The purpose of this thesis is an in-depth analysis of the Eddic poem Grímnismál found in the manuscript known as Codex Regius (GKS 2365 4to), located in Reykjavík, dated to c. 1270 and a fragment (AM 748 I 4to), located in Copenhagen, dated to c. 1300. While a great deal of work has been done on Grímnismál as part of the Elder Edda, there is yet no specific edition focusing on it alone. New studies on Germanic paganism and mythology show its shifting nature and the absence of specific tenets or uniform beliefs throughout the Germanic speaking world and in time. The relatively absent sources are similarly scattered. As such, the thesis suggests a new method of study, following a focused historical approach in which only Grímnismál is analysed in an attempt to understand the beliefs of the people that composed it. The nature of pagan belief itself prevents one from drawing more general conclusions on ‘Norse mythology' as a whole. Part 1 is divided into two chapters and deals with my approach, the nature of Germanic belief, and the sources available as well as techniques of interpretation for them, all relevant to the production of the arguments made in the thesis. Part 2 deals with Grímnismál itself: Chapter 1 provides an analysis of the manuscripts, Chapter 2 contains my editing notes and Chapter 3 analyses the contents of the poem, Chapter 4 consists of my conclusions to this study, focusing on the cosmology and the dating of the poem. Part 3 contains the edition of Grímnismál and is followed by Part 4 which is the commentary to the poem. The thesis is followed by two appendices, one containing a facing transcription of the manuscripts and the other being a glossary to all words used in Grímnismál. Finally, this thesis includes a digital edition worked on xml. This is available in the following link: https://starescomp.github.io/grimnismal/#idm140518410334752

I focus the question of Czech erotic literature based on the surrealist tendencies of the 30s of the 20th century in my Thesis. I pay attention to the person of Jindřich Štyrský and closer look an artistic experiment in the form of Edice 69 and mainly on bibliophile Erotická revue 1 3. I proceed from the literary-historical knowledge, on the basis of which I map historical and artistic context, in which the work was produced, and life stage of Jindřich Štyrský between 1920 1934. The last part of my work I attempt to show the topics, which the erotic literature dealt with, and how could be combined the editorila work of Jindřich Štyrský šith surrealistic tendencies.

148f. / Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-09T19:02:35Z No. of bitstreams: 1 Dissertacao Luis Gomes.pdf: 2443872 bytes, checksum: 758d18dcc9f69e2e5be85fa6a44dd59d (MD5) / Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-10T20:40:26Z (GMT) No. of bitstreams: 1 Dissertacao Luis Gomes.pdf: 2443872 bytes, checksum: 758d18dcc9f69e2e5be85fa6a44dd59d (MD5) / Made available in DSpace on 2013-05-10T20:40:26Z (GMT). No. of bitstreams: 1 Dissertacao Luis Gomes.pdf: 2443872 bytes, checksum: 758d18dcc9f69e2e5be85fa6a44dd59d (MD5) Previous issue date: 2009 / A Foia dos Rocêro foi um periódico de cunho jornalístico que circulou na Bahia entre o final do século XIX e meados do século XX, e era escrito em linguagem bastante original. O redator do jornal utiliza, em todo o periódico, uma linguagem rural estereotipada com a finalidade de camuflar suas intenções políticas. Tal camuflagem possibilita a utilização freqüente de metáforas e pseudônimos, para apresentar críticas aos governantes da Bahia de 1900 e, também, às condições pelas quais a Província da Bahia passava, por não ser mais a capital do Brasil. A Foia veiculava notícias de localidades afastadas e contava histórias e anedotas que circulavam na antiga capital baiana, histórias que, por vezes, envolviam grandes personalidades da época. Este trabalho se propõe a apresentar parte desse documento, as transcrições da coluna Bertulameu e Prexede, que consiste na conversa de dois homens do campo, bem como uma descrição do fenômeno da concordância verbal, um dos artifícios lingüísticos utilizados, pelo editor para disfarçar as sátiras políticas e denunciar os desmandos na administração pública da velha Bahia, caracterizando as personagens da coluna por meio desses contextos lingüísticos especiais. / Salvador

À partir des années quatre-vingt, des groupes industriels internationaux entrent dans le capital de maisons d'édition du Nord. C'est le début de ce que l'on appellera la globalisation du livre. Face à la crainte de l'uniformisation des productions éditoriales, on observe l'émergence de réflexions et de projets autour de la bibliodiversité. C'est notamment dans cette dynamique que le marché du livre africain se structure en réseaux pour favoriser la diffusion, la distribution et la coédition de ses productions. Dès la fin des années quatre-vingt-dix, la recherche universitaire s'intéresse de plus en plus à l'arrière-plan des oeuvres littéraires africaines. Derrière chaque ouvrage se situent des institutions, des économies, des stratégies d'auteurs, etc., qu'il est important de prendre en considération. Ce travail s'intéresse d'abord à la relation de la production littéraire africaine avec le marché global du livre. Dans un second-temps, notre recherche étudie le cas du marché du livre camerounais et sa cohérence en tant que système éditorial participant à l'économie littéraire nationale, sous-régionale et internationale. / Since the eighties, international industrial firms enter North publishing houses' capital. This was the beginning of what is called book globalization. That process raises a standardization fear of published material; it also involves the emergence of thoughts and projects concerning bibliodiversity. In that context, African book's market has been structured in different kind of networks with the goal of sustaining its diffusion/distribution. On the end of the nineties, scholar researches increase their interest for African literature production's background. Behind each book, we find institutions, economies, authors' strategies, which are important to take in account. In this present work, we will consider the relations between African literary productions and Global book's market. Secondly, our work will focus on Cameroonian book's market as an editorial system, and will question its participation to the economy of literature at national, regional and international scales.

Romancier, journaliste, érudit et bibliophile, Paul Lacroix alias le bibliophile Jacob (1806-1884) traverse le XIXe siècle à l’aune d’une trajectoire qui oscille entre écrivain-journaliste et conservateur de la bibliothèque de l’Arsenal à partir de 1855. À la faveur du double mouvement de reconfiguration de l’historiographie et du champ littéraire, dont il est un acteur au croisement des obsessions du temps entretenues par le romantisme, son oeuvre imposante et protéiforme tente une réunion des plumes de l’historien et du romancier soutenue par l’énigmatique et habile pseudonyme, gage de son succès en 1830. Il s’empare sous la monarchie de Juillet d’une écriture du passé vouée à en dresser l’inventaire, soumise aux modalités fluctuantes offertes par le récit comme aux injonctions économiques dépendantes des mutations de la librairie et du journal. Si sa production se défend de tout esprit de système, résumée par la course à la fabrication d’un grand « roman-histoire », elle interroge pourtant les conditions de définition d’un rapport au temps ébranlé après la Révolution. Le « Walter Scott français » sacrifie à la vogue du Moyen Âge pour la décliner sous la forme d’une histoire autant héritièrede l’érudition antiquaire qu’elle participe de la fondation d’un récit des origines tributaire d’une écriture spéculaire de l’histoire. Son histoire s’égrène au rythme de médaillons romancés cristallisant couleurs, intrigues, travers des temps médiévaux et modernes séparés par une frontière poreuse qui interroge les conséquences de la rupture révolutionnaire. Avers et revers de ces médaillons posent dans leur alternance les jalons d’une expérience de mise en ordre du temps. / A novelist, writer, scholar and book-lover, Paul Lacroix, aka bibliophile Jacob (1806-1884), went through the nineteenth century as both a writer-journalist and a librarian at the Bibliothèque de l’Arsenal from 1855 on. Influenced by the deep changes affecting both historiography and literature, in which in actively participated and the obsessions of its times nurtured by the romantic movement, his abundant and multifaceted work tried to melt the historian’s and the novelist’s approaches, materialised by the mysterious, clever pen name, the token of his success in 1830. Under the July Monarchy, he undertook to take an inventory of the French historical past; his writings were submitted to the fluctuating possible modalities provided by the narrative as well as the economic imperatives resulting from the transformations of bookshops and libraries. Though his works did not try to set up a closed and coherent system, which was illustrated by the race for the ultimate roman-histoire, they questioned French people’s relationship with time, which was seriously undermined by the Revolution. The so-called « French Walter Scott » followed the taste for the Middle-Ages and wrote historical novels thatreminded one of the specialists of the Antiquity and contributed to founding a narrative of the origins based on a speculative approach of history. His historical narratives is pervaded with fictionalised cameos crystallising the colours, plots and pitfall of both medieval and modern times, separated by a porous border, thus questioning the consequences of the French Revolution. The two faces of those cameos paved the way for a rearrangement of historical time/events.

L'objectif général de ce travail de doctorat a été centré sur l'utilisation des cellules pluripotentes induites humaines dans la modélisation et l'évaluation thérapeutique des pathologies cardiaques. Depuis leur découverte en 2006, les iPSC offrent une opportunité pour le développement de modèles cellulaires humains et spécifiques de patients pour l'étude des mécanismes physiopathologiques, l'évaluation de réponses pharmacologiques et le génération de cellules redifférenciées (ici en cardiomyocytes) pour des applications thérapeutiques cellulaires. Dans ce travail nous avons démontré que la quantité mais aussi la qualité finale des cardiomyocytes dérivés d'iPSC dépend des conditions spatiales et pharmacologiques utilisées durant les différentes étapes de différenciation. L'utilisation d'un protocole de différentiation en monocouche avec blocage simultané et transitoire de l'ensemble des voies Wnt (canoniques et non canoniques) permet d'obtenir une maturation plus importante du sarcomère, étape essentielle pour la modélisation des sarcomèropathies La différenciation des iPSC en cardiomyocytes peut aussi être obtenue par une approche moléculaire ciblée visant à activer spécifiquement un programme cardiogénique. Celle-ci est obtenue via l'utilisation d'une protéine Cas9 mutée et couplée à un système transactivateur et permettant le ciblage simultané de 3 facteurs de transcription clés de la cardiogénèse (Gata4, Mef2c et Tbx5). Cette approche moléculaire est renforcée par la combinaison avec une stimulation pharmacologique ciblant la voie Wnt. / The general objective of this work was centered on the use of human induced pluripotent cells in modeling and therapeutic evaluation of cardiac pathologies. Since their discovery in 2006, the iPSC provide an opportunity for the development of human cellular models and specific patients for the study of pathophysiological mechanisms, evaluation of pharmacological responses and the generation redifférenciées cells (cardiomyocytes here) for applications cellular therapeutic. In this work we demonstrated that the quantity but also the final quality of cardiomyocytes derived from iPSC depends on the spatial and pharmacological conditions used during the various stages of differentiation. The use of a monolayer differentiation protocol with simultaneous and transient blocking of all Wnt pathways (canonical and noncanonical) allows to obtain a higher maturation of the sarcomere, an essential step for modeling sarcomeropathies IPSC differentiation into cardiomyocytes can also be obtained by targeted molecular approach to specifically activate cardiogenic program. This is achieved through the use of a mutated Cas9 protein and coupled with transactivator system. This allows simultaneous targeting of 3 key cardiogenesis transcription factors (Gata4, MEF2C and Tbx5). This molecular approach is enhanced by the combination with a pharmacological stimulation targeting the Wnt pathway. Beyond modeling of monogenic cardiac disease, cardiomyocytes derived from iPSC can reproduce more complex and multigenic diseases

Made available in DSpace on 2016-08-03T12:19:29Z (GMT). No. of bitstreams: 1 Jairo Paes Cavalcante Filho.pdf: 1337096 bytes, checksum: d44bd40f6780030093ef77d03b7343c9 (MD5) Previous issue date: 2013-09-10 / The classic Bible version by João Ferreira de Almeida is the most popular translation in the lusophone countries, even when the dynamic equivalence concept is the main driver in the production of new Bible translations. The original text, as produced by Almeida, never has been published, and so far no portion of his presumed manuscript version has been located. All of the first editions of Almeida s New Testament have been printed after a reviewing and approval by the Dutch Reformed Church authorities. This research develops a method to build a critical edition of the work of João Ferreira de Almeida, starting from what is known concerning Almeida s life and Bible translation history, his six first printed New Testaments and his Old Testament editions (XVIII century). Afterwards, the method is tested, producing a critical version of Matthew Gospel.   / Entre as traduções da Bíblia utilizadas nos países lusófonos, a clássica versão de João Ferreira de Almeida é a mais popular, mesmo quando o conceito de equivalência dinâmica é o impulsionador principal na produção de novas versões bíblicas. O texto da tradução original, tal como Almeida escreveu, jamais foi publicado e até agora não se conhece a localização de algum presumido manuscrito dela. As primeiras edições foram impressas com a revisão e aprovação do clero da Igreja Reformada Holandesa. Partindo do que se conhece da vida e da história da tradução de João Ferreira de Almeida, das seis primeiras edições do seu Novo Testamento e das edições do século XVIII do seu Antigo Testamento, esta pesquisa desenvolve um método para obtenção de uma edição crítica da obra de João Ferreira de Almeida, e o testa, produzindo uma versão crítica do Evangelho de Mateus.

Lendas Capixabas (2000) para violão solo, do compositor brasileiro Carlos Cruz (1936-2011), é constituída por três movimentos que representam lendas do estado do Espírito Santo: Juparanã, O Frade e a Freira e Itabira. Esta obra apresenta, por vezes, uma escrita não idiomática para o instrumento, dado que Cruz não tocava violão. Com vistas à resolução dessas passagens e das inconsistências presentes na única edição da obra, objetivamos a elaboração de uma edição críticointerpretativa de Lendas Capixabas, o que se deu a partir da comparação entre fontes, da resolução das passagens não idiomáticas e da proposição de digitações. Para tal, identificamos os manuscritos dessa obra no acervo de partituras do compositor, realizamos uma pesquisa bibliográfica sobre edições musicais, entrevistamos os intérpretes da obra e coletamos proposições de outros violonistas em alguns excertos da obra. Como resultado, elaboramos uma edição críticointerpretativa embasada por todos os parâmetros supracitados. / Lendas Capixabas (2000) for solo guitar, by Brazilian composer Carlos Cruz (1936-2011), consists of three movements that represent legends from the state of Espírito Santo: Juparanã, O Frade e a Freira and Itabira. This work presents sometimes a non-idiomatic writing for the instrument, since Cruz did not play the guitar. In order to solve these passages and the inconsistencies of the only edition of this work, we aimed the development of a critical-interpretative edition of Lendas Capixabas, from the comparison between sources, the resolution of non-idiomatic passages and the fingering proposition. Moreover, to do this, we have identified the manuscripts in the composer's scores collection, conducted a bibliographical research on musical editions, interviewed performers who have performed the work, and collected other guitarists’ proposals in some excerpts of the work. As a result, we developed a critical-interpretative edition grounded on all the aforementioned parameters.

CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / Esta tese tem por objetivo investigar a presenÃa do anarquismo - seu ideÃrio e prÃticas - no Brasil, no perÃodo compreendido entre a queda do Estado Novo, em 1945 e a decretaÃÃo do Ato Institucional n 5, em 1968. A partir de um estudo sobre os impressos libertÃrios, sobretudo jornais e livros, procuramos dimensionar seu papel enquanto estratÃgias de educaÃÃo e autoformaÃÃo entrelaÃados ao projeto mais amplo de difusÃo da cultura libertÃria. Assim, o estudo insere-se no campo da histÃria do livro, dos impressos e da leitura, donde a influÃncia central das anÃlises sobre as variadas prÃticas de leitura e sua circulaÃÃo, enfocando a experiÃncia do movimento anarquista no Brasil e pondo em discussÃo as peculiaridades de sua reorganizaÃÃo apÃs um perÃodo de exceÃÃo, bem como a tentativa de inserÃÃo pÃblica num momento de reconquista de liberdades polÃticas formais. / The thesis aims to investigate the presence of anarchism - its ideas and practices - in Brazil, between the end of the Estado Novo in 1945 and the enactment of the Institutional Act No. 5, in 1968. From a study of libertarians printed, especially press and books, we seek to scale their role as learning strategies and self-education interwoven into the broader project of disseminating libertarian culture. So the study falls within the field of book history, the printing and reading, where the central influence of analysis on the varied reading practices and their circulation, focusing on the experience of the anarchist movement in Brazil and discussing peculiarities of its reorganization after an dictatorship period as well as the attempting to public insertion in a moment of regaining formal political freedoms.

Esta tese tem como objetivo apresentar um estudo interdisciplinar da obra Historia da prouincia Sãcta Cruz a que vulgarmete chamamos Brasil, de Pero de Magalhães de Gândavo, publicada em 1576, e os manuscritos que a antecederam: Tractado da prouinçia do Brasil, Tractado da terra do Brasil e Historia da prouincia Sancta Cruz, a que vulgarmente chamamos Brasil. A referida obra trata de aspectos diversos da nova província: fauna, flora, capitanias, riquezas naturais, habitantes, entre outros, sendo selecionados como recorte para amostragem analítica, os capítulos comuns relacionados aos nativos. Sob os fundamentos da Filologia, estudamos a tradição textual, analisamos as dedicatórias e editamos semidiplomaticamente o recorte. Para a discussão da tradição textual, consultamos, além de bibliografia específica, as versões tomadas como corpus, algumas edições das versões e contatamos bibliotecas do Brasil (edição príncipe) e da Europa (versões manuscritas). Fundamentados nos estudos do léxico, elaboramos um Índice de frequência e ocorrência dos substantivos empregados no recorte e categorizamos setenta e uma lexias em seis campos léxicos, de modo a compreender o processo de nomeação do nativo, implementado pelo não nativo. Inventariamos as lexias utilizando o programa de estatística textual Léxico 3; e analisamos os semas das lexias utilizando obras lexicográficas coetâneas e não coetâneas de Gândavo. Tomando conceitos da análise de discurso, analisamos a cena enunciativa do corpus e comparamos o emprego das lexias de um dos campos léxicos nas quatro versões. Entre os resultados atingidos, destacamos: houve diversidade lexical junto ao tratamento sobre o nativo; os campos léxicos indicaram a construção de imagens descaracterizadoras do nativo; o locutor autoapresenta seu texto como História, mas mostra as cenografias de tratados e narração oral de casos; o processo de nomeação não se restringe ao âmbito linguístico, mas também ao discursivo; as dedicatórias e a frequência de lexias em campo léxico puderam indicar marcas autorais. / This thesis aims to present an interdisciplinary study of the work Historia da prouincia Sãcta Cruz a que vulgarmete chamamos Brazil, by Pero de Magalhães de Gândavo, published in 1576, and the manuscripts that came before it: Tractado da prouinçia do Brasil, Tractado da terra do Brasil and Historia da prouincia Sancta Cruz, a que vulgarmente chamamos Brasil. This work deals with various aspects of the new province: fauna, flora, captaincies, natural resources, inhabitants, among others, being selected for analytical sampling, the common chapters about the natives. Under the fundamentals of Philology, we studied the textual tradition, analyzed the dedications and edited semidiplomatically the selected parts. To discuss the textual tradition, we consulted, in addition to the specific bibliography, the versions taken as corpus, some editions of the versions and contacted libraries in Brazil (prince edition) and Europe (manuscript versions). Based on studies of the lexicon, we developed an index of frequency and occurrence of nouns employed in the selected parts and categorized seventy-one lexias in six lexical fields, in order to understand the process of naming the native implemented by the non-native. We inventoried the lexias using the textual statistical program \"Lexicon 3\"; and analyzed the semes of the lexias using Gândavos coeval and not coeval lexicographical works. Based on discourse analysis concepts, we analyzed the enunciative scene of the corpus and compared the use of lexias of one of the lexical fields in the four versions. Among the results achieved, we include the following: there was a lexical diversity on the treatment of the native; the lexical fields indicated the construction of natives mischaracterizing images; the enunciator presents his text as History, but \"shows\" the scenographies as treaties and oral narration of stories; the nomination process is not restricted to linguistic, but also to discursive scope; the dedications and the frequency of lexias in lexical field could indicate authorship marks.