Global ETD Search

41	De la constellation Marconi au métissage hypermédiatique : comment évaluer l’évolution découlant de la « conversion numérique » ? Marcoux, Fabrice 01 1900 (has links) No description available. Théorie des médias Culture numérique Marshall McLuhan Milad Doueihi Littérature Humanisme numérique Écologie des médias Espace Temps Identité Jeu Media theory Digital culture Literature Space Time Identity Play Media ecology Digital humanism
42	À l’ère du numérique, où est le magazine? : déambulation et écologie médiatique urbaine du magazine imprimé contemporain Gladu, Hugo P. 12 1900 (has links) Dans ce mémoire, je défends l’idée que le magazine contribue à l’aménagement des lieux qui constituent l’espace public urbain et qu’il fait partie intégrante de « textures » (Adams et Jansson, 2012) qui construisent socialement et culturellement les lieux. J’étudie le magazine imprimé comme un objet physique et situé et m’intéresse aux infrastructures qui le rendent visible. Par une écologie médiatique urbaine, je propose d’ériger un pont entre l’objet médiatique « exceptionnel » (Abrahamson, 2007) qu’est le magazine imprimé et ses lieux afin de considérer le magazine autrement que par les analyses de contenu qui ont dominé les études sur le magazine. En déambulant dans les rues de Montréal, je suis allé à la recherche du magazine pour témoigner de sa présence continue à l’ère du numérique. / In this thesis, I argue that the printed magazine contributes to the planning of the places that make up urban public space and that it is an integral part of the 'textures' (Adams and Jansson, 2012) that socially and culturally construct places. I study the printed magazine as a physical and situated object and I am interested in the infrastructures that make it visible. Through an urban media ecology, I propose to build a bridge between the 'exceptional' (Abrahamson, 2007) media object that is the printed magazine and its places in order to consider the media differently from the content analyses that have long dominated magazine studies. Wandering the streets of Montreal, I went in search of the magazine to highlight its continued presence in the digital age. Magazine Presse écrite Écologie médiatique Déambulation Imprimé Géographie de la communication Ville Médias urbains Infrastructures médiatiques Print media Media ecology Wandering Print Geography of communication City Urban media Media infrastructure
43	From the Boardroom to the Bedroom: Sexual Ecologies in the Algorithmic Age Bowen, Bernadette 13 May 2022 (has links) No description available. Communication American Studies Bioinformatics Education Economic History Ethnic Studies Gender Studies Gender Health Education Higher Education Individual and Family Studies Information Technology Information Systems Mass Communications Marketing Mass Media Medical Ethics Middle School Education Modern History Organizational Behavior Personal Relationships Philosophy Philosophy of Science Public Health Public Health Education Rhetoric Science Education Secondary Education Social Research Social Structure Sociology Systematic Systems Design Technical Communication Technology Web Studies Womens Studies Adult Education American History Black Studies critical media ecology mechanization humanization feminist epistemologies histography critical feminist rhetoric critical discourse analysis media ecology advertising TikTok commodification femvertising anthropomorphism algorithmic age identity studies gender and sexuality studies
44	El ecosistema del contenido móvil: actores, líneas de evolución y factores de disrupción Castellet Homet, Andreu 29 October 2012 (has links) El contenido móvil es la gran novedad del universo digital en el siglo XXI. El desarrollo de redes y terminales ha impulsado la conectividad ubicua en amplísimos sectores de la población a escala global, pero su gran impulso ha provenido de la aparición de ecosistemas complejos de contenidos y aplicaciones promovidos por plataformas tecnológicas. En este trabajo se ha analizado la actividad de los integrantes de la cadena de valor del contenido móvil (creadores de contenidos, proveedores de terminales, gestores de redes, proveedores de sistemas operativos, reguladores, usuarios y sector publicitario). Asimismo, se han estudiado los principales factores de disrupción del ecosistema (Apple y Google; 'App Store'; medios sociales; 'cloud computing'; y neutralidad de la red). La investigación concluye afirmando la especificidad del contenido móvil y señala a los datos del usuario en movilidad como el nuevo gran vector de creación de valor asociado al contenido en un fut uro próximo. / Mobile content is digital universe's biggest news in the 21st Century. The development of networks and devices has fuelled ubiquitous connectivity globally among wide segments of population. However, its big impulse has come from the rise of complex content and applications ecosystems, lead by technological platforms. In this work, activity of value chain players (content creators, terminal suppliers, network managers, operating systems suppliers, regulators, users and advertising sector) within mobile content is analysed. Furthermore, main disruption factors of the ecosystem (Apple and Google; the App store phenomenon; social media; cloud computing; and network neutrality) are studied. This research concludes asserting the specificity of mobile content and foresees user data in mobility as the next big value creation vector linked to content for the next future. contenidos móviles ecología de los medios empresa periodística industrias culturales industrias del entretenimiento internet medios digitales nuevos medios políticas de comunicación redes sociales telecomunicaciones cultural industries digital media entertainment industries internet media ecology media economics media policy new media social media telecommunications Periodismo 070
45	Are you ready for a wet live-in? : explorations into listening Holmstedt, Janna January 2017 (has links) Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations? This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. One entry into this field is offered by the animal “voice” and attempts to teach animals to speak human language. The first journey concerns a specific case where humanoid sounds were found to emanate from an unlikely source—the blowhole of a dolphin. Another point of entry is offered by the acousmatic voice, a voice split from its body, and more specifically, my encounter with the disembodied voice of Steve Buscemi in a prison in Philadelphia. This listening experience triggered a fascination with, and an inquiry into, the voices that exist alongside us, the parasitic relation that audio technology makes possible, and the way an accompanying voice changes one’s perceptions and even one’s behavior. In the case of both the animal and the acousmatic, the seemingly trivial act of attending to a voice quickly opens up a complex space of embodied entanglements with the potential to challenge much of what we take for granted. At the heart of my inquiry is a series of artworks made between 2012 and 2016, which constitute a third journey: the performance Limit-Cruisers (#1 Sphere), the praxis session Limit-Cruisers (#2 Crowd), the installations Therapy in Junkspace, Fluorescent You, and “Then, ere the bark above their shoulders grew,” and the lecture performance Articulations from the Orifice (The Dry and the Wet). The relationship between what is seen and heard is being explored and renegotiated in the arts and beyond. We are increasingly addressed by prerecorded and synthetic voices in both public and private spaces. Simultaneously, our notions of human communication are challenged and complicated by recent research in animal communication. My work attempts to address the shifts and complexities embodied in these developments. The three journeys are deeply entwined with theoretical inquiries into human-animal relationships, technology, and the philosophy of sound. In the essay, I consider as well how other artistic practices are exploring this same complex space. What I put forward is a materialist and concrete approach to listening understood as a situated practice. Listening is both a form of co-habitation and an ecology. In and through listening, I claim, one could be said to perform in concert with the things heard while at the same time being changed by them. / <p>Avhandlingen är även utgiven i serien: Malmö Faculty of Fine and Performing Arts, Lund University: DoctoralStudies and Research in Fine and Performing Arts, 16. ISSN: 1653-8617</p> artistic research listening situated practices sound in art expanded art expanded scenography media ecology acousmatic orality a/orality storytelling interspecies communication more-than-human relations co-habitation sensorial estrangement posthumanism parasites play technology dolphins sonic sensibility transliteracy voice performativity new materialism Michel Serres Karen Barad John Lilly oceans wet live-in Visual Arts Bildkonst Performing Arts Scenkonst
46	Collective Digital Identity of Russian Nationalist Organisations in the Invasion of Ukraine Scalise, Gabriele January 2023 (has links) This project investigates Russian nationalist organisations during the invasion of Ukraine, to study their collective identity and practises. It features an ethnography of 26 organisations, their websites and social media. Their content is coded via a semiotic framework, categorising their symbols, images, content posted and other identity tropes. It is then analysed by applying political, sociological and communication theories. The study’s background is the 2022 Russian invasion of Ukraine, with its dynamics of war and cultural struggle. The results are that Russian collective identities simplified their communication already by the end of March 2022, abandoning many of the tropes they initially supported, as well as their symbols, limiting themselves to attribute the label of Nazism to Ukraine and its government, avoiding the promotion of frontline volunteer activities and considering Russia’s struggle as global. Finally, most continued to evaluate the invasion of Ukraine as proceeding positively, and at the time half the organisations referred to it as special military operation. Russian invasion of Ukraine Russo-Ukrainian War Russian nationalism Eurasianism ethnography semiotics coding Russian studies media ecology collective identity narrative infowar Media Studies Medievetenskap Communication Studies Kommunikationsvetenskap
47	Social Media in Politics: Exploring Trump's Rhetorical Strategy During the 2016 U.S. Presidential Campaign Within Twitter's Discursive Space Christa L Jennings (6581261) 10 June 2019 (has links) <p>The prevalence of social media in political campaigns are changing the face of politics in the United States and abroad. The rapid pace at which this change is occurring demands inquiry into the previously unexplored area of unconventional political campaign messaging practices on social media. Investigation of Donald Trump’s use of tweets as rhetorical strategy in the discursive space of Twitter during the 2016 U.S. presidential campaign revealed a bypass of traditional media and its source verification processes. This circumventing of mainstream media channels facilitated Trump’s deployment of an unchecked ‘broken system’ narrative alleging government corruption</p> <p>and a rigged system. Trump’s tweet discourses tapped into existing feelings of disenfranchisement and disaffection felt by a self-identified politically marginalized segment of society. This study</p> <p>investigates how social media use in political campaigns can serve as a public sphere for contestation of social and political norms. An interdisciplinary theoretical frame comprised of Feenberg’s critical theory of technology, McLuhan’s media ecology, Fraser’s counterpublic spheres, and Iser’s implied reader offer new understandings about the power of anti-establishment discourses and a hybrid discursive space to destabilize governing institutions and redefine social and political identities. Study of Trump’s tweets as rhetorical strategy granted insights into the social and political capacity of alternative truth to undermine the political process. Further, it uncovered the power of social media to awaken and leverage existing political identities for personal political gain.</p> Social and Community Psychology Literary Theory Stylistics and Textual Analysis Hermeneutic and Critical Theory Discourse and Pragmatics Communication Studies social media Politics Donald Trump Twitter Political Campaigns Rhetorical strategies discursive space Textual analysis social media strategy electorate influences Technology Critical Theory of Technology Implied Reader Counterpublic Spheres Media Ecology 2016 U.S. Presidential Election Anti-establishment Discourse

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