Global ETD Search

201	Hermine Cloeter, Feuilletons, and Vienna: A Flaneuse and Urban Cultural Archaeologist Wandering Through Opaque Spaces, Bridging Past and Present to Reclaim What Could Be Lost Barbour, Kelli D. 17 July 2004 (has links) (PDF) Despite the authority that time holds in the discipline of studying events of the past, not all historians or writers analyzing the past use time to study history—some use space, including writers who write about and interact with an urban topography. The space used by these writers is built space, as well as inhabited and practiced "lived" space. Whereas time provides a transparent overview of history, the urban spaces tend to be opaque. Clarifying history through urban space is additionally troublesome, because built space and its attached memories are visibly forgotten and ignored as time advances. Despite the difficulties of working with and understanding urban space, some intellectuals specifically choose space as a tool of discernment of history. For these individuals, understanding history becomes an investigation of sensing, feeling, and divining human activity out of the mass of artifacts and used spaces. Hermine Cloeter is one such urban forensic historian. Hermine Cloeter Cloeter hermeneutics spatial practices flanuer flaneuse female flaneur Vienna Wien obscurity illegibility hybridity Zwischen Gestern und Heute Durch die engste Gasse von Wien feuilleton journalists female journalist Essayistinin Feuilletonistinnen Wanderungen Spaziergehen walking Franz Hessel Walter Benjamin Neue Freie Presse Austria memories urban hermeneutics urban exegesis urban forensics cultural archaeology urban cultural archaeology bridges German Language and Literature Slavic Languages and Societies
202	Formes et discours d’histoire de l’art dans les films et émissions télévisuelles sur l’art Demay-Degoustine, Marie-Odile 11 1900 (has links) This research analyses how the medium of television has taken up the question of art history through the historical and critical review of series that have been acclaimed by their mass audiences. Viewed from a historical perspective, a number of milestone series have left their mark on the history of television and art. Some of them have contributed to the construction and dissemination of art-historical discourse, often formal and sometimes critical. This work examines film and television production on art in the developed countries of North America and Western Europe, notably the United States, France and the United Kingdom, at the time of the emergence and institutionalization of the medium of television, between 1945 and 1970, and then looks at the resonances in subsequent and contemporary programs. And, secondly, in a spirit of critical analysis, to try to understand what "television is doing to art and its history" in order to identify the specific discourse of television art history. In practical terms, the aim is to add to the literature on a subject that has so far received very little attention from art historians, and to help legitimize the medium as an object of art criticism. / Cette recherche analyse comment le média télévision s'est emparé de la question de l'histoire de l'art à travers l'examen historique et critique de séries plébiscitées par le grand public. Dans une perspective historique, un certain nombre de séries phares ont marqué l'histoire de la télévision et de l’art, dont certaines ont contribué à la construction et à la diffusion d'un discours sur l'histoire de l'art, souvent formel, parfois critique. Cet ouvrage examine d’une part, la production cinématographique et télévisuelle sur l'art dans les pays développés d'Amérique du Nord et d'Europe occidentale, notamment les États-Unis, la France et le Royaume-Uni, au moment de l'émergence et de l'institutionnalisation du média télévisuel, entre 1945 et 1970, puis leur résonance dans les programmes ultérieurs et contemporains. D'autre part, dans un esprit d'analyse critique, il s’agit de comprendre ce que "la télévision fait à l'art et à son histoire" afin d'identifier le discours spécifique de l'histoire de l'art télévisuelle. Concrètement, cette thèse vient enrichir la littérature sur un sujet jusqu'ici peu traité par les historiens de l'art et des médias, et contribuer à légitimer le média comme objet de la critique d'art. télévision histoire de l'art série télévisée histoire de la télévision film sur l'art cinéma États-Unis Royaume-Uni Kenneth Clark John Berger France André Malraux Madeleine Hours Program for art on film cinématographe éducatif Rudolf Arnheim Art history Television history Films about art Television series Média Walter Benjamin United States United Kingdom Educational cinematograph
203	La imagen literaria de París. Desde Mercier, Baudelaire y el surrealismo hasta Rayuela de Julio Cortázar Hoyos, Camilo 23 March 2010 (has links) El propósito de nuestra investigación es analizar la imagen del París surrealista para luego ver su posterior recepción y variación por parte de Julio Cortázar en Rayuela. Los criterios analíticos de nuestra investigación constan en la importancia de la promenade y la visión en la construcción de la imagen de la ciudad a manera de espacio interior. Para comprender los orígenes e inserción en la tradición por parte de los surrealistas, fue necesario establecer los orígenes de las poéticas urbanas de la ciudad de París a finales del siglo XVIII, comprender el auge de París como tema literario a mediados del siglo XIX, analizar la importancia de la tradición noctámbula y la incidencia de Baudelaire en el París moderno para situar a los surrealistas en su manera de comprender la ciudad como un espacio psíquico e interior. Por último, comprenderemos los distintos elementos surrealistas de la construcción de París en Rayuela de Cortázar gracias a los textos escritos durante su período de interés surrealista (1947-1949) y su posterior variación en Rayuela. / The purpose of our investigation is to analyze the image of Paris forged in four Surrealist texts published between 1926-1928 in order to understand the Surrealist elements that allowed Julio Cortázar to forge his own image of the city in the novel Rayuela. Our analytical criteria are the importance of the regard and the promenade in the construction of the city as an interior and personal space. To understand the importance of the Surrealist production, it was necessary to visit the origins of Paris as a literary text in the late eitheenth century, the importance of the tradition noctámbule in the XIXth century, the incidences of Baudelaire's work regarding the modern Paris and the change of century that allowed the Surrealist movement to understand the city as an interior and psychic space. Through the establishment of certain criteria and images, we analyzed Paris in Cortázar's novel Rayuela as a Surrealist product, even if Cortázar himself never felt as as a Surrealist writer. automatic writing enciclopedism nightwalkers surrealism inner space regard vision city José Asunción Silva Enrique Gómez Carrillo Philippe Soupault Domingo F. Sarmiento Robert Desnos Louis Aragon Guillaume Apollinaire André Breton Conde de Lautréamont Charles Baudelaire Gérard de Nerval Julio Cortázar Louis Sébastien Mercier Rétif de la Bretonne Walter Benjamin Karlheinz Stierle modernismo latinoamericano novela policíaca noche tableau atravesamiento promenade automatique escritura automática enciclopedismo tradición noctámbula surrealismo París espacio interior mirada visión ciudad promenade night police novel Latinamerican Modernism 82
204	Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan / Research: ROTHKO : - about getting to know yourself through someone else af Malmborg, Solith January 2017 (has links) This thesis project examines both inner and outer circumstances of knowledge in an attempt to emphasize the importance of personal reflection. I search for answers on how to communicate feelings through colour and form by studying Mark Rothko and the abstract expressionism. A personal reflection is made parallelly to expand my own understanding of the subject and my own role in relation to it. I also explore painting as amethod of deepening my understanding of Rothko. Mark Rothko is both subject of study and tutor as I give myself the task of translating his art into my own design. The result offers thoughts and ideas on the significance of the work of hand, the use of colour and the meaning of intention, which I claim are important aspects when aiming for emotional results. However I also reflect upon the fact that the communication remains individual and that it is therefore problematic to confirm success in this matter. / Detta är ett undersökande arbete som vänder sig både inåt och utåt. Det är en djupdykning i Mark Rothkos konstnärskap som sker parallellt med en personlig reflektion. Inledningsvis handlar det om att arbeta i gränslandet mellan konst och design och hurdet kan se ut. I förlängningen handlar det om hur den konstnärliga historien kan fungera som inspiratör och vägledare för innebörd och uttryck i formgivningen. Genom att studera den abstrakta expressionismen och Mark Rothko söker jag svar på hur känslomässig kommunikation kan ske genom färg och form. Förutom litterär research utför jag också en praktiskt undersökning där jag använder måleriet som en metod för att förstå mitt studieobjekt; Mark Rothko. Målet är att översätta Mark Rothkos konst till min design. Det handlar om att studera, internalisera och applicera. Resultatet bjuder in till en diskussion om handlagets, färgens och intentionens betydelse för formgivningen, där jag hävdar att dessa aspekter är viktiga för ett emotionellt berörande resultat, men att kommunikationen förblir individuell. art chair immanuel kant sublime design process alternative science reflection personal reflection communication of feelings abstract expressionism color theory painting translation translatability design alternative design walter benjamin kant mark rothko rothko design konst måleri stol designprocess alternativ designprocess intuition översättning artisteri process handlag färg intention färgteori gerrit rietveld rietveld piet mondrian mondrian tate modern tate london abstrakt expressionism konstnärlig forskning vasilij kandinsky kandinsky new yorksskolan abstrakt konst jackson pollock pollock reflekternade arbete alternativa metoder alternativ forskning färggehör formgehör översättbarhet det sublima immanuel kant estetik Design Design
205	Varan-i-världen : Varan i form och innehåll i En dramatikers dagbok / Being-in-capitalism : The commodity in content and form in Diary of a Playwright Stark Theander, Ellen January 2022 (has links) This thesis explores the commodity as a motif in the first volume of Lars Norén’s Diary of a Playwright, as well as how this motif relates to reification and alienation, and in addition is reflected in the work formally. The study is oriented both towards the text’s depiction of the commodity and its reflections on its own depiction. These descriptions are read in light of Marxist theory and through comparisons with Walter Benjamin’s Passagenwerk, where the latter work also forms a connection to Martin Heidegger and Simone Weil in their capacity of important influences for Norén. Much like in the Passagenwek, the commodity acts as a secret structure in Diary of a Playwright. It organises the text and its seemingly disparate elements on a deeper level. The study contributes to a new understanding of one the greatest Swedish writers in the 20th and 21st centuries. Although the diary has not been the subject of much research, the predominant understanding of the work is, as with Norén’s other writings, largely characterised by a psychoanalytic perspective. Lars Norén Norén En dramatikers dagbok varor varan förtingligande förfrämligande reifikation alienation marxism fenomenologi Frankfurtskolan Walter Benjamin Passagearbetet Passagenwerk Lukács Historia och klassmedvetande Karl Marx Fredric Jameson Guy Debord Simone Weil Martin Heidegger Ulf Olsson Anders Olsson Jesper Olsson Peter Henning Cecilia Sjöholm Mikael van Reis Lars Nylander Birgitta Trotzig Patrik Mehrens Yvonne Blomberg Jan Olov Ullén Göran Sommardal Jakob Staberg Björn Apelkvist Erik Beckman Susan Buck-Morss avskapelse schizofreni varans dialektik marxistisk formalism skådespelssamhället varuformen fetisch fantasmagori General Literature Studies Litteraturvetenskap Humanities and the Arts Humaniora och konst Languages and Literature Språk och litteratur

Page generated in 0.0389 seconds