tillämpat ett feministiskt perspektiv som varit verktyg för att dekonstruera den maskulina myten om modernismen och konstnären. Min undersökning visar att det finns två etablerade stereotyper/kategorier av den kvinnliga konstnären: den ”okvinnliga” konstnären och ”amatören”. Dessa två stereotyper återspeglar den borgerliga synen på kvinnlighet/femininitet som oförenlig med konstnärsrollen. / I have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist.
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President of Crimea. Constitution : Author(s) Autonomous Republic of Xena-MariaKulykivska, Mariia January 2020 (has links)
In this essay, two voices are heared, from two women: a certain artist Xena, who talks about her life and its dramas, interwoven with her own experiences from her diaries; and the voice of Maria, who analyzes Xena's life story and her art, diffracted through the prim of the history of 21stC art. Art the outset, "President of Crimea. Constitution", announces its author as Xena-Maria; but it is not yet clear whether the author is one person or two, nor who they are. Is it Maria who writes here, or Xena, or both? Or are they one and the same person? But at the end of the story, which is told rather in a form of certain legends and fairy tales, Maria and Xena turn into one whole, and meaningfully put an ellipsis after the words "to be continued". This reception was specially intended by the artist Maria Kulikovska, author of this essay, in order to protect both herself and the reader from possible persecutions by migration services and goverment officials of various countries, especially Russia. Also, for her it is an opportunity to step aside and analyze her own life and art form a third person, about which, perhaps, a fictional character from her childhood talks - a sensible step for Maria Kulikovska. The step that her creative language conceptually continues is to replicate casts of her own body and establish them in different spaces and contexts. So she fairly confuses the viewer as to where is the truth, and where is fiction; where is herself, and where is her clone - only now, here, she has applied the same trick in her text. This essay tells a very personal story of the life of a human body, a migrant woman in forced relocation, displacements, alienation and persecutions for her views on life and the conduct of society, and for her moral values expressed throught architecture, sculpture, drawings, performances, actions and public statements. Through the prism of geopolitical upheavals, it tells the artist's own story: How her analysis of own body position and boundaries helped her overcome stigma regarding the body of a woman from Eastern Europe, and how art can save and redeem in an unending inner drama.
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Gustáv Husák. Politická biografie se zvláštním zřetelem k česko-slovenským vztahům ve 20. století / Gustav Husák. A Political Biography with Special Emphasis on Czech-Slovak Relations in 20th CenturyMacháček, Michal January 2017 (has links)
Bibliographic record: Michal MACHÁČEK: Gustáv Husák. A Political Biography with Special Emphasis on Czech-Slovak Relations in 20th Century, PhD. thesis, The Faculty of Arts at Charles University 2017, 476pp. [784 standard pages]. Abstract The dissertation thesis discusses public activities, thoughts and the political life of JUDr. Gustáv Husák, CSc. (1913-1991), who was involved in the Czech-Slovak public space for sixty years with a significant footprint even today. The text is based on a thorough research and is chronologically structured, intertwined with thematic areas, however an analytical approach prevails. The first chapter focuses on Husák's youth, the factors that led him to the communist movement, and his early activism. This is followed by a portrayal of the Husák's activities during the Second World War, his role in the resistance, participation in a propaganda trip to the Nazi conquered Ukraine, and his vision of Slovakia as a republic of the Soviet Union. His later involvement in the Slovak National Uprising provided the legitimacy of his later political career in the post-war era, when he successfully led the struggle for the communist monopoly of political power in Czechoslovakia and attempts to present the Communist Party of Slovakia as a national party. Next two chapters show the origins...
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Javorská zámecká knihovna Otty ml. z Nostitz / Castle Library of Otto Jr. on Nostitz in JaworŠípek, Richard January 2013 (has links)
CASTLE LIBRARY OF OTTO JR. OF NOSTITZ IN JAWOR The library of Otto Jr. of Nostitz was founded in the beginning of the 1650's in the Lower Silesian castle Jawor. It consists approximately of 5 000 volumes and its structure as well as its history makes it unique and elevates the Jawor library among the most interesting book collections of early modern Europe. Shortly after death of its founder, the library was bought by Otto's brother Johann Hartwig of Nostitz and moved to the newly built palace in Malá Strana in Prague where it laid the foundations of the new family library of the house of Nostitz. The library is placed in two rooms on the second floor till today. The thesis tries to introduce the personality of the founder of the Jawor library Otto Jr. of Nostitz, his tastes in the book purchase as well as the topical structure of his book collection and its future fates. Notwithstanding, the main point of the doctor thesis is to present the issues of the thorough provenance research of the oldest part of the library. The terminus ante quem for the year of edition of the books relevant for the provenance research marks out the death of Otto Jr. in the year 1665. The most recent and complete catalogue of the Nostitz library in the present use dates back to the 19th century and shows remarkable leaks and...
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Ambition und Leibdistanz. / Sozialer Aufstieg als Indikator eines ambivalenten Zivilisierungsprozesses zwischen 1800 und 2000 / Ambition and distance from the body. / Social mobility as an indicator of an ambivalent civilising process between 1800 and 2000Schömer, Frank 12 July 2006 (has links)
No description available.
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