GOMES, Daniel Pinto. Boi juventude e o Folclore do Bumba meu boi no Grande Pirambu. 2013. 156f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2013. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-09-22T11:37:56Z No. of bitstreams: 1 2013_dis_dpgomes.pdf: 2378163 bytes, checksum: 04118fe910cadb2286a0f2e078a17a46 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-09-22T17:14:12Z (GMT) No. of bitstreams: 1 2013_dis_dpgomes.pdf: 2378163 bytes, checksum: 04118fe910cadb2286a0f2e078a17a46 (MD5) / Made available in DSpace on 2014-09-22T17:14:12Z (GMT). No. of bitstreams: 1 2013_dis_dpgomes.pdf: 2378163 bytes, checksum: 04118fe910cadb2286a0f2e078a17a46 (MD5) Previous issue date: 2013 / This dissertation titled Youth and the foklore of Bumba meu boi at Grande Pirambu sought to answer the following question: how is the process of cultural training in the activities of Boi Juventude in the Grande Pirambu community? In this perspective, the general objective of this study is to analyze the configuration of the folklore Bumba meu boi at Grande Pirambu , through the voices and institutional devices used by people play with the “boi” of the region in its creation and recreation process. It was also followed the following specific objectives: understanding the evolution of folklore studies in Brazil, identifying the social and cultural aspects that relate to the folklore of the Bumba meu boi, more specifically, the importance of the Boi Juventude acting for the social and cultural training of the people involved in it. The discussion on the Bumba meu boi was set from the critical subdidies to its retelling in contemporary. It has as the subjects of the research participants of the cultural group Boi Juventude and components from other groups of "boi" of the aforementioned region, an ethnographic study was developed that sought to approach the systematic knowledge to the particular universe of the ones concerned with the issue. The participant observation, open interviews and the field diary were used as research techniques. For data collection, photos were got, video footage and written documents related to the "boi" and filed by the subjects of the research.It was concluded that the Bumba meu boi from Grande Pirambu is configured as a catalyst in promoting the cultural identity of that population, legitimizing, through the folklore of "boi", an educational process developed within the framework of informality. The folklore of "boi" in Grande Pirambu adds its peculiarities to the historical and social context of the region. This mishap some factors were decisive: public and private policies of funding of culture in general, aggregating values related to the competition between different groups of "boi" and its recognition by the public; the ludic and aesthetic aspects of the game, encouraging the participants the interest in art education, and also the family context in which it develops the tradition of Bumba meu boi in Grande Pirambu. / O presente trabalho de dissertação intitulado Boi Juventude e o folclore do Bumba meu boi no Grande Pirambu buscou responder a seguinte indagação: como se dá o processo de formação cultural nas atividades do Boi Juventude na comunidade do Grande Pirambu? Nesta perspectiva, o objetivo geral deste trabalho é analisar a configuração do folclore do Bumba meu boi no Grande Pirambu, através das vozes e dispositivos institucionais utilizados pelos brincantes de “boi” da região, no processo de criação e recriação do mesmo. Seguiram-se, ainda, os seguintes objetivos específicos: compreender a evolução dos estudos de folclore no Brasil, identificando os aspectos sociais e culturais que se relacionam ao folclore do Bumba meu boi, mais especificamente, a importância da atuação no Boi Juventude para a formação social e cultural de seus brincantes. Nutriu-se a discussão sobre o Bumba meu boi de subsídios críticos à sua releitura na contemporaneidade. Tendo como sujeitos da pesquisa brincantes do grupo cultural Boi Juventude e componentes de outros grupos de “boi” da região supracitada, fora desenvolvido um estudo de cunho etnográfico que buscou aproximar o saber sistematizado ao universo particular destes envolvidos com o tema. A observação participante, as entrevistas abertas e o diário de campo foram utilizados como técnicas da pesquisa. Para a coleta de dados foram realizados levantamentos de fotos, filmagens e documentos escritos, relacionados ao “boi” e arquivados pelos próprios sujeitos da pesquisa. Concluiu-se que o Bumba meu boi do Grande Pirambu se configura como um catalisador na promoção da identidade cultural daquela população, legitimando, através do folclore do “boi”, um processo educativo desenvolvido no âmbito da informalidade. O folclore do “boi” no Grande Pirambu acrescenta suas especificidades ao contexto histórico e social da região. Neste percalço alguns fatores foram determinantes: as políticas públicas e privadas de financiamento da cultura de maneira geral, agregando valores relacionados à competição entre os diferentes grupos de “boi” e seu reconhecimento pelo público; os aspectos lúdicos e estéticos da brincadeira, estimulando nos brincantes o interesse pela formação artística, e, ainda, o contexto familiar em que se desenvolve a tradição de Bumba meu boi no Grande Pirambu.

Este estudo consiste numa reflexão acerca da identidade cultural no contexto contemporâneo, mais especificamente, da cultura brasileira teuto-gaúcha e da sua representação na literatura sul-rio-grandense contemporânea. Para tanto, realizou-se um levantamento de obras da literatura gaúcha mais recente que focalizam os imigrantes e descendentes alemães como personagens centrais da narrativa, dentre as quais se selecionou um corpus constituído pelos livros A asa esquerda do anjo (1981), de Lya Luft, e Valsa para Bruno Stein (1986), de Charles Kiefer. A partir da análise realizada, percebeu-se que a cultura teuto-gaúcha é representada através de uma ambigüidade marcante na vida dos protagonistas, oriunda do entre-lugar de sua condição intervalar, constituída pela herança cultural alemã e pela vivência no contexto brasileiro. De um modo geral, a presença da cultura teuto-gaúcha pode ser notada no emprego da língua alemã, na rigidez dos costumes e comportamentos familiares, no preconceito interétnico e de gênero, na culinária e na religião defendida e posteriormente abandonada (no caso de Bruno Stein). Desse modo, tornam-se evidentes as marcas da imigração germânica – iniciada a partir de 1824 – na literatura contemporânea produzida no Rio Grande do Sul. Tal cultura, traduzida pelos seus descendentes e integrada ao contexto brasileiro, deu origem à cultura híbrida teuto-gaúcha, própria do grupo em questão, cujos representantes ainda se fazem notar, conforme atestam os romances analisados. / The present research is a reflection about the cultural identity in the contemporary context, more specifically, about the Teuto-Gaucha Brazilian culture and its representation on the contemporary riograndense literature. For this reason, it was researched books on the gaucha literature which focus the immigrants and German descendents as main characters in the narrative. Among these books it was selected a corpus consisting from A Asa esquerda do anjo (1981), by Lya Luft, and Valsa para Bruno Stein (1986), by Charles Kiefer. Based on the performed analysis, it was noticed that the Teuto-Gaucha culture is represented through a stressed ambiguity in the main characters life, which came from an in-between place condition, consisting of the German culture heritage and the life in Brazil. In general, the presence of the Teuto-Gaucha culture can be observed in the use of the German language, in the strictness of the customs and behaviors, in the ethnic and genre prejudice, in the food and religion defended and later abandoned (in the case of Bruno Stein). This way it is clearly perceived the marks of the German immigration – which began in 1824 – on the contemporary literature written in Rio Grande do Sul. This culture, translated by the German descendents and integrated into the Brazilian context, created the hybrid Teuto-Gaúcha Brazilian culture, specific from this group, whose members are still visible, considering the novels analyzed.

Introduction: An interconnected world is impelling workforce composition towards cultural heterogeneity. Since leadership is a cultural construct, leaders should display those styles that enable them to function effectively in culturally varied conditions. Cultural intelligence could assist leaders in this respect. Purpose: To investigate the role cultural intelligence plays in the leadership style (empowering and directive leadership) and leadership effectiveness domain, so as to aid leader selection and development. Method: A systematic review of the cultural intelligence literature, coupled with content and thematic analysis, allowed for the knowledge to be organised per the concept, definition and truth statement (validated hypotheses) elements of the general body of scientific knowledge framework. Correlation and regression analysis of cross-sectional survey data, from 1140 respondents, were used to assess relationships between leader cultural intelligence, leadership styles (empowering and directive) and leadership effectiveness. Results: Nine concepts associated with, and 24 different definitions of cultural intelligence, were identified. Sixty percent of hypotheses on cultural intelligence have been confirmed as truth statements. The relationship between leader cultural intelligence and empowering leadership demonstrated a large practical effect. This relationship was underpinned primarily by metacognitive and motivational cultural intelligence. The relationship with directive leadership carried a medium practical effect, and was strongest at the motivational and cognitive cultural intelligence levels. The part played by subordinates’ cultural identity in the display of empowering and directive leadership by culturally intelligent leaders was insignificant; rather, leader cultural intelligence was the dominant informant of these leadership styles. Finally, leader cultural intelligence did not impact the relationship between empowering leadership and leadership effectiveness. Although it did negatively affect the directive leadership and leadership effectiveness relationship, the moderation had no practical effect. Conclusions: The concepts associated with cultural intelligence are: accomplishment, culture, expatriates, experience, fit, intelligence, motivation, supervision and training. Cultural intelligence definitions remain mostly based on those of the seminal authors. The majority of truths cover just six themes. Leadership style (empowering and directive) is a function of leader cultural intelligence. Although leader cultural intelligence extends beyond subordinates’ cultural identity in predicting empowering and directive leadership, it does not influence their relationships with leadership effectiveness. / Graduate School of Business Leadership (SBL) / D.B.L.

Most current studies of suffering are based upon an existential approach which focuses on suffering itself. Theodicy has mainly been concerned with people's attitudes and communication within themselves and with others about religious symbols and ideas. Particularly, this study examines the Korean attitude to suffering using its cultural dimension in a contextual hermeneutics. The researcher was interested in two notions: personal identity in its cultural dimension and the hermeneutics of suffering. The research questions addressed were as follows. a) How to define Korean personhood? b) What is cultural identity? c) How do people create personal identity? d) How does a person cope with suffering? The chief findings were as follows. a) A study of Korean self-understanding can be accomplished by exploring their lifeworld to describe and understand this people's language for daily communication, popular cuJtural myths, and spirituality. b) Cultural identity in this thesis means indigenous Korean self-understanding using the socio-cultural framework in its own terms and ideas. This self-knowledge mediates history, culture, and language. c) Personal identity is constructed by a narrative identity. d) Suffering can be coped with by communication with and through oneself, others, and God. / Philosophy, Practical and Systematic Theology / D.Th. (Practical Theology)

Text in Afrikaans / Hierdie studie handel oor derdekultuur-kinders in Suid-Afrika met die fokus daarop om die fenomeen aan ouers, kinders, onderwysers, sielkundiges en ander belangstellendes bekend te stel. Derdekultuur-kinders is die term wat geskep is om kinders te benoem wat vir 'n tydperk tydens hulle ontwikkelingsjare saam met hulle ouers in die buiteland deurbring en hul daar vestig, maar weer na hul vaderland terugkeer. 'n Derdekultuur word geskep indien die kinders dele van hul ouers se kultuur en dele van die kultuur van die gasheerland integreer ten einde geredelik in die gasheerland te funksioneer. Die probleem ontstaan egter wanneer hierdie kinders na hul vaderland terugkeer, aangesien hulle dan nie meer binne hul portuurgroep inpas nie. Die aantal derdekultuur-kinders in Suid-Afrikaanse konteks het sedert 1994 met rasse skrede vermeerder, aangesien al hoe meer internasionale maatskappye Suid-Afrikaners in die buiteland in diens neem en Suid-Afrikaanse ambassades in bykans elke land in die wêreld gevestig is. Die tendens om gesinne saam op die internasionale plasing te neem, veroorsaak dat kinders in verskeie lande gevestig word en in hierdie tydperk aan 'n internasionale en bevoorregte leefwyse blootgestel word. In hierdie studie word 'n literatuurstudie onderneem om die profiel van derdekultuur-kinders, hul kulturele identiteitsvorming en omgekeerde kultuurskok met hul terugkeer na hul land van oorsprong, te ondersoek. 'n Empiriese studie is onderneem om te bepaal tot watter mate die profiele en omgekeerde kultuurskok waaraan Suid-Afrikaanse derdekultuur-kinders blootgestel word, vergelyk met dié soos beskryf in die literatuurstudie. Op grond van die inligting verkry uit vraelyste en individuele onderhoudvoering, en inligting verkry uit die literatuurstudie, is riglyne vir 'n hulpprogram saamgestel waarmee ouers hulle derdekultuur-kinders tydens hulle terugkeer na Suid-Afrika kan ondersteun. Terapeute sonder internasionale ondervinding sal ook hierdie hulpprogram nuttig kan vind. Die studie bevestig dat: * die profiel van Suid-Afrikaanse derdekultuur-kinders grootliks met dié van ander lande ooreenstem; * Suid-Afrikaanse derdekultuur-kinders problematiese her-aanpassing by hul terugkeer na hul paspoortland ondervind; * ouers en terapeute bemagtig moet word om derdekultuur-kinders met hul heraanpassingsprobleme te ondersteun. / This study deals with Third Culture Kids in South Africa, focusing on introducing the phenomenon to parents, children, teachers, psychologists and other concerned parties. “Third Culture Kids” is the term used to describe children who have spent a number of their developmental years with their parents abroad, after which they return to their country of origin. A third culture is created when children integrates the culture of their parents together with the culture of the host country in order to function readily in the host community. The problem arises when the children return to their home country as they then encounter problems adapting and fitting into the local community. The number of Third Culture Kids in the South African context has increased dramatically since 1994, as international companies employed more South Africans abroad and many new South African Embassies were established all over the world. The tendency of having the family accompanying the parents to other countries results in the children residing in various countries and being exposed to an international and privileged lifestyle This study consists of a literature study of the profile and cultural identity-formation of Third Culture Kids, as well as the reverse culture shock they experience on their return to their country of origin.An empirical study is conducted to establish how South African Third Culture Kids‟ profiles compare with that of the literature and whether they are affected by reverse culture shock upon their return to South Africa. The information, gathered by means of a survey and individual interviews and from the literature study, was then used to compile guidelines for a programme with which parents would be able to assist their Third Culture Kids during the repatriation to their country of origin. Therapists without international experience would also be able to benefit from using this programme to assist Third Culture Kids. The study confirms that: the profiles of South African Third Culture Kids have commonalities with those described in the literature; South African Third Culture Kids experience problems on re-entry adapting to the culture of the country of origin; parents and therapists should be empowered to assist and support Third Culture Kids with problems relating to their return to their passport country / Educational Studies / D.Ed. (Sielkundige Opvoedkundige)

Most current studies of suffering are based upon an existential approach which focuses on suffering itself. Theodicy has mainly been concerned with people's attitudes and communication within themselves and with others about religious symbols and ideas. Particularly, this study examines the Korean attitude to suffering using its cultural dimension in a contextual hermeneutics. The researcher was interested in two notions: personal identity in its cultural dimension and the hermeneutics of suffering. The research questions addressed were as follows. a) How to define Korean personhood? b) What is cultural identity? c) How do people create personal identity? d) How does a person cope with suffering? The chief findings were as follows. a) A study of Korean self-understanding can be accomplished by exploring their lifeworld to describe and understand this people's language for daily communication, popular cultural myths, and spirituality. b) Cultural identity in this thesis means indigenous Korean self-understanding using the socio-cultural framework in its own terms and ideas. This self-knowledge mediates history, culture, and language. c) Personal identity is constructed by a narrative identity. d) Suffering can be coped with by communication with and through oneself, others, and God. / Philosophy, Practical and Systematic Theology / Th.D. (Practical Theology)

O presente estudo se propõe a uma análise que parte do Cinema Novo, no início dos anos 1960, atravessando todo o período da Ditadura Militar até chegar à extinção da Embrafilme (1990), no governo Collor (1990-1992), procurando compreender como o campo cinematográfico constituiu uma arena de representações de imagens em movimento, disputada por agentes sociais pela obtenção da produção hegemônica das imagens cinematográficas da nação. De um lado, o Cinema Novo, com uma perspectiva cultural nacionalista, e de outro, a política cultural governamental do Estado autoritário e também nacionalista, promotor de uma modernização econômica, e entre elas, outros agentes cinematográficos (exibidores, distribuidores, Embrafilme, Cinema Marginal, pornochanchada, filmes estrangeiros entre outros) interagindo na luta pelo predomínio no processo de produção de filmes que construíam a identidade nacional no campo cinematográfico. Entremeada de contradições, envolvendo concepções sobre cultura popular e cultura de massa, a produção cinematográfica brasileira expressava o conjunto dos projetos em disputa considerando a questão nacional e a cultura popular. O resultado foi uma rica diversidade cinematográfica. / The present study proposes an analysis which ranges from Cinema Novo, in the beginning of the 1960s, covers the years of the military dictatorship and eventually reaches the demise of Embrafilme (1990), during the Collor years (1990-1992), trying to understand how cinema became an arena of representations of moving images, contended by different social agents in their attempt to obtain the hegemonic production of the cinematographic images of the nation. On one side, Cinema Novo, with a nationalist cultural perspective, and, on the other, the official cultural policy of the authoritarian and nationalist State too, which was promoting an economic modernization of the Nation, and, between them, other cinematographic agents (exhibitors, distributors, Embrafilme, Cinema Marginal, pornochanchada, foreign movies among others) interacting in the fight for the preponderance in the process of producing movies which would constitute the national identity in the cinematographic field. Brimming with contradictions, involving conceptions about popular culture and mass culture, the Brazilian cinematographic production expressed the sum of the projects in contention taking into account the issues of the national question and popular culture. The result was a rich cinematographic diversity.

Esta dissertação situa-se na intersecção da literatura com o cinema. O objetivo é lançar um olhar sobre os seus respectivos processos de criação e significação, considerando suas especificidades. Pois mesmo quando parte de um texto literário, o cinema diverge, ultrapassa e atravessa a linha de partida, apresentando diferentes dimensões e processos. Como a literatura e o cinema operam num mesmo espaço, o da narratividade, em um segundo momento, uma análise comparativa é feita, onde as duas obras (o romance e o filme homônimo Lavoura arcaica) e seus textos são confrontados a partir de alguns de seus procedimentos narrativos. Dentro do recorte adotado problematiza-se em que medida o romance e o filme representam o conflito pai/tradição (Iohána) versus filho/modernidade (André), vinculando-o diretamente à questão da cultura regional decorrente do confronto da tradição do imigrante libanês, descendente de uma cultura judaica e cristã, com outro território regional e cultural. Ou seja, procura-se mostrar como esta é percebida e construída através do discurso literário de Raduan Nassar e, posteriormente, traduzida e constituída no discurso fílmico de Luiz Fernando Carvalho. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-21T16:03:28Z No. of bitstreams: 1 Dissertacao Rosemari Sarmento.pdf: 1227474 bytes, checksum: f56455f39c0e9c8918f1e981d393b56a (MD5) / Made available in DSpace on 2014-05-21T16:03:28Z (GMT). No. of bitstreams: 1 Dissertacao Rosemari Sarmento.pdf: 1227474 bytes, checksum: f56455f39c0e9c8918f1e981d393b56a (MD5) / This dissertation is situated at the intersection of literature and cinema. The objective is to launch a new look on its respective creation and signification methods, considered as their specificities. Therefore, even if constructed in part or entirely from a literary text, cinema diverges, exceeds and crosses the initial status, presenting different dimensions and processes. As literature and cinema operate in the same environment, the one of narration, in a second moment, a comparative analysis is made from both works (the romance and the film Lavoura arcaica) and its texts are confronted thru some of its narrative procedures. From the adopted study approach, it is problematized in which measure the romance and the film do present the conflict father/tradition (Iohána) versus son/modernity (André), tying it directly with the question of regional culture decurrent from the conflict between the Lebanese tradition, descendent from a Jewish and Christian immigration culture, and another regional and cultural territory. It shows then how such confrontation is perceived and constructed from the literary speech of Raduan Nassar and, later, translated and constituted into the filmic speech of Luiz Fernando Carvalho.

Análise dos poemas O cão sem plumas , O rio , Morte e vida severina e Quaderna, de João Cabral de Melo Neto. Discussão da representação da região e ultrapassagem do regionalismo nos poemas, com ênfase na descrição do homem e da mulher representantes da oposição da paisagem. Estudo das identidades regionais presentes nos textos, compatíveis com a divisão do estado em quatro universos culturais distintos. Trata-se de uma pesquisa interdisciplinar que transita entre a Literatura, a Sociologia e a Antropologia, e se insere no contexto dos estudos sobre cultura regional. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-21T19:12:29Z No. of bitstreams: 1 Dissertacao Lisiane Delai.pdf: 494892 bytes, checksum: 0a6855efa8f1b477b5e96294d7259053 (MD5) / Made available in DSpace on 2014-05-21T19:12:29Z (GMT). No. of bitstreams: 1 Dissertacao Lisiane Delai.pdf: 494892 bytes, checksum: 0a6855efa8f1b477b5e96294d7259053 (MD5) / Analysis of the poems O cão sem plumas , O rio , Morte e vida severina and Quaderna , by João Cabral de Melo Neto. Discussion about the representation of the region and the overtaking of the regionalism into the poems, with emphasis in the description of the representative man and woman in opposition to the landscape. Study concerning the present regional identities in the texts, according to the division of the state into four distinct cultural universes. The present task is an interdisciplinary research that involves the Literature, the Sociology and the Anthropology, and it is inserted within the context of the studies about regional culture.

Este trabalho discute a presença do mito do lobisomem na obra Fogo Morto, de José Lins do Rego. São abordados os aspectos do mito, do imaginário social e da identidade presentes no enredo, bem como a forma como esses interagem. O estudo centra-se no personagem José Amaro, seleiro de uma localidade rural da Várzea do Paraíba, que através do imaginário social tem sua identidade vinculada ao arquétipo do licantropo. O estudo divide-se em quatro momentos distintos: apresentação da obra Fogo Morto e sua contextualização na literatura brasileira; a constituição do mito do lobisomem em Fogo Morto; o desenvolvimento de um imaginário social e seus efeitos na comunidade; o problema da identidade de José Amaro. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-28T16:27:35Z No. of bitstreams: 1 Dissertacao Dangelo Muller.pdf: 802900 bytes, checksum: 7c2a68fd8a1df2933e69572e298575fb (MD5) / Made available in DSpace on 2014-05-28T16:27:35Z (GMT). No. of bitstreams: 1 Dissertacao Dangelo Muller.pdf: 802900 bytes, checksum: 7c2a68fd8a1df2933e69572e298575fb (MD5) / This work discusses the presence of the myth of the werewolf in the book Fogo Morto, by José Lins do Rego. They are approached the aspects of myth, social imaginary and identity presents in story, well as the form as those interact. The study focuses the character José Amaro, saddler of a rural locality of the Várzea do Paraíba, that through social imaginary haves your identity linked to archtype of the lycanthrope. The study is divided in four distinct moments: apresentation of the book Fogo Morto and his context in the brazilian literature; the composition of the myth of the werewolf in Fogo Morto; the development of a social imaginary and his effects in the community; the problem of the identity of the José Amaro.