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Abstracts in German and English / Diese Studie befasst sich mit einer Untersuchung und Einordnung einiger theologischer Aspekte der charismatischen Lobpreispraxis im deutschsprachigen Raum. Dies erfolgt mittels Analyse einschlägiger Literatur sowie repräsentativer Liedtexte der charismatisch geprägten Lobpreismusik der letzten Jahre. Insbesondere durch die Untersuchung des Tempelmotivs und seine Bedeutung in der charismatischen Lobpreispraxis, werden Charakteristika eines zugrundeliegenden Gottesdienstverständnisses und sich daraus ergebende weltanschauliche Implikationen herausgearbeitet. Der Befund zeigt, dass den untersuchten Lobpreisliedern ein Narrativ der Begegnung des Menschen mit Gott und seiner Gegenwart (in „heiliger Atmosphäre“) als Grundmotiv zugrunde liegt. Dieses Narrativ folgt der Logik und dem Vorbild des alttestamentlichen Tempelkults. Wie der Eintritt des Priesters ins „Allerheiligste“, soll das gottesdienstliche Lobpreiserlebnis als eine transzendente Begegnung mit dem „Heiligen“ verstanden werden, wodurch sich Tendenzen zu einem sakral-kultischen Gottesdienstverständnis und Hinweise eines Dualismus zwischen „profanen“ und „sakralen“ wirklichkeitsdimensionen des zugrundeliegenden Weltbildes aufzeigen lassen. / This study evaluates some theological aspects of the charismatic praise and worship practice in the German-speaking area by analyzing relevant literature and representative lyrics of the charismatically influenced worship songs of recent years. In particular, by examining the temple theme and its significance in charismatic worship, the characteristics of the underlying conception of worship and the resulting worldview implications are worked out. The results show that the studied praise and worship songs are based on an underlying narrative of man's encounter with God and his presence (in a "holy atmosphere") through the singing. This narrative follows the logic and model of the Old Testament temple cult. Like the priest's entry into the "holy of holies", the worship experience is to be understood as a transcendent encounter with the "holy", whereby tendencies towards a sacral-cultic understanding of worship and a dualism between a "profane" and a "sacred" dimension of the underlying worldview can be shown. / Practical Theology / M. Th. (Practical Theology)

Text in Afrikaans / Lofprysing en aanbidding, wat die kern behoort le vorm van elke erediens, omdat God sentraal staan daarin, en wat ook die middelpunt van die erediens van die !ewe behoort le wees, omdat dit die reaksie van dankbaarheid op God se goedheid is, word in die Gereformeerde tradisie heel dik els met groot skeptisisme bejeen. Deels gebeur dit omdat die begrippe "lofprysing" en "aanbidding" dalk nog nie duidelik gedefinieer is nie en daar dikwels baie subjektiewe betekenis daaraan gegee word. Dis 'n groat jammerte omdat dit baie van die vreugde, die hartlikheid en die warmte van byeenkomste van die geloofsgemeenskap ontneem. Verder het dit tot gevolg dat sommige lid mate - en veral jongmense - hulle heil elders gaan soek, waar hulle behoeftes aangespreek word. Aangesien hierdie 'n studie is wat fokus op die Skriftuurlike en teologiese begronding van lofprysing en aanbidding, asook die behoeftes van jongmense, word aandag geskenk aan belangrike tendense wat 'n invloed uitoefen op hulle behoeftes, voor- en afkeure en algemene lewensuitkyk. Sake wat aan die orde kom is onder andere kultuur - met verwysing na subkulture en pop-kultuur - die sogenaamde Generasieteoriee en spiritualiteitstipes. Laastens word aanbevelings gemaak oor hoe gemeentes en kerke, met in agneming van veral die behoeftes van jongmense, lofprysing en aanbidding op 'n Skriftuurlike en teologiese verantwoorde wyse kan beplan en aanbied, terwyl jongmense in die proses bemagtig word om mede-verantwoordelikheid daarvoor te aanvaar. / Praise and worship, central to every church service, as a grateful response to God's goodness and mercy, is frequently met with scepticism within the Reformed tradition. This is, partly, due to different definitions, resulting in a variety of subjective interpretations. It deprives the faith community of the joy and warmth expected to be experienced at gatherings. It furthermore results in youth having to seek alternative pastures for their specific needs. This research focuses on the Scriptural and theological foundation of praise and worship, as well as the needs of the youth, relevant trends influencing their needs, their preferences and dislikes as well as their attitude towards life in general. Aspects such as culture and the so called Generational theories and types of spirituality will come under scrutiny. Lastly recommendations are made for planning and presentation of Scriptural sound praise and worship, whilst, at the same time, empowering them to take joint responsibility. / Philosophy, Practical & Systematic Theology / M. Diac. (Jeugwerk)

This thesis utilizes the theory of feminism in all its implied branches in an attempt to critically review the subtle and sometimes deliberate subjugation of women in general and South Africa in particular. This occurs, in spite of the fact that there are laws in place that are meant to discourage women abuse. Juxtaposing this is the perspective conception of women, looking at themselves as subjects of virtue who deserve equal treatment to any other human being. It is through some oral forms that this reflection could be tested. Praise poetry, in the hands of a creative artist opens up a world of human emotions that could not be easily seen or felt, and yet it can simultaneously be used to manipulate situations. Language therefore could be seen as a powerful double-edged instrument. The patriarchal system, in this thesis, is exposed as that holy ideology turned unholy to achieve condescending agendas against women. The thin light of respect demonstrated by the traditionalist thinking is made to disappear into thin air, especially when contaminated by Western ideas. It is the resoluteness and the fair obstinacy of some both traditional and modern women that determinedly stood up to conscientise the world in terms of respect for human life irrespective. In this research, an exploration of literary elements within four Nguni languages, that is Siswati, isiZulu, isiNdebele, and isiXhosa reveals the singularity of purpose, for these elements to be manipulated to achieve domineering intentions. Be that as it may, tibongo (praise poems/ praises) of outstanding women who have served in traditional leadership in these language groups give reason to challenge any idea that women should by virtue be relegated to the back seat. Through these tibongo it becomes apparent that because of the women leaders’ stubborn fairness and unparalleled foresight, they have become personifications of democratic values and as such, role models and symbolic hope not only for the empowerment of women, but also for their total liberation from all negative perceptions and oppressions. / African Languages / D. Litt. et Phil. (African Languages)

Vad gör att vissa lärare lyckas bättre än andra? Lärare ser ofta skiljt på rollen de innefattar och ansvaret de har. Syftet med denna studie är att visa på modern forskning inom hur en lärare-elev relation inom skolan för vuxna och gymnasieelever påverkar och förändrar lärande och lärmiljön. Denna studie har genomförts som en systematisk litteraturstudie. Resultat är uppdelat i fyra underkategorier: relation, motivation, känslor och beteende. Diskussionen utgår ifrån huvudresultatet att lärare-elev relationen är till stor vikt i elevernas utveckling, kognitivt, behavioristiskt samt för akademiska resultat. / What makes some teachers succeed in their role better than others? Teachers often view the role they are in and the responsibility they have differently, this study hopes to show a facet of modern research in the field of student-teacher relationships and their effect on factors like motivation and results. This study has been modeled as a systematic literature review. Results are divided into four categories: relationship, motivation, emotion and behavior. The discussion is based on the main results that teacher-student relationship is of great importance in students' development of cognitive and behavioral faculties as well as academic achievement.

The subject of this M.A. thesis is magtaal (or mongolian praise song) in the context of mongolian traditional oral folklore a the main focus of the thesis lies in its linguistic specifics and its role in mongolian rural environment. The thesis is is solved in two main parts. First one provides a general characteristics of this genre with emphasis on its ethnolinguistic, sociolinguistic and performance aspects. Further division to subgenres is also provided. The second part deals with each particular subgenre based on an analysis built around translation of parts of praise songs and referential commentaries. The main contribution of this thesis lies in a more detailed view on this genre from a different perspective rather than a general folkloristic view. In this way praise song is displayed as genre that is transcending above a simple form of a song but becomes a mean of communication and a specific manner of construction and perception of mongolian image of the world.

Nombre d’œuvres d’époque impériale montrent que Xénophon était considéré comme un modèle littéraire éminent. La présente thèse offre une analyse de la réception de Xénophon dans les discours de l’orateur Ælius Aristide, lesquels n’ont pas encore été traités sous cet angle. Les œuvres aristidiennes examinées sont : les Discours platoniciens (or. 2-4), le discours Sur la digression (or. 28), la déclamation En faveur de la paix avec les Athéniens (or. 8), l’ensemble des cinq Discours leuctriens (or. 11-15), les témoignages sur la déclamation perdue Callixène, le Panathénaïque (or. 1) et l’éloge À Rome (or. 26). L’histoire grecque a une importance cruciale dans cette enquête : Aristide s’est particulièrement intéressé aux événements de l’après Leuctres. L’analyse des références historiques aux Helléniques met en avant l’érudition de l’orateur et son intérêt pour les discours contenus dans cet ouvrage de Xénophon. L’examen du travail littéraire d’Aristide sur le texte de Xénophon pourra contribuer à améliorer l’exégèse des discours aristidiens analysés, et fournira un nouveau volet aux recherches sur la réception de Xénophon. / Several ancient literary works show that Xenophon was considered during the Imperial period as a preeminent model. The present study analyses the reception of Xenophon in Ælius Aristides’ speeches, which have never been explored from this perspective. The works taken into account are the Platonic speeches (or. 2-4), the speech Concerning a remark in passing (or. 28), the declamation On making peace with the Athenians (or. 8), the group of the five Leuctran orations (or. 11-15), the evidence of the lost declamation Callixenus, the Panathenaicus (or. 1) and the speech To Rome (or. 26). Greek history has a crucial importance in this investigation: Aristides was particularly concerned by the events following the battle of Leuctra. The examination of the historical allusions to Xenophon’s Hellenica reveals Aristides’ erudition and his interest in the speeches included in this work. Looking at Aristides’ use of Xenophon’s texts can contribute to improving the exegesis of the Aristidian works and open a new path into research on Xenophon’s reception.

This thesis utilizes the theory of feminism in all its implied branches in an attempt to critically review the subtle and sometimes deliberate subjugation of women in general and South Africa in particular. This occurs, in spite of the fact that there are laws in place that are meant to discourage women abuse. Juxtaposing this is the perspective conception of women, looking at themselves as subjects of virtue who deserve equal treatment to any other human being. It is through some oral forms that this reflection could be tested. Praise poetry, in the hands of a creative artist opens up a world of human emotions that could not be easily seen or felt, and yet it can simultaneously be used to manipulate situations. Language therefore could be seen as a powerful double-edged instrument. The patriarchal system, in this thesis, is exposed as that holy ideology turned unholy to achieve condescending agendas against women. The thin light of respect demonstrated by the traditionalist thinking is made to disappear into thin air, especially when contaminated by Western ideas. It is the resoluteness and the fair obstinacy of some both traditional and modern women that determinedly stood up to conscientise the world in terms of respect for human life irrespective. In this research, an exploration of literary elements within four Nguni languages, that is Siswati, isiZulu, isiNdebele, and isiXhosa reveals the singularity of purpose, for these elements to be manipulated to achieve domineering intentions. Be that as it may, tibongo (praise poems/ praises) of outstanding women who have served in traditional leadership in these language groups give reason to challenge any idea that women should by virtue be relegated to the back seat. Through these tibongo it becomes apparent that because of the women leaders’ stubborn fairness and unparalleled foresight, they have become personifications of democratic values and as such, role models and symbolic hope not only for the empowerment of women, but also for their total liberation from all negative perceptions and oppressions. / African Languages / D. Litt. et Phil. (African Languages)

Text in Afrikaans / Lofprysing en aanbidding, wat die kern behoort le vorm van elke erediens, omdat God sentraal staan daarin, en wat ook die middelpunt van die erediens van die !ewe behoort le wees, omdat dit die reaksie van dankbaarheid op God se goedheid is, word in die Gereformeerde tradisie heel dik els met groot skeptisisme bejeen. Deels gebeur dit omdat die begrippe "lofprysing" en "aanbidding" dalk nog nie duidelik gedefinieer is nie en daar dikwels baie subjektiewe betekenis daaraan gegee word. Dis 'n groat jammerte omdat dit baie van die vreugde, die hartlikheid en die warmte van byeenkomste van die geloofsgemeenskap ontneem. Verder het dit tot gevolg dat sommige lid mate - en veral jongmense - hulle heil elders gaan soek, waar hulle behoeftes aangespreek word. Aangesien hierdie 'n studie is wat fokus op die Skriftuurlike en teologiese begronding van lofprysing en aanbidding, asook die behoeftes van jongmense, word aandag geskenk aan belangrike tendense wat 'n invloed uitoefen op hulle behoeftes, voor- en afkeure en algemene lewensuitkyk. Sake wat aan die orde kom is onder andere kultuur - met verwysing na subkulture en pop-kultuur - die sogenaamde Generasieteoriee en spiritualiteitstipes. Laastens word aanbevelings gemaak oor hoe gemeentes en kerke, met in agneming van veral die behoeftes van jongmense, lofprysing en aanbidding op 'n Skriftuurlike en teologiese verantwoorde wyse kan beplan en aanbied, terwyl jongmense in die proses bemagtig word om mede-verantwoordelikheid daarvoor te aanvaar. / Praise and worship, central to every church service, as a grateful response to God's goodness and mercy, is frequently met with scepticism within the Reformed tradition. This is, partly, due to different definitions, resulting in a variety of subjective interpretations. It deprives the faith community of the joy and warmth expected to be experienced at gatherings. It furthermore results in youth having to seek alternative pastures for their specific needs. This research focuses on the Scriptural and theological foundation of praise and worship, as well as the needs of the youth, relevant trends influencing their needs, their preferences and dislikes as well as their attitude towards life in general. Aspects such as culture and the so called Generational theories and types of spirituality will come under scrutiny. Lastly recommendations are made for planning and presentation of Scriptural sound praise and worship, whilst, at the same time, empowering them to take joint responsibility. / Philosophy, Practical and Systematic Theology / M. Diac. (Jeugwerk)

En partant de l’une des périodes les plus riches dans l’histoire de l’Islam en termes de créativité et de production poétiques, notre projet vise à mettre au jour les formes qu’a revêtues le rapport entre le poète et le Prince. Pour élucider ce rapport aussi complexe que protéiforme, nous ferons appel à un corpus riche et varié, et on tentera alors d’examiner la question de l’éloge et du blâme à travers trois prismes : la rhétorique, l’éthique et la politique. Le discours encomiastique mobilise la rhétorique afin d’emporter l’adhésion d’un auditoire sur une matière qui n’est pas encore établie. Mais l’effort déployé par l’orateur afin de convaincre l’auditoire ne peut se passer de la toile de fond éthique et du système commun de valeurs dont il procède pour arriver à la persuasion. Quant à la dimension politique, elle se reflète dans la fonction du poète comme « arme verbale » au service du Prince et instrument de légitimation de sa position politique contre ses adversaires réels ou potentiels. Par-delà la fonction de panégyriste officiel, la performativité du discours politique s’étend également à la parole, d’éducation, de réforme voire de critique ouverte qui pourrait évoquer la parrêsia antique. Grâce à un fonds sapiential, la poésie apporte sa contribution au processus de formation de l’homme politique et lui offre un excellent manuel de gouvernement. Quant à la veine contestataire, l’invective, la caricature et la mobilisation de la parole polémique constituent ses principaux ressorts. La veine contestataire traverse le regard que le poète jette sur l’univers de la cour, la politique du Prince ou le rapport entre gouvernants/gouvernés. Qu’il s’agisse de nominations, de projets politiques ou de l’ethos même de l’homme du pouvoir, le poète est toujours présent pour donner son avis. L’injustice d’une décision prise par un juge, le népotisme d’un gouverneur ou la dureté d’un général sont autant d’aspects qui témoignent de la vivacité de la critique du pouvoir par le poète, et du rôle que ce dernier endosse en tant que moralisateur de cette sphère. Le conseil se présente alors comme le moyen de rectifier les décisions ou les orientations générales du Prince et témoigne de l’existence d’une véritable rationalité poétique. Aussi, la rhétorique de l’éloge et du blâme témoigne-elle de l’existence d’une rationalité poétique qui arrive à maturité à l’époque abbasside et parvient à un degré d’efficience oratoire sans précédent en raison d’une conscience accrue du poète de la nécessité de s’impliquer dans la vie politique et de peser sur le cours de l’Histoire. / Based on one of the richest periods in the history of Islam in terms of poetic creativity and production, our project seeks to revise the forms that characterized the relationship between the poet and the prince. To elucidate this relationship as complex as it is protean, we will call on a rich and varied corpus, and then examine the question of praise and blame through three prisms: rhetoric, ethics and politics. The encomiastic discourse uses rhetoric to gain an audience’s support for a matter that is not yet established. But the effort required by the orator to convince the audience necessitates the ethical backdrop and common system of values, from which he proceeds to persuade. As for the political dimension, it is reflected in the poet’s function as the “verbal arm” serving the prince and as an instrument legitimizing his political position against real or potential opponents. Beyond the function of official panegyrist, the performativity of political discourse also extends to speech, education, reform, even open criticism that could evoke the antique parrêsia. By virtue of its sapiential substance, poetry contributes to the process forming the politician and offers him an excellent manual to government. As for the dissenting vein, invective, caricature and the mobilization of polemical speech constitute his main resources. The dissenting vein passes through the poet’s gaze on the universe of the court, the prince’s politics and the relationship between governor/governed. Whether it involves nominations, political projects or the very ethos of the man of power, the poet is always present to give his opinion. The injustice of a decision made by a judge, the nepotism of a governor or the harshness of a general are all aspects that demonstrate the poet’s vivacious criticism of power, and the role that the latter assumes as the moralizer of this sphere. The counsel is then presented as a means to rectify the prince’s general decisions or orientations and attests to the existence of a veritable poetic rationality. Furthermore, the rhetoric of praise and blame indicates the existence of a poetic rationality that reached maturity in the Abbasid period and attained an unprecedented degree of oratory efficiency, due to the poet’s growing consciousness of the necessity to be involved in political life and to influence the course of history.