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101	De skulle stå upp mot storföretagen : En marxistisk kritik av spelgrafiken i Cyberpunk 2077 med fokus på relationen mellan konsument och producent / Making a stand against capitalism : A marxist critique of game art design in Cyberpunk 2077, concerning representation of consumer-producer relations. Hagman, Fredrik January 2021 (has links) Uppsatsen undersöker spelgrafik i Cyberpunk 2077, mot bakgrund av händelserna kring spelets offentliggörande – som väckte stort raseri och missnöje från inte bara spelarna själva, utan även aktieägare och spelrecensenter. Utgångspunkten i analysen är etablerandet av en diskursiv läsning inom en kvalitativ visuell analys av ett urval bilder som visar hur människor i spelet manipuleras till att köpa produkter som är skadliga för dem. Hur bilderna visar just detta – etableras i en andra, djupare läsning utifrån ett antal marxistiska positioner som alla har gemensamt att de beskriver processer relevanta för Karl Marx’ tankar om alienation och förfrämligande.Resultatet diskuteras sedan i relation till hur verkliga film-, spel-, data- och storföretag säljer produkter genom att paketera dem inuti berättelser om klasskamp, civilt uppror eller arbetarkultur. Sambandet mellan CD Projekt Red’s inbladning i fiktiv och verklig kapitalism, utgör det viktigaste resultatet och den röda tråden för arbetet. Huvudsakligen gestaltar sambandet sig genom upprättandet av en varufetischism och kommodifiering i fråga om hur de gestaltar- och kommunicerar till sina egna konsumenter. Jag diskuterar sedan riskerna med dataspel som tillämpning för en marxistisk kritik, då den interaktiva komponenten i spelandet förutsätter människan som en del av produkten. / The essay surveys relevant game art inside Cyberpunk 2077, in the light of the recent and heavily criticized product launch. The study starts out with establishing a discourse reading through qualitative visual samples of how costumers are manipulated to buy hazardous products inside the fictive context of the game. The examples of how this manipulation takes place, are shown by applying pre-described Marxist positions that are generally connected to Marx phases of alienation (see keywords below). The results are then discussed in relation to how real movie-, game-, computer- and other big business markets products through appropriation of stories and themes such as class struggle, civil obedience or working-class culture. Establishing the comparison between the fictive and existing capitalism of CD Projekt Red is the main thesis that is followed through the work and verified in the result through evidence of 3 commodification and commodity fetishism. The main aspect of the arguments focuzes on how CD Projekt Red has shown the relationship between themselves and their followers through consumers and manufacturers. The thesis and subject matter is discussed in the end of the essay, also mentioning the risks of analysing a digital game through Marxist perspectives, since the interactive part of gaming requires the player to be viewed as connected to the product. Cyberpunk 2077 Discourse Visual analysis Qualitative approach Critical theory The Frankfurt School Commodityfetishism Commodification The Culture Industry Karl Marx’ phases of alienation Cyberpunk 2077 Diskurs Kvalitativ visuell analys Marxistisk läsning Frankfurtskolan Varufetishism Kommodifiering Kulturindustri Visual Arts Bildkonst
102	文化創意、數位內容產業發展之比較研究─以台灣、韓國為例 / The Comparative Study of Culture Creative and Digital Contents Industry：Case Study on Taiwan & Korea 孫正和 Unknown Date (has links) 本研究從探討台灣及韓國兩國目前為扶植文化創意、數位內容產業所推動之發展政策比較，介紹兩國目前的推動政策內容以及發展狀態，並探討為振興整體產業，如何運用相關政策而帶動產業發展，且從中國家力量在推動產業時所扮演的角色及力量。透過台灣、韓國對文化創意、數位內容產業之相關推動政策比較，試圖探討執行政策之優缺點，再進一步比較截至目前為止的發展成果。此外，本研究介紹了台灣、韓國兩國近期在相關產業發展過程中所引發爭論的智財議題，在比較分析兩國文化創意、數位內容產業所面臨的智慧財產議題後，探討兩國在知識經濟時代如何保護運用相關智慧財產，及其與產業發展的關聯。為了解台灣、韓國文化創意、數位內容產業界實際現況及對於政府輔助政策的意見，並探討相關推動政策的實效等，本研究在訪談兩國相關企業後，找出目前產業實際問題所在且蒐集來自產業界的意見，最終導出本研究結果，並依據韓國文化創意、數位內容產業發展的歷程，對台灣文化創意、數位內容產業發展提出本研究的建議。 / This study started from the comparison of the Taiwanese and Korean government policies that are intended cultivate the development of culture creative and digital content industry. By introducing the measures and activities taken officially, we can clearly see how each government acts in the development of their culture creative and digital content Industry, following by discussing the pros and cons of the policies and further comparison of the achievements until now in Taiwan and Korea. On top of the background analysis of the culture creative and digital content industry in Taiwan and Korea, this study introduced the intellectual property related issues that were raised during the development, and discussed how they manage to protect and commercialize their intangible assets and how this effects to the industry. Interviews of local companies were conducted in order to evaluate how the Taiwanese and Korean policies work and see if that really meet the demands of the industry. The conclusion of this comparative study comes from the opinions of the industry, and since the Korean had gone further in the development of culture creative and digital content field, the study came out a few suggestions for Taiwan for their future development in these industries. 文化產業文化創意數位內容著作權文化內容文化內容振興院文化創意產業發展法韓國文化產業振興基本法 Culture Industry Culture Creative Digital Content Copyright Culture Content KOCCA
103	Processo de criação da música pop e expansão dos registros de processo: o caso Let it Be - The Beatles Cappellano, Ana Paula 31 May 2010 (has links) Made available in DSpace on 2016-04-26T18:18:45Z (GMT). No. of bitstreams: 1 Ana Paula Cappellano.pdf: 909570 bytes, checksum: 9bc8bc07daf5a8f573369495814e08b6 (MD5) Previous issue date: 2010-05-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The following dissertation intends to investigate the creative process of pop music from the study of the audiovisual format as a musical creative process register, the documentary film and the making of in particular. Relations and interactions between the music created in the music industry dynamics and the culture of the image, as well as with the expansion of the registers and documents of process of music, from the eletronic record to the video, are established. Pop music refers to that of the Culture Industry, of media insertion, especially mass media, such as the radio, the cinema and the television, and their production is seen as a wide creative network. The documentary Let it Be, by the British group The Beatles, filmed in 1969 and released in 1970, was chosen as case study and, from the processes critique approach and based on the theories of the work of art creative networks, by Cecília Almeida Salles, it is understood as register and index of the collective process of creation of the band. The movie is considered, from this perspective, a precursor of the audiovisual format known today as the making of and, based on their critical analysis, different moments and points of tension are recognised during the creation and recording of an album, nods of the pop music network. We seek to understand how the interactions among their members, the creative subjects, as well as with external factors to that specific process, characterized the collective process of creation of the group at that stage of their career / A seguinte dissertação pretende investigar o processo de criação da música pop a partir do estudo do formato audiovisual como registro de processo de criação musical, em particular, o gênero cinematográfico documentário e o formato audiovisual making of. São estabelecidas relações e interações entre a música criada na dinâmica da indústria fonográfica e a cultura da imagem, bem como com a expansão dos registros e documentos de processo da música desde a gravação eletrônica até o vídeo. Denomina-se música pop aquela da Indústria Cultural, de inserção nas mídias, especialmente as de massa, como o rádio, o cinema e a televisão e sua produção é vista como uma grande rede criativa. O documentário Let it Be, do grupo britânico The Beatles, filmado em 1969 e lançado em 1970, foi escolhido como estudo de caso e, a partir da abordagem da crítica de processos e da teoria das redes de criação da obra de arte, de Cecília Almeida Salles, é entendido como registro e índice do processo de criação coletivo da banda. O filme é considerado, nesta perspectiva, um precursor do formato audiovisual hoje denominado making of e, a partir da sua análise crítica, são reconhecidos diferentes momentos e pontos de tensão durante a criação e gravação de um álbum, nós das redes de criação da música pop. Procura-se entender como as interações entre seus integrantes, os sujeitos criativos, bem como com fatores externos àquele processo específico, caracterizavam o processo de criação coletivo da banda naquele ponto da carreira Processo de criação Redes de criação Música pop Indústria cultural Indústria fonográfica Let it Be (Documentario) The Beatles Criacao (Literaria, artistica, etc.) Musica popular Rock Registros sonoros Creative process Creative network Pop music Communications Culture industry Music industry Making of
104	Förslag till reform av den upphovsrättsliga skyddstiden : En argumentsorienterad studie över skyddstidens längd Holmedal, Samuel January 2015 (has links) No description available. Copyright Authors' rights Term of copyright protection Copyright length Length of copyright Economic rights Moral rights Berne convention TRIPS Sweden USA Elder v. Ashcroft Author Culture industry Society Interests Balance Upphovsrätt Immaterialrätt Upphovsrättslig skyddstid Skyddstid Upphovsrättslig balans Skyddstidens längd Upphovsmannen Samhället Efterlevande Kulturindustrin Upphovsrättens historia Intressekonflikter Upphovsrättsliga argument Ekonomiska rättigheter Ideella rättighter Ideell upphovsrätt Rättspolitik Bernkonventionen TRIPS-avtalet Sverige USA Internationell upphovsrätt Svensk upphovsrätt Amerikansk upphovsrätt
105	Storytelling tricksters: a reader’s coming-of-age in young adult fantasy fiction in Germany Kim, Chorong 13 June 2018 (has links) In this thesis, I examine three works of modern German fantasy fiction for young adults, their common grounding in the Romantic aesthetic framework and in particular the Romantic notion of creativity, and the implication of their unique fantasy fiction paradigm in our modern day. The novels are Michael Ende’s The Neverending Story (1979), Inkheart (2003) by Cornelia Funke and The City of Dreaming Books (2006) by Walter Moers. They represent a Germany-specific narrative paradigm which can be seen in the protagonist readers’ transformation from mere readers into storymakers/storytellers, and in the conflict between a book-loving hero and antagonists who are against literature. The protagonists embody the Romantic notion of creativity that involves the sublimation of a poet’s crisis into an exploration of the self. The mundane is infused with fantasy, thereby elevating reality to an idealised state. These Romantic storytelling readers act as tricksters, a fairy tale archetype that shares similarities with the figure of the Romantic poet. I employ the theoretical frameworks of German Romanticism, Frankfurt School critical theory, and postmodern models, including those by Deleuze and Guattari. I argue for a modern version of the trickster archetype which explains how a complacent, passive reader becomes an active storyteller. / Graduate Michael Ende German Literature Fantasy Fiction Trickster German Romanticism Novalis Cornelia Funke Walter Moers Young Adult Fiction Young Adult Fantasy Fiction German Young Adult Fantasy Fiction The Neverending Story Frankfurt School critical theory Storytelling Die Unendliche Geschichte Tintenherz Die Stadt der Träumenden Bücher Heinrich von Ofterdingen Culture Industry Anglo-American fantasy fiction
106	História, Razão Instrumental e Educação Emancipativa. SILVA FILHO, Adauto Lopes da January 2007 (has links) SILVA FILHO, Adauto Lopes da. História, razão instrumental e educação emancipativa. 2007. 172f. Tese (Doutorado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2007. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-07-02T16:12:48Z No. of bitstreams: 1 2007_Tese_ALSFilho.pdf: 962856 bytes, checksum: 14bf55a3b5216e3480652ebf83283315 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-20T11:10:37Z (GMT) No. of bitstreams: 1 2007_Tese_ALSFilho.pdf: 962856 bytes, checksum: 14bf55a3b5216e3480652ebf83283315 (MD5) / Made available in DSpace on 2012-07-20T11:10:37Z (GMT). No. of bitstreams: 1 2007_Tese_ALSFilho.pdf: 962856 bytes, checksum: 14bf55a3b5216e3480652ebf83283315 (MD5) Previous issue date: 2007 / The central issue in this work is the analysis of the advanced industrial society in the Critical Theory point of view, and re-thinking the meaning of barbarism and domination that is imperative in this viewpoint. Thru Marx’s, Marcuse’s and Adorno’s thinkings, we evidence men’s active role in their historicism, as well as the educational role in this society model. For this purpose we point out Marx’s ontological presuppositions of sociohistorical men’s relations, emphasizing his conception of History and the alienation socially constructed by men themselves. We also emphasize Marcuse’s critique of the Instrumental Reason, pointing out the new individuality patterns that emerge from the technological society, as well as his defense in rescuing the negative thinking as a condition to overcome and transform this society model. We demonstrate Adorno’s analysis of the dominant social relations through culture industry, which ended destroying the individual humane dimension. Based on his analysis, we point out his claims to rescue men’s humanization enabling them to enlightenment and critical reflection, so that they can free themselves of oppression and domination circumstances. We emphasize his beliefs in an emancipatory education which conducts men to the transformation of society. Finally, our work presents Marx’s, Marcuse’s and Adorno’s contributions in making possible this emancipatory and critical education / O trabalho tem como questão central de análise a sociedade industrial avançada do ponto de vista da Teoria Crítica, no sentido de repensar o significado da dominação e da barbárie que nela impera, evidenciando o papel ativo do homem na sua historicidade, como também o papel da educação nesse modelo de sociedade, através do pensamento de Marx, Marcuse e Adorno. Para isso destaca, de Marx, os pressupostos ontológicos das relações histórico-sociais dos homens enfatizando sua concepção de história, bem como a alienação socialmente construída pelo próprio homem. De Marcuse, enfatiza sua crítica à Razão instrumental, destacando os novos padrões da individualidade, surgidos na sociedade tecnológica, como também sua defesa para o resgate do pensamento negativo como condição para superação e transformação desse modelo de sociedade. Quanto à Adorno, demonstra a análise que ele faz das relações sociais dominantes, através da indústria cultural, que culminou com a destruição da dimensão humana do indivíduo e, a partir dessa análise, a defesa que ele faz da necessidade de resgatar a humanização do homem, capacitando-o para o esclarecimento e para a reflexão crítica, a fim de libertá-lo das condições de opressão e de menoridade em que se encontra. Enfatiza sua crença numa educação emancipatória, que conduz o homem para a transformação da sociedade. Finalmente o trabalho mostra as contribuições de Marx, Marcuse e Adorno que apontam e viabilizam essa educação crítica e emancipatória História Razão instrumental Industria cultural Esclarecimento Educação emancipatória History Instrumental reason Culture industry Enlightenment Emancipatory education Pedagogia crítica Educação e filosofia
107	Aproximación a un modelo de gestión cultural territorial. El SARC Pinotti Baldrich, José Luis 24 February 2020 (has links) [ES] La gestión cultural aplicada a un territorio específico. Esta frase circunscribiría el desarrollo temático de la tesis. Cómo intervenir para que el sector cultural que históricamente ha sido productivo en lo social, lo sea también en lo económico, potenciando y apoyando a la industria cultural. Todo ello desarrollando políticas públicas, infraestructuras culturales públicas y potenciando los recursos humanos especializados. / [CA] La gestió cultural aplicada a un territori específic. Aquesta frase circumscriuria el desenvolupament temètic de la tesi. Com intervindre perquè el sector cultural que históricament ha sigut productiu en el fet social, ho siga també en l'econòmic, tot potenciant i donant suport a la indústria cultural. Tot això amb el desenvolupament de polítiques públiques, infraestructures culturals públiques i amb la potenciació de recursos humans especialitzats. / [EN] Cultural Management applied to an specific territory. This sentence would circumscribe the thematic development of the present thesis. How to arbitrate so that the cultural that has historically been productive in a social way, could become also an economical way, empowering and supporting the culture industry. All this developing public policies, public cultural infrastructures and enhancing specialized human resources. / Pinotti Baldrich, JL. (2020). Aproximación a un modelo de gestión cultural territorial. El SARC [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/137775 BIBLIOTECONOMIA Y DOCUMENTACION
108	The importance of counter-culture in art and life Ortlieb, Paulina Elizabeth 03 February 2015 (has links) Punk rock provided not only a watershed of creativity, innovation and a do-it-yourself spirit to a culture saturated in the mainstream, it physically brought like-minded people together in a community, or rather extended family, which in today’s hyper-d.i.y. culture, is progressively declining. As early as the 1940s, theorists such as Adorno and Horkheimer warned us about alienation in a society increasingly dependent on technology. By looking to punk, and other resilient and robust counter-cultures, perhaps we can find solutions to the pitfalls of the ‘culture industry’ (Adorno, Horkheimer, 1944). My thesis, consisting of a feature-length documentary film and textual analysis, is a culmination of: ethnographic research into the punk scene in my own community; theoretical research into the sociology, ethnography and subculture theory; and my own subjectivity. My personal findings are presented to offer insight into punk philosophy and to spur discourse, rather than deliver an objective account or didactic reproach. / Graduate sub-culture music punk rock counter-culture digital age sociology Victoria BC local ethnography documentary filmmaking film studies music sociology D.I.Y musicology grounded theory etic emic qualitative research Frankfurt school subculture theory Adorno Horkheimer egalitarian democracy culture alienation community hardcore globalism internet mass culture self-identity participant observation culture industry consumerism corporatism Vancouver Island fieldwork World Wide Web freedom of expression rebellion technology constructivist subversion CCCS Chicago School nomeansno embodied oral history Somewhere to Go
109	Adorno on Music and Politics Mariasin, Dalia January 2020 (has links) This study aims to discern and assess Theodor Adorno’s theories on music as an ‘art’ and how it impacts both the political and social landscape of society; more broadly, the purposes of this paper is to identify, and determine the significance of, the relationship between music and politics – that is, whether or not, and how, music can emancipate society from capitalist enslavement. In juxtaposing Adorno’s theories, the opinions of Herbert Marcuse will be discussed as well. As both theorists are considered integral to the creation and development of critical theory of the Frankfurt School, it is only logical to examine their theories and ideologies in detail to determine the role of music as an ‘art’ in the overarching scheme of political scaffolding within which society resides. / Thesis / Master of Arts (MA) Adorno Marcuse art music culture industry modernity Mahler capitalism Schoenberg jazz music emancipation false consciousness bourgeoisie class mass deception false needs 'dark' art mass enslavement class conflict 'autonomous' art pop music swing bands 12-tone scale 'extremes' 'high' art 'low' art modernism mass consciousness propaganda conformity anti-conformity culture liberation commercialization commodification 'commodity fetish' fetish of music technique tonality atonality 'art for art's sake' critical reflection status quo

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