- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 41 to 50 of 53 (0.012 seconds)| 41 |
Proměny mediální prezentace násilných sexuálních praktik v letech 1990 - 2011 jako obraz posunu sociálních norem v sexuální oblasti / Changes in media presentations of violet sexual practices in the years 1990-2011 as shift of social norms in the sexual mattersEndrychová, Ivana January 2015 (has links)
The purpose of this thesis is to evaluate the shift of media picture of violent sexual techniques in years 1990-2011 in Czech Republic during the media and society liberalization of new liberal state. Theoretical part of the document is based on the theory of social construction based reality and the media messages construction (gatekeeping, agenda setting, news values). Analysis is based on the Newton Media Search data resource → electronic database collecting publishing material from major media in Czech. 937 articles published between 1998 and 2011 containing keywords were analysed. Quantitative analysis was based on the development of frequency of publication articles with the keywords from BDSM area. Qualitative analysis based on semiotic a discourse analysis was also made to prove the shift of theme media presentation. Powered by TCPDF (www.tcpdf.org)
|
| 42 |
Proměny mediální prezentace násilných sexuálních praktik v letech 1990 - 2011 jako obraz posunu sociálních norem v sexuální oblasti / Changes in media presentations of violet sexual practices in the years 1990-2011 as shift of social norms in the sexual mattersEndrychová, Ivana January 2015 (has links)
This Master's degree thesis evaluates the change in medial presentation of violet sexual acts in the period between 1996 and 2011. The change is inspected using newspaper articles gathered from the Newton Media Search database. Theoretical work is based on the Theory of Construction of Social Reality and the Mechanism of News Construction (gatekeeping, agenda setting, news values and framing). The analysis was performed on 937 articles published in the period from 1996 to 2011. The change of discourse was nalaysed using two-phase research method. This discourse was evaluated based on many criteria, among them periodicity of articles that focus on violent sexual pratcics. Qualitative analysis was used for trimming the number of relevant articles with hypothesis futher evaluated using quantitative discourse analysis. Powered by TCPDF (www.tcpdf.org)
|
| 43 |
Analýza recepce knižní trilogie Fifty Shades a filmové adaptace jejího prvního dílu / Reception analysis of the Fifty Shades trilogy and a film adaptation of its first partJirková, Beáta January 2017 (has links)
The aim of this thesis was to analyse the reception of the Fifty Shades book trilogy and a film adaptation of its first part from the perspective of a female audience - both women who like the books and/or the film and women who do not like them. The thesis sought to describe the fundamental ways of the reception of the Fifty Shades phenomenon and to connect them to media and public discourse about the trilogy. The research questions were particularly focused on women's motivations to reading the books and/or watching the film, their approach to and evaluation of the trilogy. A part of the thesis was also a comparison of the two groups of female readers and viewers regarding the questions mentioned above and a connection of those questions with media and public discourse about Fifty Shades. During the conducted research 13 individual semistructured interviews with female readers and viewers of Fifty Shades have been done. The gained data were analysed by using the grounded theory method (particularly in vivo coding and axial coding). The outcome of the analysis is a description of two different ways of reception and interpretation of Fifty Shades which show persisting ambiguity of romantic fictions for women. The analysis also revealed an impact of media and public discourse about the trilogy on...
|
| 44 |
Psychopathologies et marginalités : la mythologie du mal-être entourant le BDSM dans le cinéma occidental du début du 21e siècleMcLellan, Justine 08 1900 (has links)
Le domaine de la psychologie procède actuellement à l’abandon partiel de la conception du BDSM en tant que psychopathologie. Pourtant, depuis le début des années 2000, on observe une augmentation considérable de la présence au cinéma de personnages neurodivergents et malheureux qui pratiquent le BDSM. Des coproductions transeuropéennes comme Nymp()manic (Lars von Trier, 2013) aux longs métrages indépendants australiens comme My Mistress (Stephen Lance, 2014), passant par les films américains grands publics comme Fifty Shades of Grey (Sam Taylor-Johnson, 2015) le BDSM au cinéma apparaît comme n’étant pratiqué que par des personnes à l’existence trouble et à la santé mentale fragile. L’objectif de cette thèse sera de définir les nombreux biais qui motivent cette mythologie du mal-être.
Afin d’examiner de plus près le fossé entre la représentation du BDSM au cinéma et la recherche récente en sciences sociales qui se penche la population sadomasochiste, nous avons développé une étude de cas sur Nymph()maniac de Lars von Trier. Nous avons également récolté les réactions au film de personnes pour lesquelles la dominance ou la soumission ritualisée fait partie de leur expérience de la sexualité. Nous proposons donc un dialogue interprétatif entre la psychologie, la critique littéraire et les études culturelles féministes pour analyser le film de von Trier. / The formerly widespread view of BDSM as a psychological disorder is currently being abandoned by large portions of the scientific community; it has been almost completely removed from the most recent edition of the Diagnostic and Statistical Manual of Mental Disorders, and a growing number of studies point toward the psychological and social normalcy of BDSM practitioners. Yet, since the early 2000’s, from trans-european productions like Nymph()maniac (Lars von Trier, 2013) to independent Australian features like My Mistress (Stephen Lance, 2014), or mainstream american films like Fifty Shades of Grey (Sam Taylor-Johnson, 2015), the onscreen portrayal of BDSM practitioners increasingly consists of characters with troubled lives and fragile mental healths. The aim of this thesis will be to investigate the many biases that motivate this mythology of unease surrounding BDSM in film.
In order to take a closer look at the gap between current research in psychology and cultural representation of BDSM we developed a case study of Nymph()maniac, which features, among a wide array of sexual proclivities, a temporary D/s relationship. With the intention of gaining access to the perspective of women-identified people from the BDSM community on the way they are represented in movies, we generated a focus group and gathered their reactions. We therefore propose an interpretative dialogue between the BDSM community, literary criticism, sociology, psychology and feminist cultural studies.
|
| 45 |
Figuras del exceso y políticas del cuerpo. Riesgos, prejuicios y represión de la visibilidad de los placeres. Representaciones de sexualidades extremas en el arte y la cultura del siglo XXSantamaría Blasco, María Lourdes 27 October 2008 (has links)
Nuestra tesis pretende exponer la relación entre las Políticas del Cuerpo, utilizadas por parte del Poder como medio de construcción y coerción de los cuerpos, del sexo y del género, y, por el contrario, cómo las creaciones culturales a las que denominamos Figuras del Exceso suponen una manifestación de placeres transgresores que ponen en entredicho la naturaleza misma de los mecanismos de abuso del poder. Estas fuerzas antagónicas se ejercen sobre el campo de batalla que es el cuerpo; por lo tanto, y en primer lugar, es preciso contextualizar el cuerpo en relación con las políticas que sobre él actúan en las diferentes épocas del siglo XX analizadas. El cuerpo ocupa y habita un lugar en variados espacios, no sólo en su ámbito privado, o en lo meramente físico/psíquico, sino que también es sujeto y objeto en los espacios sociales, políticos, culturales, científicos, médicos, religiosos, etc.
Este cuerpo es una sede de experimentación donde actúan dichos ámbitos, que regulan tanto las sensaciones e experiencias íntimas e individuales como las públicas y colectivas, mediante leyes, normas, interdictos y etiquetas corporales de interacción del individuo con la sociedad, dictadas e instauradas por las Políticas del Cuerpo. Esto supone la pérdida o desposesión de la identidad privada; el individuo se siente vigilado, deseado, sometido, manipulado, rechazado en y por su cuerpo; pendiente no de sus deseos sino de la escrutadora mirada de los otros que lo definen, construyen o destruyen ideológica, social, cultural y sexualmente.
En segundo lugar, analizamos a los artistas, escritores y pensadores que han cuestionado las construcciones socioculturales acerca del sexo, género, identidad, raza y/o ideología determinadas desde la hegemonía del conservadurismo y fundamentalismo moral. Sus creaciones las hemos definido como Representaciones de Sexualidades Extremas en el Arte. / Santamaría Blasco, ML. (2008). Figuras del exceso y políticas del cuerpo. Riesgos, prejuicios y represión de la visibilidad de los placeres. Representaciones de sexualidades extremas en el arte y la cultura del siglo XX [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/3443 / Palancia
|
| 46 |
SM in Postmodern AmericaFranco, Marie January 2018 (has links)
No description available.
|
| 47 |
Building a Consent Culture and "Doing" Consent: The Impact of Interactional Scripting Processes on Gender InequalityHeddens, Kayla L. 25 July 2022 (has links)
No description available.
|
| 48 |
RISK, RESPECT & UNSPEAKABLE ACTS : Untangling Intimate-Sexual Consent through 'Intuitive Inquiry' & 'Agential Realism' / RISK, RESPEKT & OBESKRIVLIGA HANDLINGAR : 'Untangling' intimt-sexuellt samtycke genom 'Intuitive Inquiry' & 'Agential Realism'Storm, Frida January 2021 (has links)
In an attempt to address the issues in research and theory on consent, this thesis explores what consent can be seen as "doing" through an 'Intuitive Inquiry' (Anderson 2011a) and 'Agential Realism' (Barad 2007). Various manifestations of consent appears through: the experience of the researcher, consent research and theory, consent legislation, interviews with professionals in intimate-sexual consent, and, feminist fanzines. Consent evokes issues around agency, power, communication, respect, violence, risk, morals and ethics that go beyond sexual-intimate negotiation. Consent emerges as multiple, complex and fluid in 'intra-action' (ibid.) with the context. Entanglements and paradoxes of consent are further explored in 'diffractive analysis' (ibid.) through "bodily autonomy" and"rights/obligations". As a phenomenon, consent appears to make agency and power intelligible (to different degrees), but, can not be said to provide a viable strategy against sexual violence. The tenets of consent discourse risk (re)producing anxieties around intimacy and sex, responsibilizing survivors and obfuscating sexual violence. Further and improved research on communication in everyday sexual negotiation, sexual violence, consent legislation and what consent "does" is urgently needed.Through creative method and new epistemology the thesis (re)presents a knowledge process true to lived experience, as well as, an invitation to pull the terrible wonderful world, it's complexities, and us in it, closer. / I ett försök att ta itu med problem inom forskning och teori om 'consent' undersöker denna avhandling vad samtycke kan ses som ”göra” genom 'Intuitiv Inquiry' (Anderson 2011a) och'Agential Realism' (Barad 2007). Olika manifestationer av 'consent' framträder genom: forskarens erfarenheter, samtyckes-forskning och teori, samtyckelagstiftning, intervjuer med professionella inom samtycke, och, feministiska fanzines. Samtycke väcker frågor kring agens, makt, kommunikation, respekt, våld, risk, moral och etik som går bortom sexuella-intima förhandlingar. Samtycke framträder som multipelt, komplext och rörligt i 'intra-action' (ibid.) med kontexten. 'Entanglements' och paradoxer inom samtycke undersöks vidare i 'diffraktiv analys' (ibid.) genom "kroppslig autonomi" och"rättigheter/skyldigheter". Som ett fenomen gör samtycke agens och makt möjlig att tänka (iolika grad), men kan inte sägas bidra med en hållbar strategi mot sexuellt våld. Grundsatserna i samtyckesdiskursen riskerar att (re)producera ängsla kring intima-sexuella situationer, responsibilisera offer och dölja sexuellt våld. Ytterligare och förbättrad forskning är i akut behov kring kommunikation i vardagliga sexuella förhandlingar, sexuellt våld, samtyckeslagstiftning och vad samtycke "gör". Genom kreativ metod och ny epistemologi (re)presenterar avhandlingen en kunskapsprocesssom är trogen till levd verklighet, samt en inbjudan att närma sig, den fruktansvärda underbara världen, dess komplexitet, och oss inom den.
|
| 49 |
“If Someone Finds Out You're a Perv:” The Experience and Management of Stigma in the BDSM SubcultureBrown, Toni O.L. 22 September 2010 (has links)
No description available.
|
| 50 |
Mirror, Mirror : Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012)Hjelm, Zara Luna January 2021 (has links)
This thesis examines the embodiment of the sexed body and the struggle of fitting into the narrow frames of what a woman is supposed to behave and look like in Japanese cinema. Using the medium of film, I, therefore, seek to produce knowledge regarding the internalized gaze of the oppressor, and self-objectification, caused by the capitalist heteropatriarchy. Thus, I am drawing from cyborg feminism, and the second wave of sexual difference theory’s concept of becoming, expanded upon by the Italian-Australian philosopher Rosi Braidotti. I further use the French sociologist Pierre Bourdieu’s notion of masculine domination and the American philosopher Gayle Rubin’s charmed circle, in creating a theoretical framework, and using the methods of cultural and feminist film analysis to contextualize the films and locate the subjectification of the women. The movies that I will be analyzing are the Japanese director and poet Sion Sono’s Antiporno (アンチポルノ, 2016) and the Japanese director and photographer Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012), which both center around two women and their struggle in becoming-cyborg, in relation to power, trauma, sexuality, technology, and beauty ideals in ‘modernized’ Japan. In that sense, I will study the phenomenon of operating outside the lines of social norms of femininity and desire.
|
Page generated in 0.4107 seconds