<p>Terrain generation is a convoluted and a popular topic in the VFX industry. Whether you are part of the film/TV or gaming industry, a terrain, is a highly nuanced feature that is usually present. Regardless of walking on a desert like terrain in the film, Blade Runner 2049 or fighting on different planets like in Avatar, 3D terrains is a major part of any digital media. The purpose of this thesis is about developing a workflow for large-scale terrains using complex data sets and utilizing this workflow to maintain a balance between the procedural content and the artistic input made especially for smaller companies which cannot afford an enhanced pipeline to deal with major technical complications. The workflow consists of two major elements, development of the tool used to optimize the workflow and the recording and maintaining of the efficiency in comparison to the older workflow. </p> <p> </p> <p> My research findings indicate that despite the increase in overall computational abilities, one of the many issues that are still present is generating a highly advanced terrain with the added benefits of the artists and users’ creative variations. Reducing the overall time to simulate and compute a highly realistic and detailed terrain is the main goal, thus this thesis will present a method to overcome the speed deficiency while keeping the details of the terrain present.</p>

01 Abstract Foreign exchange reserves are a useful tool and a buffer but maintaining an amount that is too large can be costly to the economy. Recent accumulation of these reserves points to the importance of this topic. This thesis focuses on one specific part of the effect of FX reserves on the economy - the inflation. I use panel data for 74 countries from the year 1996 to the year 2017. There is a certain degree of model uncertainty for which this thesis accounts for by using Bayesian model averaging (BMA) estimation technique. The findings from my model averaging estimations show FX reserves to not be of importance for inflation determination with close to no change when altering lags, variables, when limiting the sample to fixed FX regimes nor when limiting the sample to inflation targeting regimes. The most important variables are estimated to be a central bank financial strength proxy, exchange rate depreciation, money supply, inflation targeting, and capital account openness. These results are robust to lag changes, prior changes, and for the most part remain the same when Pooled OLS is used.

Ziel der Arbeit war es, im Vergleich zu anderen literarischen Stadtbildern und dem materiellen Rom der mittleren Kaiserzeit das spezifisch taciteische Rombild herauszuarbeiten, das im Kontext der trajanischen Zeit im Zuge einer spezifischen Vergangenheits- und somit Erinnerungskonstruktion ein subjektives Romerlebnis widerspiegelt, welches exemplarisch ein wichtiges Zeugnis des damaligen Werte- und Normensystems darstellt. Dabei wurde konkret der Frage nachgegangen, wie die Stadt Rom, ihre urbanen Räume und Einzeltopographien in den beiden historiographischen Texten des Tacitus wahrgenommen, dargestellt, semantisiert und schließlich funktionalisiert werden. In beiden historiographischen Werken des Tacitus erscheint die Stadt Rom kaum als monumentaler physischer Raum („Anschauungsraum“). In diesem Sinne erscheint das Bild der Stadt sehr selektiv. In zentralen Passagen der Historien nimmt die Stadt Rom und ihre zentralen Räume, darunter vor allem das Forum Romanum, das Kapitol und der Palatin, einen zentralen Stellenwert mit memoralisierender Funktion ein. Besonders auffallend an diesen Passagen ist zudem der Umgang mit früheren Narrativen (v. a. Livius), indem alte Raumsemantiken zu etwas Neuem transformiert werden. Hierdurch entstehen neue literarische monumenta, die den Leser nicht nur an die schreckenerregenden Ereignisse des Bürgerkriegs aus dem Jahr 69 n. Chr. erinnern, sondern zugleich eine mahnende und somit didaktische Funktion aufweisen. In den Annalen erscheinen die Stadt Rom und ihre urbanen Räume weniger explizit. Erst in den Claudius- und Nerobüchern nehmen die topographischen Bezüge zu, wobei verstärkt das urbs-capta-Motiv zum Vorschein kommt. Die Stadt erscheint als „Aktionsraum“, in dem der moralische Niedergang seinen Höhepunkt erreicht. Die Stadt der Kaiserzeit wird zu einer „Heterotopie“ transformiert, die Tacitus dem Rom der Frühzeit entgegensetzt. / The aim of this project was to elucidate the specific Tacitean representation of the urbs Roma in comparison to other literary representations and the material Rome of the Tacitean age which as part of a specific construction of past and memory reflects a subjective “Romerlebnis” that exemplifies important aspects of former values and norms. In particular, the investigation focused on how Tacitus perceives, presents, connotes and functionalizes the city, its urban spaces and topographies. In both historiographical works of Tacitus, the city of Rome appears hardly as a monumental and physical space (“Anschauungsraum”). The image of the urbs appears therefore extremely selective. In pivotal passages of the Histories, Rome and its central urban spaces, most notably the Forum Romanum, the Capitol and the Palatine, form a central part in the narrative with a highly memorializing function. In these passages it is especially striking, how Tacitus reacts to former narratives (esp. Livy) by transforming their semantics of space into something new. In doing so, he creates new literary monumenta that do not only remind the reader of the horrible events of Civil war from 69 AD, likewise they act as reminder since they also imply didactic and moralizing effects. In the extant texts of the Annals, the city of Rome and its urban spaces appear less explicitly, and less dramatically than in the extant texts of the Histories. Whereas in the Tiberian narrative, the city – as the emperor – does not seem to be present at all, topographical references increase in the Claudian and especially in the Neronian narrative in which the urbs-capta motive becomes particularly obvious. The city appears as an “Aktionsraum“, a space of action, in which moral decline reaches its peak. Rome is transformed into a “Heterotopie“, that Tacitus contrasts with the idealized Rome from the early period.

En jämförelsestudie har genomförts mellan två värmesystem. Analysen har genomförts med ett flerbostadshus som referensfasighet. Fastigheten är lokaliserad i Södertälje kommun. Analysen går ut på att bestämma vilket värmesystem som är fördelaktigt vid renovering av äldre flerbostadshus med avseende på energi och kostnad. De systemen som har behandlats är ett centralt värmesystem med motströmsvärmeväxlare och ett centralt värmesystem med frånluftsvärmepump. Det centrala värmesystemet (Eq aggregat) är ett centralt från- och tilluftssystem med återvinning (FTX system). Systemet använder en motströmsvärmeväxlare för överföring av värmeenergi mellan från- och tilluften. Det centrala värmesystemet (Energi well) är ett frånluftssystem (FX system) med en ny teknisk lösning. Systemet återvinner värme ur frånluften med hjälp av kondenserande frånluftsvärmpumpar. Värmepumparna finns i en frånluftskammare på vindsvåningen. Den återvunna värmen förs sedan vidare till undercentralen för att värma upp varmvattnet. Analysen har genomförts med hjälp av teoretiska energi- och kostnadsberäkningar, intervjuer och faktainsamlingar.  Energiberäkningarna har bestått av en energibalansberäkning för att få fram den köpta energiförbrukningen. Kostnadsberäkningar har bestått av en livscykelkostnads kalkyl och en kostnads beräkning per producerad värmeenergi. De resulterande värdena för båda värmesystemen har sedan jämförts med varandra. Resultatet visade att värmesystemet Energy well var mest fördelaktig ur både energi och kostnad perspektiv. Den årliga köpta energiförbrukningen var                          lägre än värmesystemet (Eq aggregat) med en motströmsvärmeväxlare. Driftkostnaden var  lägre än Eq aggregat, installations-kostnaderna var  lägre än Eq aggregat och slutlig var livscykelkostnaden  lägre än värme-systemet (Eq aggregat) med motströmsvärmeväxlare. Men underhållskostnaden var  högre än värmesystemet Eq aggregat. Slutsatserna för de teoretiska undersökningarna gav bättre värden för värmesystemet Energy well. Vilket innebär att Energy well är mest fördelaktig utifrån energi- och kostnads perspektiv. Däremot ger värmesystemet med motströmsvärmeväxlare en lägre risk att ett driftfel inträffar i verkligheten. / A comparing study between two different heating systems has been accomplished. The analysis has been conducted with an apartments building as a reference project. The building is located in the municipality of Södertälje. The goal of the analysis is to determine which of the heating system is beneficial for older apartment buildings in terms of energy and cost. The systems that have been treated are a central heating system with a counterflow heat exchanger and a central heating system with an exhaust air heat pump. The central heating system (Eq unit) is a central exhaust- and supply air system with heat recovery. The system uses a counterflow heat exchanger to transfer the heat energy between the exhaust- and supply air. The central heating system (Energy well) is the latest technical solution of a central exhaust air system. The system recovers heat from exhaust air by condensing exhaust air heat pumps. The heat pumps are in an exhaust air chamber and it´s placed on the attic floor. The recovered heat energy sends then to the mechanical room to heat up the water system. The analysis has been accomplished by using theoretical energy- and cost calculations, interviews and data collection. The energy calculations are based on an energy balance equation to determine the bought energy consumption. The cost calculation is based on a life cycle cost equation and a cost equation per produced heat energy. The results of both heating systems have been compared with each other. The results showed that the heating system Energy well was most beneficial in both energy and cost perspective. The annual consumption of bought energy was                          lower each year than the heating system (Eq unit) with a counterflow heat exchanger. The operating costs of the system were  lower than Eq unit, the installation costs were  lower than Eq unit and final was the life cycle cost  less than the heating system (Eq unit) with counterflow heat exchanger. But the service cost was  higher than the heating system Eq unit. The conclusion of the theoretical investigations gave better values ​​for the heating system Energy well. This means than Energy well is most beneficial from the energy and cost perspectives. Contrariwise has the heating system with counterflow heat exchanger a lower risk of an operational failure to occur in reality.

Open Platform Communication Unified Architecture, or OPC UA, is a world-leading communication protocol specializing in unifying and automating production systems communication. In 2018 the OPC Foundation, an industrial consortium, started the OPC UA Field eXchange initiative to develop the current protocol to extend the reach of the communication down to field level devices like sensors and actuators. This paper explores whether OPC UA FX software can be implemented and integrated with HMS Networks’ product AnyBus CompactCom M40.  The problem formulation stems from the future need for factory communication. For factories to compete, they need to adapt and keep up with the technological progression. OPC UA FX is based on decentralized communication where devices transmit data to each other by distributing the load over the entire system.   The purpose of this report is to, based on the Open62541 implementation, develop software that extends OPC UA with PubSub functionality and methods that enable two or more instances to run as an FX application, meaning that the program publishes and subscribes data simultaneously. Once the software is developed, we integrate it on an AnyBus CompactCom 40 module. This will work as a communication prototype that proves that it is possible to extend OPC UA with FX into HMS Networks’ products.  Open62541 is used to gather libraries and methods needed for OPC UA development. The software is developed using C in Visual Studios and integrated into the hardware using Eclipse.  The result in the form of software was a connection-oriented data exchange, based on the OPC UA information model, where two or more instances can publish and subscribe to information simultaneously. HMS Networks can use the result on their way to implementing OPC UA FX in their products.  In conclusion, the Open62541 implementation is beneficial when developing the OPC UA protocol. The software is complete, but it could not be fully integrated into the CompactCom module. The achieved application is still useful for the development of HMS Network’s products that might use the protocol. / Open Platform Communication Unified Architechure, eller OPC UA, är ett av de världsledande kommunikationsprotokoll som är specialiserat i att förena kommunikation i produktionssystem. 2018 startade OPC Foundation, ett industriellt konsortium, ett initiativ vid namn OPC UA Field eXchange med målet att utvekcla det nuvarande protokollet så att det kan användas till kommunikation på låg nivå, exempelvis mellan sensorer och ställdon. Denna rapport utforskar ifall det är möjligt att utveckla protokollet och integrera det i HMS Networks modul AnyBus CompactCom 40.  Problemformluleringen baseras på framtida behov hos fabriker relaterat till automatisering. För att konkurrera framöver behöver fabriker anpassa sig till utvecklingen inom automatisering. OPC UA FX fokuserar på decentralierad kommunikation mellan enheter som fältanordning, maskin och moln samtidigt för att belastningen ska delas upp över hela systemet. Samtidigt som enheter i industiella nätverket fritt ska kunna överföra data mellan varandra oberoende vilken tillverkare som skapat enheten.   Syftet med arbetet är att, baserat på Open62541, utveckla PubSub teknologi med metoder som möjlighetsgör att två eller fler instanser av en FX applikation ska kunna transportera data genom att prenumerera på och publicera data samtidigt. När mjukvaran fungerar är tanken att integrera mjukvaran på en AnyBus CompactCom 40 modul för att bevisa att implementationen är möjlig i ett praktiskt sammanhang.  Open62541 används för att inkludera nödvändiga OPC UA bibliotek, funktionalitet och datatyper. Protokollet utvecklas i C i en VisualStudio miljö och integreras med hjälp av Eclipse. Resultatet i form av mjukvara var en kopplings intriktat data utbyte, baserad på OPC UA information modell, där en eller två instanser av ett program kan publicera och prenumerera på data samtidigt. HMS Networks kan använda resultatet i arbetet att implementera OPC UA FX i deras produkter. ​Sammanfattningsvis är Open62541 ett mycket användbart verktyg för utvekcling av OPC UA protokol. Dessvärre lyckades inte integrationen av mjukvaran i CompactCom modulen helt och hållet, men det som åstadkommits i arbetet kan i hög grad användas för fortsatt utveckling av OPC UA FX i HMS Networks produkter.

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[pt] Estudamos se as intervenções cambiais do Banco Central do Brasil impactam, além da taxa de câmbio, outros preços de ativos (taxas de juros e preços de ações). Fazemos isso classificando as intervenções em três tipos, de acordo com o nível de surpresa, e usando dados minuto a minuto. Nossos resultados mostram que, tanto para a venda de USD (ou emissão de swap) quanto para a compra de USD (ou emissão de swap reverso), o BRL/USD reage na direção esperada, os preços das ações aumentam e as taxas de juros também aumentam. Vale ressaltar que o anúncio impacta muito mais do que a própria intervenção. Além disso, os vértices longos dos juros tendem a responder mais as intervenções do que os vértices curtos. Finalmente, entre os tipos de intervenções, encontramos uma notável heterogeneidade em termos de movimentação dos preços dos ativos dentro de uma janela de meia hora, como em termos de sustentação do movimento por uma janela de nove horas (duração do pregão). / [en] We study if the FX interventions of the Central Bank of Brazil impact other asset prices beyond the exchange rate, e.g., interest rates or stock prices. We do that by classifying the interventions into three types, according to the surprise level, and by using minute-by-minute data. Our results show that, for both USD sales (or swap issuance) and USD purchase (or reverse swap issuance), the BRL/USD reacts in the expected direction, the stock prices increase, and the interest rates increase as well. Noteworthy, the announcement impacts much more than the intervention itself. Furthermore, longer-dated rates yields tend to present greater responses to the interventions than shorter-term yields. Finally, across the interventions types, we find remarkably heterogeneity in terms of moving asset prices within a half-hour window, as in terms of sustaining the movement for a nine hours (trading day) window.

"Technology has been a key element in the changing creative possibilities available to filmmakers, but deep down the questions of staging, point of view, pace, suspense, time and psychology faced by filmmakers as they walk onto the set in the morning have remained remarkably consistent". Cousins, 2004, s13. Sättet att göra film på har ständigt förändrats och fortsätter att förändras men som citatet syftar till så verkar inställningen till film stå sig lika genom tiderna. I grund och botten handlar det om att berätta en historia som berör publiken. En historia berättad utifrån filmskaparnas olika stilar. Tack vare teknikutvecklingen har många effekter i film, både digitala och fysiska blivit möjliga och vem vet vad den tekniska, och kanske framförallt den digitala utvecklingen, kommer att leda till för effekter i film i framtiden? Vi är trots allt bara i början av den digitala eran. Samtidigt som det nya introduceras kanske de gamla beprövade fysiska effekterna etsar sig fast som klassiska och erkända arbetsmetoder. Vad vi behandlar i den här uppsatsen är hur digitala och fysiska tekniker att skapa effekter används och nyttjas i den svenska filmbranschen. Hur ser beslutsfattare i branschen på effekter som filmskapande och varför ser användandet ut som det gör idag? Vi har också undersökt vad det är som styr användandet av effekter inom filmskapande utifrån ekonomiska, tekniska och konstnärliga överväganden. Vi har samlat in information genom kvalitativa, djupgående intervjuer med tre produktionsbolagsföreträdare och tre finansiärer. Vi har även samlat in information kring begreppen fysiska effekter och digitala effekter bland sex stycken filmarbetare som aktivt arbetar med effektskapande på olika sätt. Det har visat sig att det råder meningsskiljaktigheter när det kommer till definition av begreppen kring digitala effekter och fysiska effekter mellan de bolagsföreträdare och finansiärer vi har intervjuat och de aktiva effektmakare som vi har bett definiera begreppen. För att underlätta framtida kommunikation kommer vi i den här uppsatsen definiera dessa begrepp utifrån våra resultat. Våra resultat tyder på att det finns en vilja inom filmbranschen att arbeta med effekter inom film men att det samtidigt saknas resurser och kompetens idag. Samtidigt tycker vi oss utläsa en okunskap kring effekter vilket ställer till det för dem som vill arbeta med effekter. Exempelvis gällande Guldbaggegalan, där kategorin "Bästa Visuella Effekter" togs bort efter bara några år efter införandet för att det ansågs vara för svårt att utläsa vad som var effekter och inte i en film. Utifrån det vi kan utläsa från våra resultat finner vi det motsägelsefullt att vilja utveckla branschen och arbetet med effekter och samtidigt inte utveckla kunnandet kring det, när man istället för att plocka bort en kategori på grund av okunskap istället borde lära sig mer om det. / "Technology has been a key element in the changing creative possibilities available to filmmakers, but deep down the questions of staging, point of view, pace, suspense, time and psychology faced by filmmakers as they walk onto the set in the morning have remained remarkably consistent." Cousins, 2004, s13. The way of filmmaking has always been changing and it continues to change but as the quote leads up to it seems like the attitude stays the same. It is essentially about telling a story, which affects the audience. To tell a story with the different approaches the creators favors. Thanks to the technical development, many of these effects, both physical and digital have become practicable and who knows what the technique and digital progress will lead to in the future of filmmaking. After all, we are only in the beginning of the digital era. In the same time, the old and proven effect making techniques might inculcate as both classic and recognizable working methods. In this essay, we will talk about how the techniques of digital and practical effects are being used in the Swedish film industry. What does the decision makers in the business think about using effects in filmmaking and why are effects being used the way they are in todays film industry? We also wanted to examine what regulates he use of effects based on economical, technical and artistic considerations. We have collected our data from interviews with three representatives from production companies and three film financiers. We have also collected information considering the definitions of visual effects and special effects from six filmmakers who that works with effect making on a daily basis. It has become apparent that there are some confusion considering the definitions of the concepts of visual effects and special effects between the producers and financiers and the filmmakers. In order to ease future communication, we will in this essay define these concepts out of our results. Our result suggests that there is a will in the Swedish film industry to work with effects in filmmaking but in the same time parts of the industry lacks of resources and capability. Simultaneously, we can note that the ignorance around the concept of effects causes communication problems for digital artists and prop makers. For instance, on the Swedish film gala "Guldbaggegalan" they added a new category only a few years back and this year they took it away because of the problems of recognizing what's visual effects and what's not. It is interesting that there is an interest in developing effects in filmmaking and at the same time takes away the award. Instead of taking it away, they should focus on educating people about effects.

The major aims of this paper are to present how we can improve the students understanding and involvement in mathematics by using a programming/graphic calculator. I will use differentials as examples such as differentiation ,integrals and differential equations, creating lines of slopes for differential equation of the type y’= f(x,y) . Find the solution of some differential equations by using regression and create the graph connected to the differential equation. As we have different approaches to solving a problem, it is a hope the students interest in mathematics will improve. The tools used will be programming, graphic commands as plot, f-line, etc. One goal is also to show how we can create small programs solving problems in mathematics. For many students this will be a stepping stone for further work with programming. The programs used can be copied using the program FA 124 that can be downloaded from Casios homepages. On request I can send you the programs.