[pt] Na sociedade chamada pós-moderna, a questão do individualismo vem se tornando uma realidade problemática, porque, como conseqüência de um longo processo iniciado na Modernidade, está se desenvolvendo, conforme Gilles Lipovetsky, um processo de personalização: sendo o individualismo o fator preponderante, o ser humano assume a imagem mitológica de Narciso tornando-se, assim, mais fechado em si mesmo. E o resultado disso é uma sociedade notadamente individualista, antifraterna e anti-solidária, em que os indivíduos se encaminham para o esvaziamento do sentido da vida. Mas o ser humano, homem e mulher, imagem e semelhança de Deus, é chamado a construir um projeto de fraternidade, contrapondose ao narcisismo, pernicioso à convivência humana. Nesta dissertação, em vista da possibilidade de superação do citado narcisismo, procuramos desvelar o pecado subjacente a ele e propomos o caminho salvífico da abertura à graça de Deus como fundamento teológico do projeto de fraternidade, na fé. Em nossa reflexão, fundamentamo-nos no pensamento de González Faus e, para a realização deste projeto, valemo-nos de mediações, algumas das quais indicamos no presente trabalho. / [en] In the so-called postmodern society, the individualism issue has become a problematic reality, because, in the wake of a long process that started in the Modernity, - according to Gilles Lipovetsky - a personalization process arose, wherein individualism is a preponderant factor, and wherein the human being adopts the mythical image of Narcissus, increasingly becoming closed in itself. From this results a society marked by individualism, anti-fraternity and anti-solidarism, wherein the individuals go to an emptying of sense of life. But the human being, man and woman, image and likeness of God, has been called to work out a project of fraternity, counterpointing with community destroying narcissism. In this dissertation, having in view the possibility to overcome the mentioned narcissism, we try to unveil the underlying sin, and we propose the redemptive way of openness to the grace of God, as the theological basis of the fraternity project, in faith. In our reflection we base ourselves on the thoughts of González Faus and, for the execution of this project, we also make use of some mediations which are indicated in this study.

Abstract of Master essay - 10 HP Izabel Lind Färnstrand Mentor: Emma Kihl Examinator: Sigrid Sandström How to Prepare for Death In this essay I dwell into the failures of our moral senses in relation to the concept of death. How does modern death culture affect our way of life and our ability to take responsibility for the life and death of others? These questions are formed by these current times and affect both my art practice and my everyday life. When facing death within my family it occur- red to me that my and my family’s relationship to death is failing us. I have become frustra- ted with the fear and silence that seems too natural to my surrounding. Not being able to talk about a part of life that is inevitable seems irrational. It became clear when the lack of under- standing and acceptance of death caused relatives an immense suffering. The struggle seemed unnessesary and urged me to try to understand more, based on their deaths. Seeing how very different the experience of dying can be made me wonder what makes a ”good” death possible for some and others not. From there my interest in the topic death culture and fear emerged, and this essay touches on this in a variety of aspects. I use my personal experiences in combina- tion with thoughts of others to talk of layers of these issues through my artistic practice. This personal method is my way of trying to structure a thinking – in a way that I can use and make sense of it – with a varied level of success. I feel it is important to note that I don’t claim to have any answes. This essay is more an attempt to pose questions around human behaviour. Even though many of these ques- tions have been asked over and over again, throughout different times, I believe it is impor- tant to ask them again and again. As long as the Human is part and violently effecting this suffering world. Many of the thoughts in this essay are based on fragments of ideas by Judith Butler, espe- cielly from her book Frames of War: When is Life Grievable? (2009). I also reference Caitlin Doughty’s From Here to Eternity: Traveling the World to Find the Good Death (2017) and and Sogyal Rinpoche The Tibetan Book of Living and Dying (1992). The themes gathered that I try to make use of in this essay and in my artistic practice are purpose, fear, death, health, happiness, narcissim and resposibility. / Abstract of Artistic work How to Prepare for Death @ Galleri Mejan, Exercisplan 3, october 2019 Media: Spatial installation with a performance (1 h) Materials: Clay, plaster, metal & red plastic film How to Prepare for Death is a spatial installation in one of the gallery rooms of Galleri Mejan. The work includes the whole space of the area, such as the floor and the walls. You step into an altered reality, where the floor is covered with clay that is cracking increasingly over time and windows that are tinted red so that the air you breath seems red. When you enter your eyes need to adjust and after a while it is rather the outside that seems colored, neon green -  the complementary color of red. From the clay there are metal rods sticking out vertically, with plaster sculptures at the end. These sculptures are broken, and resemble body parts with a medical aesthetics. Similar sculptures come out from the walls, like fragile fragments of something that used to be. When you walk around the sculptures the clay crackle under your feet, and crumble into smaller pieces and dust. It is constructed as an ambivalent experience of nothingness, emptiness, ”afterness” and a sanctuary of thoughts. My questions about life and death drive me to investigate how to create spaces for these subjects to feel present, so that we can face our fears.

The human trait of entitlement, although currently very topical, has only recently come under serious scrutiny by behavioural psychologists (Campbell, Bonacci, Shelton, Exline & Bushman 2004:30). This study examines the modifying effects of these psychological elements on the spiritual aspects of disease and healing. Other modifiers are the personal spiritual beliefs or dogmas of the clergy within the paradigm of a particular denomination, and the beliefs and expectations of the adherents. Two Christian denominations were chosen for the study: The Methodist Church of Southern Africa, in particular the home church of the writer, The Bedfordview Methodist Church, and Afmin, an organisation that trains and equips students, mainly African, for Christian ministry. Structured face to face interviews were conducted with pastors and church leaders, interviews with medical professionals were conducted and a wide ranging review of relevant literature undertaken. It was found that while the trait of entitlement was a constant in human nature, there were modifying factors. These included the personal beliefs of pastors and youth leaders, often founded on personal experience instead of denominational dogma. The influence of Pentecostal / Charismatic teaching was very evident. It was also found that the church, in a drive to become increasingly relevant to current norms and social trends, tended to have a rather confused understanding of biblical healing and the role of God in disease and suffering. While the inevitability of death, suffering and disease cannot be denied, the role of the church is complex and controversial. Unrealistic expectations, based on teaching that encourages a sense of entitlement can lead to great challenges regarding faith in both the clergy and adherents. / Christian Spirituality, Church History & Missiology / D. Th. (Christian Spirituality)

The human trait of entitlement, although currently very topical, has only recently come under serious scrutiny by behavioural psychologists (Campbell, Bonacci, Shelton, Exline & Bushman 2004:30). This study examines the modifying effects of these psychological elements on the spiritual aspects of disease and healing. Other modifiers are the personal spiritual beliefs or dogmas of the clergy within the paradigm of a particular denomination, and the beliefs and expectations of the adherents. Two Christian denominations were chosen for the study: The Methodist Church of Southern Africa, in particular the home church of the writer, The Bedfordview Methodist Church, and Afmin, an organisation that trains and equips students, mainly African, for Christian ministry. Structured face to face interviews were conducted with pastors and church leaders, interviews with medical professionals were conducted and a wide ranging review of relevant literature undertaken. It was found that while the trait of entitlement was a constant in human nature, there were modifying factors. These included the personal beliefs of pastors and youth leaders, often founded on personal experience instead of denominational dogma. The influence of Pentecostal / Charismatic teaching was very evident. It was also found that the church, in a drive to become increasingly relevant to current norms and social trends, tended to have a rather confused understanding of biblical healing and the role of God in disease and suffering. While the inevitability of death, suffering and disease cannot be denied, the role of the church is complex and controversial. Unrealistic expectations, based on teaching that encourages a sense of entitlement can lead to great challenges regarding faith in both the clergy and adherents. / Christian Spirituality, Church History and Missiology / D. Th. (Christian Spirituality)

La présente thèse a pour but de ressortir l’implicite de l’œuvre de Tierno Monénembo. Elle se structure autour de trois axes principaux ; le premier étudie les instances narratives ; le deuxième porte sur les principaux actants du récit ; le troisième axe permet d’élaborer la genèse du mythe personnel de l’écrivain à travers l’exil. L’analyse psychocritique de l’œuvre de Monénembo se veut être aussi une étude portant sur la psychologie des personnages, elle tâche de mettre en exergue le malaise identitaire des personnages et celui de l’exilé en somme, face à des traumatismes sociopolitiques, les personnages éprouvent la nostalgie du royaume de l’enfance. Cette structure récurrente dans l’œuvre est la résultante d’un passé troublant. Celui-ci se traduit dans le discours des narrateurs. Ces derniers s’inspirent en général de l’univers familial ou de celui du pays natal « mal sorti » du joug colonial français / The present theses is aimed at taking out again the implicit of literary oeuvre of Tierno Monenembo. It is structured around three main axles ; the first studies narrative authorities ; second door on the main actors of the tale ; the third axles allows to work out the origin of the personal myth of the writer across banishment. The analysis psychocritique of oeuvre of Monenembo Is meant be also a study concerning the psychology of the figures. It tries to head with the self-defining feeling of faintness of the figures and with that of the exile. All in all, faced with traumas sociopolitiques, the figures feel the nostalgia of the infantile stadium. This recurrent structure in oeuvre is the result of a disturbing past. This one is translated by speeches on the sly of storytellers. These last draw inspiration in general from the family world or from that of the natal country “badly taken out” from French colonial yoke

Made available in DSpace on 2016-04-28T19:59:04Z (GMT). No. of bitstreams: 1 Diana Navas.pdf: 315906 bytes, checksum: 6c1311fcbbb51fa3835c6d6a6d402236 (MD5) Previous issue date: 2007-10-23 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The present study proposes to verify how the confluence of the lyric and epic genres happens in the novel Não entres tão depressa nessa noite escura, of António Lobo Antunes, as well as to show what, in fact, configures its poeticity. Initiating with the exposition of the path that has been followed by the contemporary Portuguese romance and, afterwards, reflecting briefly on the works of fiction written by Lobo Antunes so far, as well as on the biographical and structural traits present in his works, the present studies culminates with the analysis of the novel. Having as a central hub the work carried out by Lobo Antunes with and through the language, the research aims to demonstrate how the novel in question is, according to the concepts developed by Linda Hutcheon, a metafiction, that is, a work that alerts us to its own construction process, or even, to a kind of discursive narcissism. Pointing out to the fact that the work with the language is, at the same time, the central theme of the novel and also the basic principle of its construction, this study shows how Lobo Antunes s novel, a novel in process, evidences its scriptural poiesis, escapes from the rigid classifications of the traditional forms of literary narrative, pioneering a new form of narrating, or even, a new conception of narrative genre, once that in it the lyric and epic genres conjugating themselves and thus merging themselves. With the analysis of this novel, the present study also aims to demonstrate how, always through the language, Lobo Antunes s novel points to a portrait of the contemporary man and world: a multiple, fragmented, in splinters portrait, whose pieces make part of a persistent effort of desconstrucion/ reconstruction, always in the search of a possible rescue of a hypothetic lost totality / Esta dissertação tem como proposta inicial verificar como se processa a confluência dos gêneros lírico e épico no romance Não entres tão depressa nessa noite escura, de António Lobo Antunes, bem como evidenciar o que, de fato, configura a sua poeticidade. Iniciando com a exposição da trajetória que vem sendo percorrida pelo romance português contemporâneo e, posteriormente, dedicando-se a refletir sinteticamente sobre as obras de ficção até então escritas pelo autor, assim como sobre os traços autobiográficos e também estruturais presentes em suas obras, o presente estudo culmina com a análise do romance supracitado. Tendo por eixo central o trabalho realizado por Lobo Antunes com e na linguagem, esta pesquisa visa a demonstrar como o romance em questão constitui-se, de acordo com os conceitos desenvolvidos por Linda Hutcheon, em uma metaficção, ou seja, em uma obra que alerta para seu próprio processo de construção, ou ainda, para uma espécie de narcisismo discursivo. Considerando-se o fato de que o trabalho com a linguagem é ao mesmo tempo tema central do romance e também princípio básico de sua construção, procura-se verificar como o romance antuniano, um romance em processo, põe em evidência sua poeisis escritural, escapa das rígidas classificações das formas tradicionais de narrativa literária, abrindo caminho para uma nova forma de narrar, ou ainda mesmo, uma nova concepção de gênero narrativo, já que nele o lírico e o épico se conjugam e até se fundem. A partir da análise da obra escolhida, o presente trabalho visa, também, a demonstrar como, sempre via linguagem, o romance antuniano aponta para um retrato do homem e do mundo contemporâneos: retrato múltiplo, fragmentado, em estilhaços, cujos pedaços fazem parte de um persistente esforço de desconstrução/reconstrução, na busca sempre de um possível resgate de uma hipotética totalidade perdida

Exploring Puritanical cultural habits in the 21st century American military, the following study focuses on U.S. Army courts-martial in the Global War on Terrorism. The study uses Emile Durkheim's original sociological interpretation of crime and deviance. That interpretation is linked with responsibility as described by Durkheim's follower Paul Fauconnet in Responsibility: A Study in Sociology ([1928] 1978) and with a new cultural reading of Max Weber's The Protestant Ethic and the Spirit of Capitalism ([1905] 1976). The study is an inductive, descriptive examination of the Puritanical aspects of American military culture based on its treatment of acts labeled as deviant and criminal in the Global War on Terrorism. Four sets of war crimes are included in the study: Abu Ghraib (which occurred in Iraq in 2004), Operation Iron Triangle (which occurred in Iraq in 2006), the Baghdad canal killings (which occurred in Iraq in 2007), and the Maywand District killings (which occurred in Afghanistan in 2010). My data include primary data collected through participation and observation as a consultant for courts-martial related to all the cases except Abu Ghraib. Records of trial, investigation reports, charge sheets, sworn statements, and other documentation are also included in the study as secondary data sources. The study illuminates how unconscious, Puritan cultural habits color and shape both military actions and their perceptions. I explore Puritanism and its influence on military law, responsibility, revenge, "magic" (in its sociological sense), and narcissism. The study concludes with observations and recommendations for changes in U.S. military law.

Na clínica contemporânea, temos nos defrontado com novas expressões de sofrimento, nas quais o corpo ganha destaque. Entre os fenômenos recorrentes encontramos a dor crônica e as fibromialgias. Os estudos sobre esses assuntos apresentam posições distintas: uns consideram tais dores como fenômenos histéricos, outros, como uma manifestação do corpo deprimido. Pretendemos verificar as especificidades das dores crônicas, desde a possibilidade de uma manifestação histérica ou depressiva, mas avançando na hipótese de que elas possam ser manifestações do quadro melancólico. Tomaremos a teoria de Freud como principal fonte dos nossos estudos sobre a melancolia e cotejaremos também autores mais recentes que tratam do fenômeno da dor, particularmente os da psicossomática psicanalítica. Os pacientes que nos mobilizaram a empreender tais estudos foram aqueles que apresentavam traços curiosos: pouca fluidez pulsional, desânimo, dores em vários pontos do corpo, sintomas psicossomáticos, ansiedade bastante expressiva e, geralmente, marcados por uma falta de sentido, conotando, de um lado, traços melancólicos e, de outro, sintomas somáticos. Na melancolia, trata-se de uma perda na vida pulsional enquanto que no sofrimento decorrente de um luto normal, isso não acontece; a libido se desprende do objeto, devido a uma posição ocupada por esse objeto perdido, em que havia um duplo trabalho a ele dirigido, de amor e ódio, portanto passível de ser elaborado, no nível consciente. Nesse mesmo texto, ele mostra que no luto patológico, o objeto perdido mantém-se investido, libidinalmente, tendo como consequência um apego a ele, sem que ele possa ser elaborado, causando, portanto, uma sombra do objeto sobre o próprio ego do sujeito. Isso significa que há um hiper investimento narcísico no objeto, no qual o sujeito se fixa colando nele. Num mundo voltado para o individualismo, para o narcisismo e sem ideais é provável que se estimule mais esse encapsulamento, impedindo o sujeito de se vincular. Na clínica contemporânea os sintomas são mais dessa natureza: são primários, de caráter narcísico, no qual o sujeito se vê encapsulado num mundo vazio e sem significação. Nesse contexto, pensamos ser mais propício falar de sujeitos melancólicos, distinto dos deprimidos, pois estes fazem uma retirada do investimento libidinal, mas mantém uma relação com objeto.

Made available in DSpace on 2017-06-01T18:08:45Z (GMT). No. of bitstreams: 1 carolina_cavalcanti_henriques.pdf: 339372 bytes, checksum: 35ac31ce1aa15f2bcacce66bd22f3ada (MD5) Previous issue date: 2013-10-11 / In contemporary practice, we have been faced with new expressions of suffering, in which the body gets featured. Among the recurring phenomena found chronic pain and fibromialgia. Studies on these subjects feature distinct positions: some consider such pain as hysterical phenomena, others as a manifestation of the body down. We intend to verify the specifics of chronic pain, since the possibility of a hysterical demonstration or depressed, but advancing the hypothesis that they may be manifestations of melancholic framework. Take the theory of Freud as the main source of our studies on the melancholy and cotejaremos also latest authors dealing with the phenomenon of pain, particularly the psychoanalytic literature. Patients who mobilized us to undertake such studies were those that were curious traits: low fluidity pulsional, dismay, pain in various parts of the body, psychosomatic symptoms, anxiety quite expressive and usually marked by a lack of sense, connoting, on the other hand, melancholic traits and somatic symptoms. In melancholy, a loss in pulsional life while suffering from a normal grief, that doesn't happen; libido peels back the object, due to a position occupied by this lost object, in which there was a double job to him directed, of love and hate, so liable to be drafted in the conscious level. In this same text, it shows that in the pathological mourning, the missing object remains invested, libidinalmente, resulting in an attachment to him, without it can be elaborated, causing therefore a shadow of the object about the subject's ego itself. That means there's a hyper narcissistic investment in object, in which the subject is fixed by pasting it. In a world facing individualism, for narcissism and without ideals is likely to stimulate more this encapsulation, preventing the subject from link. In contemporary clinical symptoms are more of this nature: are primary, narcissistic character, in which the subject finds himself wrapped in a world empty and without meaning. In this context, we think it's more conducive to speak of melancholy subjects, distinct from the depressed, because these make a libidinal investment withdrawal, but maintains a relationship with object. / Na clínica contemporânea, temos nos defrontado com novas expressões de sofrimento, nas quais o corpo ganha destaque. Entre os fenômenos recorrentes encontramos a dor crônica e as fibromialgias. Os estudos sobre esses assuntos apresentam posições distintas: uns consideram tais dores como fenômenos histéricos, outros, como uma manifestação do corpo deprimido. Pretendemos verificar as especificidades das dores crônicas, desde a possibilidade de uma manifestação histérica ou depressiva, mas avançando na hipótese de que elas possam ser manifestações do quadro melancólico. Tomaremos a teoria de Freud como principal fonte dos nossos estudos sobre a melancolia e cotejaremos também autores mais recentes que tratam do fenômeno da dor, particularmente os da psicossomática psicanalítica. Os pacientes que nos mobilizaram a empreender tais estudos foram aqueles que apresentavam traços curiosos: pouca fluidez pulsional, desânimo, dores em vários pontos do corpo, sintomas psicossomáticos, ansiedade bastante expressiva e, geralmente, marcados por uma falta de sentido, conotando, de um lado, traços melancólicos e, de outro, sintomas somáticos. Na melancolia, trata-se de uma perda na vida pulsional enquanto que no sofrimento decorrente de um luto normal, isso não acontece; a libido se desprende do objeto, devido a uma posição ocupada por esse objeto perdido, em que havia um duplo trabalho a ele dirigido, de amor e ódio, portanto passível de ser elaborado, no nível consciente. Nesse mesmo texto, ele mostra que no luto patológico, o objeto perdido mantém-se investido, libidinalmente, tendo como consequência um apego a ele, sem que ele possa ser elaborado, causando, portanto, uma sombra do objeto sobre o próprio ego do sujeito. Isso significa que há um hiper investimento narcísico no objeto, no qual o sujeito se fixa colando nele. Num mundo voltado para o individualismo, para o narcisismo e sem ideais é provável que se estimule mais esse encapsulamento, impedindo o sujeito de se vincular. Na clínica contemporânea os sintomas são mais dessa natureza: são primários, de caráter narcísico, no qual o sujeito se vê encapsulado num mundo vazio e sem significação. Nesse contexto, pensamos ser mais propício falar de sujeitos melancólicos, distinto dos deprimidos, pois estes fazem uma retirada do investimento libidinal, mas mantém uma relação com objeto.

Les personnes SDF et leurs chiens restent à la marge de la majorité des dispositifs sociaux et sont l’objet d’un contre-transfert social généralement négatif. L’objectif de ce travail est de comprendre pourquoi certaines personnes ont des chiens dans la rue. En s’appuyant sur un référentiel psychanalytique, cette recherche se fonde sur les discours d’acteurs rencontrés sur le terrain et sur des entretiens semi-directifs réalisés auprès de neuf SDF possédant au moins un chien, rencontrés au sein d’un CAARUD et d’un CHRS. Les entretiens ont été traités à l’aide de l’analyse de contenu (Bardin, 1977 ; Castarède, 1983) et d’une analyse clinique de cas (Castro, 2005 ; Pedinielli, 2005). Les résultats soulèvent un paradoxe. D’une part, le chien apparaît notamment comme un support d’étayage aux besoins du moi (Roussillon, 2008a); comme un objet de relation (Gimenez, 2002) et la relation à l’animal comme une voie d’accès à l’aire transitionnelle (Winnicott, 1971b) où œuvrent les processus d’identification projective normale et d’identification introjective (Bion, 1962, 1967). D’autre part, cette relation peut incarner une défense psychique contre une souffrance psychosociale et une stratégie de survie conduisant, paradoxalement, ces personnes à se suradapter à leurs conditions de vie délétères sans pouvoir le penser. Seules une véritable préoccupation sociétale et des prises en charges adaptées pourront soutenir le chien comme un moyen par lequel le sujet peut négocier sa souffrance psychique, son identité et développer sa subjectivité. Comprendre cette relation implique par ailleurs une approche en santé mentale, soucieuse des ressources du sujet et de son environnement. / Homeless people and their dogs remain on the fringe of most social structures and are subject to a generally negative social counter-transference. This study aims at a better understanding of why some people living on the street have a dog. Within a psychoanalytical frame of reference, this research is based on speeches of actors encountered on the field and includes semi-directive interviews conducted on nine homeless people possessing at least one dog encountered in a CAARUD and a CHRS. A content analysis (Bardin, 1977; Castarède, 1983; Pedinielli, 2009) was conducted on all these interviews. The nine dog owners were each object of a clinical case study (Castro, 2005; Pedinielli, 2005; Schauder, 2012; Thurin, 2012). The results showed a paradox. On the one hand, the dog appeared as a way of supporting the needs of the ego (Roussillon, 2008a) and as an object of relation (Gimenez, 2002). Similarly the relationship with the animal appeared as a means of gaining access to the transitional area (Winnicott, 1971b) where processes of normal projective identification and introjective identification develop (Bion, 1962, 1967). On the other hand, this relationship may embody a psychic defense against psychosocial suffering and a survival strategy paradoxically leading these people to unconsciously over-adapt to their nefarious living conditions. Only real societal concern and appropriate care can support the dog as a way for the subject to become a real subject and for him a way to soothe the psychical pain and shore up his identity. Understanding this relationship also implies using a mental health approach, taking into account the resources of the subject and his environment.