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21	Cenas de um Público Implícito: territorialidade marginal, pornografia e prostituição travesti no Cine Jangada / Scenes of an Implicit Public: marginal territorialities, pornography and transvestite prostitution at a movie theater VALE, Alexandre Fleming Câmara January 1997 (has links) VALE, Alexandre Fleming Câmara. Cenas de um Público Implícito: territorialidade marginal, pornografia e prostituição travesti no Cine Jangada. 1997. 147f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 1997. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2013-10-29T13:43:32Z No. of bitstreams: 1 1997-DIS-AFCVALE.pdf: 458196 bytes, checksum: d869094197d64319d0dd6ba879bcac7b (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2013-10-29T13:45:19Z (GMT) No. of bitstreams: 1 1997-DIS-AFCVALE.pdf: 458196 bytes, checksum: d869094197d64319d0dd6ba879bcac7b (MD5) / Made available in DSpace on 2013-10-29T13:45:19Z (GMT). No. of bitstreams: 1 1997-DIS-AFCVALE.pdf: 458196 bytes, checksum: d869094197d64319d0dd6ba879bcac7b (MD5) Previous issue date: 1997 / This work is the result of a research developed in a movie-theater locateded in downtown Fortaleza. In this research, we seek to unveil the underlying logics of the socializing that used to take place in this specific social and cultural space, emphasizing the transvestite prostitution market inside of it. We will show some of the mental and corporal schemas which this concrete reality evokes, seen as a symbolic matrix of practical activities, feelings, conducts, thoughts and judgement on the part of the spectators that used to make up this space. The Jangada movie-theater was shut down in july, 1996, and played an intermediary role in the general process of reorganization of the “social geography” of the local movie houses’. In downtown Fortaleza pornography has become destiny, and after Jangada, the emerging movie houses represent a new configuration as to the exhibition of this cinematographic genre, not only because of the video format technology now used, but also because of the territorialities that they give place. This dissertation is intended to be a critique contribuition to the thinking of the town spaces and territories, the existing conditions of those who make a living out of the prostitution market and the coming into being of socializing places which, having porn iconography as condition and pretext, give visibility to the alternative modes of sexuality and end up producing new and unexpected territorities in relation to the shaping and disciplinary architecture of a movie theater. / Este trabalho é o resultado de uma pesquisa desenvolvida numa sala de cinema especializada na exibição de filmes pornográficos, localizada no centro da cidade de Fortaleza. Nessa pesquisa buscamos explicitar as lógicas subjacentes à socialidade que tinha lugar nesse espaço sociocultural específico, enfatizando sua inserção no circuito exibidor local e o mercado da prostituição travesti no interior da mesma. Discorremos aqui sobre os esquemas mentais e corporais que essa realidade concreta evoca, vistos enquanto matriz simbólica de atividades práticas, sentimentos, condutas, pensamento e julgamento por parte dos espectadores que compunham esse espaço. O Cine Jangada teve suas portas fechadas em julho de 96 e foi ‘divisor de águas’ de um processo geral de reordenação da geografia social das salas de exibição. No centro da cidade, pornografia virou destino e as salas que surgiriam depois do Jangada representam um fato inédito na forma de veiculação desse gênero cinematográfico, não somente devido a utilização do formato de vídeo para a exibição desses filmes, mas também devido às territorialidades que dão lugar. Esta dissertação pretende ser uma contribuição crítica para pensar os espaços e territórios da cidade, as condições de existência de alguns que vivem da atividade prostitutiva e a constituição de lugares de convivência que, tendo a iconografia pornô como condição e pretexto, dão visibilidade ao exercício de uma determinada forma de sexualidade e acabam por produzir territorialidades novas e imprevistas em relação à arquitetura disciplinar e enquadradora de uma sala de exibição. Marginal territorialities Pornography Transvestite prostitution Cinemas - Fortaleza(CE) - História
22	L'hybridation dans l'oeuvre de Jeannette Winterson / Hybridization in Jeanette Winterson's works Mihajlovska, Lupka 16 November 2012 (has links) Nous définissons l’hybridation littéraire comme la combinaison d’éléments a priori disparates aboutissant à la création d’un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L’hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l’hybridation tend vers l’extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body et The PowerBook de Jeanette Winterson, l’hybridation se manifeste à tous les niveaux du texte. L’hybridité physique et sexuelle des narrateurs est ainsi une des manifestations de leurs identités et vies plurielles et paradoxales. Ces hybrides incarnés (monstres, travestis ou androgynes) se construisant au fil de leurs histoires, qui s’inspirent toujours de récits antérieurs, narrateurs et narrations se démultiplient conjointement, s’entremêlent et se redéfinissent sans cesse. Le texte fluctue au gré de l’hybridation générique et de l’intertextualité. De l’entrecroisement de genres réalistes – tels que l’autobiographie, le récit historique ou le discours scientifique – et fictionnels – tels que le conte ou la romance – naît un hybride générique à résonances parodiques représentant la nature du sujet, de sa vie, de la réalité et de la vérité. Enfin, en hybridant des textes préexistants à des motifs personnels, l’auteur élabore une narration originale qui réécrit les schémas sexistes relayés par ses ancêtres et retranscrit sa vision de l’individu, du monde et de l’art. / We understand literary hybridization as the combination of seemingly different elements resulting in the creation of an entity that is simultaneously single and multiple. Indeed, while it is utterly other and new, the hybrid still shows the marks of its constituents. The hybrid incorporates its ‘parents’’ initial fields of representation while reaching beyond them. Consequently, hybridization is a process that pushes all boundaries, be they literary or cultural, to offer an ever more complete vision of the subject and his/her life. In Jeanette Winterson’s Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body and The PowerBook, hybridization permeates every level of the text. Thus, the narrators’ physical and sexual hybridity is a manifestation of their plural and paradoxical identities. These hybrid creatures (monsters, transvestites or androgynous beings) build their identities through the stories they tell and that are always inspired by existing narratives. Therefore, the narrators and their narratives proliferate conjointly, intermix and redefine each other constantly. The shape of the text fluctuates with generic hybridization and intertextuality. Realistic narratives – such as autobiographical, historical or scientific discourses – and fictional ones – such as fairy tales or romances – interact to produce generic hybrids with parodic undertones that represent the nature of the subject, his/her life, reality and truth. Finally, by hybridizing existing texts and personal literary devices, the author elaborates original narratives that rewrite her ancestors’ sexist discourses and reflect how she perceives the individual, the world and art. Hybridation Hybridité Hybrider Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sexe Sexisme Identité sexuelle Monstre Travesti Androgyne Genres narratifs Autobiographie Récit historique Discours scientifique Conte Histoire d'amour Romance Parodie Intertextualité Hybridization Hybridity Hybridize Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sex Sexism Sexual identity Monster Transvestite Androgynous Narrative genres Autobiography Historical narrative Scientific discourse Fairy tale Love story Romance Parody Intertextuality 800
23	L'hybridation dans l'oeuvre de Jeannette Winterson / Hybridization in Jeanette Winterson's works Mihajlovska, Lupka 16 November 2012 (has links) Nous définissons l’hybridation littéraire comme la combinaison d’éléments a priori disparates aboutissant à la création d’un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L’hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l’hybridation tend vers l’extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body et The PowerBook de Jeanette Winterson, l’hybridation se manifeste à tous les niveaux du texte. L’hybridité physique et sexuelle des narrateurs est ainsi une des manifestations de leurs identités et vies plurielles et paradoxales. Ces hybrides incarnés (monstres, travestis ou androgynes) se construisant au fil de leurs histoires, qui s’inspirent toujours de récits antérieurs, narrateurs et narrations se démultiplient conjointement, s’entremêlent et se redéfinissent sans cesse. Le texte fluctue au gré de l’hybridation générique et de l’intertextualité. De l’entrecroisement de genres réalistes – tels que l’autobiographie, le récit historique ou le discours scientifique – et fictionnels – tels que le conte ou la romance – naît un hybride générique à résonances parodiques représentant la nature du sujet, de sa vie, de la réalité et de la vérité. Enfin, en hybridant des textes préexistants à des motifs personnels, l’auteur élabore une narration originale qui réécrit les schémas sexistes relayés par ses ancêtres et retranscrit sa vision de l’individu, du monde et de l’art. / We understand literary hybridization as the combination of seemingly different elements resulting in the creation of an entity that is simultaneously single and multiple. Indeed, while it is utterly other and new, the hybrid still shows the marks of its constituents. The hybrid incorporates its ‘parents’’ initial fields of representation while reaching beyond them. Consequently, hybridization is a process that pushes all boundaries, be they literary or cultural, to offer an ever more complete vision of the subject and his/her life. In Jeanette Winterson’s Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body and The PowerBook, hybridization permeates every level of the text. Thus, the narrators’ physical and sexual hybridity is a manifestation of their plural and paradoxical identities. These hybrid creatures (monsters, transvestites or androgynous beings) build their identities through the stories they tell and that are always inspired by existing narratives. Therefore, the narrators and their narratives proliferate conjointly, intermix and redefine each other constantly. The shape of the text fluctuates with generic hybridization and intertextuality. Realistic narratives – such as autobiographical, historical or scientific discourses – and fictional ones – such as fairy tales or romances – interact to produce generic hybrids with parodic undertones that represent the nature of the subject, his/her life, reality and truth. Finally, by hybridizing existing texts and personal literary devices, the author elaborates original narratives that rewrite her ancestors’ sexist discourses and reflect how she perceives the individual, the world and art. Hybridation Hybridité Hybrider Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sexe Sexisme Identité sexuelle Monstre Travesti Androgyne Genres narratifs Autobiographie Récit historique Discours scientifique Conte Histoire d'amour Romance Parodie Intertextualité Hybridization Hybridity Hybridize Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sex Sexism Sexual identity Monster Transvestite Androgynous Narrative genres Autobiography Historical narrative Scientific discourse Fairy tale Love story Romance Parody Intertextuality 800
24	“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte Legende Atterving, Emmy January 2017 (has links) This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where the female identity of the saints is emphasised. This is interpreted as a sign of the feminisation of religious language in Europe during the late Middle Ages, and viewed parallel with the increase of holy women at that time. By doing this, it underlines the importance of new words and concepts when describing and understanding medieval views on gender. saint saints transvestites transvestism transvestite saint marina marina marinus saint eugenia eugenia eugene saint theodora theodora theodore saint margaret margaret pelagius margaret margaret pelagia pelagius pelagia saint pelagia jacopo de fazio jacobus de voragine jacopo da varazze compiler dominican Golden legend legenda aurea legenda sanctorum gilte legende confessor martyr virgin hagiographies hagiography biography England Middle English sweden monastery monk abbot social experimentation space feminisation of language jesus as mother saint bridget of sweden saint mary holy virgin saint catherine of siena le roman de silences silence caroline walker bynum sanctity transcendence homi bhabha post-colonial postcolonial loomba hybridity hybridity theory gender gender fluidity crossdressing cross-dressing transgender laqueur linguistics modality nuyts medieval late medieval late middle ages middle ages late medieval period History and Archaeology Historia och arkeologi

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