Hardy, J. 2017. The Archaeology of Mediation. A tourist route around Lina mire? Lina mire in the northeast of Gotland, is situated in a unique cultural landscape, with an abundance of archaeological remains and ancient monuments. The areas surrounding Lina mire include the parishes Gothem, Hörsne med Bara and Vallstena. These environments carry stories from the past which can take people walking there over 8000 years back in time. Having been identified by researchers as an important part of Gotlands cultural heritage, the surroundings of Lina and it´s rich history, are still left out to be seen in the eyes of the public. Either many of the monuments have been rather neglected, or the landscape has changed so much during time, that a lot of archaeological sites, such as ancient graves and settlements, now are invisible. In ancient times the wetlands and mires on Gotland (Lina mire being the largest) were important for fishing, hunting and haymaking. Today only 5 % of the wetlands remain due to draining and cultivation. This essay is part of a larger research project, called In Tjelvars Footsteps, conducted by Uppsala University/Campus Gotland. The aim is to investigate how the archaeology and history could be mediated in these landscapes, and whether there would be an interest in creating a tourist route around Lina mire or not. The research has been conducted by making ten interviews with locals and ten interviews with professionals. The analysis show that there is a great interest among both groups to mediate the cultural heritage of Lina mire. Concerns and problems that must be solved before building a tourist route are discussed and innovative ideas are lifted. The main, overall opinion is that the producers of the tourist route need to establish a good contact with the local landowners from the very beginning. Otherwise the project will not be realized. / I Tjelvars Fotspår

Submitted by Kenia Bernini (kenia.bernini@ufpel.edu.br) on 2018-11-12T17:37:11Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Ricaro_Luis_Sampaio_Pintado_Tese.pdf: 14891681 bytes, checksum: 116531767be8c837e551084f4c677a1f (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2018-11-13T15:58:16Z (GMT) No. of bitstreams: 2 Ricaro_Luis_Sampaio_Pintado_Tese.pdf: 14891681 bytes, checksum: 116531767be8c837e551084f4c677a1f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-11-13T15:58:16Z (GMT). No. of bitstreams: 2 Ricaro_Luis_Sampaio_Pintado_Tese.pdf: 14891681 bytes, checksum: 116531767be8c837e551084f4c677a1f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-08-15 / Sem bolsa / Esta tese trata da museografia desenvolvida pela arquiteta italiana Lina Bo Bardi no período de 1947 a 1968, a partir da instalação do Museu de Arte de São Paulo até a transferência para a sede na Avenida Paulista. Trata também da museografia desenvolvida neste ínterim para o Museu de Arte Moderna da Bahia. Especificamente, analisa a expografia, suas referências e desdobramentos nos museus enfocados. Ao tratar da expografia aproxima-se da arquitetura dos espaços expositivos e dos museus que projetou e instalou. A partir de fontes escritas e registro fotográfico descreve a expografia, seus dispositivos e os locais onde foram utilizados. Pretende-se assim, contribuir para a compreensão das práticas museográficas no Brasil a partir da análise da expografia desenvolvida por Lina Bo Bardi como contribuição para a expansão da imaginação museal no Brasil / This thesis pertains to the museography developed by the italian architect Lina Bo Bardi in the time period of 1947 through 1968, that includes the installation of the São Paulo Art Museum until the transfer to the new building on Paulista Avenue. This thesis also includes the museography developed in this era for the Museum of Modern Art of Bahia. Specifically it analyzes the design of exibits, their references and influences of the São Paulo and Bahia museums. When talks about the design of exibits gets close to the exposition spaces and from the museums she created and designed. From written sources and photographic records it describes the design for exhibits, its devices and where they were used. It's intending to contribute to the understanding of museum practices in Brazil from the analyzes of the exihibition design developed by Lina Bo Bardi as a contribution to the expansion of the museum imagination in Brazil

Orientador : Antonio Augusto Arantes Neto / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-01T10:56:59Z (GMT). No. of bitstreams: 1 Rubino_Silvana_D.pdf: 28490763 bytes, checksum: b914df2bfb5f7c1883b49ac0dd830d38 (MD5) Previous issue date: 2002 / Resumo: Esta tese trata da modernidade enquanto prática, que pode ser alterada, ganhando novos conteúdos através dos deslocamentos e da experiência social de alguns atores sociais. Pretende-se contribuir para uma geografia histórica do modernismo, por meio da reconstrução da trajetória de uma arquiteta italiana radicada no Brasil, Lina Bo Bardi, e de duas de suas obras, o Museu de Arte de São Paulo (MASP) e do Museu de Arte Moderna da Bahia (MAMB), posteriormente desdobrado em um segundo projeto, sediado no Solar do Unhão, em Salvador. Trajetória e obras são aqui analisadas em relação ao campo da arquitetura, com suas disputas e alianças internas, sua autonomia relativa em relação a outros campos; às circunstâncias do período histórico tratado (1947-1968) e das regiões (São Paulo e Bahia) onde realizou seus projetos. Ou seja, a tese busca responder a questão inicial a partir de um onde-quando-quem / Abstract: This dissertation deals about modernity as a practice, always being changed, acquiring new contents through dis-Iocation and through the social experience of some social actors. In this work one aims to contribute for a historical geography of modernism, by means of the reconstruction of the trajectory of an italian architect erradicated in Brazil, Lina Bo Bardi, and oftwo ofher works (masterpieces)*: The São Paulo Museum of Art (MASP)* and the Museum of Modern Art of Bahia (MAMB), this one later unfolded in a second project, established in Solar do Unhão, in Salvador. Trajectory and works are analysed here in relation to the field of Architecture, with its disputes and internal alliances, its relative autonomy in relation to other fields; to the circumstances of the historical period observed (1947 - 1968) and of the regions (São Paulo e Bahia) where the projects were realized. That is, the dissertation seeks to answer to the initial question IToma "where-when-who" / Doutorado / Doutor em Antropologia

Detta arbetes syfte är att se vilka olika familjekonstellationer som existerar i ett urval av bilderböcker som utkommit mellan 1989 och 2015. Dessa familjekonstellationers framställning har jämförts med hjälp av ett normkritiskt perspektiv, analyserats utifrån rådande normer som gäller familj och familjeliv i samhället och den statistik som tagits fram över olika familjeformer i Sverige under början av 2000-talet. Resultatet visar att de fyra olika bilderböckernas familjer alla på något sätt går emot normen, men att den familj som stämmer bäst överens med bilden om hur kärnfamiljen ska se ut är den nyaste av de fyra utvalda bilderböckerna. / The aim of this study is to explore the different family constellations that exists in a selection of children’s picture books published between the years of 1989 and 2015. The representations of these family constellations have been compared by critically investigating norms that applies to families and they have been analyzed by these norms and the statistics that existed in society at the beginning of the 21th century. The result shows that all of the four chosen picture-books goes against the norm on some point, but that the newest of the four books is the one that most resembles the picture of a nuclear family.

Dagens marknad är mycket osäker och föränderlig, vilket är en utmaning för bland annat industriföretag. För att förbli relevanta för marknaden måste företag anpassa sig. Anpassningen möjliggörs genom att företagen är flexibla i hela sin verksamhet. För ett industriföretag kan flexibilitet avse produktionsflexibilitet i produktionslayouter. Det är en mycket viktig komponent för att kunna hantera korta produktlivscykler och snabbt utvecklanya produkter. Denna kandidatuppsats undersöker vilken layout av de centrala layouterna, linan eller funktionella layouten, som är mest fördelaktig vad gäller flexibilitet och produktionskostnader givet nya lösningar från Industri 4.0. För att svara på frågan genomfördes en analys och en litteraturstudie baserade på ett studiebesök på Volvo fabriken i Köping. Analysen genomfördes genom att konstruera en lina som sedan skulle jämföras med en yteffektiviserad funktionell layout från Volvo fabriken i Köping. Resultaten av analysen visade att en lina med en rads placering har minst area men är lägre expansionsflexibel än en funktionell layout med Industri 4.0-lösningar. / Today's market is very uncertain and changing, which is a challenge for, among other things, industrial companies. To remain relevant in the market, companies must adapt. Adaptation is made possible by the companies being flexible throughout their operations. For an industrial company, flexibility can refer to production flexibility in production layouts. It is a very important component to be able to manage short product life cycles and quickly develop new products. This bachelor's thesis examines which production layout of the main layouts, a product or a functional layout, is most beneficial in terms of flexibility and production costs given new solutions from Industry 4.0. To answer the question, an analysis and a literature study were carried out based on a study visit to the Volvo factory in Köping. The analysis was carried out by constructing a product layout which would then be compared with a surface-efficient functional layout from the Volvo factory in Köping. The results of the analysis showed that a product layout with single-row placement has the least footprint but is less expansion flexible than a functional layout with Industry 4.0 solutions.

Populärkultur uppstår inte i ett vakuum. Det är inte konstigt att västerländsk populärkultur hämtar inspiration från Bibeln och västerländsk kristen kultur. Bokserien om Harry Potter tycks vara ett sådant exempel. Jag är intresserad av det intertextuella mötet mellan Harry Potter-böckerna och Bibeln. Detta är ett relevant ämne att studera inom bibelvetenskapen då intertextualitet är tolkning i flera led och alltså påverkar vår läsning av såväl Bibeln som skönlitteratur. Som Lina Sjöberg visar kan intertextuella studier mellan Bibeln och skönlitteratur vara ett sätt att exegetiskt arbeta med mellanmänskliga aspekter av bibelberättelser som i sin tur plockats upp av skönlitteraturen genom intertextuella referenser.1 Utifrån bibelvetarens uppgift att tolka och förstå Bibelns texter blir intertextuella studier en framkomlig väg bland flera.2Harry Potter är en bästsäljande bokserie skriven av den brittiske författaren J.K. Rowling.3 Bokserien har filmatiserats och även filmerna är mycket populära. Det har skapats en fandom4 kring Harry Potter. Fansen kallas för ”Potterheads”5 och J.K. Rowling har skapat plattformen ”Pottermore” som är en nöjessite, nyhetssite och online-butik för allt Potter-relaterat.6 Det genomslag Harry Potter har gjort gör serien till ett intressant ämne för intertextuella studier. Många älskar bokserien och även de som inte läst böckerna känner ofta till handlingen i viss utsträckning.

Uppsatsen grundar sig i social hållbarhet och kunskapsluckan gällande hur åtgärder för ökad social hållbarhet i olika typer av bostadsområden ser ut och om dessa åtgärder skiljer sig åt. Uppsatsen ämnar till att undersöka kommunala diskurser kring social hållbarhet och åtgärder som föreslås inom den fysiska planeringen för en ökad social hållbarhet i olika bostadsområden. Arbetet grundar sig i fallstudier av två kommuner; Haninge och Södertälje kommun inom vilka två miljonprogram och två mer “traditionella” bostadsområden har valts ut, där båda kommunerna innehåller respektive typ av bostadsområde. Därefter har kommunala styrdokument som behandlar respektive bostadsområde analyserats med hjälp av diskursanalys för att undersöka hur kommunen skriver om den sociala hållbarheten inom områdena och vilka åtgärder som föreslås för dem. Den specifika inriktningen inom det diskursanalytiska fältet som har valts för diskursanalysen är Laclau och Mouffes diskursteori. I analysen framgår det att de nodalpunkter som omfattas av kommunernas sociala hållbarhetsdiskurser binds ihop med ett antal element och flytande signifikanter (och därmed åtgärder), som både liknar men även skiljer sig mellan de olika kommunernas diskurser. Utöver detta är det även möjligt att konstatera att de specifika kommunernas diskurser har skillnader samt likheter inom den egna diskursen vilket har föranlett olika åtgärder för hur man ska öka den sociala hållbarheten i kommunen.

Submitted by Carolina Almeida (carolbalmeida@gmail.com) on 2018-07-30T13:46:37Z No. of bitstreams: 1 O Museu de Arte Moderna da Bahia e suas contemporaneidades_de Lina Bo Bardi a Solange Farkas.pdf: 2220361 bytes, checksum: 84b31809cb984bc4dfae17d5b81e4eff (MD5) / Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2018-07-30T15:36:06Z (GMT) No. of bitstreams: 1 O Museu de Arte Moderna da Bahia e suas contemporaneidades_de Lina Bo Bardi a Solange Farkas.pdf: 2220361 bytes, checksum: 84b31809cb984bc4dfae17d5b81e4eff (MD5) / Made available in DSpace on 2018-07-30T15:36:06Z (GMT). No. of bitstreams: 1 O Museu de Arte Moderna da Bahia e suas contemporaneidades_de Lina Bo Bardi a Solange Farkas.pdf: 2220361 bytes, checksum: 84b31809cb984bc4dfae17d5b81e4eff (MD5) / A presente dissertação analisa o Museu de Arte Moderna da Bahia (MAM-BA) e sua gestão no contexto das recentes mudanças e avanços ocorridos nas políticas culturais baianas. O recorte temporal está concentrado no período entre 2007 a 2010, quando o Estado passou a ter uma Secretaria de Cultura autônoma, independente do turismo. Nesse período a curadora de arte Solange Farkas esteve à frente do museu e buscou dinamizá-lo com uma intensa programação de atividades, com o objetivo de inseri-lo no sistema nacional e internacional de arte contemporânea. A investigação leva em consideração a concepção original do MAM-BA, conforme idealizada pela arquiteta italiana Lina Bob Bardi, como um importante elemento legitimador da instituição na cena das artes visuais. Nesse sentido, confrontam-se aspectos entre as gestões Farkas (2007-2010) e a gestão Bo Bardi (1959-1964), visando identificar aproximações e diferenças. Para compreender diferentes aspectos da gestão, as influências das políticas culturais implementadas e a referência ao pensamento de Lina, foram realizadas entrevistas com gestores, artistas, curadores e pesquisadores atuantes no cenário cultural baiano. / This dissertation analyses the Museum of Modern Art of Bahia (MAM-BA) in its contemporary context and the relationship that existed between its management and the recent changes and advances in the cultural policies of the state of Bahia. The temporal cut is concentrated in the period between 2007 and 2010, when the State of Bahia reorganized its administration to have an autonomous Secretariat of Culture, independent of Tourism activities. During this period the curator Solange Farkas took over the management of the museum and sought to energize it with an intense activity, with the objective of inserting it into the national and international scenario of the contemporary art. The research considers the original MAM-BA, as originally designed by the Italian architect Lina Bo Bardi as a legitimating element of the institution in the scene of the visual arts. In this sense, aspects are confronted between the Farkas administration (2007-2010) and the Bo Bardi management (1959-1964), to identify approximations and differences. To understand the different management aspects, the influences of cultural policies and the reference of the Lina’s thought, interviews were carried out and a questionnaire was applied with managers, artists, curators and researchers in the Bahia’s cultural scene.

abstract: ABSTRACT Recent studies indicate that there is a positive influence of nature and nature integrated built environments on human health and wellness in various physical, physiological and social domains. This thesis critically reviews formally and contextually three distinct residential typologies designed by renowned architects Frank Lloyd Wright (1867-1959), Lina Bo Bardi (1914-1992), and Ryue Nishizawa (1966-), in different periods and countries; the United States of America (USA), Brazil and Japan. Yet, the buildings analyzed in the research are relatively connected by means of nature and the natural elements in their constructed essence. This research focuses on the features of the buildings that characterize the Biophilic Design, along with theoretical and practical ideas of the architects behind each building in their own process of formation. The Biophilic Design Framework has been developed out of the Biophilia Hypothesis (Fromm, 1973; Wilson, 1984) which puts forward an explanatory suggestion that human affinity and affiliation with nature are based on genetic and environmental adaptation processes. This research is designed to display how specific natural phenomena apply to the built environment within the Framework of Biophilic Design (Kellert, & Calabrese, 2015) and how the Biophilia Hypothesis translates into the built environment. To accomplish this, two primary and three secondary research questions were developed for the study. The research will provide an understanding of the Biophilia Hypothesis and its impact on the built environment through the evaluation of research variables on the case studies using the ‘twenty-four attributes’ indicated in the ‘three experiences’ of Biophilic Design. These architects’ approaches and the methods applied theoretically and practically to these research sites were unveiled and analyzed through three case studies. A positive correlation regarding the success of the case studies and their Biophilic characteristics is found by analyzing the research sites and critiques from the authorities in written literature. The applicability of the ‘Biophilic Design Framework’ was found and evidenced by the findings from these case studies designed by master architects and located in different climates, regions and contexts. / Dissertation/Thesis / Masters Thesis Architecture 2017

A presente dissertação parte do princípio da relevância da produção arquitetônica para uso residencial no contexto das mudanças sociais ocorridas entre as primeiras décadas do século XX e o período do segundo pós-guerra, bem como da observação de que inúmeras obras residenciais paradigmáticas deste período foram projetadas e executadas por arquitetos para uso próprio. Buscou-se, através do recorte do objeto, estudar a arquitetura que resultou de situações que, embora possam ser consideradas excepcionais na atividade produtiva do arquiteto - e talvez até pelo mesmo motivo - puderam propiciar aos autores estudados a oportunidade de elaborar questões pertinentes à disciplina com mais liberdade, do ponto de vista de condicionantes mercadológicas e sócio-culturais vigentes, do que em situações convencionais de produção. Procuramos também, através da comparação entre as residências próprias de arquitetos e o conjunto de sua produção, compreender em que medida as condicionantes do projeto representadas pela figura do cliente podem interferir no resultado final da obra. O objetivo geral do trabalho consiste no levantamento e classificação de obras residenciais de arquitetos (projetadas e construídas para uso próprio) consideradas relevantes na historiografia da arquitetura mundial e brasileira do período estudado, bem como na análise de sua representatividade no conjunto da obra de seus autores, sua relação com as principais correntes arquitetônicas identificadas para a época e suas contribuições ao pensamento e à cultura arquitetônica do período. Apresentamos também a análise aprofundada de alguns casos individuais, com o objetivo de revelar elementos do programa, processo projetual, linguagem, e valores dos arquitetos estudados - além de sua representatividade em relação ao contexto histórico da disciplina. / This dissertation begins with the relevance of residential architecture within the context of the social transformations of the first decades of the 20th century and the period following World War II. It is noted that many of the milestone residences of that time were designed and built by architects for their own use. This work aims to study the architecture resulting from arguably exceptional situations of architectural production, which provided its architects with the opportunity to elaborate issues pertinent to the discipline with greater freedom - in terms of the market and socio-cultural conditions in force at the time - than would have been possible if these situations had been conventional. We have also sought to understand the measure to which the design constraints imposed by clients can impact on the final result, by comparing the architects\' own homes to their output as a whole. The main objective of this work is to survey and classify the residential projects designed and built by architects for their own use that are considered important in global and Brazilian architectural history for the period under study, as well as analyze them within the context of all their architectural production, their relationships with the main architectural movements at the time and their contributions to architectural thinking and culture. In depth analyses of certain cases are employed to reveal elements of the brief, design process, language and values of the architects in question, as well as their representativeness in relation to the discipline\'s historical context.