No description available.

Syftet med detta examensarbete är att fördjupa förståelsen för musikproduktion och synthprogrammering genom att återskapa två Dua Lipa-låtar och sedan applicera denna kunskap för att omvandla Harry Styles "Watermelon sugar" i Dua Lipa-stil.

In the last two decades of his life, Harry S. Truman formally established the office of the ex-presidency in the public eye. The goals he wanted to accomplish and the legislation passed to help Truman achieve these aims led the way for Truman and other former presidents to play a significant role in American public life. Men who had occupied the nation's highest office had a great deal to offer their country, and Truman saw to it that he and other former presidents had the financial and the institutional support to continue serving their nation in productive ways. Although out of the White House, Harry S. Truman wanted to continue to play an active role in the affairs of the nation and the Democratic party. In pursuing this goal, he found that he was limited by a lack of financial support and was forced to turn to the federal government for assistance. While Truman was active for more than a decade after he left Washington, his two most important legacies were helping push for federal legislation to provide financial support for ex-presidents and to organize and maintain presidential libraries. Truman believed that these endeavors were a small price for the nation to pay to support thee former occupants of the nation's highest office. Furthermore, Truman believed that presidential libraries were essential in preserving and disseminating the history of the nation's highest office. Truman's other activities including heavy involvement in partisan affairs. While he tried unsuccessfully to determine the party's presidential candidates, his involvement in the Democratic party and attendance at partisan events displayed his level of commitment to the party and his determination to play a role in its activities.

<p>The paper's aim is to show the fight of the church against the Potter book series of Joanne K. Rowling and the actual situation which is presented in the books. This fight is based on the acrimonious claims and heated-up discussions which were made by some church members who sued the books as "being evil" and a "seduction to the bad side" for children as well as "having a satanic content" etc. At the same time, positive comments of several church leaders and the author's declared opinion are stated. Finally, book four "Harry Potter and the Goblet of Fire" is interpreted regarding the claims of the church and a neutral observation of the story.</p>

No description available.

The paper's aim is to show the fight of the church against the Potter book series of Joanne K. Rowling and the actual situation which is presented in the books. This fight is based on the acrimonious claims and heated-up discussions which were made by some church members who sued the books as "being evil" and a "seduction to the bad side" for children as well as "having a satanic content" etc. At the same time, positive comments of several church leaders and the author's declared opinion are stated. Finally, book four "Harry Potter and the Goblet of Fire" is interpreted regarding the claims of the church and a neutral observation of the story.

Au lendemain de la Seconde Guerre mondiale, l'administration Truman initia plusieurs réformes structurelles d'envergure, parmi lesquelles la réorganisation de ses capacités de renseignement. En créant la CIA en 1947 et la NSA en 1952, le président Harry S. Truman posa les fondations d'une communauté du renseignement qui ne cesserait de se développer à la faveur de la Guerre froide et au-delà. L'institutionnalisation de cette activité protéiforme, impliquant une multitude d'acteurs bureaucratiques, civils et militaires, se heurta à de nombreux obstacles, révélateurs du fonctionnement de l'État américain et de ses traditions démocratiques. À partir d'une vaste quantité d'archives récemment déclassifiées, cette thèse vise à identifier les acteurs et dynamiques intervenus dans la réorganisation du renseignement opérée par l'administration Truman. En corollaire, elle cherche à analyser leur impact sur la constitution d'un appareil de renseignement et sur son fonctionnement entre 1945 et 1953. Tout d'abord, cette étude examine comment la réorganisation du renseignement, qu'il soit stratégique ou électromagnétique, a été influencée par le processus d'unification des forces armées qui a abouti, en 1947, à l'émergence du concept de sécurité nationale. Ensuite, elle démontre comment les principes de coordination et de collégialité, dont est empreint le National Security Act, ont entravé le développement d'un appareil de renseignement intégré et cohérent. Enfin, cette thèse explique en quoi la dégradation de la situation internationale, symbolisée par le déclenchement de la guerre de Corée en 1950, a favorisé une ébauche de rationalisation de la gestion des activités de renseignement. / In the wake of World War II, the Truman Administration initiated several high-scale institutional reforms which included an overhaul of its intelligence capabilities. By establishing the CIA in 1947 and the NSA in 1952, President Harry S. Truman laid the foundations of an intelligence community that would grow throughout the Cold War and beyond. The institutionalization of intelligence, which involved many bureaucratic players, both civilian and military, faced numerous hurddles highlighting the inner workings of the U.S. state apparatus as well as American democratic traditions. Based on a large amount of recently declassified archival material, this dissertation aims to identify the players and dynamics involved in the reorganization carried out by the Truman Administration. It also seeks to assess their impact on the formation of an intelligence apparatus and on how it operated from 1945 to 1953. Firstly, this study illustrates how the intelligence overhaul was influenced by the unification of the armed forces which lead to the emergence of the national security concept in 1947. It then shows how the principles of coordination and collective decision-making implied by the National Security Act hampered the development of an integrated intelligence apparatus. Lastly, it explains how the deteriorating international situation, symbolized by the start of the Korean War in 1950, prompted an uneven streamlining of intelligence activities.

Le constat d’une difficulté est à l’origine de cette thèse : est-il encore possible de parler de clôture de la fiction face au fonctionnement contemporain des franchises fondées sur le développement transmédiatique d’univers transfictionnels ? Cette thèse traite des problématiques de création dans le cadre des industries culturelles : quelles sont les influences de l’industrie sur la création d’une fiction ? Quelles sont les influences de la fiction sur les médiations et les représentations de l’industrie ? Quelles sont les conséquences de l’industrialisation sur les circulations de la fiction ? Comment comprendre la permanence d’une figure d’auteur dans un régime de création collective ? L’étude se structure autour de quatre hypothèses principales, correspondant à autant de parties : tout d’abord, il est désormais nécessaire de parler de « fictions industrialisées », dans la mesure où la fiction, ses formes et ses contenus sont façonnés par l’industrie. Réciproquement, on constate l’émergence d’une « industrie narrativisée » : l’industrie participe de la création culturelle mais devient aussi objet culturel marqué par les codes de la fiction. La proposition de la notion de « fiction totale » rend nécessaire de repenser les notions de participation et de convergence qui, paradoxalement, ne sont pas incompatibles avec le concept d’autorité ; ainsi, il semble que l’ouverture de la fiction soit le symptôme d’un verrouillage institutionnel accru. Enfin, cette thèse pose l’hypothèse de l’émergence d’une nouvelle forme d’auctorialité, fondée sur l’assimilation de la figure d’auteur à un triple produit. / One main question originated this PhD Thesis : is it still possible to talk about the closure of a fiction when contemporain franchises work on continual developments and expansions ? This document questions the concept of fiction through the notion of cultural industry. How is the creation of fiction influenced by its industrial environment ? What consequences does fiction have on its industrial environment ? What does industrialisation do to the circulation of fiction ? How does evolve the notion of authorship in this collective environment for creation ? Our study is structured around four main hypothesis, which are each studied in a dedicated part of this thesis : firstly, we underline the relevance of the notion of « industrialised fictions » ; indeed, fictional contents and formats’ evolutions are deeply linked to industrial developments. Furthermore, these contents and formats are sometimes shaped accordingly to their potential industrial developments. Reciprocally, we emphasize the notion of « narrated industry » : industry participates in cultural creation and is a cultural creation contaminated by fiction. A new notion is therefore necessary : the « totalizing fiction ». We worked on a renewed approach for the notions of convergence and participatory cultures which are, paradoxically, strongly linked to the concept of authority : the oppenness of fiction would be the symptom of an institutional lockout. Finally, this thesis defines the appareance of a new form of authority, shaped on the assimilation of authorship to a product : the author is produced as a figure, as a comercial and cultural object and as a self-creation.

The aim of this study is to explore the importance of love in its various manifestations in the lives of the Harry Potter characters and its power to consequently influence the paths that they eventually choose to walk. Love is investigated as the reason behind the choice between good and evil as well as paradoxically both a fortifying as well as a destructive force. Furthermore, it attempts to examine the importance that love plays in the healthy or dysfunctional development of the characters. Numerous philosophies and theories that span two different eras will form the theoretical framework of this research paper. There will be a constant interplay between the theories and the main text, that is, the seven Harry Potter books that together represent the Harry Potter series. Additionally, the author‟s opinion acquired from invaluable fan interviews will be utilized in order to improve the understanding of the characters motivations. The introduction is a brief explanation of key terms and theories that are essential to the exploration of love in the Harry Potter series. The study comprises five chapters. The first three chapters are concerned with the three main manifestations of love represented in the series, namely; parental love, friendship and romance respectively. Chapter Four focuses on the adaptation of the novels into movies and the subsequent result that this has on the depiction of love. Chapter Five highlights the finding of the study conducted. / English Studies / M.A. (English)

Each year over 300 million people visit theme parks, making them the major vacation destination worldwide. Theme parks are known for their elaborate spectacle, the creation of artificial realities through intricate immersive experiences including costumed characters, stage shows, and extravagant decor. Though many aspects of the theme park experience have been reviewed, little focus has been given to the role of food in the overall immersion, particularly how food extends the spectacle into a fantastical created reality. This study examined the function of food within a highly immersive theme park setting, and how it contributed to the overall illusion and immersion of the fantasy environment. Research was conducted from December 2014 to March 2015 at The Wizarding World of Harry Potter, Universal Orlando Resort themed food served three overarching functions: (1) it operated as an experience, (2) it functioned as a conduit to authenticity, and, (3) it extended sensory perceptions. Food immersed tourists in the themed experience, though visual cues remained the primary sensory stimulus. However, guests considered the location to be more authentic when coupled with a themed food item, as opposed to the generic food choices found in other parks. Themed food functions as an extension of the spectacle by maintaining the illusion and contributes to the overall exhibition of the themed space. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2015 / FAU Electronic Theses and Dissertations Collection