Submitted by Jesiel Ferreira Gomes (jesielgomes@ufcg.edu.br) on 2018-04-30T20:25:38Z No. of bitstreams: 1 PEDRO NICÁCIO SOUTO – DISSERTAÇÃO (PPGH) 2015.pdf: 2062289 bytes, checksum: 30d73bf4458b634baf20b6b56a287ac4 (MD5) / Made available in DSpace on 2018-04-30T20:25:38Z (GMT). No. of bitstreams: 1 PEDRO NICÁCIO SOUTO – DISSERTAÇÃO (PPGH) 2015.pdf: 2062289 bytes, checksum: 30d73bf4458b634baf20b6b56a287ac4 (MD5) Previous issue date: 2015-04 / O tema desta dissertação é Honra e Subjetividades de Gêneros, o qual tem como objetivo geral: discutir as representações de homens e mulheres sobre os valores da honra na cidade de Puxinanã de 1960 a 1970, tendo como referências as práticas de sexualidade da Casa de Dona Sebastiana. Foram construídos três objetivos específicos com o intuito de, juntos, articularem com o objetivo geral na produção dissertativa. São eles: 1) Analisar a pedagogização do corpo feminino, por meio de distintos dispositivos, como os medos, a vergonha, o comportamento e as práticas de subjetivação como mulheres diferentes, para preservar a honra; 2) Discutir os valores da honra nos discursos masculinos, refletindo as representações sobre o corpo, a sexualidade, o prazer, a pureza e o amor e 3) Analisar os códigos de comportamento feminino e masculino na Casa de Dona Sebastiana, problematizando as burlas sobre a honra. Analiso nesta dissertação: Como foram produzidos os discursos femininos e masculinos para preservar a honra e como estes valores foram praticados na Casa de Dona Sebastiana, que era um lugar de honra e desonra? Trabalho com as memórias de distintas mulheres e homens que viveram as tramas sociais na cidade de Puxinanã – PB nos anos de 1960-70, para isto optei por fazer análise de discursos e trilhei este caminho na esteira foucaultiana. No primeiro momento analiso a pedagogização do corpo feminino, por meio de diferentes dispositivos para preservar a Honra. No segundo, discuto os valores da honra nos discursos masculinos. E terceiro e último momento, analiso os códigos de comportamento feminino e masculino na Casa de Dona Sebastiana. Para operacionalizar os dados da pesquisa uso conceitos como: Honra (Jean Caulfield); Pedagogização (Albuquerque Jr.); Sexualidade e Poder (Michel Foucault); Lugar praticado e Burla (Michel Certeau); Corpo (Goellnner); Gênero (Guacira Lopes Louro); Prostituição (Margareth Rago). Conceitos estes, que operacionalizados com as fontes desta pesquisa apontaram para as diferentes maneiras de mulheres e homens representarem os valores da honra. / The theme of this work is honor and subjectivities Genres, which has the general objective: to discuss the representations of men and women on the values of honor in the city of Puxinanã 1960 to 1970, taking as reference the sexuality practices of Housewife Sebastiana. It was built three specific objectives in order to articulate together with the overall objective dissertation in production, they are: 1) To analyze the pedagogization the female body through different devices, such as fear, shame, behavior and practices subjectivity as different women, to preserve the honor; 2) Discuss the values of honor in male discourse, reflecting the representations of the body, sexuality, pleasure, purity and love, and 3) analyze the feminine and masculine codes of behavior in the House of Dona Sebastiana, discussing about scams the honor. I analyze in this dissertation: How male and female speeches to preserve the honor were produced and how these values were practiced in the House of Dona Sebastiana, which was a place of honor and dishonor? Working with memories of different women and men who lived social plots in the city of Puxinanã - PB in the years 1960-70, for this I chose to do analysis of speeches and trod this path in Foucault's wake. At first I analyze the pedagogization the female body through different devices to preserve Honor. Then, discuss the values of honor in the male discourses. And third and last time, I analyze the feminine and masculine codes of behavior in the House of Dona Sebastiana. To operationalize the research data using concepts such as honor (Jean Caulfield); Pedagogization (Albuquerque, Jr.); Sexuality and Power (Michel Foucault); Place practiced and Burla (Michel Certeau); Body (Goellnner); Genre (Guacira Lopes Louro); Prostitution (Margareth Rago). These concepts, which operated with the sources of this research pointed to the different ways women and men represent the values of honor.

Made available in DSpace on 2014-07-29T15:27:25Z (GMT). No. of bitstreams: 1 Murilo Chaves Vilarinho.pdf: 651969 bytes, checksum: f72c47d0675bfe768145a2483b7649c7 (MD5) Previous issue date: 2011-02-23 / This dissertation is an analysis from the reports of two women who broke with the patriarchal tradition of their societies and resolved to fight for the dignity of women. We speak of Mukhtar Mai in Pakistan and Senegal Khady Koita. The first victim of gang rape was ordered by the tribal council of Meerwala in Pakistan. And the second had her clitoris removed at 7 years old in a traditional ritual purification procedure in Senegal. So, each in its context, both women have rebelled against the acts suffered and denounced the violence is committed in the name of tradition, or honor the man. Denouncing the violence were the world, a feat that became a symbol for the human rights of women. Mukhtar Mai and Khady gained fame locally and internationally in the fight for an end to honor killings and female genital mutilation. It's about attitudes to break with tradition, and the fight passed the reflections of this work. That is, in light of feminist theories, the field of Human Rights (formed by means of treaties, conventions and humanitarian letters), and human rights of women who seek to understand the break with the patterns of subordination in patriarchal societies entrenched like remember Therborn (2006), and they represent the achievements of these individuals for Human Rights in general and the condition of women in particular. / Esta dissertação de mestrado é uma análise a partir dos relatos de duas mulheres que romperam com a tradição patriarcalista de suas sociedades e resolveram lutar a favor da dignidade da mulher. Fala-se da paquistanesa Mukhtar Mai e da senegalesa Khady Koita. A primeira foi vítima de estupro coletivo ordenado pelo conselho tribal de Meerwala no Paquistão. A segunda teve seu clitóris retirado aos sete anos de idade num ritual de purificação, procedimento tradicional no Senegal. Assim sendo, cada qual em seu contexto, ambas mulheres, se rebelaram contra os atos sofridos e denunciaram a violência que é cometida em nome da tradição, ou seja, da honra do homem. Ao denunciar ao mundo as violências sofridas, um feito que se transformou em símbolo para os direitos humanos das mulheres, Mukhtar Mai e Khady Koita ganharam notoriedade local e internacional na luta pelo fim dos crimes de honra e mutilação genital feminina. É sobre as atitudes de ruptura com a tradição e sobre a luta destas mulheres que recaem as reflexões deste trabalho, ou seja, é à luz das teorias feministas, do campo dos Direitos Humanos (formado por meio dos tratados, convenções e cartas humanitárias), e dos direitos humanos das mulheres que se buscou compreender a quebra com os padrões de submissão em sociedades de patriarcalismo entrincheirado como lembra Therborn (2006), e o significado dos feitos desses indivíduos para os Direitos Humanos em geral, e para a condição feminina em específico.

[pt] A presente pesquisa se propõe a estudar o significado das expressões paulinas: um vaso para honra, e outro para desonra [...] vasos de ira, que foram preparados para a destruição, [...] vasos de misericórdia, os quais preparou de antemão para a glória, no texto de Rm 9,19-29. O objetivo é entender se, nesta passagem bíblica, o Apóstolo Paulo trataria realmente de predestinação dupla ou absoluta, como foi compreendido pela maioria dos reformadores protestantes do século XVI. Para a pesquisa, primeiramente foi levantado o status quaestionis (estado da questão), com a interpretação de vários exegetas sobre estas expressões difíceis da perícope. Em seguida, é realizada a exegese do texto de Rm 9,19-29, lançando-se para isso mão dos seguintes dois métodos: Histórico-Crítico e Análise Retórica Bíblico-Semítica. Finalmente, é feito um comentário bíblico-exegético-teológico da perícope, com aplicação do Método do Uso do Antigo Testamento no Novo Testamento. / [en] The present thesis proposes to study the meaning of the Pauline expressions: a vessel for honor, and another for dishonor [...] vessels of wrath, which were prepared for destruction, [...] vessels of mercy, whose were prepared for glory beforehand, in the text of Rm 9,19-29. The objective is to understand whether, in this biblical passage, the Apostle Paul would really deal with double or absolute predestination, as was understood by most Protestant reformers of the sixteenth century. For research, the status quaestionis (state of the matter) was first raised, with the interpretation of several exegetes on these difficult expressions of the pericope. Then, the exegesis of the text of Rm 9,19-29 is carried out, using the following two methods: Historical-Critical and Biblical-Semitic Rhetorical Analysis. Finally, a biblical-exegetical-theological comment is made on the pericope, applying the Method of the Use of the Old Testament in the New Testament.

The master's thesis is devoted to the study of the important moral concept of honor and performed at the intersection of cognitive and linguo-culturological approaches. The student studied the information content of the concept of honor in Russian and Vietnamese language cultures based on lexicographic, text and experimental data. The paper presents the results of a survey of Russian and Vietnamese students, which revealed similarities and differences in the representation of this moral concept in different language cultures. / Магистерская диссертация посвящена изучению важного морально-нравственного концепта честь и выполнено на стыке когнитивного и лингвокультурологического подходов. Магистрантом изучено информационное содержание концепта честь в русской и вьетнамской лингвокультурах в опоре на лексикографические, текстовые и экспериментальные данные. В работе представлены результаты опроса русских и вьетнамских студентов, который выявил общее и различное в представлении о данном нравственном понятии в разных лингвокультурах / The master's thesis is devoted to the study of the important moral concept of honor and performed at the intersection of cognitive and linguo-culturological approaches. The student studied the information content of the concept of honor in Russian and Vietnamese language cultures based on lexicographic, text and experimental data. The paper presents the results of a survey of Russian and Vietnamese students, which revealed similarities and differences in the representation of this moral concept in different language cultures.

紐伯瑞獎為創設於1922年的美國兒童文學獎，每年頒發給最傑出的美國兒童圖書的文字作者。創設至今，培育出無數傑出作家及優秀作品。不唯為全美兒童文學獎項的權威，也是全世界相關領域的師法對象。本研究採取書目計量法，探索1922年到2015年美國紐伯瑞獎作者背景、作品體裁與題材分佈，並透過台灣NBINet及中國CALIS蒐集中譯本書目，以瞭解作品中譯本出版狀況。研究結果歸納如下，一、作者背景：(1)作者有279名，美國與紐約州出生者最多，女性是男性的2倍，平均壽命78.3歲；(2)集中在30到59歲首度獲獎；(3) 1次得獎者最多，Meindert DeJong及Laura Ingalls Wilder創下最高得獎次數5次。二、作品體裁與題材：(1)體裁最多的是小說、傳記、短篇；(2)題材最多的是歷史、現實、冒險。三、作品中譯本：(1)54%的作品有中譯本，最早的中譯本是1925年上海商務印書館《人類的故事》，由沈性仁譯自《The Story of Mankind》；(2)最多中譯出版社及譯者翻譯出版的是《The Story of Mankind》，中譯書名種類最多的是《The Voyages of Doctor Dolittle》；(3)作品的中譯出版社、中譯譯者、中譯書名三種數量高度相關；(4)中譯本與英文本平均出版時間間隔，繁體是17.95年、簡體是27.83年；(5)繁體中譯出版社有72家，主要出版社是智茂、東方。簡體中譯出版社有108家，主要出版社是新蕾、中國少年兒童、河北教育；(6)譯者有438組，主要譯者是趙永芬、鄒嘉容、趙映雪；(7)中譯出版社最青睞小說體裁，不青睞知識文藝及傳說體裁；(8)中譯出版社最青睞動物及現實題材，較不青睞神祇題材。 / The Newbery Award was named for eighteenth-century British bookseller John Newbery. It is awarded annually by the Association for Library Service to Children, a division of the American Library Association, to the author of the most distinguished contribution to American literature for children. Based on bibliometrics, this study explores the genres, subjects and author’s backgrounds of Newbery winners and honor books from 1922 to 2015. The study also collects bibliographic records retrieved mainly from NBINet and CALIS databases for the purpose of investigating overall publishing status of their Chinese translations. The results are summarized as follows. First,with regards to the authors’ backgrounds, it is observed that: (1)Among the 279 authors, those born in USA comprise the largest number. New York is the most common birthplace for these USA born authors. Moreover, female authors account for twice the number of male authors. Furthermore, the average life expectancy for the authors is 78.3 years; (2)The majority of these authors received the award between 30 and 59 years of age; (3)Most of the authors were awarded only once. Meindert DeJong and Laura Ingalls Wilder, having been awarded 5 times, hold the record for the most Newberys won. Second, with regards to the distribution of the genres and themes of these works, it is observed that: (1)In terms of genre, the majority of the works fall under fiction and nonfiction novels, biography and short story; (2)The subject of these works mostly center around history, realism and adventure. Third, regarding the publishing status of these works’ Chinese translations, it is observed that: (1)Chinese translations are available for 54 percent of the works. The first Chinese translation was “Ren Lei De Gu Shi” published by Shanghai Commercial Press in 1925, which was translated from "The Story of Mankind" by Shen Xing-Ren; (2)The works with the largest number of Chinese publishing houses, Chinese translators and Chinese titles are "The Story of Mankind", “The Story of Mankind" and "The Voyages of Doctor Dolittle" respectively; (3)The numbers of Chinese publishing houses, translators and Chinese titles of a book are highly correlated; (4)In terms of the average time interval between the publication of English original works and Chinese translations, it took an average of 17.95 years for a Traditional Chinese translation to be published, while a Simplified Chinese translation usually took 27.83 years; (5)The number of Traditional Chinese publishers is 72, with the major publishers being Wisdom World Publishing and Eastern Publishing Co.. The number of Simplified Chinese publishers is 108; major publishers include New Buds Publishing House, China Children Publishing House and Hebei Education Press; (6)There are 437 group of translators, among which ZhaoYong-Fen, Zou Jia-Rong and Zhao Ying-Xue are the main translators; (7)From the standpoint of genre, Chinese publishing houses prefer to publish translations for fiction and nonfiction novels, while nonfiction depiction of facts and works based on folk legends are less favored; from the perspective of subjects, Chinese publishing houses favor realism and works with animal-related, whereas works based on mythologies receive least attention from publishers.

This MA thesis deals with the text analysis of the Song of Roland. The text analysis focuses in detail on the formal, content, narrative and symbolic aspects of the Song of Roland. All those features are in the context of the literary and historical frame. The Song of Roland is one of the oldest literary pieces of French literature. It is the most famous heroic song belonging to the "Chanson de geste" and it was created in the 11th century. The main characters of the heroic poem are Charles the great, his nephew Roland, loyal friend Olivier, traitor Galeon and pagan king Marsil. The Song of Roland explores not only the family and friend relations, but the important topics are also betrayal and desire for fortune and glory. The Song deals with the matter of faith being asserted in the way which is typical for the middle ages. The story, which takes part in Spain, where the French have been besieging the pagan fort of Zaragoza for seven years, is very interesting from the historical aspects, but were more interested in the narrative - textual aspects, in which we tried to explore the relationships between the narrators. We focused on individual speeches, who speaks to whom and in which way. We asked ourselves three questions, which we have gradually answered. For the need of an analysis of individual speech...

This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in the aftermath of an event in which certain individuals have sought to eradicate it. The fragmentation of the affected body in these scenarios is understood as further complicating processes of grief and remembrance. Artists who reject political polemic and engage with the dimensions of human loss are seen to have discovered means of referring to the absence caused by the act of terrorism. Three such recurring representations present themselves: ash and remnants, presence/absence and memory building. Phantom Bodies are perceived as simultaneously functioning as a reminder of the event itself, insisting upon the response of bearing witness, and as a symbol of the overwhelming power of humanity. Challenges arise when individuals or sections of the affected society deem these artworks to be inappropriate or explicit. Works considered include: Neil LaBute's play The Mercy Seat, Sigalit Landau's art installation The Country, Jonathan Safran Foer's Extremely Loud & Incredibly Close, Spike Lee's 25th Hour, Daniel Libeskind's architectural plans for the World Trade Center site, Eric Fischl's sculpture 'Tumbling Woman', Honor Molloy's autodelete://beginning dump of physical memory and A.B.Yehoshua's A Woman in Jerusalem. The accompanying play, Tales of Ash: A diptych for the theatre, is set in Melbourne, New York and Tel Aviv and deals with life in the face of and after terror. It veers between naturalism, poetic monologue and the epic. Tales of Ash contains two plays. The first centres on Mia, a young sculptor living in New York, who loses both her lover and her creativity on September 11. Upon returning to her home in Melbourne, she finds familial bonds still entwined with guilt and family trauma. The second play revolves around Ilana and Benny, two people living in Tel Aviv, who find themselves suddenly thrust together after a devastating bombing. As they attempt to resume rhythms of life, in the face of all the inherent ferocity of a modern existence in Israel, the struggle between The Ash Woman and The Ash Takers escalates.

SANTOS, Antonia Cláudia Lopes dos. Crimes passionais e honra no Tribunal do Júri Brasileiro. (2008). 167f. Tese (Doutorado em Sociologia) – Universidade Federal do Ceará, Departamento de Ciências Sociais, Programa de Pós-Graduação em Sociologia, Fortaleza-CE, 2008. / Submitted by nazareno mesquita (nazagon36@yahoo.com.br) on 2011-11-24T16:57:39Z No. of bitstreams: 1 2008_tese_ACLdosSantos.pdf: 1038779 bytes, checksum: 45da3b99a641af7c7537f1a04215866f (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2011-11-28T15:04:50Z (GMT) No. of bitstreams: 1 2008_tese_ACLdosSantos.pdf: 1038779 bytes, checksum: 45da3b99a641af7c7537f1a04215866f (MD5) / Made available in DSpace on 2011-11-28T15:04:50Z (GMT). No. of bitstreams: 1 2008_tese_ACLdosSantos.pdf: 1038779 bytes, checksum: 45da3b99a641af7c7537f1a04215866f (MD5) Previous issue date: 2008 / This thesis presents a study of ten cases of crimes of passion tried before the Jury Court (Tribunal do Júri), a Brazilian court with specialized jurisdiction over each of certain grave offenses in which a life is taken. A main objective of the study was to characterize the discourse concerning honor in the written and oral practices in the construction of the crime of passion, understanding honor as a value of the accused, both through their own eyes and through the eyes of the society to which they belong. Concepts of honor are discussed in connection with sociological, anthropological and juridical thought, more specifically in the figure of the passionate murderer within the presentation of cases of crimes of passion and in the analysis of the juridical "legitimate defense of honor", a discourse constructed in the narrative of these deaths throughout the process from the charge of the crime to the verdict of the Jury Court. The development of the text is based upon a typology of the cases using a qualitative approach and descriptive method. The construction of questions guiding the discussion in this thesis takes the following sequence: characterization of the concept of honor, overview of the Jury Court, account of a jury session, description of the cases of crimes of passion and analysis thereof. It can be seen in the conclusions of the analysis that crime of passion, discourse, verdict and sentence all have sociological meaning as expression of social traditions and moral duty, strengthening the discourse concerning honor in the narrative and reinforcing aspects of the construction of the social world. / Esta tese apresenta um estudo de dez crimes passionais julgados pelo Tribunal do Júri brasileiro, sendo quatro os conceitos-chave que orientam a discussão: crimes passional, júri, honra, veredicto e sentença. Um dos principais objetivos do trabalho foi caracterizar o discurso da honra nas práticas escritas e orais da elaboração do crime passional, entendendo a honra como o valor do réu aos olhos dele mesmo e, mais ainda, à óptica da sociedade a que pertence. Na análise que se segue, são discutidos os conceitos de honra ligados ao pensamento sociológico, antropológico e jurídico, mais especificamente na figura do homicida passional, mediante através da apresentação dos casos de crimes passionais e na análise do argumento da “legítima defesa da honra”, discurso constituído durante a narração dessas mortes, desde a denúncia do ato até o julgamento pelo Tribunal do Júri. A elaboração deste texto é fundamentada na tipologia de estudo de casos, com abordagem qualitativa e método descritivo. Na montagem da problemática que orienta a discussão desta tese, tem-se a seqüência: caracterização da honra, apresentação do Tribunal do Júri, relato de uma sessão do júri, descrição dos casos de crimes passionais e análise dos ilícitos. Nas conclusões da análise, pode-se perceber que o crime passional, o discurso, o julgamento e a sentença têm significados sociológicos relevantes na caracterização desse condensado de idéias, interpretadas como expressão das tradições sociais, dever moral exposto na sentença, e fortalecimento dos discursos da honra nas narrativas, aspectos formuladores do mundo social.

Aux lendemains des indépendances, les Etats de l’Afrique de l’Ouest ont constitués entre eux des organisations d’intégration économique dans le but de favoriser leur développement économique et social.Ces organisations conçues pour la plupart à partir du modèle Européen dispose d’une personnalité juridique autonome et d’un corps de règles propres ayant vocation à s’insérer de façon uniforme dans l’ordre juridique interne des différents Etats membres. Le fonctionnement harmonieux de ce système suppose l’existence d’un organe indépendant chargé, entre autres, de veiller à l’équilibre général du dispositif et d’assurer une interprétation uniforme des normes communautaires.Dans le cadre de l’UEMOA comme de La CEDEAO, cette fonction de protection est exercée par des organes juridictionnels intégrés dont la mission principale consiste à veiller au respect du droit dans l’interprétation et dans l’application des Traités constitutifs.L’objectif visé, à travers cette contribution, est de faire observer que le dispositif de protection mis en place fonctionne, d’une part, par les mécanismes de coopération institués entre les cours de justice et les autres composantes du système communautaire et d’autre part par le contrôle juridictionnel exercé sur les organes communautaires et les Etats membres. / After being freed from colonization, the West African States have set up commonly economic integration organizations to promote their economic and social development.The creation of the majority of those organizations is based on the European example and they have an independent legal personality and a body with specific rules in charge of integrating uniformly the internal legal environment of the different Member States.The harmonious functioning of the system requires, among others, the existence of an independent structure designed to take control of the general balance organization and achieve a uniform interpretation of the Community norms. Within the framework of the WAEMU as well as in the ECOWAS, this protective function is delegated to integrated judicial bodies whose main mission consists in making sure that a submission to the law related to the interpretation and compliance with Treaties is effective.The goal of such a contribution is to point out that the settled protection device is functioning, on the one hand, by the cooperation mechanisms introduced by justice courts and the other components of the Community system and, on the other hand, by the judicial control over the community structures and the Member States.

The starting point of this thesis is that gender equality should be studied as an empirical field. After the Swedish general election in 2014 the newly formed government proclaimed itself to be the world’s first feminist government. This study aims to examine how gender equality is made and filled with meaning by this feminist government since 2014 and to analyse the results by making use of postcolonial feminist theory and relevant research. Carol Bacchis analytical strategy, “What´s the problem represented to be?” is used as the study’s methodological framework. This approach to critical policy analysis focuses on how governing takes place through problematizations within policy. The results of the study show that gender equality is made by problematizing a lack of regulation, a lack of knowledge, a lack of collaboration, wrongful designation, a lack of attention for certain groups as well as a lack of Swedish strategy. One of the most significant results drawn from the analyses confirms previous research findings that neoliberalism as well as ethnocentric discourses dominate this field of policy. This leads to the conclusions that Swedish Gender Equality Politics, through to its fragmentation is emptied of a specific content and direction as well as that Swedishness and Norms of Honor are created in an asymmetric-diametrically relationship.